We left from the D Concourse at SEATAC which has my favorite art piece there - Michael Fajans' High Wire. I
posted about it back in 2008. (Back then I wrote that it was in Terminal B, but it was definitely in D yesterday. Maybe the old post was wrong.)
After a couple of gate changes, trying to get in as much of the impeachment hearings as I could, we were in the air above the clouds over Alaska. It was late afternoon - Anchorage's official sunset yesterday was 3:48pm, but if it's not too cloudy, we have long twilights - and the orange glow was on the western horizon, while out my east facing window there were snow mountains.
And around 4:20pm it was still light enough to capture these exquisite winter scenes with only a slight blur from the long exposure time.
And as we circled over Cook Inlet to land in Anchorage, the sunset was still painted on the western sky.
I went out to get our passes for the Anchorage International Film Festival which begins tomorrow night and to pick up some groceries and just on 36th there was a moose crossing the road in the dark.
One of those amazing moments when out of the darkness you realize there's a magnificent
moose and there's no time to react. Fortunately it was still in the oncoming lane as I passed. No time to even take a picture, even if I hadn't left my phone at home. What a great welcome home.
At my dentist this morning this moose was on the wall. Not quite the same. But I was sitting still and so was the moose.
And I'm pleased to say that my studded tires worked like a charm as I rode over to the dentist and back. I'm getting a little more confident that they aren't going to betray me. Hoping my trust in them proves warranted. I won't be reckless, but a little less cautious.
So, let's just leave this post as it is - on light subjects or art, travel, mountains, moose, AIFF2019, and biking in the snow.