Showing posts with label AIFF 2013. Show all posts
Showing posts with label AIFF 2013. Show all posts

Saturday, December 14, 2013

AIFF 2013: Saturday- Oh Dear Too, Too Many Choices


First, sorry for pointing people toward the Inlet Towers yesterday for the Martini Matinee.  It was at the Bear Tooth and well attended, including a number of film makers.

There's a lot on for Saturday that I haven't seen.  The links and times and locations are on the schedule below from the Festival site.  I'll try to point out films that I've seen and that I've liked:

Family Program 
If you have kids:  Go to Loussac either at 11 or 1 for the family program.  Actually, I'd say it doesn't matter when you get there after 11 because the program repeats at 1.

Lion Ark
Also at Loussac will be Lion Ark which I saw in LA.  A good action packed (in a good way) story about rescuing lions from illegal Bolivian circuses.  You can see the short video I did in LA with the director Tim Phillips here.

Tales From The Organ Trade
This documentary looks at the world market for human kidneys.  See a whole post on this film here.  This film shows a lot of sides and raises the ethical dilemmas that make this so tricky.

Jonah and Life are two shorts that made an impression on me in the Global Village Shorts Program at 1:30pm.

Coffee Time, Slomo, and The Words I Love are all the kinds of films you want to see at a film festival.  They're in Quirky Shorts (a good descriptor) at 2 pm at Anchorage Community Works - 349 E Ship Creek Ave.

Reel Life and Life are in the Reel/Real Life Short Narrative Fiction program at 3pm at AK Exp. theater.  I'm trying to get up some video with Laurence Relton I did today. [It's up here now.] He directed Reel Life which is definitely worth seeing.  I haven't seen the rest of this program so I can't comment.

Vino Veritas is a feature of the Virginia Woolf genre - two couple have dinner together and start peeling the layers of their relationships.  This one differs from others in this genre in that none of the characters is actually mean.  This is a good serious film that couples ought to see.  I recorded some video last night of director Sarah Knight.

I'm headed for To Be A Man at 8pm, which I haven't seen yet.  I've heard good things.  It's a French movie about the relationship between a 20 year old man and a 10 year old boy.  The film maker is scheduled to be here at 8pm at the Bear Tooth.

Not sure how much that helps.  Lots of good things to see and unless you can clone yourself, it's hard to get it all in.  Though you can sneak a look at the Sunday program to see if what you want to see plays Sunday again. 

Saturday, December 14th
11:00 AM


Family Program | 88 min.
screens with...
Wilda Marston Theatre at Z. J. Loussac Public Library
11:00 AM


Documentary Program | 95 min.
screens with...
Alaska Experience Theater - Large Theater
11:30 AM

Documentary Program | 98 min.
screens with...
Alaska Experience Theater - Small Theater
1:00 PM


Trevor Laurence, Simeon Hutner 2013 | Documentary | 77 min.
Alaska Experience Theater - Large Theater
1:00 PM


Gay-La | 120 min.
screens with...
Mad Myrna's
1:00 PM


Family Program | 88 min.
Same as the 11 am showing - see above
Wilda Marston Theatre at Z. J. Loussac Public Library
1:30 PM
Shorts Program | 92 min.
screens with...
Alaska Experience Theater - Small Theater
2:00 PM
Documentary Program | 68 min.
screens with...
Anchorage Community Works
3:00 PM


Shorts Program | 98 min.
screens with...
Alaska Experience Theater - Large Theater
3:30 PM
Tim Phillips 2013 | Documentary | 97 min.
** Note: Filmmaker attending
Wilda Marston Theatre at Z. J. Loussac Public Library
4:00 PM


Scott Walker 2013 | Feature | 105 min.
Anchorage Museum at Rasmuson Center
4:00 PM


Sarah Knight 2012 | Feature | 96 min.
Alaska Experience Theater - Small Theater
4:30 PM


Documentary Program, Snowdance | 90 min.
screens with...
Anchorage Community Works
5:30 PM


samit kakkad 2012 | Feature | 94 min.
Alaska Experience Theater - Large Theater
6:30 PM


Documentary Program | 96 min.
screens with...
Alaska Experience Theater - Small Theater
7:00 PM


Shorts Program | 240 min.
Anchorage Community Works
8:00 PM


Shorts Program | 112 min.
screens with...
Alaska Experience Theater - Large Theater
8:00 PM


Benoit Cohen 2013 | Feature | 87 min.
** Note: Filmmaker attending
Bear Tooth Theatre
10:15 PM


Friday, December 13, 2013

AIFF 2013: Lion Ark - Film Makers In Anchorage for Sat and Sun Showings

I've been holding up this video til Lion Ark was about to play here in Anchorage.  I got to see the film and talk to the directors when we were in LA.  They are due in Anchorage for the showings Saturday (3:30pm Loussac) and Sunday (3 pm AK Exp large theater)

This is somewhat like a reality show where you watch the animal rescuers plan their attacks on the illegal circuses that have lions.  You hear them discuss how they helped get the Bolivian government to pass the strongest legislation around to prevent little circuses from using animals.  While some (most?) have given up their lions, there are a few outlaw circuses left.

None of this is really spoiler material because it's the telling of the story that matters.  Most, if not all, of the questions at the Q&A in LA were about the content of the movie, so afterward I focused my questions more on the movie making. 




There's a little bit of disturbing video of beating of animals in the film, so the younger kids probably shouldn't see this.  (It's PG 13)

There are a lot of Bolivians involved in the rescue and an important part of the film for me was that a number of them were brought with the lions to Colorado at the end, to see the lions' new home.  

The program says the film makers will be there Saturday, and probably they'll be at the Sunday showing but I'm not sure.

With Tim Phillips and Jan Creamer in town for Lion Ark, Will Francome for One.For.Ten, and Laurance Relton here for Reel Life, you'd think Captain Cook had made Alaska an English colony.  All their films are well worth watching.  Will's interviews with people who have been released from death row after their convictions were overturned can be seen at the one.for.ten website.  

Laurence's wonderful short film, Reel Life, plays as part of the Reel/Real Life Short Docs program at 3pm Saturday at the AK Exp Theater. 

AIFF 2013: One.For.Ten - DNA, The Instant Replay For The Justice System

The highlight of the film festival for me so far was Thursday night at Loussac Library.

The showing was the most innovative and powerful I've seen.

The film maker, Will Francome (and his colleagues), as he explained it, determined to take a cross country trip in the US to interview people who had been exonerated of capital offenses and been released from death row.

But they jumped onto Facebook and Twitter to include their audience in developing questions for the people they were going to interview.  They made their film, edited it quickly, and put it online for their FB and Twitter team to see within 24 hours.

And the 'showing' Thursday included a panel of three local leaders in the fight for justice for innocent people convicted of crime.  There were ten short interviews.  One or two were shown.  Then the audience was invited to ask questions or comment.  The panel commented.  Then the next couple of films were shown.

WOW!  The audience was included in making the films and in the showing.  This takes AIFF into new film territory - making the audience participants, not simply passive viewers of the films.  I know people will immediately, and legitimately respond that the festival has had Q&A with film makers from the beginning.

But this was more than that.  At One.For.Ten  the audience was involved from the beginning.  Live audience reaction was part of the film experience.

And if all that weren't enough, the topic - innocent people on death row - is as powerful as you can get.

Most of you missed this.  I didn't know what I was going to experience before I went.  But, you can see the ten films and join into the social media discussions.  The films are at the One.For.Ten website.

These stories are so compelling because they challenge the very basis of our justice system.  I had so many thoughts jumping through my head.

Clearly DNA can change the court's call, just as instant replay can change a sports call.  But saving an innocent man or woman wrongly convicted is far more significant than changing a referee's call.  But like instant replay, it's the kind of objective evidence, that breaks through most human error. (And I'm sure there are ways to incorrectly collect, test, and interpret DNA evidence.)

I asked about the reactions of prosecutors, and, unfortunately, the answers suggested they react badly.  They deny they were wrong.  And, as the blogger at What Do I Know?, I'm fascinated by how people 'know' what they 'know'.  And how they simply cannot see 'truths' that conflict with their own well being.  I know that prosecutors dismiss the claims of innocence of inmates.  Every inmate has found a way to believe he's innocent.  (And I believe that many extremely guilty folks believe they're innocent, making it harder for people who really are innocent.)  The irony is that while prosecutors can see these people deceive themselves, apparently they can't see it when they themselves fall for the same delusion.

So much to think about.  They discussed about ten different reasons/causes for people to be falsely convicted and each of the ten films is supposed to highlight one.  (Though most involve several.)  Some were;
  • wrong eyewitnesses
  • snitch testimony -  informants lying for their own benefit
  • wrong expert witnesses
  • racism
  • prosecutorial misconduct
  • perjury and false testimony
  • false confession
It seems to me, short of banning the death sentence, anyone convicted without concrete evidence based on things like eyewitness testimony or snitch testimony and probably other conditions, should not be sentenced to anything more than life.

By the way, one for ten refers to stats that there is one exonerated convict for every ten executed.  

Did I tell you I liked this session? 

AIFF 2013: Choosing From So Many Good Options Friday

This is getting impossible.  There are too many options.  (Full schedule with links and times below.)

Lunch Discussion at 11:30 at the Bear Tooth:
"Guest speakers include: Tony Sheppard, AIFF founder; Ron Holmstrom, regional Screen Actors Guild Feature representative; Jerry Levine, producer, director and president of Connections Doc Film and Video; and other guests representing various groups who’ve been involved with 'Film in Alaska.'” 

This event doesn't conflict with any other event - except maybe your life.

The rest, I can only mention the films I've seen and I leave the rest for you to choose for yourself.  The links should help.


Eskimo Star - I saw a short portion of this a couple of years ago, if I remember correctly.  And I also knew Ted Mala the son of Ray back when I first got to Alaska in the late 70s.  Again, it doesn't conflict with any other events and what I saw before fills lots of Alaska and Hollywood history gaps.

Recommendations:

Some of my favorite shorts will play at the Martini Matinee at 3:30 at the Inlet Towers: Animation Hotline* - one of the few animated films that had both great original visuals AND meaningful content.
Reel Life - a great filmic comment on film reality
The Words I Love -  learning language is a great interest of mine and it's told in it own original way  (I'd note that the film maker, 'Benz' Thamachart Siripatrachai, is staying with us.)
Mr. Super Juice* - won me over with its irreverence, it pulls no punches (or juices)
Coffee Time - This one is so unexpected.  I won't say anything about it, except to say it's delightful.  Not for children.

*also playing at 7:30 in the Animation Program.  Three others I really liked in that program:

The Rose of Turaida -  a beautiful and original animation style tells a Latvian legend.
Lost and Found - visually beautiful adaption of a children's book.based on Oliver Jeffers' award winning children's picture book
Mr Hublot -  Magnificent visuals.

The Guide - I also found this short from the Biology Gone Wild Docs Program definitely worth a view - an African young man wants to be a tour guide in Mozambique's Gorongosa National Park.  That's already a pretty good story, but it gets additional power by the appearance of an intellectual hero of mine - biologist E. O. Wilson - and his relationship with the young guide.  7pm

There are just too many movies. And too many of them overlapping.  I can tell you I really liked the ones mentioned above, but you might not.  Just jump in and pick something. 

11:30 AM

Event | 90 min.
Bear Tooth Theatre
1:20 PM
Book Signing | 80 min.
Bear Tooth Theatre
3:00 PM


Martini Matinee, Shorts Program | 100 min.
screens with...
Bear Tooth Theatre
6:00 PM


Documentary Program | 65 min.
screens with...
Alaska Experience Theater - Large Theater
7:00 PM


Documentary Program, Snowdance | 90 min.
screens with...
Wilda Marston Theatre at Z. J. Loussac Public Library
7:00 PM
Documentary Program | 88 min.
screens with...
Alaska Experience Theater - Small Theater
7:30 PM


Animation Program | 120 min.
screens with...
Anchorage Community Works
7:45 PM


Anthony Powell 2013 | Documentary | 92 min.
Alaska Experience Theater - Large Theater
8:00 PM


Sarah Knight 2012 | Feature | 96 min.
** Note: Filmmaker attending
Bear Tooth Theatre
9:30 PM


Quick Freeze | 120 min.
Anchorage Community Works
9:45 PM


Jason Butler, Brett Butler 2012 | Feature | 77 min.
Alaska Experience Theater - Large Theater
10:15 PM


Eric England 2013 | Feature | 84 min.

Thursday, December 12, 2013

AIFF 2013: A Short Trip to Iran? See We Are All Fine Here

We don't see many Iranian films in Anchorage.  And even more seldom is Anchorage the location of the US premiere of an Iranian film.  And just as rarely, do we get the film makers to answer our questions after the film.  But all three are the case for Everything Is Fine Here.

Everything is Fine Here, is an interesting film, not only because it's from Iran today, but also because of its look and feel.  The film was not approved for filming in Iran - it's about a rape and the effect on the woman and those around her.  It moves at a slower pace than American movies, so be ready for that.

I asked the film makers - Pourya Azarbayjani and Mona Sartoveh - if they would say a few words in Farsi about being in Anchorage.  Here they are:


sssss

A bit of "life mimics art" -the young woman in the movie gets a scholarship to study a while abroad.  And the film maker, lands his film in the Anchorage International Film Festival and gets to go abroad too.

Wednesday, December 11, 2013

AIFF 2013: For Real This Time: Wednesday Picks

This is a little easier than Thursday (tomorrow) which I posted already, by mistake.  Not quite as many choices.  You can check Thursday here.

Tonight's must see, so I've heard, is Vuelve A La Vida (Back To Life).  I got this mixed up with Juventud, which plays tomorrow.  The director, Carlos Hagerman is in town, I met him briefly this morning and got this photo.   Here's the description I could find about the movie:
"The love story between a top model from New York, a Mexican scuba diver and a shark."
The love story between a NEW YORK TOP MODEL, a scuba diver from Acapulco and a shark.
- See more at: http://talent.filmindependent.org/talent/bio/88#sthash.s1TX8fiC.dpuf
The love story between a NEW YORK TOP MODEL, a scuba diver from Acapulco and a shark. - See more at: http://talent.filmindependent.org/talent/bio/88#sthash.s1TX8fiC.dpuf
The love story between a NEW YORK TOP MODEL, a scuba diver from Acapulco and a shark. - See more at: http://talent.filmindependent.org/talent/bio/88#sthash.s1TX8fiC.dpuf

I'm headed for McConkey tonight, then to Vuelva A La Vida.

But the New World is a very fine movie that I highly recommend.  I wrote about it here.

Frozen Ground probably needs no introduction.  It's the big Hollywood movie, filmed here a couple of years ago.  I figure this will come to the regular theaters before too long, but the others won't.

Sorry this took so long.  I put up Thursday by mistake.  But at least that one's done now. 





Wednesday, December 11th
6:30 PM
Steve Winter, Murray Wais, Rob Bruce, Scott Gaffney, David Zieff 2013 | Documentary | 109 min.
Alaska Experience Theater - Large Theater
7:00 PM
Jaap van Heusden 2013 | Feature | 83 min.
Alaska Experience Theater - Small Theater
8:00 PM
Carlos Hagerman 2010 | Documentary | 72 min.
** Note: Filmmaker attending
Bear Tooth Theatre
8:30 PM
Scott Walker 2013 | Feature | 105 min.  AK Exp
There's more about Carlos Hagerman in Spanish here or a dodgy English translation here.

AIFF 2013: Picks for Wednesday [Thrusday]

[UPDATE:  Dec. 12, 12:30am:  I originally posted this, by mistake, for Wednesday.  I fixed the title and now I've edited this to call more attention to The Animal Project playing at 8:30pm at the museum.]

My thoughts on Thursday.  Full schedule below.  

Juventad (Youth) is, I'm told, the pick for Thursday, 8pm at the Bear Tooth.  This is an autobiographical film by a well known Mexican director who will be at the screening.  Wikipedia says:
Jaime Humberto Hermosillo (born 22 January 1942) is a Mexican film director, often compared to Spain's Pedro Almodóvar.  Born in Aguascalientes, Aguascalientes, in center Mexico, Hermosillo's films often explore the hypocrisy of middle-class Mexican values.
He's worked with Gabriel García Marquez, the Nobel Prize winner for literature and author of One Hundred Years of Solitude.

But there are lots of other interesting choices. 

I had a chance to talk to Ingrid Veninger about her film The Animal Project which is NOT
Ingrid Veninger saying "Mask"
about rescuing animals (see Lion Ark for that over the weekend).  This is about an acting instructor, his relationship with his son, and the use of animal costumes to teach acting.  I haven't seen this one, but it sounds like Ingrid is doing something unique here.  And it's already won awards in other festivals.   Ingrid told me this is her fourth feature in five years.  I've decided I'm going to this one at 8:30 in the Museum.  And she'll be there to talk afterward. 

But watch the video of Ingrid Veninger here. 

The two mountain climbing docs are worth seeing.  The first repeats a 1963 climb of Everest and the second recreates a legendary mountain rescue in the Tetons.  In both films the original participants are interviewed to give their stories about the original events. 

The Iranian film, Everything is Fine Here, is an interesting film, not only because it's from Iran today, but also because of its look and feel.  The film was not approved for filming in Iran - it's about a rape and the effect on the woman and those around her.  It moves at a slower pace than American movies, so be ready for that.  The film makers were there Saturday and are schedule to still be in Anchorage so I'd guess they'll be there for this showing.  Anchorage is the US premiere of this film.

I'm going to see 7 Cajas on Saturday at 11:30 am.  Here's a link to a Huff Post description. It's apparently the biggest Paraguayan movie ever.  And you can see this Paraguyan film Saturday.

I'll go see the beginning of One for Ten at Loussac at 7pm
"Since [the death penalty was reinstated in the US in 1976], for every ten people that have been executed, one person has been exonerated and released from death row after spending an average of ten years in isolation."
And then to the Museum to see The Animal Project.  I have a hunch about this one. Ingrid is a good salesperson.  Again, check the video here.

Antarctica is supposed to be good.  I'll try to see it on the weekend.
9 Full Moons is a movie that reminds us how hard it is to pull off a good movie.  I saw it over the weekend.  There are interesting characters and some good scenes - I liked the interactions with the country western singer a lot - but it is long.  The movie has heart.  The film maker is scheduled to be there.  

And there's the Animal Project which I'm told is good and what I've read is intriguing.  And I've got a couple of free passes for it so email me if any one wants to go at 8:30pm at the Museum. Their press kit includes this short description:
"An unorthodox acting teacher (Aaron Poole) attempts to push a group of eager young performers out of their comfort zones, while struggling with his own ability to live an authentic and fulfilling life with his teenage son."

The Schedule:


Thursday, December 12th
5:30 PM
pourya azarbayjani 2012 | Feature | 75 min.
Alaska Experience Theater - Small Theater
5:45 PM


Documentary Program | 96 min.

Alaska Experience Theater - Large Theater
6:30 PM


Tomer Almagor | Feature | 103 min.
** Note: Filmmaker attending
Anchorage Museum at Rasmuson Center
7:00 PM


Documentary Program | 120 min.
Wilda Marston Theatre at Z. J. Loussac Public Library
7:45 PM


Anthony Powell 2013 | Documentary | 92 min.
Alaska Experience Theater - Small Theater
8:00 PM


Jaime Humberto Hermosillo 2010 | Feature | 115 min.
Alaska Experience Theater - Large Theater
8:00 PM


Juan Carlos Maneglia | Feature | 100 min.
Bear Tooth Theatre

8:30 PM


Ingrid Veninger | Feature | 77 min.

Anchorage Museum at Rasmuson Center

AIFF 2013: Tuesday, From Mozambigue to Taiwan And Some Alaska Winter Surfing

We took a friend to see Hank and Asha because it's so good.  We were going to see two docs and then get her home and then to the Bear Tooth.  We had to make some adjustments.  We saw the first film, The Guide which was a feel good film about a young man whose ambition is to be a tour guide at the Gorongosa National Park.  He's clearly very bright and a favorite of the foreigners working to develop the park.  We get to see him guide E.O. Wilson, the great biologist and ant expert.  The exchange between the 82 year old scientist and the young man is wonderful to watch. 

Our friend had gone in with us and the film ended just in time for Hank and Asha and we skipped out and watched Hank and Anna for the second time.  I was surprise to see James and Julia, the film makers there since they'd told me they were flying out before this showing.  (I put up video of the film makers in an earlier post.)  It turned out their flight was delayed due to weather in Chicago, so they got to answer questions after the film.  It's really a feel good film.  You can put it on your Netflix list, it's due out in April. 

Then to the Bear Tooth for the Taiwan and Gay-la movie Will You Still Love Me Tomorrow?  A fine movie about a guy who's been married nine years but it turns out he was actively gay before he got married and thought he could leave it behind.  But someone comes into his life.  It was very nicely done.  Unfortunately, it doesn't play again. 

And then back for the 9:45 by-popular-demand Alaska Sessions:  Surfing The Last Frontier.  This is an unexpected little jewel as they go by boat from Sitka to Homer for a month in the winter finding places to surf.  It breaks all the ice-box stereotypes of Alaska and the old body surfer in me could sit and watch them ride the waves all night.  A little less hyping Alaska would have made it a better film.  There's no need to tell people that Alaska is actually livable. 

Note:  The iPhone app apparently gave some people the wrong time for Hank and Asha and there's a chance - since the little theater was totally full - that another showing will be arranged, maybe Saturday.  Stay posted.  This is definitely worth seeing. 

Excuse the typos please.  These late night showings are killing me. 


Tuesday, December 10, 2013

Today's Apartheids

Intro
  1. The Anchorage International Film Festival is getting all my attention this week, at least here on the blog, and I haven't commented on other important issues or events.  I think good art (even bad art)  tells us about everything that's important, so covering the festival isn't trivial, but still I feel pulled in different directions.
  2. This blog covers a wide array of topics, because, as I told someone this week, "everything is related."  And I hope that's clear below

The Boycott

The Boycott of South Africa is getting lots of attention this week in the wake of all the memorials for Nelson Mandela.  But at the time a boycott was considered completely radical, anti-business, anti-American, harmful to the US economy, and it wouldn't have the desired effect anyway.

People knew that Aparteid was fundamentally wrong and they persisted - mainly younger folks who got their universities to divest from companies doing business in South Africa.  Legislation was passed and the conservatives' hero Ronald Reagan vetoed it.  But the Boycott movement had worked hard and effectively and Reagan's veto was overridden.  

Why Divest?

The basic point is that companies should not be making money by supporting oppression or other things that cause serious harm to humans or to the planet they live on.   We have laws against prostitution and drugs basically for the same reason - some moral values trumps the capitalist goal of making as much money as possible.  Even conservatives in the US have pushed hard to get a boycott against doing business with Iran and in Alaska very conservative legislators wanted to divest the state's funds - like the Permanent Fund - of companies doing business with Iran.

The underlying principle is that we value certain things above money.  Slavery was abolished even though it hurt slave owners economically (not to mention morally and spiritually.)

Corporations' appropriate goals, according to an old Michigan Supreme Court decision and supported by Milton Friedman, and quite probably today's US Supreme Court, but challenged by others, is to maximize shareholder profit.

They do this by taking resources and creating products or services they can sell.  Degradation of the environment - so long as it doesn't hurt their bottom line - is acceptable.  Exploitation of workers is not an issue as long as it doesn't hurt their bottom line.  The same with exploiting customers.  (Think banking late fees and punishing interest rates or airline fees for changing reservations.  Think of 'pre-existing conditions' clauses in health insurance policies. Think the housing crisis.)

When companies make big profits while violating more important human values, they have to pay their employees well to keep them doing their damaging work.  'Well' is a relative term.  They don't have to pay much to get very poor people to work, even in jobs that put the employees at risk.  Much higher salaries and benefits than the prevailing salaries get professionals to sell their souls for morally questionable business. 

We know that people are able to believe any stories that justify their right to get what they want, even when it is morally reprehensible.  German soldiers justified their work at concentration camps with stories of Jews undermining pure German culture.  Slaveowners used the bible and their beliefs that Africans werea lesser form of human.  Roosevelt allowed internment camps for Japanese-Americans because American prejudices saw them as threats to our security.  Communists tolerated, at first, Stalin's purges because they were necessary for the revolution.  Civil Rights leaders discriminated against women in their movement. Often short term benefits and costs are cited as trumping long term and uncertain benefits. 

Today's Apartheids

In hindsight, it's relatively easy to see who was right and who was wrong (though there are still Nazis in Germany and white supremacists in the US.)   To figure out where action needs to be taken today, we should look at situations where important values are being compromised  to make money.

1.  Future human survival as global climate change causes more severe weather events, shifts in geographic ranges of flora and fauna leading to diseases to spread to new areas and crop destabilization and drought.  Those are just a few of the impacts we are already starting to see. 

Fighting this with the same sort of arguments used to fight the Aparteid boycotts are the biggest traditional energy corporations - mainly oil, gas, and coal.  Alternative energy sources can't fill our energy needs, they tell us.  Business would be crippled.  If we don't produce these fuels, others will.  And, by the way, there is no such thing as global warming, and if there were, it wouldn't be caused by humans, just natural climate cycles.  In Alaska, their well paid employees, somehow justify their contribution to the future degradation of the planet, by buying into those specious arguments    When we have public  hearings on oil taxes in Alaska, nearly all the people testifying for the oil companies are people working for the industry, claiming their livelihoods and standard of living would be gone if the oil companies were taxed at current levels. The standard of living of the next generation must take care of itself is the implication. 

2.  Privatization and Chemicalization of Our Food.   Large corporations destroy our long term food growing environments through factory agriculture - high fertilizer and pesticide use - in the name of shareholder profit.  They systematically destroy small local farmers, introduce GMO food, and fight against labeling because GMO's are perfectly safe and labeling them would harm their business.  And patent seeds to gain a monopoly on food. 

Continued Manufacture and Profiting From Weapons.  Why are we responsible to bring peace around the world?  As humans, we have an obligation to help those who can't help themselves.  We help babies and children, we help victims of storms and earthquakes, it's a basic value of every religion.  But there's yet another reason - much of the death around the world is caused by weapons manufactured by the US and other nations, for war and acquired by anyone with money and connections.  If Second Amendment extremists feel they need protection, then we need to raise a society where people have fulfilling lives and don't need to steal from others to live decently.  And then if people persist with personal arsenals, we can give them the mental health care they obviously need. 

4.  Corporatized media, used not as watchdogs, but as attack dogs.  Our ability to know about and understand how well or poorly governments, corporations, and other institutions of great power operate, is dependent on getting accurate information about their performance.  It also requires an ability to understand what they report.  So education that raises free and thinking citizens needs to replace education that produces obedient consumers and employees.  Instead our media and corporate culture distract us from the real problems with sports, celebrities, and other trivia. Even movies, some, but not all.  Not film festival movies.:)


Everything is Related

American consumerism fuels our need for oil that is destroying our environment and making the pursuit of money or credit our paramount reason for living.  Our failures to earn enough to feed this insatiable consumption leads to crime, addictions (besides consumption), family break ups, and the justification to work for companies and industries we should all be boycotting.  It's all related.


And the film festival gives us a different way to see how these things interact.  Films take us into the lives of people we otherwise would never know.  Here is a list of just a few films at the festival that raise the issues to greater or lesser degrees.  All give us one more piece of the puzzle to understand the interconnections among us all.  OK, I realize that each of us will see these movies with our own filters and many will come away with far different conclusions than do I.

  • Tales of the Organ Trade looks at the illegal buying and selling of human kidneys. 
  • Fatigued was filmed by soldiers in Afghanistan who told us they were there for different reasons, but mostly to get things like health insurance or to escape unemployment and poverty. All they could think about, they tell us, is  'getting out of this shithole and back home." (I'm not sure what message they intended to send, but I was closer in reaction to a contractor quoted in the movie, "They are a bunch of whiners."  But the movie didn't mention the huge disparity in pay between the soldiers and the contract employees which allowed this contractor to pay off her house, car, and all other debts.)  
  • Gold Star Children talked about the tens of thousands of US children who have lost a parent in the Vietnam, Iraq, and Afghanistan wars, and how little attention is given to their huge losses.  
  • Lion Ark looks at the mistreatment of animals in illegal Bolivian circuses and the rescue of 27 lions.   
  • We Can't Eat Gold - looks at the tradeoff between the Pebble Mine and the great salmon runs.
  •  Not By Sight - looks at how one woman's group takes offshore oil to task.
  • Backyard - looks at how the world view of a conservative couple was changed when their neighborhood was fracked. 
  • De Nieuwe Wereld (The New World) looks at one tiny part of the human disruption caused by economic exploitation and the arms industry, by looking at asylum seekers in a detention center in Amsterdam.
  • Detroit Unleaded shows us the deadening life running a gas station/store in a high crime neighborhood in Detroit. 
  • Everything Is Fine Here - shows us the impact of rape on a young Iranian woman. 

We will never have perfect, problem-free societies.  But I believe we can do significantly better than what we have now.  Go see a movie at the film festival - not to be distracted from the world's problems - but to be energized into taking them on.