AIFF2020: The Subject Took Me By Surprise

I finally figured out the Q&A scheduling [it's tricky just seeing the times, so I've put up a schedule on the AIFF2020 page above] and Hometown Pride was going to have the Q&A Thursday at 6pm.

I watched Hometown Pride this afternoon.  This is a fun and easy to watch film about a very out and outgoing gay man who comes back to his tiny Ohio hometown to dance at their annual beauty pageant. Good, not remarkable.  We've seen other versions of this story at AIFF in past years.  

Then I went for Paper Spiders.  I'd been avoiding this one because I wasn't sure I wanted to deal with a mother's mental illness, but its Q&A was also coming up.  

We paused Paper Spiders in the middle so we could watch the Q&A for The Last Days of Capitalism.  This was my favorite feature film and I was looking forward to the session.  It's not quite the same on Zoom as it is live at the festival.  But it was a good discussion.  

The back to Paper Spiders which was surprisingly good, but the mom is definitely delusional and paranoid.  But the story was well told and well acted.  There are lots of very good narrative features at this festival.  The title is referred to visually only briefly in one shot.  It leaves a lot to the viewers imagination.  

Then on to another one I was avoiding, because it looked like it was going to be heavy - The Subject.

This film follows a documentary film maker doing a project on Black young men mostly in Harlem.  The difficulties filming his volatile subjects seems to be the focus.  There's also some tension at home which escalates when he hires an assistant.  But then at the end everything kicks up a bunch of notches and we have an amazing confrontation between the film maker and the mother of one of his subjects who has been killed by gang members.  

I feel a little like a fickle boyfriend, but I've abandoned The Last Days of Capitalism and now my favorite feature is The Subject.  I don't want to say too much about it - I think I've told you more than you need to know already.  Just see it.  The issues - the relationship between the filmmaker and his subjects, particularly if the filmmaker is a privileged white male and the subjects are black kids living in poverty and violence - themselves are powerful.  But the final scene is amazing and where the issues are served up like fireworks.  

There's an interview with the director of The Subject Laney Zipoy here.  The AIFF interview was last Saturday and I haven't figured out how, or if we even can, watch the ones we missed.