Showing posts with label AIFF2019. Show all posts
Showing posts with label AIFF2019. Show all posts

Sunday, December 29, 2019

AIFF 2019: The Body Remembers When The World Broke Open Is Now On Netflix

Life is going by too fast for me to keep up with all the posts I want to write - like one on my favorite films from the Anchorage International Film Festival 2019.

But one that I did really like, The Body Remembers What The World Forgot is now available on Netflix.

The film, written and co-directed by Canadian Indigenous woman Elle-Máijá Tailfeathers, who also plays one of the two main characters.  The other lead is also a Canadian Indigenous woman.

This was the kind of film you go to festivals to see.  It's not from a Hollywood point of view.  It tells its story the way it needs to tell it without having to satisfy funders or marketers.

[Note:  Netflix doesn't allow screenshots - they come out black.  So I had to take a photo.  I apologize to the film makers for the quality.]

So the pace is not what people are used to, at least what non-Native people are used to.  There are lots of long pauses in the dialogue.  The whole story takes place in real time.  Very real time because, after the title appears, about 12 minutes into the film,  it's basically one long scene in one long camera shot.  (I read that they had cameras ready to pick up where the other ran out of battery)  So they couldn't cut from the women getting into the taxi at the apartment  to where they get out at the safe house.  You watch them get in, then you get in with them and travel the whole distance in very close proximity.

I knew that a film in the festival had been done as a single shot, but I didn't remember which one.  After a while I began to look for the cuts from shot to shot and there weren't any.  Paying attention to the camera made it easier for me to just sit back in the taxi and ride along and not get impatient with the pace.

And having just had seven weeks of a class on homelessness, this film helped illustrate things I'd learned.  There are no easy answers.  People don't break habits quickly.  Helping can be trying.  There are serious societal structural problems that result in homelessness and while individuals can perform acts of kindness, they are only temporary solutions at best until the system is worked on.  And adding in the issues of indigenous peoples in North America requires understanding even more factors.

I would urge people who have Netflix to at least watch the beginning of the film - not as much for the content, but for the feel of this very intimate film.

And I'd like to thank Netflix for putting films like this up.

Saturday, December 14, 2019

AIFF2019: Award Winners - Live From Awards Ceremony [All Awards Up]

I'll update this regularly as awards are announced.  (They're done now.)


Group of avid AIFF pass holders at awards tonight.











Audience Award  Made in Alaska Narrative Short:

2nd Runner Up:  Dasher, by James Kendall
1st Runner Up:   How to Say Goodbye
Winner:  The Naughty List


Audience Made in Alaska:  Short Docs
2nd Runner Up:  Trampoline Alaskas
1st Runner Up:  Eskimo Ink - Max Bering
Winner:  Games of Survival - A Culture Preserved in Ice


George Attla's daughter accepting award for Attla




Audience Choice Made in Alaska:  Feature
Winner: Attla

Short Animated 
2nd Runner Up: Gum and Sauce Go to School
1st Runner Up: Earthquake
Winner: Mountain Valley:  The Earthquake

Audience Award:  Short Doc
2nd Runner Up:Man of the Trees
1st Runner Up: Knocking Down the Fences
Winner: Class Act:  Dance Hall Divas

Audience Award:  Narrative Short
2nd Runner Up:  Just Me and You
1st Runner Up:  [t]here
Winner:  Madame


Board members Rich Curtner and George Pollack

Audience Award Best Narrative Feature
2nd Runner Up:  Those Who Remain
1st Runner Up: Team Marco
Winner:  Laugh or Die

Trang Tran of The American War - Winner of Audience Award




Audience Award Documentary Feature
2nd Runner Up:  Condor and the Eagle
1st Runner Up:  Nae Pasaran
Winner:  The American War

Screenwriting Award
Winner: Those Who Don't Belong


The Rest Are JURY AWARDS

Made in Alaska Narrative shorts
2nd Runner Up:12:34
1st Runner Up:  Dasher
Winner:  How To Say Goodbye

Made in Alaska Doc Shorts
2nd Runner Up:  Trampoline on Flattop
Josh Albeza Branstetter - Kevin, Dear
1st Runner Up:  Welcome to Gwichyaa Zhee
Winner:  Let the Blonde Sing

Made in Alaska Feature
Winner:  Attla

Animated Short:
2nd Runner Up: Nothing To Say
1st Runner Up:  Monsters in the Dark
Winner:  The Phantom 52

Documentary Feature
2nd Runner Up:  Northern Travelogues
1st Runner Up:  Nae Pasaran
Winner:  Kifaru


Narrative Feature
2nd Runner Up:  Laugh or Die
1st Runner Up:   Straight Up
Winner:  Those Who Remained

Short Documentary
2nd Runner Up:  Love Birds
1st Runner Up:  Wandering in the White
Winner:  Tungrus

Short Narrative
2nd Runner Up:  Sin Cielo        
Kelly Miller and Arthur Halpern - Touchscreen
1st Runner Up:  Showan
Winner:  Touchscreen

AIFF2019: Saturday Starts At 10am with Team Marco - And My Favorites of What I've Seen

10:00 am Museum

Team Marco is about a kid addicted to his iPad.  Dad's not happy.  Grandpa introduces him to bocce.  Supposed to be a great film for kids.

Noon - Loussac Library

Immigrant Outpost - A look at Alaska's Filipino-American community

Noon - Museum

The Condor and the Eagle - Indigenous Canadians look at how Canadian oil and other mineral extractors are threatening their culture and lives.  Then go to South American and visit their indigenous brothers and sisters facing the same kind of threats.  This is one I've been looking forward to.

2pm - Museum

Shorts:  Love and Pain - The shorts programs this year have been of mixed quality.  But the narrative shorts have been better.  This is a program has both.

4pm  Museum

Attla - George Attla's dogsledding career.  Need I say more?  I'm guessing the museum auditorium will be packed.  Get there early.

9pm  Charlou (formally the Taproot - Spenard and 33rd)

Awards Ceremony - Music, food, and the winners of the jurors' awards AND the audience awards.  This is the first year that AIFF has had audience awards for individual short films, with a cleverly designed ballot at each short event.
Doors should open at 8pm.  I've been live posting the last several awards ceremonies.  I've done a low energy coverage of the festival so far this year.  Been battling a cold and need sleep, so staying up to 2 and 3am to post has been out of the question.  I'll take my lap top tomorrow and see what I can to.

This is the last official day of the festival.  Sunday from noon to 5pm the award winners will be shown again - FREE.
Some I'm hoping people will be able to see:
Documentary Features - Nae Pasaran
I didn't see, but was told it was very good:  Northern Travelogues
Won't know until I see it tomorrow:  The Condor and the Eagle

Narrative Features  - Laugh or Die and  Those Who Remained 
Also very strong films:
The Body Remembers When the World Broke Open
Gutterbug -  this film was compromised, in my opinion, by adding a very unlikely happily ever after 'one year later' addendum that was totally at odds with the rest of the film.  

Short Documentary - I wasn't impressed with most as films.  Lots of compelling issues though.  My favorite so far has to be The Man of the Trees.

Short Features - Without a doubt -  Mr. Sam.   I didn't see the Late Night Chills program and was told it was very good, so there might be some in there.  I also like Just You And Me

Animated Shorts - I didn't see most of the animated shorts but I really liked two:  Museum and The Phantom 52.  I also enjoyed Maintain Yourself.

Friday, December 13, 2019

AIFF2019: Friday - Fun Starts At 4pm at Museum and AK Experience

Hard to choose.

4pm

Museum
AlaskaTeen Media Institute After School Special - show case of shorts by local students

AK Experience
Shorts:  Power to the People

From the Vine - Narrative Feature - CEO goes back to Old Country to grow grapes



6pm

Museum
Power of Yoik - Bringing back spiritual chanting of Sami people of Lapland

Museum
7:30pm

Shorts - Our World, Our Home


Thursday, December 12, 2019

AIFF2019: Thursday - Shorts, Homelessness, Holocaust Survivors in Hungary - Bear Tooth, Then Museum

Note: Today's venues are:  Bear Tooth in the afternoon, then the Museum.  


2PM   MARTINI MATINEE - Bear Tooth - a shorts program that, I'm told, includes some great ones.  We'll see.  


6:00  FERAL  - Anchorage Museum -  another narrative feature about a homeless person.  Last night's 'homeless narrative feature' - Gutterbug - was a very powerful film that gave me chills at the end.  Well, where it should have ended - with the mom at the hospital.  I would have chopped off the rest that gave it a happily ever after Hollywood ending that seemed at odds with the rest of the film.  

But all that's to say that a film about homelessness can be very worth watching.  

7:45  Those Who Remained  -Anchorage Museum - This is the one I'm looking forward to seeing.  It's a Hungarian film about Holocaust survivors in Hungary.  There was another film on this theme last year as well - 1945.  This has personal meaning for me because my step-mother was a Hungarian speaking holocaust survivor who returned to her home to find all the neighbors had appropriated all their belongings including their house.  


Wednesday, December 11, 2019

AIFF2019: Wednesday - Alaska Shorts, Vietnam, Mental Health at College, Homeless



Alaska Experience Theater  6 pm

SHORTS: Made in Alaska

  • Eskimo Inc
  • How to Say Goodbye
  • Wolf Tracks
  • 12:34
  • The Dying of the Light
  • Dasher
OR

Inside the Rain - A narrative feature about a college student with mental health problems.  







Alaska Experience Theater 8pm

The American War - Documentary feature about Vietnam, from the Vietnamese perspective


SC: How did you come up with the idea for the film?
Daniel Bernandi: After successfully producing roughly 25 short films on 25 different veterans, I knew it was time for Veteran Documentary Corp to begin making feature-length documentaries to tell deeper, more developed stories of the veteran experience. I selected Vietcong veterans as the subject of our first feature for a couple reasons.  First, despite the fact that many Americans have seen stories or read about the Vietnam War, the story of the Vietcong veteran has not been told — at least not for American audiences. Why did the Vietnamese fight? What was their experience of, for example, Agent Orange or South Vietnamese torture? What was it like being Veterans in a county that includes veterans from the “other” side (e.g., South Vietnamese soldiers)? Second and equally important, I wanted to address experiences shared by veterans across time and country. The experience of war is more universal than era or nation might otherwise suggest.




OR

Gutterberg - Narrative Feature about a young homeless man.  Here's an interview with the director about the film.:








Tuesday, December 10, 2019

AIFF2019: Last Night I Watched A Rhino Die [UPDATED]

Kifaru documented the death of the last male white rhino in the world through the eyes of the men who take care of him and his two daughters.  Slowly he decayed until he could pull up on his two front legs, but not his hind legs.  We learned a little about the Kenyan caregivers, but mostly this movie was documenting extinction.  Watching what consumerism is doing to destroy the earth -  coveting goods (like rhino horns) and the deforestation and other environmental degradation exploiting natural resources causes.

Of course, coveting was noted in the bible, so modern capitalism didn't invent it.  But modern capitalism took it to an unprecedented level, putting profit (mostly short term) above everything else.  Most people don't know the concept of externalities.  Theoretically capitalism is supposed to be the most efficient form of production.  Producers are supposed to be as efficient as possible so they can keep the price low enough to beat their competitors. But one of the problems of capitalism is externalities.  These are the costs that the producers impose on society, but that aren't captured in the price of their goods.  Pollution is the most common example used - the loss of clean water and air, for example, imposes huge costs on society.  These examples used to be about the health costs and some cleanup costs.  But now we see the loss of habitat, the loss of affordable housing, deaths from legal drugs, etc.  

And the loss of rhinos and hundreds of thousands of other less dramatic species.  

The death the last male northern rhino should make people think about seriously rethinking their lives.  Sudan (the rhino's name) is just the symbol, the catalyst, but the damage climate change is already causing should make us all ready to drastically reduce humanity's carbon footprint.  (The link discusses options for where to contribute to projects that do that.)

[UPDATE Dec 10, 2019:  I ran across this Al Jazeera Tweet just now


NOTE:  KPBS says the baby is a southern white rhino (not a northern white rhino, like Sudan) and
The calf is the first baby rhino born using artificial insemination at the San Diego Zoo facility.
The mom, Victoria, carried her baby for more than 490 days.
Victoria is one of six southern white rhinos that could become surrogate moms for the critically endangered northern white rhinos.]
Mr. Sam and other "WTF!?!?" Shorts

After Sudan left the world and chunks of his flesh were taken in hopes of using his DNA one day to recreate white norther rhinos, the shorts program started.  

We saw six shorts that were, in my mind, what film festivals are about.

THE SHORTS

Mr. Sam was my favorite - demonstrating my bizarre taste.  Not everyone afterward agreed.  But I love the imagination that created this odd character and the story the film maker put him into.  Others in the program are also worth noting:

Maintain Yourself took an oddly shaped doll and a shelf full of small, colorful flasks, and proceeded to 'groom' the doll with the contents of the flasks.  It was particularly poignant since during the intermission we'd seen a preview for the movie Toxic Beauty which highlighted the tens of thousands of chemicals in cosmetics people use.  

The Phantom 52 featured an animated truck driver calling out to others over his CB radio with a background them of various kinds of whales calling out to their distant brethren.  Some wonderful images.  

Eternity  - This Ukrainian film took place in 2058 and was about 'digitizing' the souls of dying people and placing them in digital worlds for eternity.  I got that part, but the details were a little confusing.  But it was worth watching.

Hearth - was the creepiest for me.  A couple goes from one  luxury AirBnB to the next, where they then use a dating app to lure gentlemen to their last tryst.  Very well done.  AirBnB and other hosting sites do not want prospective hosts to see this film, I'm sure.

The Dig  -  She's getting married tomorrow and she wants her brother to help her get her mom's ring before the wedding.  

A wonderfully disturbing (in the sense of forcing you think) set of films.  If one of them gets the audience award or best narrative shorts award, you might be able to see it Sunday when they will be showing the award winners.  

AIFF2019: Tuesday - St. Louis Ghosts, Fairbanks Founder, A Road Trip, and Creepy Shorts




The Ghost Who Walks is for St. Louis folks.

For St. Louis fans, this is done by a St. Louis native in St. Louis.  It's also fairly new (this year) and hasn't been seen by that many folks yet.   From St. Louis Magazine:
"Just as writer/director Cody Stokes’ career began to take off in New York City—meaning that he was traveling a lot—his first child was born. The St. Louis native began thinking about what it means to be gone and miss things back home, from his, his wife’s, and his child’s perspectives. He knew he wanted to make a film about it. But rather than create a simple kitchen sink drama about fatherhood, he set it in a world beyond, made it exciting, turned it into a crime thriller. “I wanted people to feel like they’re going to watch some sort of Liam Neeson movie but by the end be completely moved,” Stokes says. And he shot it in St. Louis, having moved back home with his family. The Ghost Who Walks screens as part of the St. Louis Filmmakers Showcase later this month."

Felix Pedro:  If One Could Imagine - Alaska history here.  From Ululate:

The documentary Felix Pedro ... If one could only imagine, tells the story of a man from the Bolognese Apennines, who was born in the mid-nineteenth century and his name was Felice Pedroni. This man flees the poverty, takes a ship to America, where he becomes Felix Pedro and in 1902 he discovered gold in a stream in Alaska founding subsequently the city of Fairbanks.
The story is told today on the trail of a search by Giorgio Comaschi, Claudio Busi and Massimo Turchi to build a show about the adventure of Felix Pedro.

Vanilla - A road trip.   Everything about a film is how it's carried off.  Here's a snippet from one reviewer who thought it went well:
"We have an odd couple on the road, so funny stuff happens – and this is a funny movie.  Naturally, the audience is waiting for the two to jump into bed together.  But Vanilla is fundamentally a portrait of these two people, both comfortable in their ruts.  Elliot is posing as an entrepreneur, and Kimmie is posing as a comedian-in-the-making; something is going to have to shake up these two so each can grow.  Kimmie seems utterly intrepid, but we learn that she can be paralyzed by self-consciousness, just like Elliot.
Vanilla is written and directed by its star, Will Dennis, in his first feature film.  It’s an impressive debut, rich in character-driven humor."
Late Night Chills - Shorts Program -  here's a link to the Festival Website for the shorts.

Sunday, December 08, 2019

AIFF2019: Nae Pasaran, Straight Up, And Laugh Or Die


I've been seeing some terrific films.  Each deserves its own post, but I've almost gotten rid of my cold and so I'm not giving up sleep to post.

Last night's showing of Nae Pasaran was introduced by Alaskan-from-Chile, Pauline Larenas-Bajwa including a brief quote from poet Gonzalo Millán's The City.  This was the only film I got to see before the festival began.  

It was much better on the big screen without distractions. (When I saw it the first time on someone's home big screen tv, I was sitting next to a window with a bird feeder and nuthatches and chickadees were making constant visits.)

The director, Felipe Bustos Sierra's father was a Chilean journalist who was exiled during the Pinochet years.  Sierra grew up in Belgian and lives now in Scotland.  So this is a very personal film for him.  It digs deep into the story of the Scottish factory workers at the RollsRoyce plant who refused to repair the jet engines of the Chilean Air Force in solidarity with their union brothers in Chile.  Sierra interviews some of the workers who instigated the boycott and then he goes to Chile to find some Chilean Airmen who flew those jets, as well as members of Allende's government who were imprisoned and tortured by Pinochet.  It's an inspirational story about how people far away can fight tyranny and Sierra brings it full circle with messages from the Chileans to the workers.


It was followed by Straight Up - a film about a gay man who thinks he might be straight, since he's never really had a satisfactory encounter with a man. Todd  finds his soul mate in Rory - an attractive young lady whose interests and fast wit are a perfect match for Todd's.  Except for sex.  There's lots of very fast paced and smart dialogue, between Todd and Rory, Todd and his therapist, and between Todd and his friends who think this relationship is crazy.  A lot of what I liked about the film came from the charm and wit of Todd and Rory.  And it's a reminder that people don't fit the neat labels we try to use to categorize them.

James Sweeney and Katie Findlay
 Writer, director, and star (Todd) James Sweeney, who is originally from Anchorage, was there with co-star Katie Findlay (Rory) took questions after the showing.

Here they are in the Bear Tooth lobby - they still are obviously good friends.

I didn't think to ask James if naming the character Todd had anything to do with his own last name of Sweeney.








And tonight (Sunday) I got to see my favorite film so far - Laugh or Die.  Which takes place in a Finnish prison camp in 1918.  I said in an earlier post that it was a WWI film, which is technically true.  But more accurately for the film, in Finland there had been an overthrow of the new democracy by those who wanted to reestablish the monarchy.  They threw their fate with the Germans.  Those who had fought to regain the democracy had lost and many were prisoners, including a troop of actors, the most famous of whom was billed as the funniest man in Finland.
This comedian Toivo Parikka is played by Martti Suosalo, a wonderful actor who dominates the screen.  His weapon is his humor and the camp commander tells him if a visiting German general is entertained, he and his troop won't be shot.


Heikki Kujanpää


And we had director Heikki Kujanpää at the screening and up on stage afterward for Q&A.  One
person asked what "based on a true story" meant in this case.  He acknowledged that the wars were true and there were lots of prisoners, but the specific story was fiction.

I also enjoyed The Body Remembers When The World Broke Open, and I hope to write about it later.  

AIFF2019: Sunday Dec 8: Tale of Two Indigenous Women; Old Siberian Explorations; Forced Comedy;

Things on tap today.

I'm particularly interested in The Body Remember When The World Broke Open - a film about two Indigenous women in Canada made by indigenous women.
Also Laugh or Die - story about actor prisoners in Finish camp in WWI who are told they will be allowed to live if they make a visiting general laugh.




Banana Split, not to be confused with another film called Banana Splits, is about high school and going off to college and the problems involved.

Saturday, December 07, 2019

AIFF2019: Saturday Dec 7 - Germany, Scotland/Chile, Am I Straight?, And More

Here's the official schedule from the AIFF website.  

Nae Pasaran is an interesting film.  The film maker is the son of a Chilean journalist who was exiled when Pinochet came in.  He's a Chilean-Belgian filmmaker who lives in Scotland.  The film is about the workers in Scotland who refused to repair the Rolls-Royce jet engines of the Chilean Air Force in solidarity with the Chilean union brothers.  It's not only relevant in terms of what unions can do to fight tyranny, but it has current relevance given Chile's protests still going on right now.


Straight Up is about a gay guy who thinks maybe he's really straight.

The Film Royal will show the short films produced in the last five days by Alaskans who got the prompts that needed to be in the film five days ago.  These have progressed from fairly rough films years ago, to very professional productions in recent years.  Always fun.  

Friday, December 06, 2019

AIFF2019: Opening Night Shorts - 6:30pm At Bear Tooth [UPDATED]

I'm finding the new website prettier than it is easy to use.

For instance:  I know opening night - tonight - is a shorts program.  But when I looked up the shorts programs from the website's schedule page, the first program listed is for tomorrow.  Nothing for tonight.

Using the calendar page, I was able to get to Dec. 6 Opening Night Shorts.  Well there are seven pictures, but they aren't linked to anywhere.  It does say at the bottom  “Sin Cielo” and “Wandering in the White.”  So that's two of them anyway.  But when I search for them in the Search Film section - I get "no events found."

The Bear Tooth will only host films this weekend, Monday night,  and for the Martini Matinee at 2pm on Thursday.

There seem to be fewer films overall - certainly in the Features categories - [UPDATE:  I thought at one point that it might be possible to see all the films because there weren't competing films playing at the same time.  But I was very wrong.  At the Alaska Experience Theater during the week there will be lots of films where you have to chose.]

Here's the trailer for Sin Cielo:






And for Wandering in the White:
Vaeltajat / Wandering in the White – Teaser from Side Stories on Vimeo.






Thursday, December 05, 2019

Back Home To Snow And Moose

We left from the D Concourse at SEATAC which has my favorite art piece there - Michael Fajans' High Wire.  I posted about it back in 2008.  (Back then I wrote that it was in Terminal B, but it was definitely in D yesterday.  Maybe the old post was wrong.)



After a couple of gate changes, trying to get in as much of the impeachment hearings as I could, we were in the air above the clouds over Alaska.  It was late afternoon - Anchorage's official sunset yesterday was 3:48pm, but if it's not too cloudy, we have long twilights - and the orange glow was on the western horizon, while out my east facing window there were snow mountains.



And around 4:20pm it was still light enough to capture these exquisite winter scenes with only a slight blur from the long exposure time.  



And as we circled over Cook Inlet to land in Anchorage, the sunset was still painted on the western sky.  





I went out to get our passes for the Anchorage International Film Festival which begins tomorrow night and to pick up some groceries and just on 36th there was a moose crossing the road in the dark.


One of those amazing moments when out of the darkness you realize there's a magnificent
moose and there's no time to react.  Fortunately it was still in the oncoming lane as I passed.  No time to even take a picture, even if I hadn't left my phone at home.  What a great welcome home.




At my dentist this morning this moose was on the wall.  Not quite the same.  But I was sitting still and so was the moose.



















And I'm pleased to say that my studded tires worked like a charm as I rode over to the dentist and back.  I'm getting a little more confident that they aren't going to betray me.  Hoping my trust in them proves warranted.  I won't be reckless, but a little less cautious.









So, let's just leave this post as it is - on light subjects or art, travel, mountains, moose, AIFF2019, and biking in the snow.

Monday, December 02, 2019

AIFF 2019 - Features 2 : Dying and Ghosts, Maybe He's Not, Tossing The iPads, Road Trip [UPDATED]

The Anchorage International Film Festival begins this Friday.

Here's a quick overview of the second half of the Narrative Features.  The first half is here.
[UPDATED Dec. 6, 2019 - I've confirmed that Those Who Remained will be showing - Thursday at the Museum at 7:45pm]

Laugh or Die
Director:  Heikki Kujanpää
Finland
103 minutes
Showing:  Sun, Dec 08, 2019 6:00 pm
Bear Tooth Theatrepub


"In a detention camp in 1918, a group of Finish actors are sentenced to death. When an important German general arrives, the camp’s vicious commandant forges out a cruel plan: The prisoners have to perform a play - and if they can make the visiting general laugh, they will be spared. Due to the brutal conditions within the camp, this goal seems to be impossible to reach. But after some time, even the commandant’s wife starts to sympathise with the prisoners, watching them rehearsing dressed up in woman’s clothes."
---------------------------------------
Straight Up    [If we still had a gay-la night this year, this would be the feature]
Director:   James Sweeney
USA
95 minutes
Showing: Saturday Dec 07, 2019 8:00 pm  Bear Tooth Theatrepub


"Todd's truth is that he doubts he's the gay man he thought he was. Years of failed dating, and a disgust/fear of the bodily excretion that is the primary ingredient in a Dirty Sanchez, have brought him to this point. Clearly, as he tells both his sarcasm-prone therapist (Tracie Thoms) and his befuddled friend group, he must be straight. That in itself is another deflection, though it will take a feature film's length of time to identify the real culprit. (Hint: It's the L-word — not that one.) Until then, he'll work through his hang-ups with struggling actress Rory (Katie Findlay), with whom he meets-cute in a library and who proves to be in almost every way his soul mate. 
She's the Hepburn to his Tracy (don't you doubt that Katharine and Spencer get name-checked). And the duo grow closer as they play house in the sunlit California residences that they look after to make ends meet. The pair heatedly dissect Alanis Morissette's "Ironic" and participate in an uncomfortable "Truth or Dare" evening. They even go to a party dressed as Elizabeth Taylor and Paul Newman in the movie version of Cat on a Hot Tin Roof, which begets an exegesis on the sublimated homosexuality of Newman's injured character Britt."
Here's a fund raising video link.  You'll either decide this is someone you want to spend 95 minutes with or not.


Straight Up - Seed&Spark from James Sweeney on Vimeo.

---------------------------------------

Team Marco   
Director:  Julio Vincent Gambuto
USA
90 minutes
Showing:  Saturday Dec 14, 2019 10:00 am
Anchorage Museum Auditorium

This film's world premier was October, 2019 at Mill Valley Film Festival, so we're seeing it pretty early on.  In the interview below it is touted as a great family film - it's showing Saturday morning at the museum.  

"The title character is obsessed with his electronics and hardly leaves the house. But when his grandmother dies and his grandfather moves in with his family, Marco’s life is turned upside down and he’s forced to play outside.
When “Nonno” introduces him to bocce and the neighborhood crew of elderly Italian men, Marco finds a connection to other people “in real life” -- and inspires a team of neighborhood kids to put the devices down and band together to take on his grandfather and his pals.
'This film is really about getting kids up and off their iPads and into the world," Gambuto said. "This is my love letter to Staten Island and all the communities involved in it. It is quite possibly everything I wanted from this experience.'"
Here's part of an interview with the director and other members of the film crew after the premier at the Mill Valley Film Festival in October of this year.

TEAM MARCO – Mill Valley Film Festival Q&A from Mill Valley Film Festival on Vimeo.

---------------------------------------



The Ghost Who Walks 
Director:  Cody Stokes
USA
100 minutes
Showing:  Tuesday Dec 10, 2019 6:00 pm  Alaska Experience Theatre - Small

For St. Louis fans, this is done by a St. Louis native in St. Louis.  It's also fairly new (this year) and hasn't been seen by that many folks yet.  From St. Louis Magazine:
"Just as writer/director Cody Stokes’ career began to take off in New York City—meaning that he was traveling a lot—his first child was born. The St. Louis native began thinking about what it means to be gone and miss things back home, from his, his wife’s, and his child’s perspectives. He knew he wanted to make a film about it. But rather than create a simple kitchen sink drama about fatherhood, he set it in a world beyond, made it exciting, turned it into a crime thriller. “I wanted people to feel like they’re going to watch some sort of Liam Neeson movie but by the end be completely moved,” Stokes says. And he shot it in St. Louis, having moved back home with his family. The Ghost Who Walks screens as part of the St. Louis Filmmakers Showcase later this month."

---------------------------------------


Those Who Remained (Someone To Live For) 
Director:  Barnabás Tóth
Hungary
89 minutes
Showing:  Thursday, Dec 12  7:45pm
Museum

Another film only recently shown brings us a post Holocaust story of survivors.  
"Many films deal with the suffering of the Holocaust years, but far fewer focus on those who managed to return from the camps. The achingly tender Hungarian drama “Those Who Remained” fills that gap. Perceptively directed by Barnabás Tóth, it taps into a deep well of honestly earned emotion as it tells the story of two traumatized survivors whose relationship helps them to heal and provides them with someone to live for. Set in the period between 1948 and ’53, the period drama also takes on the purges of Hungarian politician Mátyás Rákosi’s Communist regime. Following its world premiere in Telluride, this exquisite, poignantly performed tale will be released in North American by Menemsha Films.
After the war, the gentle but haunted Dr. Aládar “Aldó” Kőrner (Károly Hajduk), 42, returns to his ob-gyn hospital practice. His wife and two small boys perished in the camps, and he lives alone, with only his medical journals for company, until Klára (Abigél Szőke), a 16-year-old force of nature, storms her way into his life."

---------------------------------------

Vanilla 
Director:  Will Dennis
USA
87 minutes
Showing:  Tuesday Dec 10, 2019 8:00 pm  Alaska Experience Theatre - Small

Everything about a film is how it's carried off.  Here's a snippet from one reviewer who thought it went well:
"We have an odd couple on the road, so funny stuff happens – and this is a funny movie.  Naturally, the audience is waiting for the two to jump into bed together.  But Vanilla is fundamentally a portrait of these two people, both comfortable in their ruts.  Elliot is posing as an entrepreneur, and Kimmie is posing as a comedian-in-the-making; something is going to have to shake up these two so each can grow.  Kimmie seems utterly intrepid, but we learn that she can be paralyzed by self-consciousness, just like Elliot.
Vanilla is written and directed by its star, Will Dennis, in his first feature film.  It’s an impressive debut, rich in character-driven humor."



Vanilla (Official Trailer) from Will Dennis on Vimeo.



---------------------------------------

Tuesday, November 26, 2019

AIFF 2019 - Features Part 1: Indigenous Women, Homelessness, Coming of Age, (Young and Old), Bi Polar

There are 12 films in this group and I've got six here and will do a second post with the other six.  We've got a film here with two indigenous women actors, two films with homeless leads, a return to the home country (Italy) to save the family vineyard, a bi-polar college student, and a coming of age film.  (I know it's hokey to try sum them up this way, but the topics may cause some people to be more interested.)

I'd also note that the new website is ready and my first impression is that it's an enormous improvement over past AIFF websites.  But I haven't explored it too closely yet.  It also looks like it's possible to see every film this year, because there aren't two competing films at any given time. I think that's the case but, again, I need to check more carefully.

So, here are the first six of the  NARRATIVE FEATURES


The Body Remembers When The World Broke Open  
Directors:  Kathleen Hepburn & Elle-Máijá Tailfeathers
Canada/Norway
Showing:  Sunday, Dec 08, 2019 2:00 pm   Alaska Experience Theatre - Small

Two Indigenous women, unknown to each other, and from very different backgrounds, meet by chance. Áila is middle class, university educated and light skinned. Rosie is eighteen years old, poor, and has just been assaulted by her boyfriend. When Áila sees Rosie crying barefoot in the street, she makes the decision to help her. What follows is a complicated extended conversation between these two women as they navigate their similarities, differences and shifting power dynamics. Tense and affecting, the film employs long takes and masterfully executed handheld cinematography to unveil a story in real-time, a story that at its core is a testament to the resiliency of Indigenous women.


There are a number of interesting aspects to this film.  Not only is it about two Canadian indigenous women, it's also directed by an indigenous woman.  It also is filmed in real time:
"We had many conversations with our DP, Norm Li, and ultimately settled on shooting 16mm. This required that we develop a rather experimental process which Norm calls “real time transitions.” Once we had all of our locations, we carefully choreographed stitch points throughout the film where one of our camera assistants would have a camera pre-rolling to swap with Norm. This required five days of full crew rehearsal. We filmed the prologue scenes in three days, and filmed the continuous action sequence once a day over five days."
__________________________________________

Banana Split
Director:  Benjamin Ben Kasulke
USA
88 minutes
Showing  Sun, Dec 08, 2019 8:00 pm  
Bear Tooth Theatrepub

I read some descriptions and interviews and then saw the trailer which didn't match what I'd read at all.  Turns out the trailer was for another movie with a similar title.  

This excerpt  comes from  Sumbreak.  I don't want to say too much about the film.  Others have written that the basic description doesn't do justice to this film   So I've picked this part from an interview with  first time director, but experienced cinematographer Ben Kasulke.  They're talking about actress Addison Riecke who plays the little sister.  
"And yeah, with Addison, it was like you know, we saw the tape and I was like, ‘oh my god, this little girl’s great.’ And I didn’t know much about her. She has a really long history of acting. She’s a full-on child actor who works all the time, and so she comes out of the Nickelodeon World and she does comedy but she does comedy in a sort of very wholesome way. And you know I knew that she had done some comedic work.
But I knew that she had worked in The Beguiled, a Sofia Coppola film, so I knew that understood things that might have to exist as visuals or have a little more nuance to them. So she came from a good pedigree and then the word on the street was that she was just this like powerhouse actress, and that all proved to be true.
I was a little nervous. It was my first film and I you know worked with lots of younger actors and actresses as a cinematographer and spent a lot of time with director like Lynn Shelton and Megan Griffiths, who are really adept at making a set that’s conducive to safe, emotional space and getting good performances out of actors of any age, but in particular, children at times. And so I knew that I’d had some good role models as directors and people I’d collaborated with over the years.?"
Here's part of an interview with the director and writer/producer/star Hanna Marks.  It's an after the film Q&A at the Toronto Intl Film Festival.  I cut out the beginning, but it didn't offer me an option to end it early, so, if you're interested, watch as much or little as you like:





__________________________________________


Feral 
Director:  Andrew Wonder
USA
73 minutes
Showing:  Thu, Dec 12, 2019 6:00 pm
Anchorage Museum Auditorium

Mathew Monagle at Film School Rejects pushes films by former documentary makers who switch to narrative features.
". . .  these films ask us to simply exist in a series of moments with the main characters, exposing ourselves to their truths by seeing the world as they see it. And as of this weekend, you can officially add Andrew Wonder‘s Feral to this list of must-see narrative debuts. 
It would be wrong to say that Yazmine (Annapurna Sriram) lives on the streets, considering her actual home is a good hundred feet below them. When we first meet Yazmine, we walk alongside her in the abandoned tunnels and empty homeless camps that litter the underground relics of the MTA; with her as our guide, we eventually find our way into the long-abandoned power station she has converted into her home. But this underground life is only one facet of Yazmine’s existence. In her collection of sweaters and skirts, she can also pass among the fashionable parts of Brooklyn, moving alongside hipsters and bohemians and passing judgment on their hollow lives as she bums cigarettes." (emphasis added)




__________________________________________


From The Vine 
Director:  Sean Cisterna
Canada
94 minutes
Showing:  Friday, Dec 13, 2019 4:00 pm  
Alaska Experience Theatre - Small

This is a new film which had its North American premier in Canada in mid-October.  It's also been at the Napa Film Festival this month, which is fitting for a film on a vineyard.  But there's also not much out there about the film besides stock descriptions

Here's from a review from the  Devour! The Food Film Festival where you can read more:

"It’s the tale of a downtrodden man (Joe Pantoliano) who experiences an ethical crisis and travels back to his hometown in rural Italy to recalibrate his moral compass. There he finds new purpose in reviving his grandfather’s old vineyard, offering the small town of Acerenza a sustainable future, and reconnecting with his estranged family in the process.
From director Sean Cisterna, From The Vine is a delightful yet admittedly predictable affair about the need in life to not live for your work but to work for your life.
Cisterna is an experience Canadian filmmaker and with From The Vine he really does manage to get the most out of a well worn formula.  It looks great and as it launches into its story it’s always nice to see a Canadian film that isn’t overtly TRYING to be a Canadian film.  Cisterna has always had a good sense of story, it all has a genuine flow to it as we move along and it really has a strong sense of self.  That kind of narrative confidence not only comes from the script from the director leading the ship."



__________________________________________


GUTTERBUG 
Director:  Andrew Gibson
USA
100 minutes
Showing:  Wed, Dec 11, 2019 8:00 pm
Alaska Experience Theatre - Small
"Have you ever been walking around Allston and thought, “This place would be the perfect setting for a gritty drama about young, homeless street punks trying to find their place in the world, resisting the tedium of a forced 9-5 careerist lifestyle and simply surviving in a harsh world?” Well, so did Andrew Gibson, who’s gearing up to direct Gutterbug, a film that explores those themes listed above. Gibson is also the former head of video for Allston Pudding, so we’re excited to see him develop a full feature! The project’s synopsis, quoted from the film’s Indie GoGo  description, reads as follows: 
Stephen Bugsby, known by his street name “Bug,” left home on his 18th birthday. GUTTERBUG picks up three years later at his rock bottom. When the punk rock shows end and the drugs wear off, things feel quiet on his dirty mattress under the overpass. The suffocating atmosphere of the homeless environment and its toxic characters spark something in him he forgot he had… Before choosing death as the answer, Bug makes a choice even he didn’t see coming."
Here's an interview with director Andrew Gibson.  This film is focused on some homeless folks and the interviewer here lets us know he was once homeless.   I started it two minutes in when they began talking about the movie.


__________________________________________

Inside The Rain  
Director:  Aaron Fisher
USA
90 minutes
Showing:  Wed, Dec 11, 2019 6:00 pm 
Alaska Experience Theatre - Small

From WBOC:
"Facing expulsion from college over a misunderstanding, a bipolar student (Aaron Fisher) indulges his misery at a strip club where he befriends a beautiful and enigmatic sex worker (Ellen Toland) and they hatch a madcap scheme to prove his innocence.  Rosie Perez stars as a tough love shrink, Eric Roberts as an unhinged film producer, and Catherine Curtin and Paul Schulze as the long-suffering parents. The ultimate underdog film and proof that if you believe in yourself, anything is possible.
"'Inside the Rain' is an important film that deals honestly with issues of mental health, and manages to be at once humorous and poignant," said co-star Rosie Perez.  "I responded to director Aaron Fisher's script, and enjoyed working with him on our scenes together."
"Inside The Rain" has also attracted many film critics attention.  Westwood One states, "Insightful and audacious, with terrific cast…raw and heartfelt emotion." And Tribune Media Services said, ''Inside the Rain' is a captivating story where the brush strokes of life and the arts blend together beautifully.'"





__________________________________________

Tuesday, November 12, 2019

Lunch With Rich Curtner (AIFF) And Visit to Seward Highway Planning Meeting

I had lunch with the chair of the Anchorage International Film Festival to catch up on change to how things are being done this year.  Here he's checking films on his phone.  There have been some significant changes with a non-local Festival Programer who is also a film maker who lives in Norway.  Some of that has to do with which films got selected into the festival.  There still were local programmers, but the last word went to the Ida.

Also there were no 'films in competition.'  All films that were selected are eligible for prizes.  But
the juries this year are only partially local.  There are also international jurists and the final decisions rest outside of Anchorage.

And Festival Genius is out and GOELevent is in.  Those are film festival websites for managing the schedules and online ticketing.  I'm just starting to play with GOELevent and there have been some glitches - films that didn't show up when searched and things like that.

Will there be Audience Awards this year?  Stay tuned.  The board meets Saturday to work out remaining decisions.  I did a short video, but I'm having trouble between iMovie and Youtube.  Good thing I tried today so I can get this cleared up before the festival starts.

I'll catch up more on this later.  It was a beautiful sunny day.  A little cooler this morning, but no snow at all and the only ice I saw riding over to lunch was in puddles.

Later I went to Loussac to check out the public meeting on the midtown transportation project.  Basically it's focused on the Seward Highway between Tudor and Fireweed.  They've been working with some community councils and it's a big, long term project.  36th would go under the Seward Highway, then the highway would go below ground under Benson and Northern Lights.

The more I think about this, the more I think there are better ways to spend half a billion dollars.

The bottom/left is going north, the toplight  is going south.  The white box on the right side is Midtown Mall (old Sears Mall) and the white boxes on the upper left are Fred Meyer.  Seward Highway goes underground just before Benson and comes back up after Northern Lights.  They don't have any plans for the large space between the north and south lanes.  


This is another view.



But they also said that most of the traffic coming from the south is going to midtown, so there will still be a lot of traffic crossing Tudor, 36th,  Benson,  Northern Lights, and Fireweed.  There were some predictions of increased traffic in the next 20 years, but even with the long light at 36th and Seward Highway, I can still get most places in Anchorage in 15 minutes (except at 5pm when it might take 20 or 25 minutes.

90% of the 1/2 billion dollar price tag would be paid for by the Federal government, or at least that's the plan.  I can't help but think that the construction industry is going to be the big winners here and folks in Anchorage will get years of torn up roads and then some marginally improved traffic at the end.

Pedestrians and bikes should come out better with wider trails and easier crossings of the Seward Highway.  I don't enjoy crossing the highway on my bike, but I've learned how the lights work and just relax as I wait for them to change.  And I watch out for people making right turns when I have the walk sign.

The only part that I endorse 100% is a fix for the tunnel along Chester Creek at Seward Highway.  Here's a picture of the tunnel and the pipe for the creek now from the east side.  Riding on a bright day, you get into the tunnel and it's hard to see.  Even on a gray day.  And the creek is reduced to a pipe going under the highway.


This is significantly better for bikes, walkers, joggers, and fish.



The biggest benefit is for people driving north and south through midtown.  They won't have to stop for lights.  But people going into midtown will have to stop for lights and people on the east-west streets will still have to cope with lights and traffic coming off the highway.  Pedestrians get shorter streets to cross (going east and west) but it will now take two lights to get across both directions because the median between north and south lanes will be significantly wider.

I want to see clear estimates for how much time people will save.  They mentioned pedestrians who have died in this area crossing streets in the last ten years or so.  The speaker (not the slides) went on to say, "That's just non-motorized deaths."  Really?  These are deaths of pedestrians running into each other?  I'm guessing a motorized vehicle was involved in all the pedestrian deaths.  How many deaths would prevented if we spent $500 million on Medicaid including much better mental health treatment?  A lot more than six I'm sure.

Those are my initial thoughts.  More trees along the Midtown mall parking lot would improve things for a lot less, and fixing some sidewalks.  I think about the Tudor bridge with the very narrow sidewalks.  Why didn't that get reasonable sidewalks from the beginning?  Or when they widened the highway more recently?

What corners are they going to cut when funding doesn't match their current dreams?  Non-motorized transportation will get shortchanged yet again?

I need to be convinced with more details that show this will
a)  indeed improve the flow of traffic significantly
b)  make things much easier for pedestrians, bikes, runners, etc.
c)  give us more bang for our buck (or more benefit for the cost) than spending money on health care and education.

I do recognize that this money is tied to Federal highway monies, so we can get it for the roads, but not the other areas that probably would see much greater benefits.