LA - Skateboarding, Googie, Bernie's, And More

 

If you walk the path along Venice Beach, you'll come across the skateboard park.  

Skateboards first appeared along the beaches of Southern California, particularly Venice.  As a junior high student back then, I joined the others nailing half a roller skate to one end of a 2x4 and the other half to the other end.  We didn't have a lot of control. My street was one of the better hills.  One block to the south wasn't steep enough.  One block to the north was too steep for most.  I survived the steep one a couple of times. This was in the late 1950s and early 1960s.  You can read more about the history of skateboards from the Hermoso Beach Museum site.

Skate boarding has come a long way since then as have the places people ride them.  

Tuesday it got up to 75˚F and we spent a couple of hours at Venice Beach near the end of Rose Avenue.

Friday, when I biked down there, the fog blocked the view of the ocean from the bike trail.

 We went to the LA County Museum of Art on Thursday.  And passed this bit of graffiti on the way.  We also passed an Indian grocery store.  

This is just a part of the loooooooong spice shelf.  One of the reasons that Indian food is so good - lots of spices and thousands of years experimenting how to prepare them.  

We also passed Johnie's Coffee Shop.  It's an example of Googie architecture - but I didn't know that when I took the picture or I would have taken a better picture of the whole place.  My interest was that this coffee shop had been turned into Bernie's Coffee Shop. LAist has a January 31, 2019 story by Jessica P. Ogilvie about this transformation:

"Johnie's Coffee Shop was built in 1956 by architects Louis Armet and Eldon Davis, masters of the space-age Googie style. The restaurant came to be known for its striking design and by the 1980s, began making appearances in films like Miracle Mile, The Big Lebowski, American History X, Reservoir Dogs and City of Angels. In 1994, it was purchased by the Gold family, an entrepreneurial L.A. clan whose patriarch, David Gold, founded the 99 Cents Only Stores.

In 2013, Johnie's was designated an historic cultural monument, and for a short while, the Los Angeles County Metropolitan Transportation Authority debated turning it into a Metro stop for the purple line."

That Metro stop is still being built kitty-corner from Johnie's/Bernie's.  The article goes on to tell the history of how it became Bernie's.  

This is at Fairfax and Wilshire.  Across the street is the old May Company department store - about 

2 1/2 blocks from where I lived as a kid.  Now it's the Academy of Motion Pictures Museum.  Fortunately the kept the historic facade of the building.  They used to have elaborate Christmas display windows right at that corner.  

We ended up checking out the Motion Picture Museum, but passing for now.  Instead we went to the Art Museum that is on the (now, there used to be a street between them) adjoining block.  But I'll save the museum for another post.  

Some of the apartment buildings on the street where I used to live.  Ours didn't have such fancy entrances.  

It was a hazy day which gave these buildings in Century City a surreal look as we drove home.  (None of the pictures in this post were edited except cropping.)

And I'm adding on this picture (below) of the LA airport.  I commented in an earlier post about the unsatisfactory taxi/Uber/Lyft parking lot that's a distance from the terminals.  The whole terminal traffic situation is beyond awful.  There are places where you can pick up arriving passengers.  But during Christmas vacation the three to four lanes are jammed.  You aren't supposed to be stopped unless you are actively picking up a passenger.  But it's near impossible to time when the car gets to the terminal to match when the passenger gets to the curb.  I pulled over at Terminal 5 with the expectation I'd move up to Terminal 6 when my daughter and family got out.  If a cop told me to move on, I could stop again at Terminal 6.  (I have been told to move on at LAX in the past, but no cops were sighted Saturday.)  If I got told to move on at Terminal 6, I'd have to go around the whole airport again.  I'm not sure what the solution is.  They're building a skytrain (which i assume will be similar to what they have in San Francisco) to get passengers out of terminal area.  I'm not sure it's just bad design.  More, just that LA's population grew so much.  They do have a target date to do something - the 2028 Olympics will be in LA.  The Metro line is also supposed to be all the way out to the airport.  The problem has been the taxis and other interests didn't want the Metro to get to the airport, I'm told.  

The airport was much easier to navigate back in 1967 when I drove a Yellow Cab out of the airport for several months between graduating from UCLA and returning to the second summer of Peace Corps training.  Those were good times - mornings at the beach playing volley ball and body surfing, evenings driving a cab.  I learned a lot about LA.  I'd never realized how many bars there were until I drove a cab.  

To the left us at this spot is the Los Angeles Airport (LAX) 'theme building."

"To truly immerse oneself in the world of Googie, a visit to the "Theme Building" at Los Angeles International Airport (LAX) is an absolute must. Completed in 1961, this architectural marvel resembles a futuristic flying saucer perched upon four curving legs. With its observation deck, it was once a popular spot for locals and travelers to admire the planes taking off and landing at LAX. The Theme Building perfectly encapsulates Googie's out-of-this-world charm and stands as a testament to an era when the skies were no longer the limit."  from LA Explained Blog

I had a high school graduation dinner there with a dozen or more friends.  The restaurant is long gone.  

Anchorage Stuff - Garry Kaulitz Art, Highway Proposed Over Chester Creek, Film Festival Coming Soon

from Fog 24 Gallery

Garry Kaulitz was a long time University of Alaska Anchorage artist and professor.  His works are still alive and available online.  Here's the link.   Worth a look.  

A letter from the Rogers Park Community Council alerts neighbors of a Department of Transportation proposal to put a highway above Chester Creek.  There's a meeting at the Senior Center - which would, if I read the map right, be under the viaduct.  

Meeting to discuss is  

TUESDAY, DECEMBER 10, 2024 

FROM 4:30PM TO 6:30     

SENIOR CENTER

And I'd be remiss if I didn't remind folks that the Anchorage International Film Festival begins Friday, Dec 6, 2024 and runs through Dec.15.  

This image is from the page labeled 'FILMS'.  It keeps going well below this screenshot.  

There are always great films as well as some that are not so great.  But everyone has different tastes so there will be something for everyone.  Films will mostly be at the Bear Tooth and the Museum.  

There is also a change in the festival organizers this year.  I described that a little bit back in September and you can see that post here.

I'll cover more about individual films soon.  

There's a new tab up on top under the orange banner for AIFF2024.  That will be an overview of the Festival and an index of my posts about the festival.  

The Apprentıce - A Good Way To Understand Trump's Behavior

 We saw the film about Roy Cohn yesterday afternoon.  Of course, it also is about Donald Trump - the Apprentice in the film title.

Here's the LA Times review.  It also tells the story of how it was feared the film would not be publicly shown before the election.  But, alas, it appears it was in Anchorage - at just about every theater, all day, and now it's gone.  It would serve the public much better to have it show at different theaters different weeks, so that word of mouth could get out.  Since the Anchorage Daily News no longer lists or reviews movies, you pretty much have to go look on line and seek out movies, rather than get reminders while you're reading the newspaper.  

I started posting about Roy Cohn back in 2016, and it wasn't flattering.

June 19, 2016:  

". . . attack, counterattack and never apologize."  In the movie these are edited to Cohn's and Trump's three rules:   

1. Attack, Attack Attack
2. Admit nothing, Deny everything
3. No matter what happens, you claim victory and never admit defeat

You can hear Cohn (actor Jeremy Strong) list them in this trailer.  

 

June 24, 2016

"Roy Cohn was one of the most loathsome characters in American history, so why did he have so many influential friends?"

There really isn't much in the movie that adds to those eight year old posts.  

But seeing it today, in hindsight, you recognize many characteristics of Trump.  

Listen to any time he talks.  He follows Cohn's rules.  He attacks.  He never admits anything.  He denies everything.  And he claims victory despite what really happened.  (Did you know he totally defeated Harris in their debate?)

He doesn't answer questions that would reflect negatively on him.  Instead he changes the subject and/or attacks one or more of his current perceived enemies. He lies about what they've done, and calls them demeaning names.  

He never apologizes.  Ever.  

Listen for these three every time he talks.  

What most struck me about the movie was, what I'll call grittiness.  It's well edited, but it's often dark and there's a lot of hand held camera.  But it moves right along.  

Again, because I researched Cohn back in 2016 and did those two posts listed above, there isn't much in the film I didn't know and a lot I knew that was slightly touched on in the movie.  For instance, Cohen mentions (while telling Trump he's crazy to get married) that he almost got married to Barbara Walters until he realized she'd own half of what he owned.  That marriage would only be a way to cover his homosexuality.  But the movie doesn't tell you, Barbara Walters stayed loyal to him because he helped get a warrant for her father dismissed.  

But what did strike me as I watched the movie, was how Cohn, in two instances, helps Trump by going through his vast collection of tapes (he recorded all the rooms in his house when he had parties), he was able to get two rulings against Trump changed, by black mailing the decision makers with his tapes.  

I've speculated at times about Trump having dirt on most GOP members of Congress which keeps them supporting him, despite earlier denunciations of Trump.  Think of Lindsey Graham, Ted Cruz, and Marco Rubio, just to name three.  The movie reinforces that belief.  I wouldn't even be surprised if Russian intelligence hasn't helped him gather such compromising evidence.  

I was hoping to get this up to encourage folks to see the film.  Unfortunately that doesn't see likely for folks in Anchorage, but I'd hope in other places the film will play longer.  

I'd note that at the end of September, we let our Netflix subscription lapse.  I was hoping that would give me more time to read and blog, but so far that hasn't happened that way.  My daily hour at my local elementary school, and preparation for it, takes up a lot of time, but is very gratifying.  The teacher said the other day that my guy is doing much better in class.  I decided that I need to have him work on reading in Spanish.  He can't do that fluently, but he can slowly, and with help, work out the words.  And I can feel his sense of achievement when he gets the word.  In English, he doesn't know enough words to get that satisfaction.  And my hope is that when he can read more fluently in Spanish, English will be easier to tackle.  But he does have a fair passive English vocabulary - that is, he understands things I ask him to do.  And just hearing me repeat the same kinds of questions and instructions in English everyday drills those words and phrases in.  

AIFF (Anchorage International Film Festival) Opens Dec 1, 2023 With Wild Life - The Lance Mackey Story

The Anchorage International Film Festival (AIFF) begins Friday, December 1, 2023 with a documentary about four time Iditarod winner, Lance Mackey. Based on the trailer below, this doesn't seem to sugar coat his troubled life.

Wild life - The Lance Mackey story from MAVERIX on Vimeo.

The Festival runs Dec. 1 - 9 this year and you can see the program of all the coming films here.

You can see the schedule of all the films here.  Above the calendar you can get different options.  The default seems to be by week, and that only shows the first two days.  Look above for the arrow to move to week two.  

This link shows the films in alphabetical order (beginning with punctuation marks) with pictures and brief descriptions of the films.  

I'd note - as does the AIFF website - that MovieMaker magazine has listed the Anchorage International Film Festival in its list of 25 coolest festivals 2023. And no, they aren't all near the arctic.  About AIFF, they say:

“This festival gave me the chance to explore all day and watch films all night — and night starts at 3 p.m., so that is a lot of films,” says Geoff Marslett. “I promise you will come back with stories from this adventure. If you’re lucky, you may even get to play bingo with the good people who run this one.”

You’ll have lots of fun if your bingo card includes a strong list of films from all over the world, with an emphasis on independent filmmaking in Alaska. We listed Anchorage as one of our 20 Great Film Festivals for First-Time Filmmakers last year not only because of its coolness, but also because of its supportive ratio of submitted-to-accepted films, which means you have a decent chance of getting in with a strong project."

So, if you live in Anchorage or nearby, you can save the cost of airfare and a hotel and enjoy one of the coolest film festivals in the world.  

You can get passes for all the films   Individual feature length films or programs of short films are $12 each.  So if you're going to see 10 or more films, it's definitely worth it.  And even if you won't see more than six, having a pass will save you some lines and buying individual tickets and add a little contribution to the Festival.  

ALL FILMS Passes 2023
$110.00 Pass for all AIFF 2023 in-person screenings from Friday, December 1 through Saturday, December 9, including Opening Night and all other festival screenings at the Bear Tooth Theatrepub.

In the past I've posted "Questions and Answers People Should Be Asking About The Festival." Here's a link to the last one I did in 2019.  Some specific things - like venues and free events change from festival to festival.  But a lot of it might be useful for people not used to going to film festivals.  

This year's venues include The Bear Tooth, Anchorage Museum, E Street Theater, and the Awards event will be at The Nave on Spenard.  You can find all the details at the AIFF website.

I'll try to highlight some of the films that will be showing during the festival.  

The Ides of March Is A Good Day To Watch Shakespeare's Julius Caesar

 This cast has some of the biggest names of the day - Marlon Brandon, John Gielgud, James Mason, Deborah Kerr, Greer Garson . . .

From the Internet Archive:

I'm Keeping Busy So Here Are Some Recent Pictures

 Monday morning I biked over to the Century theater to see Amsterdam.  An odd hour to see a movie but that was the only time it was playing.  I liked it, but it was a bit odd at times, which is probably why I liked it.  It hasn't done well at the box office - it was a little too quirky I think and while it's message was a timely reminder of past attempts of Nazi's to take over the United States, it took too long to get there and then to spent too much time explaining itself.  

It was chilly - mid 20s - but sunny.  Even early afternoon, still just October, the sun doesn't get too high above the southern horizon these days.  So I did some errands and then went a bit out of my way to catch the Campbell Creek trail back home

It seemed that all the geese still in Anchorage were using the south of Tudor soccer fields in the old Trent homestead as a grass station before heading south.  

I used the pan feature on my phone since that was the only way I could get them all in.  But now they're so small you probably can't see them.  There's a mass in the middle to the left and more in front of the trees to the right.  

Today I was shoveling the new snow from the driveway.  I pulled out my phone to take a picture and noticed there was a voicemail message.  It turned out that what I thought was my 11am meeting was at 9:15.  I jumped in the car and wasn't too late and we had a good meeting.  But ever since my computer upgraded to the next California location named version of IOS, my calendar has not been my friend.  First it wiped out everything I'd had on my calendar. And today I realized it's not giving me the 24 hour notices it's supposed to give, so I don't get blindsided like I did today.  I ended up taking this picture when I got back.  

I left so fast for the meeting that I forgot to take our absentee ballots.  I after I actually got the driveway cleared - not too long, only a couple of inches - I went to the Election office to drop off my ballots.   I parked in front on the street behind this car.  

I saved this at a higher resolution so you could click on it and enlarge it (like I should have done with the geese.)  We were maybe 100 feet from the entrance to the Division of Elections.  I did point out that he was parked there and they said they'd get right on it.  But when I came out he was getting in the car and driving away.  

There is a sign on the front door about not campaigning - including bumper stickers, buttons, T-shirts, etc. within 200 feet of a polling place entrance.  

I do understand that if you have stickers on your car you need to park somewhere.  I'd like to give this car the benefit of the doubt and he just forgot or didn't know the distance rule.  But part of me thinks he enjoyed his little act of defiance.  The stickers almost look like they're holding the vehicle together.  

Shantaram Is Finally Coming

On April 27, 2007, the first paragraph of my post was:

"The book was calling to me from the cabinet in the big open breakfast room of the Chiengmai bed and breakfast. I opened the glass door and started reading the book with my breakfast. “It took me a long time and most of the world to learn what I know about love and fate and the choices we make, but the heart of it came to me in an instant, while I was chained to a wall and being tortured. I realized, somehow, through the screaming in my mind, that even in that shackled, bloody helplessness, I was still free: free to hate the men who were torturing me, or to forgive them.” After reading a few pages, I was done with breakfast and put it back into the glassed cabinet."

After a couple more breakfasts reading Shantaram, there was no way I could just put the book back

in the cabinet and wait until I could find my own copy.  I think I left another book in its place and then I wrote

"I’ve been living in parallel worlds - my ostensibly 'real' life and Roberts' India - almost a month now. [It's over 900 pages.] Flying back to the US from Thailand got me a long way into Roberts' world. By the time I reached LA, I needed to look it up on the internet. Was this fiction or autobiography? The morning after seeing Mira Nair’s The Namesake, I discovered Shantaram was loosely autobiographical fiction, soon to be a movie directed by Mira Nair starring Johnny Depp."

Soon.  I guess in movie making - especially big, sprawling films - 15 years is vaguely within the limits of 'soon.'  

Because Sunday there was an article in the LA Times highlighting upcoming films and series.  Shantaram was on the list.

 [Coming] Oct. 14

‘Shantaram’

Hollywood has been trying to adapt “Shantaram,” Gregory David Roberts’ sprawling, quasi-autobiographical novel about a fugitive Australian bank robber on the lam in 1980s Mumbai, for nearly two decades. First there were scrapped film adaptations starting Johnny Depp and Joel Edgerton , then Apple revived the project for television. Now, after pandemic-related delays, a showrunner change and a production relocation, a 12-episode series with “Sons of Anarchy” star Charlie Hunnam in the lead is almost here. If the finished product is half as dramatic as the show’s backstory, viewers should be riveted. > Apple TV+

— Meredith Blake

So now I have to figure out how to watch an Apple TV series.  

AIFF2020: Sapelo And A Strong Recommendation For The Last Days Of Capitalism And For Grab My Hand: A Letter To My Dad

Usually Saturday is really busy during the festival with films starting as early as 9 am some years.  But we've somehow gotten into a routine with Netflix that we never watch before it's dark.  (Well, in the summer, before 8 or 9 pm anyway.)  So it didn't seem right to start til late afternoon.  We saw one documentary feature - Sapelo - one shorts program - The Best Ships Are Friendships - and one narrative feature - The Last Days of Capitalism.  

Sapelo is a documentary about. . . well, that's a bit of a problem.  It starts out, it seemed, to be about the Black people who have been living on the island, a ferry ride from mainland Georgia,  for 200 years.  There are lots of pauses to just look at beautiful vistas of the island.  But it meanders into a story about two brothers, their grandmother.  How old are the boys?  Don't remember being told.  I do remember that an older brother was 14, so I'm guessing these two were maybe between 9 and 11.  The grandmother adopted the mother too.  Some of it feels like a reality show.  Some of it feels like an invasion of the kids' privacy, particularly as we watch one of the boys having anger management problems and there's talk of his medication.  He's wearing an ankle bracelet for a while and in the end he's been sent to a detention center.  By the end I felt like these boys were being exploited.  They weren't capable of giving consent.  Was it the grandmother who gave consent?  What was she told they would be filming?  

On the other hand, a unique way of life was being captured.  Well, the end of a unique way of life.  The boys may well treasure this intimate portrait of them when they are older.  But making it public doesn't feel right to me.  

What was the relationship between the Swiss filmmakers and the people on the island.  We never see from or hear about the film makers except near the beginning when one of the boys looks up at the camera and apologizes for his language

The Last Days of Capitalism -  Wow.  Just picked this from the website knowing nothing about it and we were totally absorbed by two actors - Sarah Rose Harper and Mike Faiola.  We had no idea where it was headed.  This was not your ordinary movie fare.  This is what I love about film festivals.  Will I wake up in the morning and wonder what I was thinking?  Not sure.  I just know that we were hooked til the very end.  Recommended.  (Not saying much about the content.  Just know that it is two people probing each other.  Drugs and alcohol and a fair amount of money are involved.)  My hat is off to writer/director Adam Mervis.  

All of the shorts were worth watching.  Grab My Hand: A Letter to My Dad was the one that stands out as visually striking and clever and beautiful and it was the right length for the story.  Nothing unnecessary.  I just don't know why they didn't call it Gatecheck.  Be sure to watch this one.  Camrus Johnson, thanks for this film.  Latchkeys was sweet - I mean that in the best way.

Two Netflix Series - Borgen and Away - Feature Mothers In Critically Important Jobs. Plus Rached

I'll try to keep this short.  Trying to write on something a little lighter than the elections. Think of it as notes to readers about Netflix offerings they might want to watch or avoid.  

BORGEN and AWAY

The ten year old Danish series BORGEN features a woman propelled into the position of prime minister of Denmark.  The new Netflix series AWAY features a woman as the commander of a mission to Mars.  

Both have to deal with sexism in the job (though not all that much) along with the work demands that make  it hard to pay adequate attention to their children - each has a teenage daughter, the Danish prime minister also has a younger son.  

Birgitte Nyborg's constant task is keeping together a coalition of parties with different priorities.  Emma Green, Captain of the Atlas, has an astronaut from India, China (the other woman and mother), England/Ghana, and Russia to keep together.  But there's also her former astronaut husband who has a stroke after liftoff and anxious daughter back on earth to distract her.  

I was struck by how we were watching these two series at the same time and how each treated the difficulties of a married woman in a traditionally male position.   BORGEN flows quickly from crisis to crisis fairly organically while with AWAY the crises - both technical and interpersonal - seem more contrived, and like Indiana Jones, Emma always seems to narrowly escape disaster.   

BORGEN has three seasons and we're near the end of season two.  I thought in the trip to negotiate between the northern Islamic area and the Christian south of a fictional African country, Brigitta's preparation for such a difficult diplomatic trip seemed woefully inadequate.  We only saw the first part of this adventure and if the upcoming summit in Copenhagen falls apart, I won't be surprised.  But the show has a way of giving Brigitta lots of narrow victories.

I think BORGAN is well worth watching.  AWAY is certainly not must see tv, but not a total waste of time.  

RATCHED  

This Netflix series is like the most exquisite and decadent dessert in the bakery display case.  The colors are rich, the costumes and sets delicious, the actors arch,  and the camera makes love to it all.    It's noir in technicolor with the appropriate campy creepy music.  There's very little nutrition in this evil concoction. And there's lots of gratuitous gore.  But it's visually pretty spectacular.

It's the back story of Nurse Ratchet from One Flew Over the Cuckoo's Nest (which Netflix is also pushing right now.)  

That Cuckoo's Nest connection is probably what made me watch the first episode.  I read Cuckoo's Nest at the end of my Peace Corps time in Thailand and was possessed with the question "Who wrote this?  Why?  How did he know all this stuff?"  And soon after I was working at a Peace Corps training program in Hilo when a new trainee had the book Electric Kool-Aid Acid Test.  I read the blurb on the back that said it was about the author of Cuckoo's Nest.  It's not cool to use your position to get favors, but I was so obsessed I asked the trainee if I could borrow the book right then.  I consumed it that night and gave the book back the next day with my curiosity satisfied.  

RACHED really has nothing to do with Cuckoo's Nest.  It's just a gimmick to play off the name recognition of Nurse Rached to produce a highly stylized and visually beautiful, but empty, confection of a series.  It's a wicked distraction from today's COVID and Trump nightmare.

Carting Off McCandless' Bus Reflects Alaska's Cultural Bias

The State of Alaska removed the bus where Chris McCandless died and that has become a mecca for those who connected with Chris through the book and movie Into The Wild.  A number of his fans hiked cross country to reach the bus, braving river crossings that can at times be treacherous.  The basic reason given for removing the bus was to save lives and reduce rescue costs.

Note: COVID tab above for daily updates on state case counts

I've thought about it.  Getting rid of the McCandless bus is a form of cultural discrimination.  The justification is to protect people from danger and death and to reduce rescue costs.

But aside from cruise ships, Alaska tourism is all about attracting people to adventures in the wilderness - camping, kayaking, hunting. (And even cruise passengers die in flight seeing and other adventures sold on board.)

The epitome is climbing Denali.  We love the idea of people overcoming obstacles to reach the peak of North America's highest mountain, even though people die every year trying and we spend tens of thousands of dollars or more in rescue efforts.  It's just that McCandless wasn't the rugged adventurer type that Alaskans idealize and his followers are seen as sentimental and emotional about the wrong things.  (After all climbing Denali is also an emotion driven pursuit.)

And probably most important, no one was making lots of money off the Bus pilgrims, like they do from hunters, fishers, mountain climbers, and other adventure travelers.  No one set up a McCandless Bus guiding expedition.  If they had, the bus would still be there.

From the Anchorage Daily News:

"The removal of the bus comes in response to the public safety hazards caused by its presence and location, Department of Natural Resources spokesman Dan Saddler said.
Between 2009 and 2017, there were 15 bus-related search and rescue operations by the state, according to the natural resources department.
Saddler said he hoped its removal would 'reduce injuries, search and rescues, loss and even death that have occurred in connection with this bus.'”

But really, people die all the time in Alaska following their dreams.

And we're told we have twice the accidental death rate of the US as a whole.  Here are some stats on unintentional deaths.

The National Park Service allows people to climb Denali every year (though COVID spared the mountain this year from all the garbage and waste climbers leave) despite deaths and many rescues.

The National Park Service has a series of reports on Denali from 1979 to 1989.  Here are some excerpts from the 1989 report.  Each paragraph is a separate incident.

On 2/16/89 a very experienced four person Japanese team flew into the SE Fork of the Kahiltna Glacier to attempt a winter ascent of the West Buttress. The leader, Noboru Yamada, was on a quest to become the first person to climb to the summit of the highest mountain on each of the seven continents in the winter. Teruo Saegusa, Kozo Komatsu and Shunzo Sato were the other team members. Sato became ill early in the climb and returned to base camp to wait for the others. The remaining three reached the 17,200' high camp on 2/20... the same day a team of Austrians returned to high camp from a successful summit bid. On 2/21, neither team could move because of severe weather. On 2/22 there was a short break in the weather and the Austrians began their descent. The Japanese team was still in their camp. They were not seen alive or heard from again. Weather soon deteriorated and an extremely severe wind storm enveloped the upper mountain. Wind speeds were estimated to be 200 mph and continued through 2/26. Winds then decreased somewhat to 60-90 mph through 3/9. On 3/10, search flights located what appeared to be three bodies below Denali Pass. Search efforts were terminated on 3/11. It is believed that the climbers tried for the summit during a brief lull in the severe wind storm and were caught near Denali Pass as the winds again increased. The bodies were recovered later in March by a 17 person team of Japanese climbers who came to Alaska for that purpose. The three men died from hypothermia. 

. . .He placed an anchor, climbed about 40' above it, then encountered an ice window. He grabbed under the window then leaned out for a better look at his options. Suddenly the entire formation upon which he was climbing collapsed. Sweeney, and the 15'-wide, 35'- high and 6'-thick ice formation fell down the couloir. His anchor held, but his hip was fractured in the resulting 100' fall and avalanche. The events of the next seven days are too involved to detail here (CIR #890016) but proved to be a test of endurance and of their will to survive. During this time, either one or both of the men were hit by eight different avalanches. Weather deteriorated and prevented all access to the mountains by rescue teams. The two men were eventually rescued by a military helicopter on 4/26.

Early the next day, a National Park Service Mountaineering Ranger camped at the 14,200' basin on the West Buttress, noticed what appeared to be bodies at the base of the Orient Express, a couloir which cuts across the upper West Rib. The rescue team discovered all three of the Brits died in a fall. It appeared the men were probably descending the West Rib, roped together, in extremely poor weather, when one of them slipped and pulled the others down the couloir.

 One especially violent gust tore one of the tents, with three occupants, from its anchors. The tent and occupants began a tumbling fall toward the Peter's Glacier. One occupant, John Richards, the assistant guide, was ejected early in the fall and came to rest 300' below the ridge campsite. The other two occupants, Jim Johnson and Howard Tuthill, fell 1,000' and came to rest on a small ledge dressed only in polypro underwear. All equipment and clothing were lost in the fall. The assistant guide was able to ascend to the camp and alert others of the accident. The chief guide, Dave Stahaeli, was able to descend and provide some survival equipment to Johnson and Tuthill. Others on the mountain, including the Denali Medical Project personnel and private mountaineers, organized a difficult and dangerous rescue effort, eventually stabilizing the two men who were flown off the mountain the following day via helicopter. Johnson suffered a compression fracture of a lumbar vertebrae and Tuthill frostbit his fingers. Both men were saved by the rescue efforts.

High Altitude Pulmonary Edema, ground evacuation:
A Genet Expedition trip led by Dave Stahaeli reached the 17,200' high camp on 6/21/89. There they waited three days for weather to improve. One of the clients, John Michel, had been feeling poorly earlier in the trip. At high camp, he lacked energy and spent most of the three days sleeping. It was decided he would not attempt the summit. On 6/24 all expedition members left for the summit except for Michel who remained in camp. No other parties were at high camp. Late that afternoon, another Genet team arrived at high camp and discovered Michel to be suffering from HAPE. They evacuated him to the 14,200' camp where Michel received treatment and recovered. There were other incidents of altitude illness and frostbite this season. Most of these were treated at the Denali Medical Project camp at the 14,200' basin on the West Buttress.

Surely rescuing people at Denali elevations and weather extremes is more costly and dangerous than where the McCandless bus was.

While Denali climbs involve complex preparations, lots of money, and registration, the cost of rescues is not covered by the person rescued.

Here's from a US Senate Report on Denali rescues:

At 20,320 feet, Mt. McKinley is the highest mountain in
North America. In 1998, 1,166 climbers from 38 countries
attempted to climb the mountain, an increase of 250 percent
since 1978. Largely because of bad weather, only 36 percent of
all climbers successfully reached the summit in 1998, down from
a historical average of about 50 percent.
    The 1998 climbing season was typical in that it involved
climbing deaths and several life-saving rescue missions. The
policy of the National Park Service is to ``make reasonable
efforts to search for lost persons and to rescue sick, injured
or stranded persons.''
    As a general rule, the National Park Service does not
recover search and rescue costs. When individual search and
rescue incidents cost more than $500, they are paid from a
central account

The [now canceled] 2020 climbing season has this information about fees for permits to climb Denali:

Q: Do I have to pay anything at the time of registration?
A: Yes, climbers are required to pay the full permit fee when they submit the registration form. The cost of a mountaineering permit for the 2020 season (October 1, 2019 through September 30, 2020) is $375 US currency. Climbers who are 24 years old or younger at the time their expedition begins are eligible for a $275 youth fee. Note that each year the mountaineering special use fee is subject to increase based on Consumer Price Index changes.
It is also important to be aware that when you arrive to check in for your climb, a park entrance fee of $15 per person will be due. Interagency passes are accepted in lieu of the entrance fee. Passes must be presented at the time of check in along with identification. 

Cultural bias comes in many different colors.  Methinks the dreamy, listless image of McCandless and his fans clashes with the rugged, macho adventurer image Alaska likes to promote.  And that's why the bus was removed.  After all, adventure and risk is part of the Last Frontier image.

Paywalls And Sharing Good Articles - Immigration Activists, Tribal Contracting, War Is Hell, Flawed Humans,Why Trump Won't Win

Some thoughts raised by things I've recently read.  But first a note on paywalls.

I understand that newspapers want online readers to spend some money for the privilege of reading.  Newspapers are struggling to stay alive.  Many have not survived.

Early on - maybe ten years or more ago - there was a proposal for newspapers to have a collective fee, so that people didn't have to pay every time they visited an online newspaper.  You could buy a pass for a group of them and they could figure out how to divide the money based on hits from subscribers.  That doesn't seem to have happened.  I have an online subscription to the LA Times and the Anchorage Daily News.  I rarely read anything any more in the NY Times or the Washington Post.

This is problematic particularly for journalists and researchers who need to look at lots of things.  This was noted on Recall Elections Blog as a problem in tracking the various recalls around the country.

I say all this because a number of links here go to the LA Times and many of you may not be able to get direct access to the articles.  I'd note you can probably get there via your public library or find a reprint somewhere online.  Try different browsers, try private browsing, remove media cookies from your computer.


Immigration - LATimes article on Washington State activists making it harder for ICE - King County banned flights taking immigrants out of the state, so they have to go to Yakima, where protestors show up for flights.

What is happening on this front in Alaska?  Could Anchorage ban the use of our airport for these activities?


Tribal Membership And Minority Contracts - Giving federal contracts to businesses that claim Native American tribal status that is recognized by the state (Alabama in the article) but not by the feds.  Only 5% of federal contracts are set aside for minority/women owned businesses, but it's a lot of money.

Article says nearly $1billion has gone to Alabama companies with dubious claims to Native heritage.

Alaska Native corporations have done well with these contracts.  However, I would like to see more investigation on the structure of some of these.  Are they simply ways for larger white owned companies to buy Native participation so they can get the contracts?


When War is Hell In Movies

Lots of war movies are patriotic calls to support the current war.  But an LA Times article on the new film 1917 notes:

"WWII films tend to be stories of victory, BUT WWI movies SHOW the horrors OF A SEEMINGLY SENSELESS FIGHT."

Their list of notable realistic WWI movies turns out to include nearly all non-Hollywood films.  Would the misery of actual warfare on screen discourage potential enlistees?  Probably not those 17 and 18 year olds who are desperate to get out of the house and out of school and be heroes.

Or maybe all 17 year old boys should get school assignments to visit vets with various long term war related illnesses to find out what war does and what the Department of Veterans Affairs doesn't do to help.


Flawed Humans

Queen and Slim writer Lena Waithe, again in the LA Times, writes about how she got the idea and then wrote the film.  This sentence struck me:

"And, ultimately, my deep love and admiration for these two very flawed and extremely human characters never failed to pull me through. And I think it’s because for me Queen and Slim aren’t just characters in a movie, they’re two fictitious people that represent all of us."

One of the tropes that dominate how we see the world is the notion of right and wrong.  The American justice system is based on finding out whether someone is guilty or not guilty.  The Republican response to the impeachment of Trump has been to point out other people as guilty - most notably Hunter Biden, but many others as well.
But this quote adds nuance to the idea.  These two people have killed a cop in self defense.  But being black, the fear they won't be believed.  So now they actually break the law by fleeing.  And presumably, as the movie progressive, we learn more about their flaws.  We all have flaws.  We're all guilty of something.  Christianity has based a whole religion on that notion.  

This quote reminds us that even though they are flawed, they need to be judged by their actions, not their flaws.  It also reminds me that privilege (whether it's white privilege or any other privilege) means that you're more likely to be forgiven for your flaws.  We know, for instance, that young people of color are more likely to be sent to a detention center than white kids.  It's the difference between 'kids will be kids' so call their parents to pick them up, and assuming they're just no good.


Why Trump Won't Win Reelection

Here's a prediction based on voting patterns.

"Of course 2016 showed that we need to look beyond the national polls and focus on the swing states. But there too the news is encouraging. In Pennsylvania, Michigan and Wisconsin, since Trump took office, his net approval ratings, which started out on the plus side, have fallen — disastrously.
In Pennsylvania they decreased by 17 points, in Wisconsin by 20 points, in Michigan by 22 points. In the midterm voting, those three swing states all elected Democrats in 2018. Wisconsin elected a Democratic governor to replace a Republican and reelected a Democratic senator; Pennsylvania reelected a Democratic governor, and Democrats there took three House seats away from Republican incumbents.
In Michigan, which the Democrats lost to Trump by 11,000 votes, the Democrats had a huge victory in 2018, sweeping the elections for governor and senator and flipping two House seats. Voters also banned gerrymandering and created automatic voter registration, which together will bear fruit in 2020. All this explains why I’m quite certain we’ll be free at last from Donald Trump on Jan. 20, 2021."

But the author acknowledges he also wrote about why Trump couldn't win in 2016.  I'm convinced in a free and fair vote, Trump will lose.  But with voter suppression, voter disinformation campaigns, and potential cyber attacks on voting machines  I'm less confident.

Green Grass In December, Parasite, Broken Glass

This is not what our front yard normally looks like in December.  And it was covered with snow a few days ago.  But then it got into the 40s.

OK, we've often had bits of warm weather once or twice in winter, but we've had record warm months just about every month this year.

Trump calls Climate Change a hoax.  Note that he also calls the impeachment a hoax.


I also managed to fix a faucet that had been causing a drip.

And last night we skipped the film festival to see the movie Parasite.  They'd been showing the trailer at the Bear Tooth during the festival and people were saying it was really good.  It was playing here just for three nights and I decided this was the best night to miss the festival films.  

Director Bong Joon-ho's Parasite won the Palme d'Or at Cannes this year.  Bong's Snowpiercer was one of the early Netflix films we saw that convinced us to stick with Netflix.  All I'll say is that Parasite is a dark movie about rich and poor in Korea.  And the preview that we saw several times waiting for film festival movies, was always worth watching and didn't really give anything away. That's all I'll say for now because I think people should see it for themselves.  

And in line with the theme of economic inequality, when we got out to the car, J found the passenger side window had been smashed in.    911 told me to call 311 and they told me to report online.  

I went back into the Bear Tooth to tell them and they said they'd check the security cameras.  Meanwhile outside J saw another woman who's window had also been smashed.  

Here's what it looked like when we got it home after a chilly ride.  From what we can tell, nothing was actually taken.  J had a cloth shopping back on the seat, but nothing was in it.  The quarters for parking meters weren't touched.  The garage door opener was there.  The timer light plug and the book I'd just bought were all there.   I think they probably couldn't figure out how to unlock the door on that old Subaru.

State Farm and Speedy Glass were quick and efficient and J's waiting for the new window already.  But whether this is a homeless issue or a drug issue or just petty theft, it's a symptom of our economic inequalities and our lack of good, effective schooling and and physical and mental health care.

Back to the film festival tonight.

Once Upon A Time I Thought I Might Catch Up. Fat Chance.

As I wrote the title, I realized we never can catch up in life, but I was referring to little things like writing blog posts and paying the bills.  Today was my wife's birthday.  We went for a movie and dinner.   It seemed like a good day to spend the early afternoon in a movie, but the rain had stopped and there were even breaks in the clouds when we got there.

 And the snow was mostly gone from the Chugach.


I've already  written about my mixed feelings about going to see Once Upon A Time In Hollywood.   Now that I've seen it, if I hadn't, I wouldn't have missed anything important.

Even though I've eaten at Musso & Franks, went to movies at the Bruin theater when I was a student at UCLA, and even interviewed George Putnam (there was an ad for his newscast on a bus stop) for my junior high school newspaper.  Putnam arrived in a gold limo - a Rolls, I think - and he smoked through the interview even though his bio said he didn't smoke. (At least that's what my memory tells me.)

The movie began in a Pan Am 747, which set alarms off right way, since the date posted was 1969.  I'd read that the period details had been carefully done.  And yes, I know some odd details.  In this case because I first flew on one of the early Pan Am 747 flights - from Honolulu to Tokyo - in March 1970. (I was flying from a Peace Corps training program I worked at in Hilo to the second part of the training in Thailand.)  Pan Am 1 and 2 had just started flying. I think it was Pan Am 1 that flew around the world toward the west and Pan Am2 to the east.  Did it start earlier in 1969?  I've now had time to look it up and the first commercial flight was in January 1970.

It wasn't a bad movie - though I generally skip movies with lots of violence - but it felt artificial throughout.  Cardboard.  I assume that was intentional since it was about Hollywood and all the phoniness of that life, but as the birthday girl said over dinner at the Thai Kitchen, with all the really good stuff we're seeing on Netflix, it just didn't cut it.

So I'm reduced to writing filler pieces like this because I just haven't had time to finish my thoughts on the Joseph Maguire hearings and several other drafts that probably will never get beyond that stage.  

And tomorrow I start a slew of OLÉ classes.  (Continuing ed classes aimed at retired folks at UAA.  I think they pay for themselves so maybe they won't disappear next year.)   I have an actual project in one that I need to spend extra time on and I haven't figured out what I'm going to do.  It's a Pecha-Kucha class - you present 20 pictures in seven minutes with narration of the story they tell. Well, I've got plenty of pictures, but organizing a compelling story is the challenge.  As I see it now, though I'll probably discover that was the easy part once I get the story figured out.

Other classes I enrolled in include:

• An Overview of the Pebble Copper-Molybdenum-Gold Prospect 
• The Innocence Project
• State and Federal Courts and Current Legal Issues
• Homeless, Homelessness and Finding "Home"

And a one time short class that's a trip to an Escape Room.

I'm hoping the classes will provide plenty of fodder for the blog.

How Did A Jewish Comedian Become President Of Ukraine? Netflix Has Season One of "Servant Of The People"

Volodymyr Zelensky burst into many people's consciousness last week.  Some knew that he'd been a Ukrainian comedian with a hit TV show already.  In the show he plays a history teacher who's caught on video by one of his students while he's ranting against the corruption of his government.  The video goes viral.  His students use crowdsourcing to get enough money to register him as a candidate.  And he wins.

And then the comedian actually runs for President.

I just discovered that Season one of the television show - Servant of the People - is on Netflix.  The episodes are short (about 25 minutes) and we got through about five last night.

The show doesn't tell you much about the actor himself, but it does give you a sense of what caused Ukrainians to elect a man with no previous political experience.  And you get a sense of the overwhelming corruption in the Ukraine government.  And it's fun.

So if you have Netflix, this is definitely worth your time to give you a better sense of the Ukraine and Kiev and the man Trump tried to force into finding dirt on Biden's son by withholding several hundred million dollars in aid.

Of course, you may want to know more.

This April 4 Slate article looks into the crystal ball to predict what sort of president he might be.

An April 27 Al Jazeera report.

Here's an alternative bio with some quirky English from Height Of.


In the episodes we've seen on Netflix, the school teacher/president is having some problems dealing with the layers of corruption and wealth of the many, many friends and relatives of government officials whorls  hold positions in the government.  It's not clear how the now real president of Ukraine is handling these problems.  At least he's been introduced to the dilemmas he's facing through his role in the show.

But there may be more to this.  He's an owner of the production company and a writer of the show.    Was the show a setup to get him elected?  It will be interesting to see how this all unfolds.

[I'm not linking to the Netflix show because while I know how to get there from my Netflix account, I'm not sure how to send others there.  In any case, when you're into Netflix, just put Servant of the People into the Netflix search.]

The Great Hack - Why You Should See It

Netflix was dangling The Great Hack in front of me, but I just didn't want to deal with more bad news.  Let's wait for a better time I said.  Then I heard something somewhere about how good and important it was.  But then Netflix threw The Family and I could justify avoiding Hack with the assumption that Family was also 'educational.'

Well, we bit the bullet Thursday night and watched The Great Hack.    It wasn't nearly as depressing as I expected.  In part because I knew the general outline already, I just didn't know a lot of the details and people involved.  There are some real heroes here:

Carole Cadwalladr is an investigative journalist for the Guardian and focused maniacally on Cambridge Analytica and teased out lots of important information.

David Carroll is a professor of  who sued Cambridge Analytica for his own personal data.

Ravi Naik was David Carroll's solicitor in his data rights case.

Chris Wylie is the guy with the fluorescent red hair and nose ring who worked for Cambridge Analytica who became a whistle blower

Brittany Kaiser also worked for Cambridge Analytica  and also became a whistle blower and is  the major character of this documentary.

There are villains too, particularly Alexander Nix, the head of Cambridge Analytica.  And Mark Zuckerberg doesn't come across too well either.

If Climate Change is the most important issue to focus on for the physical survival of humans on earth, then Data Rights is the most important issue to focus on for the political survival of democracy.  We may all think we're smart enough to resist the bombardment of fake ads, but I had to keep reminding myself, despite all the Lock Her Up chants, that Clinton was a very well qualified candidate.  Much more than the lesser of two evils.

All I can say is WATCH IT if you have Netflix and if you don't, find a friend who does who will invite you to watch it.  (The other day I suggested reading an article by convicted Trump supporter Sam Patten.  The Great Hack is a much easier way to absorb this kind of background information.

Get a better understanding of how Cambridge Analytica got enough Facebook data to be able to personalize ads that would emotionally anger voters into voting for the candidate they were supporting or get opponents' supporters to not vote.  Cambridge Analytica (and its parent company Strategic Communications Laboratories (SCL) did this in Trinidad, Malaysia, India, Brazil, Nigeria,

I'd also note that back in 1977 my doctoral dissertation on Privacy was completed and approved.  (At that time there were mainframe computers and the first personal computers became available as kits in 1975.  We didn't get our first computer - a Vic 20 - until 1981.  It was pretty primitive.)

But I argued back then that most people had focused on privacy as a psychological issue - a human need to keep things hidden from others.  But I argued that privacy wasn't so much a psychological need, but rather it was about power.  Who had the power to get others information and who had the power to prevent others from getting their information?  Hiding info wasn't so much about a psychological need as it was about  the consequences of others knowing.  Publicizing sex life and drug use was good for most rock stars, but a career ender for a teacher or a priest.  (At that time for a president too.)  Privacy, I argued, was about power.  And this film essentially meshed people's private information with data being the most valuable commodity on earth now and how the large tech companies have all the power and individuals have no control over their information.    I'd figured that this was a privacy was about power back in the mid 1970s, and it's why I think about why I try to read the privacy notices, despite the fact that the they are way too long and unintelligible.  

What's The Difference Between a Memoirs and a Memoir? And an Autobiography? But That's Just The Hook. There's Also Kimani. [Updated]

I follow  Kimani Okearah @theKimansta on Twitter.  He's a photographer for the Sacramento Kings.  Well, that's not exactly right.  He's a photographer for Vox News and he covers the Kings for them.  I follow a number of folks who experience life differently than I do just to keep tabs on worlds I don't know well.  Mostly there's basketball in his Tweets, but also stuff on race, and health, and things I'm not really sure what they are about.  But there's something sweet and decent about him. I've grown to like him.

It turns out one thing we have in common is an interest in film.  He's working on a documentary.  It's called 30 Year Memoirs of a Crack Baby.  He's the crack baby and he has, among other congenital health issues, a seriously problematic large intestine.

But as I read the title I wondered, why is it memoirs instead of memoir?  So I googled.

[UPDATE 8/15/19:  Kathy in KY commented that the boxes for Memoir and Autobiography had the same texts.  (I've corrected that.)  But then that leaves this post without a distinction between memoir and memoirs.  So here's one from the blog Memoir Mind  that seems to make sense:

"Writing about one's whole life is writing one's memoirs, plural. It's more akin to autobiography, in which you tell all about what happened, often with intense detail, the personal version of the kind of research a biographer would do if they were writing a life about you. Memoirs tend to be more informal than autobiography, but still have that life-encompassing feel. Most of the people who write them are well-known - that's how and why others would buy an entire book about their entire life, or multiple books about their entire life.
Memoir, on the other hand, the currently hot trend in writing and the topic of this blog, is focused on a particular time in one's life, or a theme or thread."

And, back to the original post, below is the bigger picture with the corrected illustration.]

The Author Learning Center explains the difference between a memoir, autobiography, and a biography.    And if you look closely in their summary of a memoir, the second bullet offers a brief note on the difference.

Text comes from The Author Learning Center 

Kimani is asking for a lot of money on GoFundMe, but films cost a lot to make.  He's an expert on the topic.  And since it's a memoirs, it will be a "1st person POV" and less "formal and objective" than a memoir. [And since it's a memoirs, it will be about his whole life, not just one time, theme, or thread.]

I'd urge you to go to his GoFundMe page.  Read it.  And if you weren't born to crack addicts and taken from your parents at 6 months and put into foster home and kicked out of that home as soon as you turned 18, you're probably had a lot more 'privileges' than Kimani has had.  So you could share some of your privilege by checking out his site.

And making a donation.  It doesn't have to be a lot.  $5 would do, but if you're going to go to all the trouble, you might consider making a larger contribution.

He hasn't had a contribution for a couple of days.  I think it's because people would rather look away.  But please, overcome that urge, and give him five minutes.  And when the movie is showing (at the Anchorage International Film Festival I hope), you'll know that you helped make it possible.

I'm not putting up his picture.  I want you to imagine what he looks like.  And then go check how well you conjured up his image.  I'm going to check how many people linked from this page to his GoFundMe page.    Yes, I can do that (and so all other websites.)

The moral of “Once Upon a Time ... in Hollywood” seems to be “who doesn’t miss the good old days when cars had fins and white men were the heroes of everything?”

The title quote comes from Mary McNamara's beautifully ruthless* critique of "Once Upon A Time In Hollywood."  Her review helped crystalize part of my reaction to the Democratic debates this week.

Kenneth Turan's review of "Once Upon A Time in Hollywood" in the LA Times last week was positive.  He acknowledged that he wasn't a Quentin Tarantino fan, but said this was a different Tarantino.  Turan saw Reservoir Dogs at Sundance.

"When a visibly pained audience member asked Tarantino in the Q&A how he justified the film’s tidal waves of violence, the director almost didn’t understand the question. “Justify it?” he echoed before just about roaring, “I don’t have to justify it. I love it!”
Over the next quarter-century, little has changed. To enjoy Tarantino was to embrace his preening style, to share his reductive view of cinema and the world and violence’s preeminent place in both.
I was a chronic dissenter — I still get occasional grief about my “Pulp Fiction” review — so how is it that I reacted with distinct pleasure to the writer-director’s 'Once Upon a Time … in Hollywood'?"

I didn't see either of those films.  I'd heard about the level of violence (much directed at women) and decided I didn't need to buy a ticket for films that glorify violence.

[*How can I enjoy a 'beautifully ruthless" critique on the one hand, and shun a violent and bloody film?  Well, one is just well strung words, the other strings bloody images across the screen.  Do we really think that Hollywood and the video game industry have not been primers for mass shooters?]

But given Turan's approval this time, I was thinking about going.

But a few days later,  Mary McNamara, also reviewed the movie in the LA Times.  She came after the movie, mercilessly from a different angle.  Here's more than I'd normally quote, but it's all relevant to my follow up about white males' difficulty understanding why others have problems with their past behavior.

"Nostalgia is fun, and fine when used recreationally; but it’s time to face the dangers of our national addiction to reveling in visions of the past that are, at best, emotionally curated by a select few and, at worst, complete nonsense."

"Watching two middle-aged white guys grapple with a world that does not value them as much as they believe it should, it was tough not to wonder if that something was the same narrow, reductive and mythologized view of history that has made red MAGA hats the couture of conservative fashion."

"Whatever the reason, as I shifted in my seat waiting for the film’s climax, Tarantino’s elegy for a time when men were men and women were madonnas, whores or nags and the only people who spoke Spanish were waiters — “Don’t cry in front of the Mexicans” is an actual line played for laughs — began to feel ominously familiar.
If nothing else, 'Once Upon a Time ... in Hollywood' laid to rest the notion of Hollywood liberalism — any industry still so invested in sentimentalizing a time of studio fiefdoms, agents played by Al Pacino in a wig-hat and white-guy buddy movies can hardly be considered progressive.
When times, it is implied if not directly stated, were simpler.
Even though they weren’t. Ever.
Unless you were a member of the white, male, Christian, heterosexual, able-bodied, culturally conforming, non-addicted, mentally well, moneyed elite, there was literally no time in history that was simpler, better, easier, or greater. For most people, history is the story of original oppression gradually lessened through a series of struggles and setbacks.
'Once Upon a Time … in Hollywood' is a masterpiece of nostalgia porn. . . Whether it’s the resurrection of leg warmers or fedoras, the British class system, Winona Ryder or, heaven help us, Charles Manson, nostalgia is the new sex and the exquisite museum-like quality of the detail found in period films and television series is its porn.

And he has chosen as his driving force an actor upset because he is no longer seen as hero material and his loyal stuntman companion, who may or may not have murdered his wife. That this death is treated as a joke, and the wife visible only once, in flashback, as a braying nag in a bikini, could be viewed as an indictment of the Playboy-cartoon misogyny of the time. Could be, if Cliff were not portrayed with such charming tough-guy chivalry. If this guy murdered his wife, she probably deserved it .
So for Cliff’s wife anyway, not such a golden era.

I haven't seen the movie, so I can't tell you that she nailed it.  But Tarantino would probably tell you his film doesn't have to follow her rules, and so, at worst, she doesn't have to  follow his either.

But all this discussion about nostalgia for an age when healthy, etc. white males had it best, intersected with thoughts I had about the criticisms of Biden in the debates - particularly about his being friendly with extreme Southern racist Senators and his support of the Omnibus Crime bill.

OK, public policy is complicated and few bills are 100% what the sponsors and supporters want.  There are some who would argue that the mass incarceration of black men had already happened and that the bill didn't contribute that much more, plus it included the Violence Against Women Act. (Which Bernie Sanders says is why he voted for it.)  But others, who understood better what was happening, like Marian Wright Edelman, wanted less emphasis on punishment and more emphasis on prevention.  Indeed, the bill greatly damaged Edelman's relationship with the Clintons.

My thoughts had been along the lines of:

• Policy is complicated and to pass bills, sponsors have to compromise.  
• But ultimately, this was a response to crime fear and was a get tough bill that included the 3 strikes you're out provision that has been so problematic.  
• Can you fault Biden, the bill's sponsor?  

 One can say that he was trying to fight the increase in crime, but that he was using traditional means - more police, stricter punishment, more prisons - and not listening to the minority communities who wanted more prevention money.  If he wasn't such a good friend with racist Southern Senators, might he have had a more progressive understanding of the issues?  Maybe.

When we judge politicians on their past actions, it's reasonable to give some attention to what were the common beliefs at the time.  But I really want our elected officials to be insightful to the extent that the see way ahead of the contemporary wisdom of the day.  I want officials who understand the underlying causes of a problem and look ahead to the best - not the most popular - ways to attack the problem.

Because, if Biden becomes president, his past behavior is likely to be the best predictor of his present and future behavior.  And he wasn't the deep thinker who saw through the flaws of his bill, how it would affect the prison population, or how preventative provisions needed to be included.
 
I want a president who sees, and acts on, a greater vision than current public opinion.  But I also have to weigh in whether he could have gotten such a law passed.  Just as Democrats can't get a lot done while McConnell is majority leader in the Senate.

But I think McNamara's review also points out how easy it is for the privileged in society to NOT see what is happening to the rest of society.    Perhaps if he had spent more time with Southern blacks he might have had a better understanding of the perniciousness of the criminal justice systems in the southern states were.  But I also watched the Watergate hearings live.  It was when I first learned that there were very intelligent Southerners.  Without people like Sen. Sam Ervin, Nixon would never have resigned.  So, yes, in a legislature, it's useful to maintain cordial relations with people whose ideas you abhor.

But Biden was also the chair of the committee that vetted Clarence Thomas.  He regrets how he handled that now - that's good - but dad he had a more insightful understanding about sexual harassment, had he not been surrounded by privileged white men, perhaps Anita Hill would have been treated with more respect.  You can say that 'our national consciousness has evolved" since then, but lots of people were outraged back then as they were more recently.

Even LA Times movie critic Kenneth Turan, who went against the grain in his earlier reviews of Tarantino's work, missed this other interpretation of "Once Upon A Time."  This interpretation that the less privileged, the victims of sexism, racism, homophobia, and on and on,  have of things.

Of course, we all see films differently because we all have different experiences in life which enable us to react  positively or negatively with some things in a film but not others.  So we all see different things in the same films.  I don't know how I would have reacted to  'Once Upon A Time In Hollywood' if I saw it.  I grew up in LA in the 50s and 60s so there is surely a lot of 'nostalgia porn' for me to get off on in the film.  (Though I was off teaching in Thailand when the Sharon Tate murder happened.)  But as soon as I read McNamara's review, I understood immediately what she saying.  I'm not certain that Biden would think here concerns would outweigh the 'cool stuff.'

But he'd be a lot better than our current president and he'd have around him people who do get it, now, not 30 years from now.  I think flaws like this can be pointed out without doing much damage to a presidential candidate Biden were he to nominated, because the Republicans don't even understand these complaints.  But they'll try to exploit any divisions among Democrats.

I have a lot of other thoughts about the debates, but I'll save them for a different post - if I get to it.