Back Home To Snow And Moose

We left from the D Concourse at SEATAC which has my favorite art piece there - Michael Fajans' High Wire.  I posted about it back in 2008.  (Back then I wrote that it was in Terminal B, but it was definitely in D yesterday.  Maybe the old post was wrong.)

After a couple of gate changes, trying to get in as much of the impeachment hearings as I could, we were in the air above the clouds over Alaska.  It was late afternoon - Anchorage's official sunset yesterday was 3:48pm, but if it's not too cloudy, we have long twilights - and the orange glow was on the western horizon, while out my east facing window there were snow mountains.

And around 4:20pm it was still light enough to capture these exquisite winter scenes with only a slight blur from the long exposure time.  

And as we circled over Cook Inlet to land in Anchorage, the sunset was still painted on the western sky.  

I went out to get our passes for the Anchorage International Film Festival which begins tomorrow night and to pick up some groceries and just on 36th there was a moose crossing the road in the dark.

One of those amazing moments when out of the darkness you realize there's a magnificent

moose and there's no time to react.  Fortunately it was still in the oncoming lane as I passed.  No time to even take a picture, even if I hadn't left my phone at home.  What a great welcome home.




At my dentist this morning this moose was on the wall.  Not quite the same.  But I was sitting still and so was the moose.



















And I'm pleased to say that my studded tires worked like a charm as I rode over to the dentist and back.  I'm getting a little more confident that they aren't going to betray me.  Hoping my trust in them proves warranted.  I won't be reckless, but a little less cautious.









So, let's just leave this post as it is - on light subjects or art, travel, mountains, moose, AIFF2019, and biking in the snow.