Sunday, December 14, 2014

AIFF 2014: Awards Update - Alaska Films, Features

I'm at the Organic Oasis.  People are eating.  I'll just add to this post rather than a bunch of posts.  So keep checking.  [I've changed my mind, I'll just be putting up new posts, and add to them.  The did the docs first because one of the winners was heading to the airport.  See doc winners below.]

Starting 6:48pm

Features
#3  I Believe in Unicorns
#2  Come To My Voice
#1  Ambassador To Bern

Made in Alaska
#3  Empty Chair
#2  Tracing Roots
#1  Detective, Detective, Detective


Added starting 6:33pm

Special Award - Founders Award - Film and Film Makers in the Spirit of the Festival

Universal Language


Shorts
#3   How Hipólito Vázquez Found Magic Where He Didn’t Expect It
#2  What Cheer?
#1  Bis Gleich


Super Shorts
#3  Enfilade   (see wikipedia)
#2  Full Windsor
#1  Four Brothers, or Three, Wait . . .


Animation Awards
#3  Ronald Gottlieb
#2  Wire Cutters
#1  365


Reading a poem about the oosik, which are the awards for the festival.  I have a picture of the oosik awards in an earlier post tonight.

6:32pm Thanking all the sponsors now.

She's thanking lots and lots of people who were involved in various activities like the library discussion on homelessness, the QuikFreeze people, Frost and the drive in movie,

I'm missing people.  I should have gotten her list before hand.  I'll try to update this later.

This is in reverse order - most recent first.
Charlie  - who did the trailer (which was really good - probably the best ever, because it included clips from some of the films and had great music (that could be listened to over and over again.)

Animation - Jonathan, Rachel

Docs - Will and Jim Parker

Shorts Programmers - Rich Curtner and George

Features Programmers Kelly Walters, Gita, Natalie Eleftheriadis

Volunteer Coordinator - Rebecca.  Has been volunteer at Sundance for many years.

Tony Sheppard - Founder of the festival and hospitality left this morning.

Christie - applied for several grants for us and got one from the Atwood foundation for film maker travel.  Liaison at the library too.

Rich Curtner - the board president, and shorts programmer along with George
all the technical stuff on the website, and all the media, finances.  We owe him a lot.


Thanking key people - Jim Parker first - who's leaving for North Carolina.

Best Docs:

#3:  Seeds of Time
#2:  Coney Island
#1: White Earth



AIFF 2014: Pictures from Award Gala













I was going to add names, but this is going way too fast.  These are pictures of folks eating and now they are giving out the awards.  They are recognizing Jim  Parker, the director of film programming who is moving to North Carolina after this festival.  

AIFF 2014: Sean McCarthy On 'Moving Out' And The Kurdish Film 'Come To My Voice'

We saw the animation program last night and it was probably the overall strongest program.  Every film was good and a number were better than that.  I also knew nothing about what I was going to see - except for Ronald Gottlieb - which meant everything was a total surprise.

One of the film makers there was Sean McCarthy with a 6 minute video that he and many, many friends have been working on for several years.  It was quite elaborate with the key character going into different picture frames in a gallery and interacting with the pictures.   Here's Sean briefly talking about it after the showing last night.  But this is the kind of thing you can't talk about very helpfully, you have to just see it.  I tried to link it in the video, but I couldn't figure out how to link it to something outside of YouTube.





Here's a link to the video on his website. I had trouble getting it to work. I'm crediting that to my slow internet connection.

And for the record, we saw Come To My Voice this morning.  A strong feature about a Kurdish village where an informer has said they had guns.  But the Turkish soldiers can't find any.  So they take the men and tell the women and the mayor that when they turn in the guns, they'll release the men.  The film focuses on the mother of one of the men and her granddaughter as they go about trying to free their son/father.  This is the kind of pictures we should see more of, to give a sense of words we hear on the news all the time, like 'Kurds.'  By the way, the mountain scenery was beautiful.  

[For people interested in the technical stuff - there are black borders on this video because the new iMovie has a wider screen for the videos and since I'm pretty close to my subjects, it cuts too much out.  So I need to see if I can adjust my camera to to use a different aspect ratio.]

AIFF 2014: Sunday. The Last Day. Turkey, China, Florida, Then Awards

This is the last day of the festival.  Sort of.  Tuesday and Wednesday will have Best of the Fest, where they will show some of the winning films again for those who missed them or want to see them again.

So here's Sunday:



I've heard good things about Come To My Voice from different folks, so that's where I'm headed first.  It's a film that focuses on a Kurdish family in Turkey.  I suspect I'll then go see the Chinese films.  Husband, Wife, and the Other Man, then the shorts.  They are sponsored by the Confucius Institute at UAA and should be good.  Though, they will have been approved by the Chinese government.    I saw Last Stop, Flamingo.  It's a quirky little film that had lots of nice touches about the director's road trip to Florida.  (Quirky isn't a put down.  I mean here that it creates its own conventions and doesn't worry about how a film is supposed to be.)

The Awards Galas I've attended in past years have been very casual events with good food and a chance to talk with the different film makers.

Saturday, December 13, 2014

AIFF 2014: Barefoot Artist and Coney Island

Barefoot Artist turned out to be a really good documentary.  Maybe.  I have some second thoughts, but I can't deny I was pulled right into the story from the beginning and the movie traveled far - geographically and emotionally, and raised lots of questions about art, fulfilling one's own destiny, and duty to others.  More on this later after I've thought it through.

Alessandra Giordano after Coney Island


Coney Island, Dreams For Sale was yet another film that shows the how hope and dreams can inspire a community  and how a film maker can be entangled into a long terms commitment to a story.  Like Divide In Concord,  Coney Island followed community organizing over a public decision,  The film showed a wide variety of interesting characters and pulled a lot of loose ends together well.





I also saw Last Stop, Flamingo.  There were a lot of interesting parts here - I liked the animation between parts.  I didn't get a sense of it all fitting totally together, though there was a theme of the present and the past and change as he looked at different people and places that reflected unfulfilled dreams, and change over the centuries.  The film reflects a lot of talent.

I also realized that I could use the back of the Museum's auditorium to walk back and forth while watching Flamingo.  I really needed to be doing something other than sitting.  I think for just one movie, sitting is fine.  Especially if you can walk or bike to and from the movie.  But for a festival where you're watching two or three or more movies a day, there's a need to move around while watching.  



AIFF 2014: Who Is Ronald Gottlieb And Does Engin Karabagli Have Hairy Legs?

In Engin Karabagli's short animated film, which plays in the Animation program tonight at 7pm, the main character is named Ronald Gottlieb.  And that is also the name of the film.  Where did that name come from?

Ronald Gottlieb has a problem in the film.  He has no hair on his skinny legs.

At the festival, I keep running into Engin.  We made a short video of him describing his film last week.  It was the regular canned statement that all filmmakers have practiced just in case someone asks.  I prefer something more spontaneous.  So I asked for more on Thursday.  And I put the two clips together and posted them Friday here.

But then I thought I really should have asked him why he named the movie Ronald Gottlieb and was there some personal issue about leg hair?  And so when I saw him again Friday night at the short docs program, I got the chance to ask those questions.  And you can see and hear the answers below.



You can see Ronald Gottlieb and the other short animated films at 7pm today (Saturday) at the Alaska Experience Theater.

Friday, December 12, 2014

AIFF 2014: Saturday Schedule - Lots of Movies, No Bear Tooth

The second weekend, lots of movies, lots of hard choices.  But no Bear Tooth this weekend.  That's new this year.

Here's the grid for Saturday.  You can get it with live links here.



The only thing I'm absolutely sure of, is that I want to see the Animation program at 7pm.  And I've heard good things about The Barefoot Artist showing at 11am.  Appropriate Behavior is a figuring out who I am film about an Iranian-American lesbian.  It's funny and well done.  I've posted about 6 Bullets to Hell here.  A friend has challenged my problem with a gang rape and murder in the movie.  I'm not saying it doesn't fit in the movie, but I am saying that in general, movies that have violence against women as entertainment, aren't movies I want to see.  There are times when such events are part of the context of the movie that makes an important point.  My friend pointed out that a 14 year old is molested in WildLike too.  My response is that

  • what we saw on screen was from the point of view of the victim
  • it was suitably uncomfortable and creepy
  • the film showed the long term negative consequences
  • the situation was integral to the whole story which was about sexual abuse and its terrible consequences
Is a movie like 6 Bullets To Hell merely reflecting society?  Or do such movies model behavior for viewers as well as desensitize them to the fact that such actions are despicable?  Even if the movie then proceeds to portray the perps as the bad guys?   I don't know the answer to that.  I'm not for banning such scenes.  But I don't have to watch them and I hope others object to them as well.  This is NOT entertainment - and 6 Bullets To Hell, if not meant to be entertainment, is nothing at all.  

Sorry, didn't mean to go there, but I do think violence against women is a major problem in the world and in Alaska and it should be challenged when it's used as entertainment in films.

All The Time In The World is about a family of five that spends a year in the Yukon wilderness.  That's all I know about it.



A non-film event Saturday is the SAG-AFTRA seminar.  That stands for Screen Actors Guild - American Federation of Television and Radio Actors.  It's intended to educate both actors and film makers on the role of the union is film making.  It's being put on by Ron Holmstrom.  Below is a video where he explains more:



I mistyped the date - as you can see above - but that led me to learning about using annotations in YouTube as you'll see if you watch the video.



AIFF 2014: Engin Karabagli, Ronald Gottlieb, And Saturday Night's Animation Program

The only animation I've seen so far this year has been the feature length Rocks In My Pocket which I thought was great, though I understand the folks who say it was too long and needed some editing.  I forgive the film maker for such little issues given the amazing visual story she told.

There was also a bit of animation in some other films - in the short narrative film about  communicating with plants, Life and Perception by Andre Stamatakakos.

I first ran into Engin Karabagli, last Saturday afternoon and got a bit of video about his film.  I missed the animation program that evening, but I've seen Engin here and there and yesterday I decided to get something a little more candid than the first shot.  His film, Ronald Gottlieb, plays again Saturday night at 7pm, when I'm planning to see it.  Here's an invitation to see Ronald Gottlieb by the film maker - who was born in Istanbul, grew up in Holland, went to NYU, and now is based in Istanbul.



If you see him around the festival, be sure to say hi.


Here's the whole animation program from Anchorage Festival Genuis:

7:00 PM     Sat, Dec 13
screens with...













And if you really can't go tomorrow night and really want to see Ronald Gottlieb, it's on Engin's vimeo page.

AIFF 2014: Is It Really Friday Already? Festival Choices for Today

Martini Matinee should give you a chance to see Divide In Concord  a political documentary (in competition) where the community is debating banning plastic bottles.  I've got more information in the post on documentaries in competition.



I'm headed to downtown to the Alaska Experience Theater  for the Short Documentaries.  I've heard good things about this program.  Here's what's in it:



Then Coney Island - a documentary in competition - about developers buying land right next to Coney Island and the community's response.

And if I can still keep my eyes open, back to the Bear Tooth for Teacher of the Year.










AIFF 2014: Seeds of Time and Mixed Bag Shorts Make Great Film Night [Updated with Video]

This turned out to be the most satisfying evening at the festival.

Seeds of Time was inspiring in many ways.  The film is about a man from a farm family who eventually sets up the world's biggest seed bank in arctic Norway to collect seeds of the different varieties of food crops.  While our politicians are ditzing around, there are people doing things to be prepared for the impacts of global warming on agriculture.  There was a line in the film that went something like:  Politicians are about winning, while scientists are about finding solutions.  When I see a film like this on a critical issue facing humankind, I shake my head in dismay at all the people who will spend their time on activities that don't lead to any growth in understanding.  But they'll never see this film.  A thoroughly satisfying film, despite the dire implications for future food security.

We were going to sneak out of Seeds of Time  to at least catch Universal Language, which I'd enjoyed so much the first time, but Seeds of Time was too good to leave.  But we did get to catch the end of the Love and Pain program - Reaching Home and What Cheer?  were just as good as they had been the first time.

Then we saw the Mixed Bag program - the only time it was shown.  One after another we saw great short narrative films.

  • One Armed Man | Tim Guinee 2014 -  A Phillip Seymour Hoffman production, about a worker in a cotton gin factory who lost an arm in a work accident who confronts the owner of the factory, drew me in immediately.  This has to be a scene from what will be a feature length film eventually.  

  • Samantha '66 | Dan Wainio 2014 -   
A young man is looking at super 8 film of a man and woman which he tells us at one point, was his dad, several years before he met the woman he'd marry. Not great, but playful and interesting.



  • Tom in America | Flavio Alves 2014  -  Another serious production that's going on to be a longer film, looks at a couple who've just celebrated their 50th wedding anniversary and the wife finally figures out her husband is gay.  The Brazilian director, Flavio Alves, answered questions at the end of the program. (See video below)


    • The Ladder | Pete Fitz 2013  - 
    • Compared to the previous ones - especially Tom and One Armed Man - this was a little lighter, but it
    • was still a nice, solid, little film

    • Life and Perception | Andre Stamatakakos 2013  - I'm still thinking about this one about a scientist who is being dismissed by his colleagues because he's trying to communicate with plants.  As he's about to give up, the experiment works.  Then the film goes into an animated scene and the Indian sounding music takes off in a different direction.  It worked for me. 

    • Zugwang | Yolanda Centeno 2014  - If there was a weak film in the group, this would be it.  Even so, it was wasn't bad.  A nerd sees life as a game of chess.  

    • Enfilade | David Coyle 2014  WOW! Things work mysteriously in this white room with red trim.  A very nicely thought out and executed film.  

    • Break in Reality | D.K. Johnston 2014  -  We've seen films by people from this Alaskan team of film makers for some time now and this was the most professional of all.  

    All in all, this program should have played more.  I was told they wanted to have more times for the Alaskan films.  I don't mind that, but this program was better, in my humble opinion, than some of the features that are getting two shots.

    I'll be putting up some video of the Q&A, but it's late now and the video is uploading slowly.
    [UPDATED 7am:  here's the video:]

    xxx