AiFF2020: Toprak and The Woman of the Photographs

 I can't believe there are still five narrative features I haven't seen yet.  Or that I'm writing about two obscure films instead of addressing more significant issues.  But there are plenty of people commenting on US politics and not very many commenting on these two films - one  Turkish and and Japanese.  

Toprak - 

I just looked up Toprak on google.translate.  It means Soil.  You don't have to know that watching the movie (I didn't), but it makes a lot of sense.  

Often times, watching a film based in a culture other than one's own, people need to change their sense of time, their pace.  I suspect, given the success of US films around the world, that speeding things up is easier to adapt to than slowing things down.  

This film slows things down a lot.  It takes place in rural Turkey, where this slower pace is the norm.  It focuses on the remnants of one family - a grandmother, her son, and his nephew - who eke out a living growing and selling pomegranates.  It's a theme we've seen repeatedly in AIFF films - young people leaving rural areas and small towns to pursue a more interesting, if not better, life.  And we know this saga in the US and here in Alaska all too well.  

This movie takes us into how these tensions between carrying on the family traditions and breaking the ties plays out in this (and to a much lesser extent one other) Turkish family.  

Originally, a copy of this film without subtitles was up on the AIFF site.  That was corrected yesterday (Wednesday).  Slow down and take a trip to rural Turkey. Pomegranates would make an appropriate snack for this film.

The Woman of the Photographs

We watched this one after Toprak. The topics of this film are very contemporary and the pace much faster.  It's an odd film - the main character doesn't speak a single word until the last few minutes of the film; a praying mantis has a significant supporting role - that explores the boundaries between the reality of who people are - what their actual faces and bodies look like, the manipulated photographic images on social media, or how other people perceive them.  This is a perfect film festival selection.  

I found The Woman of the Photographs a more watchable film than Toprak, I think because the issues raised in Toprak are well-known.  Toprak merely adds a case study to the stories of people leaving their small town/rural lives to larger cities.  Woman of the Photographs offers interesting material for the current concerns about how social media are changing the nature of reality, how we communicate,  and personal identity.