John Lutterman, the cellist, and a member of the new faculty group I'm working with, tells me:
The instruments are all modern reconstructions of instruments from the 16th-18th centuries. The first half of the program is mostly short pieces from the 16th & 17th centuries by lesser-known composers: Milano, Ortiz, Hume, Simpson, Frescobaldi, Mico, de la Barre, Berteau. The second half is mostly German high-Baroque: Telemann, Bach, and Handel.
4pm, UAA Theater/Arts Building Sunday, December 2, 2012