AIFF 2011: Busy Sunday

A couple of minutes before The Flood so I'll just put up the pictures with minimum text.

The film maker forum at Out North at 11 am brought together some of the film makers here at the festival. 








 We saw the Stan Lee Story but no pics.  Afterward film maker Yuki Ellias (on the right in front) watched herself as they tested her film before the audience came in.

 The warm 40˚F weather and rain made the Out North parking lot a mess.













Then over to the Alaska Experience theater - Jorge and Nicole are in the upper left to watch their film In the Shadow.

Then for the Q&A.

Then back to Out North to see Apartment in Athens which started out to be the best film I saw today, but there were technical difficulties and the dvd kept stopping.  Here
s the technician trying to fix it.



More later.

Gergely Wootsch

[It's later, The Flood was good, we also got to see Gergely Wootsch's animated short, This is Not Real,  before The Flood.   I was at the Bear Tooth and hadn't eaten since breakfast and they brought my food just as Gergely's film started.  I loved the look, but I need to see it again, uninterrupted.


When The Apartment in Athens was shut down (it was a PAL format on the PAL machine at OutNorth, and they got a second disk, but it did the same thing about 15 minutes into the film - it just kept stopping.  So I went to the other screening at Out North and saw the last three in the short Horror program.  I wasn't too impressed until the last one - The Attack of the Killer Mutant Chickens.   Maybe I'm biased because I interviewed the director, but I liked it a lot.  The visuals were great and the story was fun.]

]

AIFF 2011: Rainy, Windy, and Pushing 50 After AIFF2011 Day 2

I saw most of three films today. I already wrote about Andante. Senior Year, a Filipino movie about the last year in a parochial school was a serious, but light take on finishing high school and looking toward college. It might be interesting to have high school students around the world exchange films like this to see how similar things are. But this was clearly a fairly prosperous school and serious problems were in the background. One student's father was taking drugs and beating her mom, and gay issues were touched very superficially. The worst thing that seemed to happen was when the senior class came in second to the junionrs at the school's athletic tournament. Then I finally got to meet up with my wife at the Bear Tooth where we saw a powerful Rwandan film, by Alrick Brown. From his website bio:

Alrick Brown has a MFA from NYU’s Tisch School of the Arts. A filmmaker and teacher, he has found his calling writing, directing, and producing narrative films and documentaries often focusing on social issues affecting the world at large. It was after visiting the slave castle of Elmina, in Ghana, that he was inspired to attend film school. For over two years he served as a Peace Corps volunteer in Cote d’Ivoire. The interactions with the people of his village and his overall experiences in West Africa have informed his creative expression; an expression first fostered by his birth in Kingston, Jamaica and migration to, and upbringing in Plainfield, New Jersey. A fluent French speaker, he graduated from Rutgers University with a BA in English and a Masters in Education. Since then he has devoted his energy to changing the world by giving a voice to the voiceless and telling stories that otherwise would not be told.

 Kinyarwanda plays again Sunday December 9 at 10:30pm at Out North.  I highly recommend it.  This is a very different picture from Hotel Rwanda - and one that has a hopeful take on things.

JC and his dad Carl Hoffma

Rand Thornsley, right

Then I went over to the party at Spenard Road House where I met Bartlett High School student JC Hoffman and his dad Carl.  JC has a school assignment to check out the film festival.  He got to meet Tony Sheppard and Rand Thornsley, who is in town for the Festival and said he did have a small role in the programming this year. He was a key player in the last three festivals before moving to Washington State earlier this year.   I'm putting up his picture so his teacher can see he was really there.



It's late and Sunday has a don't miss film makers roundtable at Out North at 11am.

Meanwhile the outdoor thermometer is pushing 50˚F (10˚C) at our house, it's raining, and the side streets and parking lots are turning to ice.  And the wind's blowing.

AIFF 2011: Dream Factory - Strange World Without Dreams in Israeli Film Andante

If Anselm Kiefer were a film maker, I imagine his films might look like this one.  Industrial, dark, wood, and machinery.  I like films that experiment with the idea of what a film can be, that explore beyond the literal story telling of most movies.  And I had read the blurb about the film, so I wasn't completely clueless about what the director had in mind.   Actually, this description, a part of what is on the film's website, is more than the film festival offered:

The men and women of the society in Andante had lost the physiological capability of dreaming in their sleep, and consequently the means of achieving deep and meaningful sleep in itself. At the belly of some sort of a factory, fast asleep in his bed is an old man - the last person who is still dreaming. The technological means were found at the factory to extract the signals produced by his brain in order to then project his dreams onto a screen used for public screenings as a synthetic substitute for the lost privet faculty. The plot takes place during a single night when the old man is expected to pass away, and follows Sarah – a young woman that is found out to have been dreaming again. As a replacement for the dying old "Mr. Coma" is desperately sought after, Sarah is then worked through the various technological and symbolic induction procedures, into the role of eternal sleep.

But it was more a movie for just letting go of preconceptions of movies and just watch the lighting (perhaps darking is more appropriate here), the textures, the sounds.  Such sounds, deep and industrial (there's that word again) that penetrated your body.  This is the kind of movie where audience members who didn't know what to expect, leave somewhere along the line.  I'd guess there were maybe 20 folks in the theater, but I don't think anyone left.

Here's what some audience members thought:   


Reviewer Richard Props who saw Andante at the Indy Film Festival in Indianapolis gave it some credit but said, "Andante is all style without substance."  The Anchorage audience reactions seems to agree - even those who liked it had no clue as to the story line if they hadn't read it in advance.   A film doesn't have to have content, but given the lengthy description of the plot on the Andante website, it would seem that an audience member should not have to read the description before going to the movie.

Ron Paul Gets Some Things Right - Imagine China Invades Texas

The link to this video was sent to me by a friend whose country has all these things happening to it. If you go far enough left and far enough right, there's common ground on some key ideas. (But not all.) Ron Paul isn't getting any traction among the Republican primary voters, because for most of them, whatever the US does is right. And all those other countries should follow our lead. I suspect this sort of thinking twists their brains much farther than they can bear. But his message here has a lot Americans should heed.

AIFF 2011: Voices of Bristol Bay Precedes Inuk Opening Night

Opening night was sold out and packed.  Lots of people.  Lots of noise.

The opening short was a light and fun, yet very important look at people who live in Bristol Bay.  They gave 60 some people digital video recorders and asked them to video tape part of their day.  A wonderful glimpse at the people of the region.  It also got Alaska Native people into the theater to watch the Greenland film about troubled kids going out with traditional seal hunters.  I talked to one young man from Kotzebue (originally) after the film and he said he could understand a lot of it. 

Tony Sheppard introduced both films - it was strange without Rand Thornsley there - and then we saw the films.

Inuk was powerful and the story mirrored the story of many Alaskan Natives faced with the modern world impinging on their traditional way of life and with the added problems of global climate change having a huge impact on their frozen worlds.  The cast was all real people - kids at a shelter for troubled kids acted with traditional seal hunters.  One of the seal hunters - Ole Jørgen Hammeken - was there with the director Michael Magidson and writer Jean-Michel Huctin and they took questions afterward.

Even a film glitch with stopped the film and darkened the room toward the end didn't take away from the enthusiasm of the crowd. 




The video starts with Director Magidson telling the crowd how much they wanted to show this film in Alaska.  There's a brief clip of the film - after the glitch - and the Q&A.  The lighting in the Bear Tooth for Q&A has always been bad.  This year they did get a bit of light on the film makers. 




Here's a schedule for Saturday's films.  I'm late for the 1pm shorts at Out North.  Then I think I'll check out the Israeli SciFi flick at the Alaska Experience Theater at 3.  Unless I get sidetracked.

AIFF 2011: In The Shadow's Jorge Sermini and Nicole Elmore

Also at opening night I got to talk to Jorge Sermini and Nicole Elmore who between them wrote, directed, and acted in the Puerto Rican set film In The Shadow which involves an American tourist who gets involved with a local healer. But they can tell you better themselves. And since Tomás might read this, I asked Jorge to explain it again in Spanish. But don't shut it off then because Nicole talks at the end.

This one plays at the same time as Love You To Death on Sunday at 2:30, at the Alaska Experience Theater.

AIFF 2011 Yuki Ellias - Love You To Death

I caught Mumbai film maker and actress Yuki Ellias  at the Opening Gala of the Anchorage International Film Festival. Her film Love You To Death,  plays Sunday at Out North at 2:30pm. That's the only showing. 

AIFF 2011: Nayeem Mahbub, Mutant Chickens director, Interview From Kenya

Each year I seem to want to do more and more and feel like I'm doing less and less.  But I think, at least pre-festival, I'm doing more, but in a more focused area.  It seems that this year I've concentrated on the Animated Films in Competition.  There's already a post up with an overview of the seven. 

I've tried to contact the various film makers of these animated films to talk with them in advance.  I know that Gergely Wootsch [This is Not Real] is planning on being here for a week from London and that Patrick Neary [Landscape with Duck] is doing a reverse migration trip to the north in winter for the festival.

I've had some email communication with others and just had a skype chat with Nayeem Mahbub who is in Kenya for the wedding of a good friend.  The video quality was poor to begin with.  I did a video interview with Brent Scarpo before he came to Anchorage, but that was using my little camera to record the screen.  This time I have software called Call Recorder which records the skype audio and video directly.  As I say, the video quality I saw on my screen was pretty squirrely, but I'll leave it because Nayeem is still pretty expressive.

I had some questions that related to the cultural context of the film.  Nayeem is from Bangladesh. 

Q:  Is there a market for films like this in Bangladesh? 
A:  Not really 
Q;  Is there something that a Bangladeshi audience would get that an American audience might miss?
A: We follow a lot of conventions of Bangladeshi films - some dancing, a lot of sounds and uses of sound, and other conventions Bangladeshi audiences would recognize and combines them with a modern zombie style film.

I'm giving you these answers here because I still haven't figured out how I want to use what I got, given the quality of the video.  But I decided to take a three minute part of the chat to give you an idea of how much fun it was to talk to Nayeem.  I'll figure out how to use the rest later - there's too much going on with the festival starting now to do this well now.  But here's a teaser.

AIFF 2011: Anchorage International Film Festival Begins Today - What's New?

I've barely scraped the surface of things this year. I ended up being more focused on the animated films in competition. But here are a few things I've noticed about the festival that are different this year.

1.     Reduced Role of Bear Tooth
Rand Thornsley, as manager of the Bear Tooth theater, was half of the Tony Sheppard and Rand team at the heart of the festival.  He's moved to Oregon [Washington] to run his own theater there, and while I'm told he still programs the Bear Tooth he's not been involved in the festival this year. [UPDATE Dec. 5:  I ran into Rand Sunday night and Monday again.  He's in town for the festival.  He did have a small role in the festival.  He move to  Washington, not Oregon.  Camas to be exact - east of Vancouver, WA. and owns the Liberty Theater.]  Last year the Bear Tooth was non-stop film festival which included showing all the winning films again the week after the festival.  This year there are eight showings at the Bear Tooth, all features, all at 8pm.  A key festival staffer says that the manager at Bear Tooth has been very supportive. 

2.  Increased Roles of Out North and Alaska Experience Theater
These two venues will take much of the load from the Bear Tooth.


3.  Tickets and Passes
Individual tickets remain $8 - a bargain for film festivals.  (I think we paid $11 Canadian at the Vancouver Film Festival).  There is only one pass this year - all films.  The all events pass is gone.  The all films pass is $90, up from $80.

4.  All Animated Films in Competition in One Program
In the past it was a hassle to see all the animated films that were selected to be in competition (ie eligible for an award) because they were scattered over different programs. (Program meaning a grouping of films that all showed together.)  But this year there weren't that many animated films that got selected for the festival and all those in competition are in one program.

5.  Awards Ceremony moves to Organic Oasis
The awards ceremonies have been in the Bear Tooth the last two years.  This year they are out again.   I haven't been in the Organic Oasis for a while.  It will be interesting to see how they organize the awards there. 


6.  Cyrano's and Wild Berry Theater Join the Festival
There will be two showings (in HD) of the film  at Cyrano's of "A Director Prepares" on Tuesday at 7pm and 9pm.  The description says:

A DIRECTOR PREPARES is a 94 minute "hybrid" documentary/narrative-drama chronicling Alaska's foremost playwright/director, Dick Reichman, as he prepares his cast for the world premier of his play "The Big One" about the 1989 Exxon Valdez oil spill. Until 2010, the spill was the largest in history.

The Alaska Wild Berry Theater will show "The Movement: One Man Joins an Uprising"  at 2pm on Saturday Dec. 10.  The description for that movie is:

In 2004 Rick Finkelstein was paralyzed in a ski accident on Aspen Mountain. With a severed spine and severe internal injuries, he wasn't expected to live. Six years, nine surgeries and a lifetime of rehab later, cameras capture his dramatic return to Aspen.

7.  More Visiting Film Makers
And there's supposed to more film makers coming from around the world this year, partially due to an Academy of Motion Pictures grant to help pay for the airfare. Don't be shy about going up to them and welcoming them to Anchorage.  They mostly don't know many folks here and will appreciate it.



See you soon at the Bear Tooth tonight for the Greenland movie, Inuk, at 8pm.  For the last couple of years, the opening film has gone on to win the Best Feature.  If it happens again this year, we'll know there's a pattern.  This is the gala opening so it will be $20 ($10 with an all films pass) and includes a party.  The short A Day in Our Bay:  Views and Voices from Bristol Bay Alaska will be shown too tonight.

AIFF 2011: David Andrade on Nuts For Pizza and Making an Internet Collaboration Film

Nuts for Pizza is one of the animation films in competition for an award at the Anchorage International Film Festival that begins today, Friday, December 2.  David Andrade, the director, isn't going to make it to Anchorage - work deadlines - but we were able to connect via Skype Thursday evening.  And I got to try out Call Recorder, a software that allows you to record your Skype conversations.

In researching the animated films, I found out that Nuts for Peanuts was an internet collaboration.  32  people were involved in the film, many doing just one small part to move the film along, recruited via the internet on CG Chat.  You can see David's recruiting post from July 2010 here.

In the video David talks about the story for Nuts for Pizza, doing the film via collaboration,  and I asked him to talk a bit about the difference between hand-drawn video and computer generated video.  He also talks briefly about his current job working as video-game animator in San Diego.  Finally he tells us he wants to come to the Anchorage festival next year.



Using Skype to interview folks has lots of possibilities, but it also has its challenges. For one thing, you have more time and end up with a lot more video and thus need to do a lot more editing. Second, the audio and the video didn't come out synched and I had to extract the audio in iMovie and move it a bit. It's pretty close but not perfect.

Wednesday night I interviewed another animation film maker - Nayeem Mahbub. His film is in Bangla (the language of Bangladesh) but he was in Nairobi, Kenya for the wedding of a good friend. We had a fascinating chat about the meaning of this film in the Bangladeshi film world. But the video quality is terrible. Bad enough I don't have to worry about the audio/video synch. I can't take too much time to edit it because the festival begins tomorrow. So I'll try to get it up tomorrow.

Nuts for Pizza and Attack of the Killer Mutant Chickens both are part of the "Animation World-Wide" program (link goes to the schedule) which plays four times over the festival.

Day	Time	Venue
Sunday Dec 4	12 pm	Alaska Experience
Tuesday Dec. 6	7pm	Out North
Friday Dec. 9	7:20 pm	Alaska Experience
Saturday Dec 10	6pm	Out North

HTML Tables

Both these short animations come to the festival with previous festival awards (as do others) so this will be a highly competitive group.  For more, see my previous post on the animated films in competition.