

People got to sign up for various tasks. The conference organizers looked relatively calm considering things start in a couple of days.

What were some of the biggest challenges you faced in either developing the project or making the movie?
We faced a lot of challenges in making the film, but I think that's what made the film so worth making. Most of our crew was from LA, but we had some great Alaska crew that kept all of us LA knuckleheads from freezing to death. Our Gaffer, Greg Kern, was from Anchorage and he brought his Key Grip, Billy Marr, over from Valdez, AK. Billy is not only a Key Grip; among other things he also picked up survivalist skills from a past career. When we were shooting JR with his shirt off during one scene, it was about 25 below freezing. Billy informed us that we had about 45 seconds until the exposed skin cells would begin to die.
COYOTE holds a special place in my heart because I feel it sheds a new light on the humanity behind the immigration issue. This issue is important to me because my parents came to the U.S. from Mexico, where my dad started as a migrant worker. I grew up very aware of this issue and have always looked for ways to share the stories I heard growing up.
Growing up in South Texas, I remember hearing in school about “wetbacks” and “illegals” being caught and sent back to Mexico. As an 8-year old, the thought of having my family ripped apart was unsettling to say the least. I would hound my poor mom endlessly for proof that they would not be taken away. She always reassured me that they had papers and permission to live in the states. This is where I learned of the intricacies involved in permissions, governments and paperwork in order to chase the American dream.
As troubling signs of global cataclysms accelerate, a brother and sister react to their father's desertion and the powerful presence of their mother's new boyfriendand a commenter who apparently saw the film at Sundance compares it to Donnie Darko and Pink Floyd's The Wall.
Best of Sundance, 16 February 2008
7/10
Author: chuck-391 from United States
The film explores major-themes in Multiculturalism and the human angst for the 21st century. What is specifically startling is how vibrant the aesthetic approach is in production value. Although reportedly not a high budget project, Phang's mis-en-scene is breath-taking. Also worth noting is the extremely likable performance by Alexander Agate, who rivals any child performance to date (reminded me of the powerful performance by Anna Paquin for THE PIANO.) While the pacing may not be for everyone, I think this is a film for the type of audience who enjoys a cerebral experience similar to DONNIE DARKO or Pink Floyd's THE WALL. The original score takes a post-modern approach of incidental music, which is very innovative in keeping the film from being too sentimental.
Streetsweeper is an idiosyncratic Novocastrian feature film. Shot in three days and made for virtually nothing, it is a bold portrait of an eccentric pedestrian in an urban Australian landscape…I was wondering what sort of post-modern school of philosophy Novocastrian referred to so I looked it up. It means: "A native or resident of Newcastle in New South Wales, Australia."
I guess it’s what archaeologists do, they go and they try and piece together what a society is like from the fragments that are left behindSomething about the website tells me that this film is going to be quirky and different - the kind of film I like. (There are shots from the film, but I couldn't get their Quicktime player to work on my Mac.) It is a well made website, but it has much more authenticity about it than say the one for How to Be which is blatantly promotional. This looks like the kind of film, film festivals were made for.
In the film’s credits Mr Mansfield thanks “the people of Newcastle for being themselves”, as many of the scenes include exchanges between the actor and pedestrians. It was an approach the director was worrying about up until the night before the first day of shooting.
“I actually started to panic and think ‘hang on, we’re about to make this film with only one actor, and maybe I need to get some other actors to pretend to be pedestrians and set up more conventional encounters’,” he said.
Fortunately additional actors were not enlisted, resulting in a film in which chance encounters with the public enhance and even change the way the story unfolds.
“Part of my philosophy was if you go out on the street, and stand there long enough, something interesting happens,” he says. “The timing of some of these pedestrians was absolutely incredible.”
Domestic Economic Crisis averted. Just. So, yes, I’ve finally paid for my return ticket to Anchorage, Alaska. I am going next Sunday and will be back in just over a week. (Yes, I know.)The price of the ticket/s kept fluctuating whilst I was waiting for my new passport to arrive, which also cost me… Anyway, I ended up having to take my money box down to the bank to get all my coins counted just so I could cover the return air fare. And I ended up with about $1.50 to spare (including a New Zealand 20c piece, an Indian Rupee and an American Dime!?) and at this point in time this is all the money I have: so it’s going to be a quiet weekend indoors listening to the rain pour down the gutters I still can’t afford to fix. NM
[After all these years I still end up having to “shop with coins” at least once a year: bring on the recession.]
A record number of 90 women serve in the 110th Congress: 74 in the House, 16 in the Senate. There are 42 black or African American Members in the House, including two Delegates, and one black Senator, the same as the record number in the 109th Congress. There are 30 Hispanic or Latino Members serving: 26 in the House, including the Resident Commissioner, and three in the Senate. Eight Members (five Representatives, one Delegate, and two Senators) are Asian or Native Hawaiian/other Pacific Islander. There is one American Indian (Native American), who serves in the House. This report will be revised at the commencement of the 111th Congress.
Less than 3.5 Generally not felt, but recorded.
It is perfectly true that an experienced anthropologust, visiting a "new" primitive society for the first time and working with the aid of competent interpreters, may be able, after a stay of only a few days, to develop in his own mind a fairly comprehensive "model" of how the social system works, but it is also true that if he stays for six months and learns to speak the local language very little of that original "model" wll remain.The awe and amazement one feels on coming into a completely foreign environment can have one filling in the missing details with our own preconceptions; the quote from Jan's blog does have that amazed and dazzled tone to it. On the other hand, outsiders see things others don't see, and so they also can contribute meaningfully to the conversation. And relatively few urban Alaskans have been to Alaskan villages so this film should give us a peek at Shishmaref through the eyes of a Dutchman.
Wednesday, December 10 at 5:30 PM - Anchorage Museum
Saturday, December 13 at 12:30 PM - Anchorage Museum (Jeff will be at this showing)
"The animation workshop is geared toward all ages. So, yes, suggesting it would be great for kids is good. I always gage the direction of my workshops by the range of ages in the audience. I think the kids should be over the age of 8 since I will get a bit technical and really young kids will get bored. The workshop is geared towards teenagers and adults, too."There's an interview with Jeff at Vancouver Animation where he talks about Yellow Sticky Notes, the film showing in Anchoage.]