Showing posts with label competition. Show all posts
Showing posts with label competition. Show all posts

Saturday, December 10, 2022

AIFF2022: While Awards Party On At Bear Paw, I'll Make My Own Awards Suggestions [UPDATED]

[December 10, 2022, 10:45pm: The Updates are bracketed and in red so you can see them easier]

[UPDATE Dec 11, 2022 4pm - Turns out the two features being shown today are the audience awards, not the AIFF awards.  Not sure what that means about the shorts.  I did see the two shorts programs and caught up on films I hadn't seen.  

Sheri is the story of the woman who made the first pacrrafts, and it makes sense this would have been an audience choice - lots of outdoor adventure with an amazing woman.  

The Record had incredible animation and told the story of a record that played the music you didn't remember.  

The Silent World of Barry Priori - The story of a deaf man in Australia who as a child at first was being forced to speak, but then found deaf friends and eventually became a teacher of Australian sign language.]


I was planning to go to the awards party, but I just don't have the energy tonight.  I've been thinking about making my 'best film' nominations here instead and the actual winners should be posted tonight because tomorrow they will show the award winners at the museum, starting with 

12pm Made In Alaska [Shorts Program 1 - Mixes Documentary, Animated, and Made in Alaska

Peanut Factory • Burros • Never Again Para Nadie • Sheri • Safe Enough]

2pm Short Films [2 - mixes Narrative shorts and Animation

Peanut Factory • Burros • Never Again Para Nadie • Sheri • Safe Enough


4pm Narrative Features [The Wind And The Reckoning]

6pm Documentary Features [Pleistocene Park]


Best, of course, is in the eye of the beholder.  Blogging the festival over the years has forced me to think about and articulate different standards for best.  I wrote something on that the other day, but I'll reiterate here:

1.  Quality of the film making - Cinematography, sound, acting, editing are some of the factors here.  Ideally there won't be any flaws.  At best there will be some pushing of the envelope, using film to tell the story or make the point using new techniques or old techniques in new ways.  

2.  Quality of the story/message - Was it engaging?  Was it an important message?  Original?  Able to convey ideas or insights in new ways that might capture people who didn't know or resisted these ideas?

3.  Overall, what was the impact of the film on you?  Some films overcome flaws, or even their flaws add to the impact, to blow you away.  This is the most personal of the criteria.  It depends on you life experiences and whether the film comes to you at a time when you are receptive to it.  


That said, here are my picks:

Made in Alaska - I'm afraid I didn't see enough of these to pick a 'winner.'  Of the films I saw:

  • Kakiñiit
  • Sabor Ártico 
  • Safe Enough
Of these three, I would go with Kakiñiit.  This was a short film in several 'chapters' about Inupiaq tattoos.  I liked how he connected the segments with a pause, showing a finely designed title like page.  It was unique and the first time it caught the audience off guard as we thought it was the end of the film.  
I also like Safe Enough, a story about an arts camp in Sitka where different students are featured explaining what the camp meant to them.  Mostly they said it allowed them to be themselves for the first time, and that the felt really good.  

Shorts -  I saw a fair number of shorts, both narrative and documentary, but there are still a lot more I missed.  
[The shorts winners are not clear.  There are two programs offered tomorrow with five shorts in each program.  I assume they are doing it this way to have a full program.  However it's not clear which films were the winners.  The films in the Narrative program tomorrow are:  Object of Life* • The Record* • Anirudh • The Silent World of Barry Priori • Nakam • Too Rough - *Animated]


Naratrive Shorts I saw: 
  • Anirudh
  • Brasier
  • Burros
  • Customs
  • Dotting The 'i'
  • Duet
  • Honeymoon at Cold Hollow
  • If You Were Me
  • Jelly Bean
  • Late Bloomer
  • Lead/Follow
  • Nakam
  • No Ghost in the Morgue
  • Sunday With Monica
  • Synthbabe
  • The Things That Keep Us Apart
  • To Be Honest
  • Too Rough

I guess I saw more than I realized.  Ones that stand out:
  • Anirudh
  • Dotting the 'i'
  • Late Bloomer
  • Nakam
  • No Ghost in the Morgue
  • Sunday With Monica
  • Too Rough

My Choice is Nakam.  Second:  No Ghost in the Morgue;  Third:  Late Bloomer  
I really liked was Anirudh.  It's hard to choose.  

Nakam is a short story that took place in a small, German occupied  town in Ukraine during WWII.  Key German officers are going to have a dinner in a small in and request the piano player and the boy who accompanies him on the violin be there to make cheerful music for them.  The color and look of the film were beautiful.  

Documentary Shorts  The ones I saw were:
Abortion:  Add to the Cart
Gina
Herd
Never Again Para Nadie
Queen Moorea
The Body is A House of Familiar Rooms

[The shorts in the second program winners program are:
Peanut Factory* • Burros • Never Again Para Nadie • Sheri** • Safe Enough**   - *indicates animated and **Made In Alaska]]

Winner:  Queen Moorea - And I'm guessing this one has a good chance of winning with the judges. It's the story of a girl with a disability I didn't quite understand who becomes the homecoming queen at her high school.  That happens pretty much at the beginning.  Then the rest tells us the back story.  
Second:  Never Again Para Nadie - This is probably due to the story that was told - how the Jewish community got together to protest with the Latino community of their town in Rhode Island that had a prison that was used to hold undocumented immigrants.  
I also really liked the visuals in The Body is A House of Familiar Rooms

Animated Shorts - I saw:
  • Birthday Wish
  • Footprints in the Forest
  • Object of Life
  • Peanut Factory
  • Rain
  • Santa Doesn't Need Your Help
  • Snowflakes
  • Star-Crossed
  • The Social Chameleon
I wasn't that excited.  I can only pick one:

Winner:  Rain - This story about a girl out with her family in the rain and who runs away to play in the rain had exquisite visual images of rain, splashes, and the general scene.  

Narrative Features  - This is hard.  All the films I saw:

Dealing With Dad
The Last Birds of Passage
The Wind And The Reckoning
You Resemble Me

were very good films.  This turns out to be all the Narrative Features listed. 
 [The Wind and the Reckoning]

Winner:  The Last Birds of Passage   Told the story of a family of Turkish nomads who every year drive their sheep 500 kilometers across parts of Turkey to the upper pastures.  But age and increasing regulations put this year's trip in doubt.  Lots of little touches as we learn about each of the key characters.  
But I would be fine with any of the others winning.  I'm guessing it will go to The Wind and The Reckoning.  


Documentary Features   [Festival Winner:  Pleistocene Park  the one I hadn't seen, so I can see it tomorrow evening]

  • Big Crow
  • Crows Are White
  • Exposure
  • King of Kings:  Chasing Edward Jones
My winner is Crows Are White.  I wrote at greater length about this film here. Also wrote about Big Crow there.  Crows Are White - got into my head.  The film itself embodied all the contradictions and conflicts that the film depicted.  Lots of angst and lots of humor.  This was the most honest and subtle film.  Probably the best film of the festival.  

King of Kings would be my second choice.  A fascinating family story that also tells us a piece of Chicago history as the film maker investigates her grandfather who turns out to be an incredible person.  

The others are good as well, telling compelling stories, but the film making doesn't reach the same levels.  

Now I'll check the AIFF website and FB page to see who actually won.  I'll add that on here or possibly make a new page

Saturday, February 12, 2022

AK Redistricting Board: The First Trial Is Over

[See message from Board Executive Director which arrived just after I posted this. At bottom]

So how should I do this?  There were five cases.  The Board had to respond to all of them.  Board attorney Singer responded to all of them except the Calista case which he delegated to Lee Baxter. 

Robin Brena was the attorney for two cases - Valdez and Skagway.  Stacey Stone for Valdez' partner case Mat-Su.  Holly Wells for East Anchorage, and Michael Schechter for Calista.  

I was hoping the closing arguments would be posted online and I could just direct you there for the details of the arguments.  But they aren't up and I doubt they'll be up before Monday if then.  The Findings of Facts and of Law are all up which is a general guide to what was said in the closing arguments.  

[I originally linked to the Court page with these documents, but the Board has put them on their page and I think that will be more permanent.  They've talked of preserving it, unlike the last Board website.]

There were lots of things here to talk about.  One biggie is how ridiculous and how useful the adversarial process is.  Silly because attorneys fight hard to defend the indefensible, but useful because so many important points get out and rebutted.  And this seems like a very conscientious and thoughtful judge.  The grandstanding some did, that might work (or backfire) in front of a jury is irrelevant, because the judge, this judge, seems to see through it.  He was gracious to all the attorneys and court staff and whatever he decides will be thoughtful.  The biggest obstacle for him is time - time to read through everything, time to write up his findings.  

But let me try to wing it here and just talk about a couple things that caught my attention. 

I wasn't impressed with  East Anchorage's Holly Wells' presentation.  I'd expected it to clearly identify legal criteria and then show how the Board missed them.  It was less organized than that.  But I missed the first few minutes of Wells' presenting her case - I had the video ready, but must have hit the stop button. 

So I went back to see if the video was still there. (The court doesn't save the video, but sometimes it doesn't get taken down right away.  As I post this (Saturday) it is still up and you can listen for yourself.  You can skip around to get a sense of the different attorneys to see their various styles. Maybe it will stay there over the weekend before someone takes it down - PLEASE court, just leave it there until Monday at least.)

So I've transcribed the beginning (the part I missed)  of Wells' closing argument:

Wells: This case is really one of process than anything. While process has been sidelined by the board recently Process is the heart of every substantive Constitutional requirement that faces the Board.  It’s at the heart of how it functions, how it understand its obligations.  

The board’s decisions were to abandon process and to even outright evade it on the 8th and 9th hearings and Senate pairings that led to the substantial constitutional errors that were  committed by the Board with respect to ER EastAnchorage Senate pairings..  Seems almost peripheral to focus on something like process when you’re looking at the level of extreme substantive crimes??  here..  But the truth is that it is the courts that have grounded us in this concept.  In order to understand where things went off the rails, we have to understand why.  And because it is present in every piece and every component of the Board’s decision. It’s also present in how the Board analyzes and its own perspective of its errors and its decisions not to ?? those errors and its decision to conceal them which has its own issues.  I think the best place to start is with the house districts.  

With the house districts saw a board who made every effort to try to communicate with the public.  They adopted a public testimony process at the beginning and the end of every hearing.  They put up interactive maps, they adopted software that allowed the public to go in and draw on those maps.  They made mistakes because every board makes mistakes, and they’re inevitable, but they did maintain the integrity of their process, so at the end of the day they, when the Board members were gathered at their table there was fighting there was difficult conversation, a lot of public input and at the end of the day a fair house district map resulted.  On Nov 8 they walked in and suddenly they changed their agenda.  There is no second public testimony.  They cling to the presence of senate pairings and leave the findings facts and conclusions of law of the Board, there were  talk of Senate pairing proposals of the third party plans.  But in reality when they walked in they didn’t know what they were creating or how they were going to create it.  The discussions in the transcript have questions from member Bahnke asking “What’s our plan? How are we going to do this?”  And Chair Binkley answered, “I don’t know, maybe do some on our own, smaller groups, then we’ll all get back together and then we’ll show the public what we’ve come up with.  On the record.  There were no plans there were no Senate pairings out there and the public, even without those plans, submitted over 100 comments in support of keeping ER together and keeping Muldoon with Muldoon.  There was a significant focus of the public on the house districts, it was a running theme.  Fear that ER would be split, given two house seats and combined with Muldoon and then would be fragmented.  As they start this process, Board member Bahnke makes a presentation. And the majority Board members are silent.  They say nothing. They make some comments, I think there’s some discussion on procedural issues, but there is no substantive statement of support or opposition to what she presents about ER and Anchorage senate pairings.  

Then Board member Marcum makes her presentation.  She mentions that she has four versions, she doesn’t present any particular version in a way where you are looking at a concrete, visible, clear presentation of Senate pairings.

We see that in David Dunsmore’s affidavit.  We see that very clearly when we review the transcripts.  

And yet the one thing she does do, she makes it very clear there is one goal she is trying to accomplish.  She wants JBER to be paired with Eagle River.  My biggest disappointment is that reading this is much more interesting than listening to wells tell us.  It's more like she's relating to a friend what she said after a long day at trial.  And it may be the case that she was up late last night practicing.  She starts by telling us it's about process - which is an important part - but she doesn't succinctly identify the rule or law or constitutional point that was violated with a short example of what happened.  We have to work hard ourselves to figure out what points she's making.  There's no First, Second, Third to help us get back on track.  


She does, after this, talk about the Board being a public entity that is acting like a private entity, but if she cites legal differences between the two and then gives examples of what the Board did, I missed it in the droning narrative.  

We get principles - 
"Socio Economic integration is not required for Senate pairings, but rational decision making is."

She tells us administrative record wasn't maintained.  That there was a lack of communication.  That they violated Roberts Rules of Order.  

All that's true.  Minutes didn't really tell the public what happened or who was responsible.  And if I recall correctly, they all got delivered and approved in a huge group, so late in the process, that the Board itself didn't have time to check each meeting.  And frankly, by the time they got the minutes, it would have been hard to recollect what happened when or to find what was missing.  But why exactly is this illegal and reason to do what, exactly?  Sure, the transcripts of the meetings were never actually put up on the Board's website.  It took till the end of the pre-trial hearings before they actually got transcribed. Tell us why that's illegal enough to invalidate the ER pairings.  And the board did a great job of posting the audio or video very quickly of every meeting.  They also did a good job of posting the public comments within a week of the meeting, often faster.  

But as I know too well, going through video to find what was said is a slow and tedious process.  Transcripts, good ones anyway, allow you to search key terms.  Then if you need to, you can find the spot on the video - again, if the transcripts include time.  [Next time the Board should make sure there's a clock always visible in the video to make it easier to find things.]  

I went through the East Anchorage findings of fact fairly quickly yesterday.  After listening today, I need to do that again to see if they highlight more clearly the points she made today.  I suspect they do.  And this trial has been going at a grueling pace.  I suspect she didn't get much sleep the night before.  But that makes having an organized, point by point presentation all the more important.  

She ended by saying the remedy for the ER pairings is easy - they just need to follow the Bahnke plan that was presented.  


And then comes Singer, the board's attorney.  I finally figured out why it's so tedious to listen to him at trial.  There's a smugness in his voice.  Disdain.  He knows the truth and he sounds like he's tired of having to correct all the plaintiffs' errors.  That this all is a waste of his time. (A lucrative waste.) I didn't figure this out until the Calista case today when Lee Baxter took the role of the Board's lawyer.  In contrast, he sounds respectful and sincere as he tries to counter the plaintiff's arguments.  The parts that sound a bit like Singer are the parts that I suspect Singer had a hand in scripting - He started off by saying that "Calista seeks to gerrymander NW Alaska to increase representation."  That is out of character for Baxter.  But back to East Anchorage. (And I'll stray beyond East Anchorage.)

Basically, Singer was taking a stand that it doesn't matter what the districts are like as long as they don't violate the Constitutional requirements.  It doesn't matter if there are better maps that could have been drawn.  The plaintiffs had the chance to draw better maps but waited until after everything was over.  The Board worked hard, are smart people and they did a great job. There is no concern about having the best plan possible, just winning.  

What would happen if in Court the Board authorized the attorney to say, "You know, Brena is right about Skagway.  The court should give that one back to the Board and we'll switch Skagway back to downtown Juneau and keep all the Mendenhall Glacier  [Valley] together"? But that would take a concern for the people of Alaska that Singer doesn't seem to have.  Some things he said:

1.  "Everything within a Borough is socio-economically integrated.  End of argument."  We heard this over and over at Board meetings, from Singer and then from Board members.  I would really like for Singer's briefing to the Board on Redistricting Law to be made public so we can know if he told him about how much more flexible the SC decisions have been.  How they've emphasized things like:

"In addition to preventing gerrymandering, the requirement that districts be composed of relatively integrated socio-economic areas helps to ensure that a voter is not denied his or her right to an equally powerful vote."

That is precisely the point being made best by Brena in the Skagway and Valdez cases.  But also in the East Anchorage case and the Calista case.   And that's true for Senate seats as well - the voters not be denied their right to an equally powerful vote.  Even inside a Borough.

2.  Dismissing claims about overwhelming public testimony on Eagle River/Muldoon pairings (and Skagway), "This is not a popularity contest."  Actually in a way it is. We're talking about elections and democracy and he's just saying, the Board can ignore what the public has to say because that's why they were chosen to be on the board. To make the hard decisions. Over the will of the people they are deciding about.  Except if that were true the Constitution wouldn't require 60 days of public hearings.  And if it's true, the Board should pay back all the money they spent traveling the state to hear from the public.  

3.  On the other hand, he said again, that it's easy to make a map of one or a few districts.  But you really have to make a map of all forty districts because then you'll see how hard it is.  That seems to contradict the point of it being the Board's job to make the hard decisions.  If the Board tells people they will only look at their maps if they make complete state maps, that's essentially telling them "We don't care what you think."  The Board members got paid a decent fee to spend the last year making statewide maps with specialized training and staff assistance.  Simpson even testified he didn't do any mapping himself, he had staff do it for him.  That was better for him.  But the public was supposed to make 40 district maps?  They couldn't just describe their preferences for their own district and let the Board work it out?  

OK, I know it's not easy, and Tanner Amdur-Clark did a good job as an intervenor explaining how little changes in one place ripple across the state.  The presentation was effective, but I don't have the ability or time to double check what he said in detail.  And he is strongly advocating for maintaining D36 as it is, so he has a vested interest in not letting that district get altered which would happen if there are any changes to Valdez and Mat-Su maps.  But the presentation was a good illustration of the difficulty of making maps. 


4.  Right after telling us that "attacks on Doyon and Ahtna and others are an excuse to get the map they want" that "Ad hominem attacks are falacious"  Singer, in the next sentence, calls Valdez' expert Kimball Brace "Mr Gerrymander."  He's been called that on national television so it's not original to Singer, but nationally it's more a recognition of how well he knows how to map.  But Singer has made sure to link Brace to that moniker frequently.  That might work with a jury, but I think Judge Matthews sees through that.   

He also made fun of Brace for calling Hoonah, Houlihan.  But I recall Singer apologizing for not being able to pronounce all the names of the villages in the Calista case.


5.  He sounds a lot like a certain ex-president denying every allegation, even those everyone saw him do live on television.  I think I say that because of the swagger in his voice as he denies everything.  Well, not everything.  He acknowledged that Skagway joined with downtown Juneau would be perfectly ok, but it doesn't matter because that's not what the Board did and what the Board did was fine.  Because everything in a Borough is SEI so pairing with downtown Juneau or Mendenhall Valley would be equally SEI.  This just doesn't appear to be the case.  Except he's clinging to part of the Hickel case where that was said, but under different circumstances.

 I think this denial of reality is what is so frustrating. The Court early on said everything in a Borough by definition is socio-economically integrated because that was how Boroughs were defined in the legislation that created them.  But in a large, populated borough like Anchorage 50 years later, we know that in reality, that's not true.  It's a fiction.  Mountain View is not SEI with Campbell Lake. 

Brena made it clear that most people in Juneau would prefer Skagway with downtown Juneau and Mendenhall Valley whole. There is a very close government, business, and personal tie that isn't there with the Mendenhall Valley.  It really is what the people there, according to the testimony, including going through Simpson's handwritten notes person by person at the Skagway public hearing (which the Juneau Board member only attended via Zoom and not in person).  And switching them would be easy and not affect any other districts.  Yet the Board is simply going to stonewall that and go for the map that basically one person - Simpson - wanted regardless of the public testimony.  (At least that's how I heard the testimony)

I'd point the reader to my post that looks at some of what the Court has said about Socio-Economic Integration to understand my frustration with Singer's narrow view and my optimism that Brena has read those cases more closely and shaped his arguments carefully to mirror what the Court seems to believe.  

There are at least 100 posts that could be written about yesterday's closing arguments.  I'll try to get a bit more of a general summary of the arguments done.  But these were things that really stood out for me.


All my posts on the Board going back to December 2020 are indexed (latest post on top) at the Redistricting Board tab just under the Banner up top.  


UPDATE - Well really an addition that came just after I posted this.  An email from Redistricting Board Executive Director about a) they're posting court info on the Board's site  and b) a meeting Wednesday to discuss the judge's decision - which is due before midnight Tuesday. But they'll probably go into Executive Session, which would be appropriate for the parts where they discuss how they plan to react.  

From Torkelson:

It has been a whirlwind of litigation work the past several weeks with many late nights and weekends dedicated to defending the Board's adopted Proclamation Plan.  The Plaintiffs have likewise worked diligently investing substantial time and resources pursuing resolution of their concerns. 

Closing arguments wrapped up yesterday afternoon and we expect the Superior Court's decision by Tuesday, February 15.  Attorneys with decades of experience on both sides have never seen a case move this fast.

There are over 150,000 pages of litigation related documents and numerous motions and counter-motions filed by all parties.  It is easy to get lost in the flurry.

We have created a litigation web page which contains the initial complaints followed by Findings of Fact and Conclusions of Law responses – the best summary of each sides' arguments.  
We will update this page with the Superior Court's decision once it is published.

The Board will meet via Zoom Wednesday, Feb 16 at 11am to receive a report from our legal team on the Superior Court's findings.  Here's the public notice link which includes the Zoom invite and agenda:
Have a great weekend,

Peter Torkelson
Executive Director
Alaska Redistricting Board



 

Sunday, January 23, 2022

AK Redistricting Board Trial Day 1 - Peeling Back The Layers

Anyone who is NOT confused by this case just isn't paying attention.  

You could read Matt Buxton's account of Friday's opening court date -and it's a good version - but there is so much happening, that 100 different reporters could have written equally good accounts that were all different.  

In part, because direct testimony in this case is not happening in open court.  That decision was made because of the ticking clock between now and the date by which candidates, who need to know what districts they're in, have to file to run for office..  The court's decision has to be in 120 days before that June 1 deadline.  That's January 31 or February 1.  

So I'm going to ask readers who haven't read Matt's account, to go read it.  That leaves me free to not try to give an overview, but rather to focus elsewhere. For instance, Matt wrote:

"The court spent a decent amount of time in the afternoon arguing about access to records and the admissibility of various pieces of testimony."

With no intent of contradicting Matt, I'd say the court spent an indecent amount of time on the rules of this trial. Maybe it's more obvious because in this trial the public was able to follow the wrangling in the pre-trial hearings - stuff we don't usually see in court.  I'm now thinking back to various screen court dramas.  I think most spend 99.9% of the time in open court, not in chambers arguing rules. Maybe some chamber time with the judge, but after the trial has already begun. Usually the judge is giving one party a stern warning about following the rules, not about what the rules are.

But it's become clear to me that that is where the real battle is here.  It's the rules the court ultimately follows that will decide the outcome of this case.  

Essentially, the plaintiffs are trying to expose how the board came to their decisions when they were drawing the lines.  The plaintiffs belief the Board members either had no documented reasons or had blatantly partisan reasons.  

For the most part, the Board's process was the most open in Alaska history.  Every meeting since at least December 2020 was available via phone or online.  The Board staff listened to suggestions about their website, quickly put up audio and video tapes of meetings, and worked to set up interactive programs that the public could use to make their own maps online.  They put up all the public testimony on the website in days.  

What didn't get up were transcripts of any of these meetings.  Video's nice, but searching keywords doesn't work. (Though the Assembly has a program where you can search keywords.)  The one area I'd found the Board a little loose on was Executive Session.  These seemed a bit too long to just be covering the official reasons for them. And often the list of reasons a board is allowed to go into ES was cited, but not the specific issue they were going to discuss.  

Well, despite all this openness, the battle now is between the plaintiffs trying to extract the reasons the Board made certain decisions and the defense trying to block them.  They've been asking for the Board meeting transcripts from last November's key meetings for a month now, but the Board only just got them out a few days ago.  They've been asking for the transcripts of the Board's emails to each other and the attorney for a month.  The Board's attorney Matt Singer has been fighting that request tooth and nail.  Even after the Judge ruled in favor the the plaintiffs - with the stipulation that the Judge would read them 'in camera' and decide which were and weren't protected by attorney-client privilege - Singer asked for a stay.  When that was rejected, he asked the Supreme Court for a stay.  They granted a stay, but it was short lived and in the afternoon before the case began, the Supreme Court upheld the Judge's ruling.  

But that meant that Holly Wells had to try her case without any of the information in those emails.  But the judge did allow that this is one big case and she hasn't closed her case yet.  It's still open pending those emails and what other things come up in trial.  Despite Singer's vigorous argument against that.  

There were three witnesses Friday.  Felisa Wilson is the lead plaintiff in the Anchorage case.  I couldn't tell if she said anything that isn't already on the record or not.  I say this because - as mentioned above - it's hard to know what is already on the record.  While the affidavits and depositions are now on the record, they've only recently been available.  In a normal trial, we would have heard direct testimony and what documents were submitted as evidence.  In this trial there are thousand of pages of transcripts, much of which has only appeared in the last week.  

David Dunsmore, worked with Alaskans for Fair Redistricting (AFFR) to come up with their third-party map and was deep in the weeds of this whole process.  Again I don't know that he revealed anything new.  They also had an expert witness.  It seems he did get a few points in about the demographics of East Anchorage and why pairing that district with ER would dilute their voting power.

The Board's lawyer, Singer, did everything he could to discredit the witnesses.  He pointed out that Wilson had been treasurer of the Democratic party, implying this made the lawsuit simply a partisan maneuver. She retorted that she was more than a temporary volunteer position she had only recently taken - that she was a physician, retired Air Force Major, an African-American, and a Blackfoot Sioux and when she retired from the military she got to do a lot of volunteer work she couldn't do while in the military including in immigrant neighborhoods of Anchorage, the ones that will be hurt by the Board's Senate pairings.  

Singer did the same with Dunsmore. You were a staffer to Democratic Sen Bill Wielechowski, right?  AFFR was a union organization right?  These kinds of guilt by association arguments might work at a jury trial, but I have confidence they won't sway Judge Matthews.  

He tried to deny the expert credentials of anthropologist Dr. Chase Hensel.  He asked him questions about things he either wasn't qualified to answer (the law) or aspects of the Anchorage maps he hadn't studied.  Hensel didn't fall into the traps.  These attacks on Hensel were particularly awkward because, as Mat-Su plaintiff's attorney got on the record, Matt Singer himself had himself hired Hensel as an expert witness for another Alaska case. 

I understand that attorneys try to diminish the creditability of opposing witnesses, but given that there is no jury here, these attacks were fairly transparent and seemed sleazy.  Singer had already seemed close to whining as he repeatedly complained about 'changing the rules at the last minute'.  

Singer is one attorney (plus the backups from his law firm) who is fighting off five other attorneys.  With just one opponent it's much easier.  But here, one attorney raises a point and debates with Singer, and then the next one picks it up and adds more ammunition, then the next.  The plaintiffs' attorneys each have one big day in court and the rest of the days they can sit back and just swoop in with question when an opportunity arises.  Singer has to be in the hot seat every day.  Maybe he should have given an associate responsibility for a couple of these cases so he could recoup.  

His main accomplishment has been to block the plaintiffs from getting information that would help them find out what the Board's logic was for the districts that are being challenged.  (Most of the house districts were discussed fairly openly.  But the Eagle River pairings- the most blatantly partisan action the Board approved - was not openly discussed. It was just ramrodded through.  The Valdez pairing with Matsu was briefly discussed in open, but it seemed to be, "Well we've got most everything else done, what do we do with Valdez?"  The options they discussed were pairing it with Anchorage or Mat-Su.  Since it's with Mat-Su now, that seemed the best to them. 

I'd note that Holly Wells had planned to cross examine Melanie Bahnke about the Eagle River pairing.  Board member Bahnke had flown in from Nome specifically for this.  But at the last minute, Wells decided not to cross Bahnke.  My rough notes include this:

"Singer:  I want to call member Bahnke and Borromeo is here.  Ms. Bahnke wants to go back to Nome.  

Wells:  I was hoping to take break given Mr. Singer’s comments.  Rather not call Board.  Nervous about that."

I didn't understand the issue, only that she didn't want to open things up for Singer to question the two Board members.  Later I found a "MOTION TO PRECLUDE REDIRECT QUESTIONING IN ABSENCE OF CROSS-EXAMINATION" that was submitted the evening before the trial was to begin. (It's still, as I write this Sunday evening,  the last document up for this case.)  It's in response to things Singer said in a meeting they had Thursday afternoon.  The part that seems to most succinctly explain her concern:  

"Plaintiffs indicated that they intended only to call three of the Board members, after which counsel for the Board informed the East Anchorage Plaintiffs that he intended to conduct a re-direct examination of all the Board members, regardless of whether the East Anchorage Plaintiffs intended to cross-examine them."

Another maneuver by Singer.  I don't deny that Singer's job is to defend his clients to the best of his ability.  But what is becoming clear is that his clients' case in the Senate Pairings is pretty weak.  His defense is not - at least in the East Anchorage case - to have his clients come to the stand and explain how they got to their decisions, but rather to keep the plaintiffs from getting to his clients.  

On the other hand, he belittles the work of the East Anchorage plaintiffs' expert witness.  That's ok except that the expert actually did some analysis of the districts, while the Board member who did the Eagle River pairings, Bethany Marcum,  used, in her own words, her opinion based on having lived in Eagle River.  No demographic analysis, no numbers on the comparative racial and ethnic make up or economic differences between the two house districts she paired up.  

The wrangling in this case tends to support those who argue that the US courts are not about justice, but about winning.  

Enough.  


 

Bahnke and Borromeo will be back for the other plaintiffs, but I'm not sure Wells will be able to get more about the Senate pairings from them.  

Thursday, October 21, 2021

Manchin - Thinking Out Loud

[I live in Alaska.  I've passed through West Virginia long ago.  I have no inside knowledge about Manchin.  Just general thoughts about how people behave in political organizations.]


Manchin and Sinema keep trading places in the headlines as the person who is holding climate change and other critical issues hostage.  

Since I live in an oil state, I have an inkling of the pressure that any US Senator from Alaska feels - Democrat or Republican.  When Mark Begich was the Democratic Senator from Alaska, he supported oil development.  It's part of the job of an Alaskan Senator.  Or at least the perception is that if you aren't an oil supporter, you won't get elected.  Oil money will sink your campaign.  So Alaskan Democrats might lobby a Democratic Senator on climate change, but we know oil interests lobby harder.  Sen. Murkowski understands the importance of climate change and bows to oil and GOP pressure.  

So I understand that Manchin needs to stand strong on coal.  He stands strong with the coal industry and the jobs it brings his state.  Even if the demand for coal is waning.  Even if many coal miners die a premature death from black lung disease.  In Alaska oil doesn't actually employ that many people compared to other sectors.  And almost 40% commute from Outside for one or two week rotations. But for the last 40 years it has paid for state government.  Whenever there is any opposition to what the oil companies want, they spend massive amounts of money to sway public opinion that only oil can keep Alaskans employed and enjoying the lifestyle they've come to expect.  Even if it's not true. 

I saw a Tweet yesterday responding to someone complaining that Biden couldn't deliver major legislation the way LBJ or FDR could.  The responders pointed out that LBJ had a 66-34 Democratic majority going into the 1964 and a 68 -32 majority after the election.  There were lots of Democrats from the South that wouldn't vote for the landmark Civil Rights legislation.  LBJ needed Republican votes to beat the filibuster, which in those days you had to actually carry out by speaking 24 hours straight or longer.  But when you were done, the vote was taken and it wasn't 2/3.  Today you just push a button and kill the legislation.  Biden has 48 Democrats and 2 Independents and 50 Republicans. He has no wiggle room whatsoever. 

One could say that by holding up critical climate change legislation to prolong the coal industry's slow death, Manchin is condemning millions of people around the world to premature deaths.  Not just because of this one bill, but because if the US falters on this, then it will give other countries around the world an excuse to go slower too.  And the slower we go, the more people will be displaced and die because of how climate change will play out.  More violent storms.  More drought causing massive fires and forcing people off the land their families have farmed for generations.  More wars to fight for scarce resources like water, arable land, livable temperatures.  And it wouldn't be wrong to say - and history books might - that Manchin was the person who did this.

But Manchin is only the focal point because of other problems as well:

  • Our US Senate is grossly unrepresentative.  Because every state, no matter the population, has two senators, small, rural states have more more senators than their small populations deserve.  Alaska, with 733,391 people has two Senators just like California with almost 40 million people  - 54 times as many people!  Democrats in the Senate represent 43 million more people than the Republican Senators represent.  
  • There are 50 Republican Senators who aren't being put in the spotlight like Manchin.  What are they doing?  There isn't one who has the courage to vote yes?
  • Minority leader McConnell could work out a deal to get this passed.  But making Democrats look bad is his main objective.  That and voter suppression is the only way Republicans can stay in power at all for now.  
I don't know what other pressures Manchin is under.  It's clear he's not looking at his situation in a long term world survival perspective.  He's up for reelection in 2024.  Coal is the dirtiest of fossil fuels and it's going to end soon,  It's already way down in production and use,

So what must be going on behind the scenes? Some (not mutually exclusive) possibilities.  

  1. He needs to publicly (in West Virginia) appear to be the man who stood up to protect West Virginia's coal,
  2. He needs to protect the coal interests of his major financial backers.
  3. He wants to protect his own financial interests in coal.  

Numbers 2 and 3 are harder to make deals on.  If it were only #1, it would seem like the Democrats could do a number of things that benefit West Virginia in exchange for his vote like:

  1. exempt West Virginia from restrictions on coal- though if power plants are giving incentives for clean fuel, that would mean they would move away from West Virginia coal even if it were exempted.
  2. offer boosts to care for coal mine related health problems for West Virginia
  3. offer job retraining programs for coal miners and incentives for businesses in West Virginia to hire them and/or incentives for companies outside of West Virginia to relocate or open work places in WV
  4. make a big public show of all the sacrifices Democrats had to make to satisfy Manchin for WV consumption
He's already getting lots of attention for standing firm for West Virginia's interests (whether that's true or not, it's the perception) so I'm guessing it's pressure from businesses more than voters.  Or, businesses that will spend money in the next election supporting or opposing Manchin.  While he first got elected by a strong majority in 2012, in 2018 he squeaked by with less than 50% of the vote.  

But life oddly thrusts people into the spotlight for different reasons.  Had Georgia not elected two Democratic Senators, Manchin would be much less important.  Maybe invisible.  And people really mad at Manchin have to remember if he weren't a Democrat, McConnell would still be the Senate Majority leader.  

I'd also note that we see many headlines about Manchin as well as those about Biden being in trouble because conflict and drama attract eyeballs, so the media push the conflict and use competitive sports metaphors as a way of getting more advertisers.  


Friday, February 26, 2021

AIFF 2020: Best Narrative Feature - Festival Picks and Mine (Equan Choi's My Son)

It's late February.  This is long overdue, so let me get this done.  Here are the Festival winners in the best Narrative Feature category.  (Narrative Features are the films most seen in movie theaters - fictional stories over an hour or so long.) [Note:  My strong favorite film was Equan Choi's My Son. I mention this here, because as I wrote this, it comes up at the end.  And because this film was overlooked by both the Jurors and the Audience in their awards, I want to be sure it gets people's attention, even if they don't read the whole post.]

First, the Juror Awards.  Jurors are part of the film festival, people selected by the Festival director, who know something about film.  Because our festival director is a Norwegian film maker, she reached out to film makers she knows around the world.  These are not people from Anchorage.  That's neither good nor bad theoretically.  It depends on how well she chooses the jurors and the purpose of the awards and how much they should reflect Anchorage.  


Narrative Features

2nd Runner Up  - Last Days of Capitalism

Runner Up - The Woman In the Photographs

Winner - Dinner in America


Audience Awards.  One could argue that the audience awards add the Anchorage flavor to the awards.  

Narrative Feature - 

2nd Runner Up -  Paper Spiders

Runner Up -Foster Boy

Winner - Dinner in America




Category            Juror Award Winner         Audience Award Winner Steve's Award Winner
2nd Runner Up  Last Days of Capitalism      Paper Spiders see discussion
Runner Up The Woman In the Photographs         Foster Boy see discussion
Winner Dinner in America Dinner in AmericaMy Son

First off, I'd say that Narrative Features was the richest category in the festival.  There were lots and lots of excellent films.  

Second, I think the Jurors picked better movies than the Audience.  But that they are all very good films.  

Third, I'm not really a fan of forced ranking.  Given a film that is technically sound - the video, the acting, the sound etc. are well done - it's the content and feel of the movie that matter.  And even films that are technically imperfect can have content that overcomes that.  So, this means that whether a film is good or not depends on how the content of the film resonates with the viewer.  And that usually depends on the viewer's life experiences and the emotional connection a viewer has with the characters and the issues in the film.  So different viewers will legitimately prefer different films.

I'm guessing that the Jurors were looking at the films as film as much as the content, while the Audience was more focused on the stories and characters.  Paper Spiders was about a daughter whose mother is losing her mind.  It was a very well told story.  Very moving.  Foster Boy was also well told - a trial movie about a young black man who was abused by the foster care system.  I'm guessing this didn't show up in the Juror Awards because it was a very Hollywood movie - including some well known actors.  If the Jurors are like me, they are looking more for 'film festival' movies.  Movies that break the mold, that take risks, that you would be less likely to see at a theater. (I realize some may be asking "What's a theater?" in this time of COVID.) 

The Last Days of Capitalism straddled between those two categories.  It was a perfect COVID film - just two actors in a hotel suite in Las Vegas.  It's a really good film.  I saw it early in the festival and it immediately became my film to beat.  You can see the Trailer here, but I'm not putting it up here because it really doesn't reflect the verbal (almost athletic) competition between the two characters that made this movie.  

The Woman in the Photographs was at the top after I saw it.  This Japanese movie about a photographer and his model is definitely in the film festival category. It explores the nature of reality - is it what the woman actually looks like or is it how the woman looks in the photograph. Especially current in this age of social media and online dating.  This was definitely one of my favorites.  


Dinner in America - This film with a seriously flawed main character who made terrible decisions was, nevertheless, a joy to watch.  Not quite mainstream, not quite festival, it was a real surprise and I understand it being the winner for both the Jurors and the Audience.  There are lots of videos out there with the film's crew, but I couldn't find a trailer.  

BUT, I think there were at least two more movies that fell through the cracks because there was so much good stuff.  

The Subject - This leans more into a festival type film.  A privileged white male film maker who sees himself as trying to give voice to black gang members in his 'cutting edge' films, finds out that he's really not gotten much beyond his own self.  There's another withering dialogue at the end of this film between the film maker and the angry mother of one his film subjects.  The film raises lots of questions about documentary film making and exploitation and doing harm while trying to do good.  For a while this was my favorite film.  


In the end, Equan Choi's My Son, one of the last features I watched, became my favorite.  I'd put it off as long as I could.  The story of a Korean father taking care of his severely disabled son.  It sounded like it was either going to be a sappy story of love and happiness or a terribly depressing movie.  Neither sounded appealing.

But I was so wrong.  This was absolutely the most intimate film of the festival.  Yes, there's a father with his teenaged paraplegic son.  The father's sister who helps look after the son.  There's the mentally disabled teen hired to help with the son.  And there's the father's secret married girlfriend that he visits weekly.  Each character becomes a full person with strengths and flaws and the relationships between the characters - both one on one and as a group - are developed.  This is truly a masterpiece and I'm sorry it got missed by both the Juror awards and the Audience awards.  And it forces the audience to recalibrate their definition of disabled, forces them to remember there is a real, human being inside every body, with a whole spectrum of hopes and feelings and opinions.  

There is so much in this film.  The boy's adolescent need to pull away from his father and become his own person against his father's belief he must look after the boy who can't take care of himself.  The teen caretaker who is physically and sexually adult, but has his own mental defects that cause him to make bad decisions, and how he helps the boy become himself, independent of his father.  The sister/aunt and her caring for the boy and her brother yet resentful of how much they take of her life.  The girlfriend (the father goes to his - I can't remember exactly what sport, maybe bowling - activity each week, but really he's going to visit his girlfriend whose husband is in the military and away most of the time) also becomes a full person when the father becomes ill and she comes to the house to find out what's wrong.  It is then when all the characters interact, when the boy becomes his father's caregiver.  There's so much in this film.  I'm sorry I waited to the end to watch it, when I didn't have time to watch it again.  In my mind, this was the very best feature film in a festival with excellent feature films.  

  [I couldn't find a trailer for My Son.]

If you have the chance to see any of the films mentioned in here, grab it.  They are all worth watching.  

Monday, March 30, 2020

How To Convince People To Do The Right Thing To Avoid COVID-19 - COVID-19 The Video Game

From The Atlantic:

 "Now the virus has spread to almost every country, infecting at least 446,000 people whom we know about, and many more whom we do not. It has crashed economies and broken health-care systems, filled hospitals and emptied public spaces."

Now reimagine this as a video game with thousands of players online together.  Their goal is to avoid getting infected, keep their grandparents alive, keep hospitals from having to turn people away.

How many rounds would it take for them to figure out they have to self-isolate and wash their hands?

Wouldn't it be better if they could figure this out in a video game instead of real life?

Let's imagine another version of the game, aimed at policy makers.  How many rounds would they have to play to figure out how to keep the virus from spreading.  And how NOT slowing it down will affect the economy and the health care system?

Was there money in the stimulus package for gaming companies?


I'd note also that the use of war metaphors for every crisis tells us more about who we are than it helps solve problems.   This is a natural disaster.  Like with a hurricane we have to avoid the fury of the storm.  We have to avoid hosting the virus.  Going to war with nature is the source of the biggest human problems in the world today - climate change, ocean acidification, species loss, industrial waste caused illnesses, economic disparities, etc.  Finding a sustainable balance within nature is NOT war.

This Corona Virus game is about whether people can cooperate to save themselves and each other from harm and death.

Tuesday, January 07, 2020

Can You Guess The Mission Of The Center For Consumer Freedom?

I'd seen the full page ad in the LA Times.  There were two lists of chemicals.

From Center for Consumer Freedom
 The tiny line on the bottom says, "Paid for by the Center for Consumer Freedom."  My guess was this was paid for by the beef industry.   But I had other things to do than pursue this.

Then today's LA Times had an editorial titled:

Beef sellers vs. faux meat  (In the print version)
The beef industry is freaking out over plant-based meat? Too bad (online version)
It starts out telling us the impossible burger is hard to tell from the real thing.  And that's scaring the meat industry which put out this ad through the Center for Consumer Freedom.  There used to be research institutes that did reasonably objective research.  Places like the Rand Corporation and the Brookings Institute.  They may have some built in bias, but they had really smart researchers and they aimed at giving their clients the most accurate information they could.  When wealthy conservatives saw the influences these 'think tanks' had, they began creating their own which would produce 'research' that supported their political pet projects.  


Here's what the website Consumer Deception found when they asked "Consumer Freedom or Deception?"
"The Center for Consumer Freedom is a nonprofit corporation run by lobbyist Richard Berman through his Washington, D.C.-based for-profit public relations company, Berman & Co. The Center for Consumer Freedom, formerly known as the Guest Choice Network, was set up by Berman with a $600,000 “donation” from tobacco company Philip Morris.
Berman arranges for large sums of corporate money to find its way into nonprofit societies of which he is the executive director. He then hires his own company as a consultant to these nonprofit groups. Of the millions of dollars “donated” by Philip Morris between the years 1995 and 1998, 49 percent to 79 percent went directly to Berman or Berman & Co."
Sourcewatch's introduction to its research on the Center for Consumer Freedom  says:
The Center for Consumer Freedom (CCF) (formerly called the "Guest Choice Network (GCN)") is a front group run by Rick Berman's PR firm Berman & Co., originally primarily for the benefit of restaurant, alcohol, tobacco and other industries. It runs media campaigns that oppose the efforts of scientists, doctors, health advocates, animal advocates, environmentalists and groups like Mothers Against Drunk Driving, calling them "the Nanny Culture -- the growing fraternity of food cops, health care enforcers, anti-meat activists, and meddling bureaucrats who 'know what's best for you.'"
More recently CMD revealed that the Milwaukee-based Bradley Foundation is funding CCF to attack environmental groups with pop-up websites, like the "BigGreenRadicals.com" website, as well as to assist and train other Bradley-funded organizations in crisis communications (more below).[1]
CCF changed its name to the Center for Organizational Research and Education in early 2014[2] but uses both names.
CCF is registered as a tax-exempt, non-profit organization under the IRS code 501(c)(3). Its advisory board is comprised mainly of representatives from the restaurant, meat and alcoholic beverage industries. As of its most recent (2015) tax filing, Berman was its principal officer and held its books.[3]


The LA Times, to their credit,  did a pretty strong editorial exposing the ad. Some excerpts:

"While it’s true that a plant-based meat alternative is processed — meaning altered in the preparation process, like just about everything else at the grocery store — and it’s true that eating one is not as healthy as say, a pile of raw vegetables, it’s best to take the ads with a generous pinch of salt. (Or sodium, which the ads correctly note is higher in precooked plant patties than in the beef kind.). . . "
"And if methylcellulose, a food thickener, sounds unappetizing, it’s really nothing compared with the E. coli or salmonella poisoning you can get from regular meat. The truth is that beef and other industrial meats are often packaged with things a lot more dangerous to human health than food additives. You want to talk about a public health threat? The widespread prophylactic use of human grade antibiotics in cows and other livestock has contributed greatly to the rise of lethal antibiotic-resistant organisms. . . "
Then they take a totally different tack.  They talk about eating burgers guilt free, because fake burgers don't increase climate change by cutting down the Amazon forest for cattle grazing.  And then they talk about the brutal lives that beef and chicken lead before being slaughtered.
"So why do we still do it [eat meat]? Because meat tastes soooooo good and is such an efficient source of protein. Plus, did we mention it’s so tasty? A plant-based meat that satisfies meat cravings and delivers protein but with a smaller climate footprint is a potential environmental game changer and the reason Impossible Foods was one of the recipients of the U.N. Global Climate Action Award in 2019. No wonder the meat industry is on guard."

What I take from this is:

  1. Check the who the groups that sponsor such ads are.  If their name seems suspiciously goody-goody, look them up online.  There are lots of legitimate sites that check out such organizations and tell us who pays for them.  
  2. Give credit to the LA Times for putting up a prominent editorial exposing an advertiser in their paper.  
  3. Remember how much beef impacts climate change.   

Sunday, October 13, 2019

Euphemism Alert: What The Hell Is An 'Associate'?

Lots of media outlets used the word "associates" of Giuliani to describe the men arrested the other night trying to leave the country.  From Google:

2 Giuliani Associates Arrested With One-Way Tickets at U.S. ...
https://www.nytimes.com › politics › lev-parnas-igor-fruman-arrested-giuliani 
Two Giuliani Associates Who Helped Him on Ukraine Charged
https://www.wsj.com › articles › two-foreign-born-men-who-helped-giuliani... 
Two Giuliani associates were just arrested. Here's what we ...
https://www.washingtonpost.com › opinions › 2019/10/10 › two-giuliani-ass... 
Two men connected to Giuliani's Ukraine efforts charged with ...
https://www.cnn.com › politics › guliani-client-arrested-campaign-finance
 (CNN) Two associates of Rudy Giuliani connected to efforts to dig up dirt in Ukraine on Democratic presidential candidate Joe Biden were ... 
2 Giuliani Associates Arrested On Campaign Finance ... - NPR https://www.npr.org › 2019/10/10 › 2-giuliani-associates-arrested-on-campai...
Arrest of Giuliani associates tied to Ukraine scandal renews ...
https://abcnews.go.com › Politics › story
Two Giuliani associates arrested on campaign-finance ...
https://www.latimes.com › politics › story › donors-arrested-giuliani-ukrai...
2 Giuliani associates connected to Ukraine probe arrested ...
https://www.cbsnews.com › live-news › impeachment-inquiry-latest-2-giuli...

CNN at least wrote "with links to" in the headline, but then in the first sentence we see "associates."  NPR used 'with links to" in the lead sentence instead of 'associates."

The word 'associate' just seems wrong here.  It seems to have too good a connotation.  It sounds like a euphemism for a darker kind of connection than an "associate."  And besides that, what exactly is the connection among Giuliani and these two men?  I suspect a more sinister term would be more appropriate, but there's not quite enough information for me to figure out what it is.  In what sense did these men 'work with' or 'work for' Giuliani, and by extension, the president?

I looked up associate to see if I was just out of touch with other uses of the word.


associate noun from Merriam Webster 

1: one associated with another: such as

aPARTNERCOLLEAGUEbusiness associates

bCOMPANIONCOMRADEa close associate during his college years

2aan entry-level member (as of a learned society, professional organization, or profession) an associate of the Royal Academy


3often capitalized a degree conferred especially by a junior college associate in arts


Definition 1a seems the closest - "one associated with another such as: PARTNER, COLLEAGUE"

But the two men are  not attorneys in Giuliani's firm.  Does this mean that Giuliani was a 'business partner' of these two men?  And what business is that exactly?

The articles talk about what these men did for Giuliani - basically

The NPR article only says this about their connection to Giuliani:
"Two Florida-based businessmen who helped President Trump's personal attorney Rudy Giuliani in his efforts to dig up dirt on former Vice President Joe Biden in Ukraine have been arrested and charged with campaign finance violations in a separate matter.
It goes on to quote the indictment:
According to the indictment, Parnas and Fruman face two counts of conspiracy and one count each of false statements and falsification of business records. Two others, David Correia and Andrey Kukushkin, each face one count of conspiracy.
The indictment alleges the men "conspired to circumvent the federal laws against foreign influence by engaging in a scheme to funnel foreign money to candidates for federal and state office so that the defendants could buy potential influence with candidates, campaigns, and the candidates' governments." 
So is 'co-conspirators' a better word?  "Fellow schemers?"  What exactly is the connection between Giuliani and the men?  Did he hire them like someone would hire a private investigator?  That wouldn't make them associates.  Did he ask them to do this work like a Mafia boss would ask an underling to do his dirty work?  Did he pay them a fee?  A bribe?  A reward?

You get my point I think.  I think 'associate' is a much nobler sounding term than the stories suggest is the actual relationship between Giuliani and these two hence men.

And all this raises another issue.  The pack journalism that the use of this term by all these different media outlets indicates.  Someone used the word 'associate' and they all grabbed it, presumably in their rush to get something published.  And since editors, rather than reporters, tend to write headlines . . .

The race to be the first to print a story is an old one in American journalism along with the lurid and often misleading titles that sell newspapers, and now clicks.  Getting the best story should be the goal.  The only people who can change the behavior of the media are the consumers of media - by being thoughtful about where they spend their clicks.  But as long as clicks are free, that's not going to happen.  And the construction of paywalls by the media outlets who think of themselves as the best (because, they believe people will be willing to pay for their stories) means that as people realize that the NYTimes, Wall Street Journal, and Washington Post all will require a subscription, these will get fewer clicks.  Unless they have something you can't get anywhere else.