But one that I did really like, The Body Remembers What The World Forgot is now available on Netflix.
The film, written and co-directed by Canadian Indigenous woman Elle-Máijá Tailfeathers, who also plays one of the two main characters. The other lead is also a Canadian Indigenous woman.
This was the kind of film you go to festivals to see. It's not from a Hollywood point of view. It tells its story the way it needs to tell it without having to satisfy funders or marketers.
So the pace is not what people are used to, at least what non-Native people are used to. There are lots of long pauses in the dialogue. The whole story takes place in real time. Very real time because, after the title appears, about 12 minutes into the film, it's basically one long scene in one long camera shot. (I read that they had cameras ready to pick up where the other ran out of battery) So they couldn't cut from the women getting into the taxi at the apartment to where they get out at the safe house. You watch them get in, then you get in with them and travel the whole distance in very close proximity.
I knew that a film in the festival had been done as a single shot, but I didn't remember which one. After a while I began to look for the cuts from shot to shot and there weren't any. Paying attention to the camera made it easier for me to just sit back in the taxi and ride along and not get impatient with the pace.
And having just had seven weeks of a class on homelessness, this film helped illustrate things I'd learned. There are no easy answers. People don't break habits quickly. Helping can be trying. There are serious societal structural problems that result in homelessness and while individuals can perform acts of kindness, they are only temporary solutions at best until the system is worked on. And adding in the issues of indigenous peoples in North America requires understanding even more factors.
I would urge people who have Netflix to at least watch the beginning of the film - not as much for the content, but for the feel of this very intimate film.
And I'd like to thank Netflix for putting films like this up.
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