AIff2013: Animation and Global Shorts and Tweets

Animation Audience at noon

Animation Hotline

Too much too fast.  I've used Twitter because I haven't had time for real posts.  I feel like a fraud - trying to help people figure out what to see when I'm torn between McKonkey and Mine Games tonight.  It seems that "The New World" where I am now, shows 3 times, but Mine Games only once, but Jim Parker, the program director is working on correcting that. 

The festival hashtag is #ancff.
Mine is @Whisper2world.

Animation Hotline was my favorite so far.  The visuals were original and abstract and
perfect and basically, it was illustrations of people calling into a hotline.  Really well done.






The Rose of Turaida also had great visuals.  

 Rose and Hotline had lots of beautiful abstract visuals which don't really work when you stop it for these stills. 






And Lost and Found . . .

Lost and Found

 

AIFF 2013: Australian Director Richard Gray On Mine Games - Saturday Night 9:45pm

I caught Australian film maker Richard Gray after Icebound Friday night at the very noisy Bear Tooth lobby.  Here he gives a brief overview of his film  Mine Games which he describes as a psychological thriller.  It was filmed in Washington State, in part in lava tubes under Mt. St. Helens.  He's got some actors with serious film credits in it:  Alex Meraz from the Twilight Sagas, Joseph Cross who was in Lincoln, Flags of Our Fathers, and Running with Scissors, Briana Evigan, and Ethan Peck.

AIFF 2013: What To Do Saturday? Start With Animation At Noon

Below is a list of the Saturday Schedule from the Festival Website.  

I'm going to start with Animation at noon.  All the animated films in competition are in this program.  (Almost all the animation are in this program.)  Not as many animated films as previous years, it seems, but I didn't go back and count.

I might stick my head in at the beginning of the environmental docs - the first one, Backyard, is in competition.  Then to the shorts program - three are in competition - Jonah, Life, and Separation Sonnet. 



Not sure what I'll do next.  McConkey should be an interesting film - about an extreme skier who pushed the limits too far eventually - at the Bear Tooth.  But Mine Games plays at 9:45pm at the Alaska Experience Theater.  I interviewed the film maker last night after Icebound, and I'm inclined to go there.  (I'll link to the video as soon as I get it up.) 

But I've found that at the festival, things happen, and I end up seeing films I hadn't expected to see. Don't get too hung up on your plan. 

√ means it's in competition
* means film maker scheduled to be there

Saturday, December 7th
12:00 PM		Animation Animation Program | 120 min. screens with... Ahco on the Road | Soyeon Kim 2013 Animation Hotline | Dustin Grella Blue | Katelyn Bianchini, Rena Cheng, Asia Lancaster 2013 √ Caldera | Evan Viera 2012 A Clean Break | Richard Cunningham Collectors | Marcel Hobi 2013 Eye of the Storm | Christopher Alender 2011 Icarus Falls | Jesse O'Brien 2013 √ The Innovator | Sean McCarthy 2013√ Lost and Found | Karen Star Mirage | Iker Maidagan, Dana Terrace 2013 Mister Super Juice | Mike Wellins 2013 √ Monkey Rag | Johanna Davidovich Mr Hublot | Laurent Witz, Alexandre Espigares 2013 √ Prima | Vanessa Rossi 2013 The Rose of Turaida | Ryan Grobins 2013 Yellow Sticky Notes | Canadian Anijam | Jeff Chiba Stearns 2013	Alaska Experience Theater - Large Theater
1:00 PM		Icebound Filmmaker Reception Event | 180 min. screens with... Icebound | Daniel Anker 2013  *	Inlet Tower Hotel & Suites
2:00 PM		Environment Docs Documentary Program | 94 min. screens with... Backyard | Deia Schlosberg 2013 √ Not By Sight | Sabrina McCormick 2013 We Can't Eat Gold | Joshua Tucker 2013	Alaska Experience Theater - Small Theater
2:30 PM		Global Village Shorts Shorts Program | 92 min. screens with... The Fusion | Ulrich Witt 2012 Gaspé Copper | Alexis Fortier Gauthier 2013 Jonah | Kirill Modylevskiy 2013 √ Life | Lasse Lorenzen 2012 √ Maybe Another Time | Khris Burton 2013 Separation Sonnet | Andressa Furletti 2012 √ Suspended | Damian Walshe-Howling 2013	Alaska Experience Theater - Large Theater
4:30 PM		The New World Jaap van Heusden 2013 | Feature | 83 min.	Alaska Experience Theater - Large Theater
5:00 PM		Death and Dying Docs Documentary Program | 95 min. screens with... Let Us Begin | W. Brandon Bray 2013 Tales from the Organ Trade | Ric Esther Bienstock 2013 √	Alaska Experience Theater - Small Theater
7:00 PM		Destination Unknown Shorts Shorts Program | 112 min. 88 Miles to Moscow | Karen Glienke 2012 End of the Beginning | Richard Marshall 2013 Lambing Season | Jeannie Donohoe 2013 √ Opportunities for Advancement | Thomas Carroll 2013 Pyro & Klepto | Justin Chandra 2012 √ The River | Sam Handel  √	Alaska Experience Theater - Large Theater
7:00 PM		Arctic Housing Docs Documentary Program | 85 min. Housing First in the Artic | Cory Gordon 2013 Life on Ice | Greg Chaney 2013 Magnetic Reconnection | Kyle Armstrong 2012 Passive House: A Building Revolution | Faith Morgan 2013	Alaska Experience Theater - Small Theater
8:00 PM		McConkey  √ Steve Winter, Murray Wais, Rob Bruce, Scott Gaffney, David Zieff 2013 | Documentary | 109 min. ** Note: Filmmaker attending [I heard that he wouldn't be able to come, but I'm not sure]	Bear Tooth Theatre
9:45 PM		Horror Program Horror Program | 130 min. ** Note: Filmmaker attending screens with... Mine Games | Richard Gray 2012  √  * The Narrative of Victor Karloch | Kevin McTurk	Alaska Experience Theater - Large Theater

AIFF 2013: Icebound - Alaska Themed Doc Opens Festival

Watching Icebound credits

Icebound was a great film to open the festival.  It took on an Alaskan legend - the dog sled run to Nome to bring diphtheria serum to save dying children.

Dan Anker, the film maker,  was there and after the film was joined by a number of Alaska Native elders and other Alaskans who helped advise him on aspects of the film and also were in the film.

The audience was made up of Alaskans who knew many of the people in the film.  Dan said that he had wanted to first show the film in the villages and towns they visited, but they couldn't get funding for that.  But they did get funding to bring many of the villagers into Anchorage.  I met a woman before the showing who proudly told me that her grandfather was in the movie.

Festival Founder Tony Sheppard Introducing Icebound

There were several movies and themes going at once.  There was the story of the diphtheria epidemic in Nome and how the serum got delivered by dog sled relay style in temperatures, at times, below -50˚F (-45˚C).

It told the story of the burgeoning air industry and the Fairbanks editor who wanted to use the serum run to show the superiority of his planes over the dogs.  And while the planes never left Fairbanks and the dogs delivered the serum, planes soon were a major force in roadless Alaska.

Dan Anker with Alaskan Elders at Post Show Q&A

It told the story of how the national media took on this race to save the children of Nome from diphtheria and sensationalized it.  How the real hero dog was Togo, but how one musher borrowed dogs from another musher, including a second stringer - Balto - and then mushed past the town where he was supposed to hand over the serum to the next musher.  Instead, Balto and another dog named Fox, led the team to Nome.  But a reporter thought Fox would confuse people so he picked Balto as the hero.

It told the story of racial segregation and prejudice and speculated why a number of previous epidemics that in some cases wiped out Alaska Native villages were not covered in the national media - in this case a news story argued that Alaska Natives threatened the white population with diseases.  Of course, the complete opposite was the case - whites brought diseases to Alaska that the native population had no immunity against.  It was suggested that this story caught the national attention because white children were being stricken.

It also told a story about the making of myths and the infallibility of memory and how the press adjust the story to fit their needs.

Paul Ongtooguk

And it told these stories with historical documents, news accounts, interviews with the children and grandchildren of the mushers who carried the serum and historians.  There were also interviews with a few surviving children who were inoculated with the serum that got to Nome.  In fact, one survivor was in the audience.

Questions about the extent to which Anker adjusted the newspaper images to fit the cinematic needs, brought an adamant reply that every document was real, and the only tampering was to improve the image quality of some of the digital documents they received.  Paul Ongtooguk, originally from Nome and now a Professor at the University of Alaska Anchorage said that Anker's attention to accuracy at times became annoying, but they came to appreciate it.

After movie party

The film got an enthusiastic welcome from the audience.  I was fully involved and waiting to see what was going to happen next, even though I and everyone else, knew the basic story.  And many people - in the Q&A - expressed surprise at how the film told a story so different from the one they'd learned at school.  This could not have been an easy film to make.  The recreation of the dog sledding at night in rural Alaskan villages you can only get to by dog sled or air, must have been both expensive and difficult.  But Anker started off by saying he'd never been anywhere where the people were more warm and welcoming than Alaska, and you could see the affection his team of Alaskans had for him.

I need some time, and perhaps a second look, to see how much my enjoyment of the film was affected by the home town crowd and seeing people I know fairly well up on the big screen.  It shows again Saturday (today) at the Inlet Towers hotel at 1 pm and Dan Anker will be there too. 

Bear Tooth crowd mingling after the film

Dan will be showing another of his films - Imaginary Witness - Tuesday night at the Alaska Jewish Museum.  Imaginary Witness looks at how Hollywood portrayed the Holocaust at the time and later. This is not part of the festival, but, I was told, seemed a fitting thing to do.  I'll post a video I made of Anker in the very noisy Bear Tooth lobby after Icebound about



 

AIFF 2013: Travel The World Through Film 2: From India to USA

The film festival gives us a great chance to meet people from around the world, in their own worlds.    The previous post went from Afganistan to Germany.  Here's the rest of the alphabet. 

Below you can see what's offered by film makers from other countries.  The links will take you to the Festival Genius page with a description of the page and when and where it will be shown. 
√ = film in competition    *= film maker scheduled to be there
I don't claim to have gotten every non-US film or gotten all the films in competition or all the film maker talks. 

You don't need a passport to travel this week. 


India
Delinquent Dancers (feature)
Butterfly Dreams (short narrative fiction)


Iran
Everything Is Fine Here (feature) *film maker coming from Iran

Luxembourg
Mr. Hublot  (animated short √) (also France)

Martinique
Maybe Another Time (very short narrative fiction)


Mexico (Sponsored by the Mexican Consul General)
Shorts Program: 

• El Rey de Otra Pelicula
• Enraizado | Steve Granados
• En un Minuto
• La Noria | Karla Castañeda 2012
• La Tiricia | Ángeles Cruz
• Solda

Juventud (Youth) (feature)

Vuelve A La Vida (Back To Life)  (Feature)

Mozambique
The Guide (documentary √)

 Netherlands
The New World (feature)


New Zealand
Stalled (short narrative fiction) also New Zealand and Switzerland
Antarctica (doc)  with Antarctica

Paraguay
7 Cajas (Seven Boxes) (feature)



Russia
Jonah (short narrative fiction √)
http://anchorage.festivalgenius.com/2013/films/film_kirillmodylevskiy_anchorage2013


South Korea
Ahco on the Road (animated short)

Sweden
Coffee Time  (short doc)


Switzerland 
Collectors  (animated  super short)
Stalled (short narrative fiction) also New Zealand and Canada


Taiwan
Will You Still Love Me Tomorrow?    (feature)

The No Name Painting Association (short doc)  (China)


USA
All the rest of the films (except for the oces I''ve missed.

UK
Reel Life (short narrative fiction √)  *

AIFF 2013: Take A Trip Via Film Part 1 - From Afganistan to Germany

Use the festival to take some short trips to other countries.  

I've gone through the Festival Genius and sorted by country.  It means it was made by someone from that country, it does not necessarily take place in that country, but probably does.

I've linked to the Festival Genius description which also has the times and dates the film will be shown.  Shorts are shown in programs with other shorts.

Have a good trip, or two, or three.

Here's the group:  A-Ma    The rest of the alphabet will be up shortly.


Afghanistan/USA
Fatigued  (short doc)

Antarctica
Antarctica:  A Year on Ice

Australia

The Rose of Turaida (animated super short)

Alaska Sessions:  Surfing The Last Frontier (Doc) 

Suspended (short narrative fiction)

Mine Games (feature)


Canada

Yellow Sticky Notes  Canadian Anijam (animated short)

Tales of the Organ Trade  (doc - I reviewed it here)

“Gaspé Copper” d’Alexis Fortier Gauthier (bandeannonce) (short narrative fiction)

Magnetic Reconnection  (short doc)

Stalled (short narrative fiction) also New Zealand and Switzerland

The Animal Project (feature)

Mourning Has Broken (feature)

Pottery Wars (short doc)

Hasard (short narrative fiction) (also Germany)

Santa's Claw (short narrative fiction)

The Trap (super short narrative fiction)



China
The No Name Painting Association (short doc)
Will You Still Love Me Tomorrow?    (feature)

Denmark
Life (short narrative fiction √)
Fucking Tøs (Damn Girl) (short narrative fiction √)
(Both are in the same program - Reel/Real Life Shorts)


France
Mr. Hublot  (animated short √) (also Luxembourg)
Himalayan Gold Rush (doc √)

Germany
The Fusion (short narrative fiction)
Great (short narrative fiction)
Hasard (short narrative fiction) (also Germany)

Thai Demonstrators Pull Back To Honor King on His 86th Birthday

The speech is in Thai, but you can hear how weak the King is as he reads it.  It's slow.  I'll try to get a translation up when I find one. 



New Mandela's analysis of the speech begins:

"King Bhumibol Adulyadej delivered the much-anticipated speech this morning to mark his 86th birthday anniversary at his seaside residence in Hua Hin. Evidently frail, the King managed to read the script throughout, though at time some parts were lost and inaudible. With his shaky voice, the King emphasised what seems to be a traditional quality of the Thai people: unity. He said (unofficial translation by author

 Thailand has been a peaceful nation for a long time; this is because of the existence of national solidarity and because members of society have performed their duty in a complementary manner with each other for the interest of the whole nation. Thais ought to recognise this (situation?) and must continue to perform at the best of their intention for the achievement of common interest; that is safety and security of the Thai nation."

The rest is at the link.


The King has been the rock of Thailand over his long reign (the longest of any monarch in the world today.)  When I was a Peace Corps volunteer I saw him on a few occasions when he celebrated holidays.  I particularly remember a plowing ceremony in Bangkok.

Throughout his life he traveled the country and met with farmers and hill tribe members and worked to improve their lives.

You'll notice all the yellow shirts among the people.  Yellow is the King's color.  Those supporting the current prime minister Yinluck Shinnawat, the sister of ousted prime Shnawat, wear red shirts.  This group challenges the future of the monarchy and what happens when the King dies is speculated by all.  The Prince who is next in-line has led a pretty wild life and is not terribly respected by many Thais.

But on the King's birthday, Thais on all sides, back off their conflict in respect for the King. 


Below is a short excerpt from a video biography of the King focused on his ascension to the thrown in 1946.  It includes an interview with the King about his brother's death which led to him becoming King.





Here's last year's speech.

American Petroleum Institute Thanks Sen. Begich for Keystone Vote

I got this postcard in the mail the other day.

Was I supposed to be happy about this?  I understand having a Democratic Senator in a state where red voters tend to turn out better than blue voters means we have a hybrid Senator who thinks (and probably is right) that he has to support big oil to get reelected.

But who sent it?  The other side gave that info on the bottom.

 

The American Petroleum Institute uses pictures of  pristine snowy mountains on both sides of the postcard.  No pipeline pictures.  No Kulluk oil rigs.  No oil company profit statements.  Just the beautiful Alaskan landscapes.  (Or something that looks like an Alaskan landscape.)  You'd think though they could have found a second Begich picture.   

I'd love to have been an invisible observer at the meeting where they decided to send this out.  What were there motives?  To piss off Begich's Democratic supporters?  To let Mark know this is what he gets when he votes right, but if he votes wrong . . .  

What's the message to his Republican opponents?  

On the simplest level, it's just asking Alaskans to call an thank Mark for his vote.  

Of course, the large coporations give money to everyone who might get elected.  They've got plenty and want that door to open when they come knocking. 

The American Petroleum Institute gave more money to the Democratic Governor's Association, according to Open Secrets, than to anyone else.  Given current disclosure laws post Citizens United, I'm not sure how much money is given, but not identified.  They list political contributions which I'm guessing are for 2012:

"CONTRIBUTIONS: $931,706

Contributions to candidates: $235,970
Contributions to Leadership PACs: $9,500
Contributions to parties: $128,226
Contributions to 527 committees: $558,010
Contributions to outside spending groups: $0"

But you'll notice they gave almost four times as much to 527 committees (that can fund campaigns without disclosing donors, if I understand it right)  than they gave to parties.


And the contributions pale compared to the $6 +  million they spend annually on lobbyists.

AIFF 2013: Super Shorts In Competition - "Doesn't the apple get to tell its side of the story?"

These are Super Shorts.  Under 10 minutes.  Just go see them.  If you don't like one, it will be over in a few minutes and you can start the next one.  The real trick is finding when and where they are playing.  I'll give you a little info that's somehow relevant to the picture and where to find them.  They aren't in their own program, but are mixed with longer shorts.


Group 1:  Reel/Real Life Shorts 
Sunday, Dec 8 at 3 pm  Alaska Exp Large
Saturday, Dec. 14 at 11:30 am Alaska Exp Small
(In addition to the two Super Shorts below, this program includes two Shorts that are in competition as well - Reel Life and Fucking Tøs (Damn Girl).  So there are two Danish films in this program.)

Anatomy of Injury 
Danielle Lessovitz
USA
5m    ✓   

From her website:

Danielle Lessovitz is a filmmaker from Kansas City, Kansas currently working in New York City. She is a graduate of Northwestern University where she studied documentary film and sound design for installations. She is currently an MFA candidate within NYU's Graduate Film Program. Her work has been screened at film festivals including Torino International Film Festival, Philadelphia International Film Festival, Rooftop Films Summer Series, and San Francisco Short Film Festival. In 2013 she received a New Filmmaker award from the Philadelphia Jewish Film Society and Best Heartland short at The Kansas City Film Festival for her film, The Earthquake. She is the recipient of a Ben Lazaroff award for screenwriting and received a Ben Wasserman Scholarship for her studies at NYU. Her video installations have been included in a number of public art exhibitions around the country. She is fluent in Italian and looks forward to feature filmmaking.

Sunday, Dec 8 at 3 pm  Alaska Exp Large
Saturday, Dec. 14 at 11:30 am Alaska Exp Small
*********************************************


Life* *

Lasse Lorenzen    

Denmark
2m    ✓   

Image and Director Statement from the MKE Shortfest Blog:

Director Statement
Even in the bleakest and darkest of times life will find a way to add color and cheer.

LIFE is in short, a short film about the meaning of life.

The story had been flying around in my mind for quite a while. I always had the urge to show how I experience life in its essence. I remember being a kid and seeing all these extremely serious adult humanbeings who never seemed to have any FUN - and vowing to never end up like that. Now, being an adult myself I do feel that life is very serious and at its core not very fun at all. But the kid in me still pops up and tries to force me to puncture that bubble of adulthood. And often at the most inopportune moments in life. . .

Sunday, Dec 8 at 3 pm  Alaska Exp Large
Saturday, Dec. 14 at 11:30 am Alaska Exp Small
**Life also plays in Global Village Shorts:
Saturday, December 7  2:30 pm Alaska Experience Large
Saturday, December 14 1:30 pm Alaska Experience Small

*****************************************************

Group 2:  Global Village Shorts

Saturday, December 7  2:30 pm Alaska Experience Large
Saturday, December 14 1:30 pm Alaska Experience Small

This program also includes one longer short in competition - Jonah. 
 
Separation Sonnet 
Andressa Furletti
USA
8m    ✓

Image from Andressa Furletti's website - Click to enalrge

Saturday, December 7  2:30 pm Alaska Experience Large
Saturday, December 14 1:30 pm Alaska Experience Small
*****************************************************



Life* *

Lasse Lorenzen    
Denmark
2m    ✓ 

Saturday, December 7  2:30 pm Alaska Experience Large
Saturday, December 14 1:30 pm Alaska Experience Small

Also playing in Reel/Real Life Program - see above for more info.
Sunday, Dec 8 at 3 pm  Alaska Exp Large
Saturday, Dec. 14 at 11:30 am Alaska Exp Small *****************************************************



Group 3:  Family Film Festival, 
Saturday, Dec. 14 at Loussac Wilda Marston Auditorium
(There's a program that starts at 11am and it repeats at 1pm.  This is a free program.)

Tooth Fairy image from Eugene Film Festival site

The Toothfairy
Rachel Sonnenberg
USA
4m    ✓   


Sunday, Dec 8 at 3 pm  Alaska Exp Large
Saturday, Dec. 14 at 11:30 am Alaska Exp Small
*****************************************************



Paradigm
Stephen Boyer
USA
5m    ✓   


This one I found online.  Things have evolved since I started blogging these festivals.  In the beginning, if a film were online, it was disqualified, but things have loosened up.  I once was conflicted about putting a whole film up here, but I've gotten over that.  I shouldn't baby my readers.  If it's out there, they should decide if they want to see it here or at the festival or both.   I understand the word Paradigm, but didn't catch why it's the title of this film. 



Sunday, Dec 8 at 3 pm  Alaska Exp Large
Saturday, Dec. 14 at 11:30 am Alaska Exp Small
*****************************************************

Poison Apple
Dane Neves
USA
9m    ✓   

"Doesn't the apple get to tell its side of the story?"  Dane Neves

Here's a video I found about the making of Poison Apple.  It's longer than the film.


Sunday, Dec 8 at 3 pm  Alaska Exp Large
Saturday, Dec. 14 at 11:30 am Alaska Exp Small

 *****************************************************

"I can't believe this guy didn't understand the expectations" - Anchorage Police Chief

Last Wednesday's Anchorage Daily News had an article about a police officer who used the APD's computer system to look up information about people for non-work related reasons.

Reporter Casey Grove writes,

Police Chief Mark Mew said Tuesday that he had warned the recruits on the academy's first day about inappropriate behavior while on duty.
"I can't believe this guy didn't understand the expectations," Mew said.

I've seen Chief Mew in action over the years and I think he's grown a lot and is dedicated  to making Anchorage as safe a place as possible.

But as a teacher, I'd point out that people often don't hear what they are told, especially on the first day.  I know that my students, on the first day, basically wanted to know how much work they would have to do, how many papers, how much reading, so they could figure out if they could do ok in class.

Even if they did hear anything else, there was no guarantee that what they understood was what I had intended.  And if the class wasn't interactive, where the students were forced to think and respond, the odds of them getting other stuff, especially information that was not part of what they already knew, was low.  Even when I told students exactly what they needed to do to prepare for the next week's class, they didn't believe me.  Until they had a quiz the next week and they realized that if they had done what I said, they would have passed the quiz.

So warning recruits on the academy's first day about inappropriate behavior isn't going to impact performance unless they actually listen and understand the details. And while some may get it, the others won't unless they are engaged in the discussion and given opportunities to role play, respond to case studies,  or otherwise actively participate in ways that force them to put their understanding into action. Which allows the instructor and the student to see if the student understood.  Just because you say it, doesn't mean they learned it. 

I imagine though, that the recruits got the information more than that one time from the Chief on the first day.  But understanding how humans learn new ideas (not easily) and new behaviors (by practicing them rather than hearing about them)  will make changing recruits' understanding and behavior more likely.

And there are some whom the academy simply won't reach.  And the academy has to have ways to detect who those people are and help them find more appropriate employment.