AIFF2024: Sunday Schedule Overview

The Festival day begins at the Alaska Experience Theater at 9am for a conversation on  

The Art of Indie Acting: Bringing Characters to Life in Independent Cinema

333 W. 4th Avenue (NW corner of 4th & C St. – enter on C), Anchorage, Alaska 99501

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The AIFF2024 Tab on  top has an index of all my posts on this year's festival.  Or here.

Everything else is at the Museum 

I apologize for not giving you more info on the shorts.  There are just too many of them.  But I love shorts programs.  If you don't like what you're watching, it will end soon and some magic may be ahead.  Also, shorts are how film makers start out.  If a short gains traction, it's easier to raise money for a longer version.  So do go see the shorts programs.  

10:00 AM – 12:00 PM: is the Documentary Shorts #1  Program

• Swimming With Butterflies – 7:44
• Handwoven – 9:00
• I’m Still Here – 25:42
• How We Rise – 23:00
• Cone People – 11:27

12:30 PM – 2:30 PM: is Documentary Feature: 76 Days Adrift 

"From Executive Producer Ang Lee comes 76 Days Adrift – a profoundly immersive documentary that plunges you into the heart of one man’s extraordinary survival story.

Steven Callahan, the author of the New York Times bestseller Adrift: 76 Days Lost at Sea, recounts the night of February 4, 1982, when a catastrophic collision with a whale left his boat sinking in the dead of night. With the Atlantic Ocean surging into his vessel, Steven had only moments to grab what he could before launching himself into the dark, unforgiving sea in a life raft, clutching a basic emergency kit.

For an astonishing 76 days, that fragile inflatable raft became Steven’s entire world as he drifted helplessly across the vast expanse of the Atlantic. Forced to confront his deepest fears, limitations, and the raw power of nature, he discovered an inner strength he never knew he possessed"  From the film's website.  

An interview in the Lexington Observer with a high school friend of Steven Callahan includes how Ann Lee (who directed The Life of Pi) got involved in the film.

From 5:00 PM – 7:00 PM: Narrative Feature: Life’s a Bitch

From a review in CineEuropa:

"Life's a Bitch [+], the second feature film from Xavier Seron, . .

Beware of the dog! It all starts with Tom. Tom is the kind of man nobody remembers, someone you just can’t place, a poor sod ill at ease with both life and the people in it. One day, however, his radiant neighbour knocks on his door. Cécile has a very particular mission for him: to pick up the dead neighbour’s dog. This dog, however, might very well be Satan incarnate. Greta, meanwhile, tends to treat other people like dogs. Well, not as nicely as she treats her own beloved dog, Sophie. So when the latter passes away — and Greta is also forced to replace her personal assistant, severely injured in the accident that took Sophie’s life — Greta is at a loss. She struggled to cope with her absence — the dog’s, of course. The final trio to experience the human-dog turmoil is composed of Franck, Lola, and Perdita, and it forces the viewer to ask themselves: can a love story survive a person’s phobia for their lover’s pet? 

At this stage, you must already know the answer. Naturally, it is bleak and melancholy, yet brought about with humour and tenderness; it is also implacable, Xavier Seron once again exploring the unfathomable complexity of human relationships. Are we ultimately made to live with our fellow human beings? Wouldn’t it be easier to limit ourselves to our apparently simple relationships with our pets? Through these three intertwined stories, moving between different registers, from the (of course) biting comedy to the offbeat love story and the absurd tale, the Belgian filmmaker skillfully explores the themes he’s obsessed with, offering some of the best Belgian actors working today a wonderful playground and confirming his talent for directing performances in the process."

From  3:00 PM – 5:00 PM: Strange Love Shorts 

• Allergic to Love – 11:00
• Tacenda – 14:50
• Church Camp – 13:42
• The Ghost – 10:32
• Eat Surf Love – 9:03
• Things I Made My Roommate Do – 8:30

7:00 PM – 9:00 PM: Narrative Feature: Battersea 

We’ve always gravitated to filmmakers like Cassavetes, Ozu, and Kore-eda. Films like Who’s Afraid of Virginia Woolf, Old Joy, and the Before Trilogy. The conversational film is a genre all in itself—one that challenges conventions and implicates the audience. In a panel discussion with the DGA, Richard Linklater said, “Most film teachers will say, ‘it’s a visual medium—show it, don’t talk about it.’ But I never approached cinema like that. I always thought people talking was so evocative.” We whole-heartedly agree.

From the film's website:

"Battersea is built on two long conversations, and the challenge, of course, is to make that dialogue work for the medium—to make it cinematic, to command the audience’s attention. It’s no small task, which is why this script took a decade to write, why we auditioned over 700 actors to play the two leads. To commit to such an undertaking in a debut feature, the pieces had to be right, which is, perhaps, another hallmark of our credo—an obsession with getting it right, killing darlings, starting over. Much like the conversations in this film, “getting it right” is a long negotiation of narratives and perspective, an upheaval, a series of mistakes and mishaps. It's a doomed and joyful excavation.

Which is how we find ourselves here, a decade later, overjoyed that after all that excavating, after hundreds of drafts, thousands of pages suffered over and deleted, darlings killed. After countless mistakes, humiliations, educations on the business and craft, cold emails, cold calls, crows eaten, dead ends, all our savings. That after one pandemic, all the Zooms, the Skypes, and the many dozens of meetings with the wrong people, we found two dozen artists as foolishly optimistic as we are—every one of them a perfect fit—all eager to help us make this simple but profound film about two people burdened by the past, who risk a great deal in telling their stories."

And finally at  

9:00 PM – 11:00 PM: Fistful of Suspense Shorts 

• Adjoining – 11:42
• The Bougie Man – 11:04
• Shark in the Dark 25:54
• Stigmata – 7:13
• Betty Bites Back – 3:21
• Pay Back – 17:40
• Endzgiving – 10:45 

AIFF2024: Opening Night, "Bob Trevino Likes It" Was A Crowd Pleaser

The Bear Tooth was packed.  The two new festival directors, Pat McGee and Adam Linkenhelt,  greeted the audience.  

Film maker Tracie Laymon was introduced, and then we saw Bob Trevino Likes It.

A 20 something woman whose mom was gone when she was young and whose dad, Bob Trevino, seems to be always disappointed with her.  

She looks up Bob Trevino on Facebook and befriends another one - not her dad.  The movie then focuses on their relationship.  He and his wife lost a baby years ago, and she needs a father.  He insists he is not her father, but they can be friends.  

On the one hand this was a small film - it looked closely at a few people and their struggles to connect with others and themselves.  But it was also a big film up on that screen.  Nothing pretentious, nothing glitzy.  Just a human story.  I didn't see any actors - the characters were real.  I heard more than one audience member say they would give it a ten out of five.  

Although the credits said it was purely a work of fiction, when Tracie got up on stage after the movie for Q&A, she let us know it was a fictionalized version of her own story.  Several of people said they 'knew' one character or another, that they were that character.  

This is the type of film that film festivals are for.  It was Tracie's first feature length film.  Below, she's talking with audience members after the Q&A was over. 

And here she's talking with three young film makers.  On the right is AIFF Board Chair, Rich Curtner.

I did an overview of the Saturday films schedule here.  

I'll try to get up something on Sunday tomorrow, but I'll also be watching more films.  

AIFF 2024 - Saturday Dec 7 Schedule

There's a lot to see Saturday from 9am until 10pm.  At the Bear Tooth, the Museum, and even coffee with film makers at the Alaska Experience Theater.  

The focus has been on the two films at the Bear Tooth Saturday.  One is an Alaska focused film on fishing in Bristol Bay and the other has skiing and mountains.  Both those kinds of films do well at AIFF festivals, which, I'm sure, is why they're at the Bear Tooth.  And Champions of Golden Valley is essentially sold out already.  Unearth has some seats left in the balcony.  

But for my money, the film to see will be Porcelain War, at the Museum at 6pm.  It premiered at Sundance and has won many awards.  It's a film about Ukrainian artists fighting the war with art.  There's a trailer down below.

So basically, I'm presenting Saturday as chronologically as I can - given that there is overlap between the Bear Tooth and the Museum at 12:30pm

Things start off early at  the first of the festival's "Coffee Talk and Panels" at the Alaska Experience theater.  

"Debut Dreams: The Journey of First-Time Directors"

SATURDAY December 7th at 9:00AM

Alaska Experience Theater 

First features are filled with passion, challenges, and the thrill of discovery. This panel brings together debut directors who dared to dive into filmmaking, sharing insights into their creative processes, struggles, and triumphs. Hear how they’ve shaped their visions into powerful first features and what advice they’d give to those taking their own first steps.

And then at 10am at the museum.   

At 10 am:    Ultimate Citizens

From the film website:  

ULTIMATE CITIZENS is the story of Jamshid Khajavi, an extraordinary 65-year-old Iranian American public school counselor who uses the sport of Ultimate Frisbee to help children heal. In an America where many families are quietly, barely getting by, Mr. Jamshid coaches an underdog team of kids on their way to compete in the world’s largest youth tournament. ULTIMATE CITIZENS is a celebration of resilience and belonging, and the third independent feature documentary from award-winning filmmaker Francine Strickwerda.

It first showed in May 2023, and has been at (and won awards at) a number of festivals this year.  The AIFF/Goelevant site says it was filmed at Seattle’s Hazel Wolf K-8 school.

Then come two shorts programs.  The first conflicts with Champions of Golden Valley at the Bear Tooth.

12:30 PM – 2:30 PM: International Gems – Event Tickets

Ivania – 12:00

Complications – 14:00

K.O.- 27:00

Pioneras – 14:30

Monte Clerigo – 27:30

Meanwhile, at the Bear Tooth:

Two Documentaries,

12 Noon:  Unearth 

Picture from Rogovy Foundation 

"Environmental activist Erin Brockovich has signed on to executive produce 
“Unearth,” a new documentary that will make its world premiere at DOC NYC   on Nov. 16.

Directed, produced and shot by Hunter Nolan, “Unearth” tells the story of two sets of siblings — the Salmon sisters and the Strickland brothers — who live in Alaska’s Bristol Bay. Both sets of siblings are alarmed when they learn of and fight against advanced plans for a Pebble Mine — a massive open-pit gold and copper mine — in the vicinity of their homes. The Salmon sisters, Native Alaskans, work on the regulatory front, pushing the federal Environmental Protection Agency (EPA) to block the project, while the Strickland brothers, independent fishermen, expose the truth behind what the Pebble Mine developer is telling the public. The 93-minute doc reveals systemic failures in mining and the balance between the need for materials and their environmental costs."  (From Variety)

November 16 wasn't that long ago, so AIFF audiences will be among the first to see this Alaska based film.  You can learn more about the film at the Rogovy Foundation website. 

As of Thursday night, there are some seats left in the balcony at the Bear Tooth.

2:30 pm Champions of the Golden Valley

Picture from Champions of the Golden Valley website

This film got front page coverage in the Anchorage Daily News yesterday so I won't spent much more time on it here.  From their website: 

"In the remote mountains of Afghanistan, a newfound passion for skiing attracts young athletes from rival villages to the slopes. With minimal gear and makeshift wooden skis, the determined  coach Alishah Farhang organizes a ski race like no other that unites the community in a moment of joy and triumph, just before the country’s collapse

Champions of the Golden Valley captures the spirit of a classic underdog sports story with the heartfelt portrait of a community finding hope amid disrupted dreams. Revealing a stunning unseen side of Afghanistan, it is an uplifting exploration of what it means to be a champion – in all its forms."

As of Thursday night, the Bear Tooth map shows one seat way up in the far corner of the balcony.  

 

For those who have tickets at the Bear Tooth, Golden Valley ends at 2:30pm, and you could make it to the 3pm Alaska shorts at the Museum.  But there will be a number of film makers at the conference.  If Golden Valley has representatives coming, there will surely be some questions and answers afterward.  But if you miss the first or second short, there are more in the program.  

3:00 PM – 5:00 PM: Made in Alaska Shorts #1 – 

The Gingerbread Man – 9:03

The Glacier Pilot – 10:00

Footprints on Katmai – 21:50

The Grace – 13:00

Mending the Net – 11:36

5:30 PM – 6:00 PM: Alaska Jewish Museum Presents – Demon Box –  This film is free at the Museum, it's not clear if you have to buy tickets in advance to be sure you get in.  The IMDB page says:

"After festival rejections, a director revises his intensely personal short film about trauma, suicide, and the Holocaust, and transforms it into a painful, blunt and funny dissection of the film and his life."

It also has a short trailer, that I don't see a way to embed here.  I'd note that Leslie Fried, the director of  the Jewish Museum in Anchorage has unfailingly nominated excellent films every year.  

There's still more on Saturday at the Museum

6:00 PM – 8:00 PM: Documentary Feature: Porcelain War  at the Museum

This is a Ukrainian movie and from what I can tell is one of the movies to see at the festival.  From the NYTimes: 

"The latest documentary dispatch from Ukraine, “Porcelain War,” brings a message of hope rooted in art. Making art does feel like an act of resistance during the Russian invasion, when Kremlin propaganda attacks the very existence of Ukrainian culture. But what’s intriguing is that the directors, Brendan Bellomo and Slava Leontyev, also celebrate Ukraine’s military defense, making for a jangly mix of idyll and warfare.

Slava, who appears in the film, is both a ceramist and a member of an Ukraine special forces unit who gives weapons training to civilians turned soldiers. His partner, Anya, paints the whimsical figurines he creates, and the irrepressible couple weather the war in bombed-out Kharkiv with their more anxious pal Andrey, a painter and cameraman."

From Deadline:

"The film has won 30 prizes around the world, including the Grand Jury Prize for U.S. Documentary at Sundance. This past weekend, it earned the Grand Jury Award for Best Feature Documentary at the Woodstock Film Festival in New York, as well as the Best Documentary Editing Award. And at the Heartland International Film Festival in Indianapolis, it won the Documentary Feature Grand Prize, which comes with a $20,000 cash award."

8:00 PM – 10:00 PM: Narrative Feature: Midwinter   at the Museum

"Nadine is tired and her whole body aches with inflammation and she can sleep. Her son Goldie keeps her active beyond her energy level. Her husband Jack owns a large ad agency and has been a loving husband who has recently expanded his romantic life beyond his marriage to include co-worker Maeve...who happens to be the ex-partner of his sister-in-law Lena. Lena is a burgeoning music writer who, getting over a break-up, takes on an assignment writing about one of her favorite queer indie artists, Mia Hawthorne. Mia is out in the Berkshires, in search of inspiration, a bit frustrated with a high-class problem: the record label wants her to have a co-writer. The mundane poetry of life ensues.

Ryan Andrew Balas

Director, Writer"  (From TMBD) 

Midwinter is also streaming on Netflix and other streaming sites, so if it's been a long day already, you can watch it at home.   

No All Film Passes at 2024 Anchorage International Film Festival (AIFF2024) And Other Issues

 I've been covering AIFF since 2006.  Pretty extensively for many years, less vigorously in recent years.  This year will probably be the sketchiest.  [After writing the rest of the post, I realized that because of huge gaps in the AIFF websites compared to recent years, I probably need to do more.  We'll see what my schedule and energy level will allow]

The festival board hired two film makers from California to run the festival ths year.  They've had films in our festival in the past and liked it here.  I was excited and ready to cover the films that are coming.  

I checked the website and had some questions.  

1.  Are there no all film passes this year?

2.  How do I search to find a list of countries different films come from?

There were some other issues - like finding easy links to learn more about individual films.  There is a giant mosaic with pictures from all - I think - the films.  When you click one, you get more about that film.  But I couldn't find any pattern - dates, types, etc.  While some have the film name in the picture, for most you're just randomly guessing based on that one picture.  And then shorts that were part of programs - when I searched by their names - just got me to the program, but nothing more than the name of the film.  

My first email to the festival directors got a warm, enthusiastic response, which confirmed that there were no all film passes.  Instead there are 'badges' if you donate $100 or buy $100 worth of tickets.  Well the first 100 people to spend $100.  

My second email which lamented, fairly strongly, the lack of passes, and which asked if the website person could switch on 'countries' so we can search films by the  countries they come from, and mentioned that I was having trouble finding information about individual shorts, was never responded to.  

So, regular film festival attendees, here's why I find these issues problematic.  

Passes

1.  Price:  There have been festival all-film passes since I started going regularly back in 2006.  The price has gone up slightly over the years, but has been a great way to see the films at the festival with minimum hassle and at a great price.  

The passes last year were, if I remember correctly, about $120.  That got you into all the films.  

Going through the daily events calendar this year, I count 43 events. (I see that Demon Box is free and I'm not sure how may others are).  And some are timed so you'd miss the end of one or the beginning of the next one. Or there are two films playing at the same time.  Not sure if any are shown a second time.  The directors did say that the last film was sold out already and they were looking to show it again.  So say someone goes to 35 events.  At $12 per ticket, that's over $400.  And that doesn't include a $1.50 booking charge (more than 10% of the ticket price) when you buy online.  

So, the most loyal AIFF fans, the ones who get all films passes, are facing an almost 400% increase in fees, plus the inconvenience of now having to book each film.  I'm hoping that, in fact we'll be able to get our tickets at the venue.  

2.  Time - Buying a pass meant you could just go to all the films.  You didn't have to individually buy tickets on-line.  You didn't have to look everything up in advance to figure out which movies you wanted to see.

Going thru and ordering tickets one by one online is a real time consumer, which happened when I bought tickets for the opening night feature at the Bear Tooth.  It appears that on Goelevent at least there is a chance to put films in your cart and buy them at a time in checkout.  Getting rid of the passes just adds hassle for the folks who are the biggest AIFF fans.  That includes people who come from out of town to 'do' the festival.

At the Bear Tooth, in the past, you also had to make specific reservations to be sure you got a seat.  At other venues there was always the chance a program was sold out, but that happened only rarely.  

3.  Festival Culture - I'm not sure how many passes were sold each year, but I'm guessing at least 100.  Those folks got to know each other because they ran into one another at so many films.  They populated films that otherwise would have had one or two, or zero viewers.  The new badges are being promoted as VIP status symbols. [And you have to click the popup to get rid of it each time you open the site.] I know for myself and most of the other regular all-film pass holders, the pass was merely a convenience, not a status symbol.  OK, for some maybe they liked others to see them wearing a pass, but for most of us, it was more like wearing a team sweatshirt than a status symbol.  

If money is the issue - though it seems that hasn't been a serious issue in the past - then the price of passes could have been increased.  Even to $200.  And most of us would have paid without a serious gripe.  But eliminating the passes raises the entry fee enormously for former pass holders, forces us to spend more time picking films and buying tickets each time, and is something of a slap in the face to the most loyal festival goers.  

I don't know who was consulted before this decision was made, but it's a huge change for a core group of loyal festival attendees.  

This is just a big change in the culture of the festival. 

Search Options

1.  Being able to click on a film name and get to learn about the films.  There were various ways you could do this in the past.  But not this time.  

First, you need to realize there are two different (but linked) websites.  One is the AIFF site.  The other is Goelevent AIFF pages.  Goelevent is a national organization that specializes in websites and ticket sales for film festivals.  

Below is the schedule of events for Saturday Dec. 7th. [This is on the Goelevent site] There are names of films, but they aren't linked to a page where you can see more about the film to decide if you want to watch it.  You'll have note the names of the films and go back and search each particular film.  

But there is no search function on the Anchorage International Film Festival site.  You have to switch over to the Goelevent page for AIFF to search and even get to the page above.   

You get there by clicking on Purchase Tickets on the main AIFF page.  

But that doesn't work for films in the shorts programs.  (Shorts are grouped into programs, so you see 5-10 or more film in one sitting.)

Here's the page for the Animation Shorts.  There's a list in tiny print of the films.  But no links.  And in the case of the shorts, if you search, say "Just Da Orange" under films, you get 

"No events found matching your criteria. Please adjust your search."

Notice how there really aren't any extra spaces between the words.  You have to guess where one title ends and the next begins.  For most, it's fairly obvious, but not all.  I'd note that in Thai, the words run together without spaces in between.  Kind of tough for people learning to read in Thai.  That's what this reminded me of.  

And there are no links.  

I could find no information on the shorts themselves.  

This takes us back to the dark ages when the festival website didn't tell you much.  But the festival director who was in change of the website in those days jumped on any suggestions I made to make it easier for folks to use the website.  

In those days, there was a lot more work for a blogger like me to do, to let people know about what films were available, which ones to see, when etc.  But a lot of that - including trailers of most of the films - were posted on recent AIFF websites.  I didn't have to gather all that myself any more, to post on my blog.  

And I got spoiled because I didn't have to work so hard.  But here we are again.  I'm not sure what I'm going to do this year.  

Searching by Country

Compared to the other issues listed above, this seems like a minor issue.  But for many people, the films are opportunities to learn about different cultures, to see films that take place in countries they've traveled to, or lived in, or come from.  There are over 100 languages spoken in the homes of  Anchorage School District students.  

Every year I've been doing posts that highlighted the countries that films come from.  That will be much harder to do this time.  Not sure I'll manage without the search by country plugged in.  

By knowing that there are films in their language, they can come to the festival and enjoy their own culture.  Granted that streaming sites like Netflix offer films from many different countries now, but it's different in a theater.  

Can't do this this year.  Two years ago I sent an email to John, the festival director who did oversight over the website, and asked why I couldn't search by country that year.  Within 20 minutes he emailed back and said, "You can now.  I turned it on."

That's it folks.  This is my film festival gripe post.  Actually, it's a feedback post to the festival directors on how to make the festival work better.  I realize it's too late to reinstate festival passes, but the fixes to the website are critical to making it easier for people to navigate, find out about the films, before buying tickets.  Past directors welcomed my testing the website so they could fix it, which is my purpose.  

But now I realize there's a lot of work for me to do to help fans figure out what films to see.  It's more like the old days.  But my life is busier than it has been for a while.  And I'm no longer willing to stay up until 3am writing posts each day.  

But the president of the festival board assures me there are great films to be seen and I'll do what I can to figure out which ones they are and let you know.

Fictional Cabinet Nominees Seem Appropriate For Trump's Fictional World

Since President Elect Trump tells more lies than truths, it seems appropriate for him to have fictional cabinet members to match the fictional world he lives in.  He's already extolled Hannibal Lector as though he was a real person.  Which got me thinking about a where Hannibal would fit in the cabinet.  And then what a whole cabinet of fictional characters might look like.  

Such a cabinet would have benefits - though I'm still trying to figure out who will benefit most.  Probably Trump, but perhaps the rest of us will too.

• These nominees won't testify in the Senate saving Trump the embarrassment of scorching questioning of his picks and saving the upper house many, many hours and saving GOP Senators the embarrassment of debasing themselves and their honor to defend Trump's picks
• Though it's possible that before long they can be recreated virtually to testify
• The nominees don't have actual records that can be dug up by journalists trying to uncover their past misbehaviors 
• Though perhaps scholars of literature and film will be called upon to write opinion pieces about them.  
• Trump can probably have them serve without getting approval of the Senate at all.  
• And none of these appointees will take actions to block Trump's will, nor will they take action to forward it.  

This is merely a list I came up with.  My grandkids helped with a few of the nominees.  A couple of friends made excellent suggestions too.  But if readers feel they have better nominees, or alternatives if any of these can't or won't serve, be sure to let me know.  

Some of these nominees, most everyone should know, or at least have heard the name.  Others are a bit more obscure.  But they all can be easily googled.  There is one that has an asterisk because more than one person bears that name.  But I'll remind you it's a fictional character and there is only one that I know of that clearly first the position.  

I would also remind readers that this blog is called "What Do I know?" and a key theme is how we know what's real and what's true.  Many people, myself included, have said that Trump's followers live in a fictional world.  We point at evidence such as climate change, and scientific research on a variety of other subjects from medicine to crime, demographics, and paleontology, to name just a few. 

But within a society, truth, ultimately, is what the vast majority of the population believes it to be. And sometimes there's a gap between the truth that people profess and the truth their eyes (and other senses) tell them.  Hans Christian Anderson's story The Emperor's New Clothes gives us that example.  

Different religions believe their holy books describe truth.  Truths which are not compatible with the truths of the holy books of other religions.  Yet hundreds of millions of people believe without a doubt the different truths of the different major holy books in the world.  

So by electing Trump, many USians have created a reality that we will all have to endure.  It's a reality in which Donald Trump is president.  A man who, in his first presidency build pieces of 'wall' along parts of the US border with Mexico, which the Mexican government didn't pay for.  

There were also over a million US residents who died of COVID, many of whom would have lived if Trump had lived in a different mental world.  And more people will die in Trump's second presidency because that's how his world thinks it should be, or because the laws of science in my world, won't bend to his will.  

Anchorage Stuff - Garry Kaulitz Art, Highway Proposed Over Chester Creek, Film Festival Coming Soon

from Fog 24 Gallery

Garry Kaulitz was a long time University of Alaska Anchorage artist and professor.  His works are still alive and available online.  Here's the link.   Worth a look.  

A letter from the Rogers Park Community Council alerts neighbors of a Department of Transportation proposal to put a highway above Chester Creek.  There's a meeting at the Senior Center - which would, if I read the map right, be under the viaduct.  

Meeting to discuss is  

TUESDAY, DECEMBER 10, 2024 

FROM 4:30PM TO 6:30     

SENIOR CENTER

And I'd be remiss if I didn't remind folks that the Anchorage International Film Festival begins Friday, Dec 6, 2024 and runs through Dec.15.  

This image is from the page labeled 'FILMS'.  It keeps going well below this screenshot.  

There are always great films as well as some that are not so great.  But everyone has different tastes so there will be something for everyone.  Films will mostly be at the Bear Tooth and the Museum.  

There is also a change in the festival organizers this year.  I described that a little bit back in September and you can see that post here.

I'll cover more about individual films soon.  

There's a new tab up on top under the orange banner for AIFF2024.  That will be an overview of the Festival and an index of my posts about the festival.  

Deicing and Enchanting Clouds On Flight South

Our early morning flight was on a plane that had a couple of inches of snow on the wings, not to mention snow on the windows.  

But the deicing machines came and cleared the snow and ice off.  There's a short Smithsonian video about deicing planes at the Anchorage International Airport.  Interesting tidbit in the video is that the Anchorage Airport has never been shut down because of snow.  

And once we were up in the air, we went through a fantasy world of clouds.

The video does a reasonable job of capturing magic of flying through this cloud forest.  

In Seattle the ground was wet, but the sun was out.  We took the train to the ferry and the ferry to Bainbridge, where we still had a magical cloudscape.

The Numbers Don't Add Up - The National Gaps vs Alaska Gaps

Kamal Harris lost the popular vote to Donald Trump by almost 10 million votes!

How did the election swing so far to Trump?  How much was voter suppression - mail-in ballots sent too late to get back, Russian bomb threats and who knows what other shenanigans?  Too few polling places in Democratic areas?  Suppression of student votes and other forms?  

How is it that Trump, after losing the popular vote to Clinton by 3 million votes 

"[Clinton] outpaced President-elect Donald Trump by almost 2.9 million votes, with 65,844,954 (48.2%) to his 62,979,879 (46.1%), according to revised and certified final election results from all 50 states and the District of Columbia."

and to Biden by 7 million votes, 

"Biden’s popular vote margin over Trump tops 7 million"

now beats Harris by almost 10 million votes?  There were 155 million votes in 2020 but only 145 million this time.  By all accounts there was a record number of people turning out this time.  It would seem some votes are missing.    

The numbers we have would mean the gap between increased by 13 million and by 17 million against Biden.  

It doesn't add up.  I know, racism and misogyny play a role, but not that much.  Especially after all the terrible things we learned about Trump after the 2020 election.  They've been listed by everyone already from Jan 6 through convictions and indictments.  And I'd argue that Harris ran a much better and exciting campaign than Clinton or Biden did.  And it sure looked like there were lots of people voting early and on election day.  

How is it possible for him to have won the popular vote by a huge margin this time when he lost it significantly the two previous races?  

Alaska Totals Don't Match The US Totals

It seems even more suspicious when you look at the Alaska totals.  Alaska is a red state, so the increased Trump numbers should be more exaggerated in Alaska than the US total which includes blue states and red states.  But it isn't.  The opposite.  

Harris did better than Clinton, and not quite as well as Biden in Alaska.  

Trump beat Clinton by 47,000 votes in Alaska in 2016..  

Alaska Div of Elections

Trump beat Biden by 36,000 votes in Alaska.  

Alaska Div of Elections    xxx

  

But Trump only beat Harris by 39,000 votes this time.  3000 votes more than Biden lost by, but 8,000 votes fewer than Clinton lost by in Alaska.  

Alaska Div of Elections

Alaska's a red state.  If the number were consistent with the Lower 48 numbers, she should have lost by a lot more than Biden and Clinton lost by.  But her numbers were better than Clinton's.  

So my dilemma is how to connect the dots in a way that makes sense.  Not to make up some wild story, but to offer a plausible hypothesis or two that could be tested by people with better math skills and better data analysis skills and maybe some ability to uncover Russian (or others) tampering with out election computer systems. 

One could argue that misogyny and racism gave Trump more votes in the Lower 48, but then why not have a similar change in Alaska?  We have among the highest statistics for murdered and raped women.  

Or you could blame it on the economy or immigration and border issues.  But whatever policy issues you might raise, people in Alaska have as much access as Lower 48 voters to Fox News and odd internet sites that supported Trump with relentless lies. 

What makes sense to me is someone tinkered with the computers.  Or the ballots.  That's not that far fetched.  Trump, before the election repeatedly said if he lost it would be because of election rigging.  

Trump always projects his own behavior onto others. He's a criminal and rapist who said the Haitian refugees were criminals and rapists.  If the Guinness Book of Records had a category on liars, Trump would certainly be in the top five if not the winner.  And he calls anyone who puts him in a bad light a liar.  He accuses others of his own behaviors.  

He told us over and over that the elections were rigged.  Does that mean he was rigging them?  Not conclusively, but it's a clue that fits the pattern.  Just need some serious investigation of this.  Just as Trump would have demanded had he lost.  To be sure.  

Comparing the national gaps between Trump and his three presidential opponents and comparing them to the Alaska gaps raises real questions for me.  

I'm not saying it happened, but I'm saying there are serious inconsistencies that require some explanation.  

I'm sure the Trump mafia are laughing at how easy it was to get Harris to concede.  They knew she would play by the traditional rules that they have flouted since . . . always.  

Joe Biden, you've got three months to try out your Supreme Court granted immunity.  I'm not calling for you to blow up Mar-A-Lago,  but I'd like to see you push some limits to find out more about the Russian Trump election interference and how the numbers got so out of whack.  And it might show us that the Supreme Court has more comfort with Trump transgressions than Biden transgressions.  If it does, it might be forced to put more restrictions on Trump's immunity.  

Oh, and maybe look into the medical records of Trump's ear.  We've essentially heard nothing.  If he'd really been hit in ear, we'd have heard the doctors explaining it in detail and Trump would be showing off the scar.  

 

A Fork In The Road Of US And World History

This is one of those historic moments when the world will pull back from the bring of disaster or go crashing into a new world of callous destruction.  The US AID (Agency for International Development) [poster] from Thailand in the late 1960s isn't too dramatic for the choice we face right now.  On the left side it says "Communism,"  in the middle it says "or" and on the right side it says "Freedom." Our choice now is Authoritarian vs. Democracy.  

Despite its many flaws, the US Democracy has been one of the better examples of how humans can work together to build a society based on law and aspirations of peace, of freedom, and of comfort.  The reality has favored some more than others - in terms of freedom, justice, and economic and social security.  And it has had serious negative impacts on the environment.  

But we're at a critical fork in the road.  To the right, we crash into the despotic world ruled by Trump and those who pull his strings, like Putin and his meddling into our election as he has meddled in the Brexit vote, Hungary, France, Italy, and, of course, Ukraine.  He's a force of evil turning the world toward chaos that he thinks he can better thrive in.  

If we go the Trump route, it's not Trump so much I'm worried about.  But it's his backers - from Putin, to the Christian Nationalist mob, and the wealthy cabal on the far right who have been plotting for decades and have already successfully captured the Supreme Court.  

The left fork would give us the first woman president, who is also part East Indian and part Black.  And she's incredibly capable as her career and short campaign has demonstrated.  

There should not even be any doubt that Kamala Harris should win this election.  That there is reflects serious failures in our system.  Failures in the education system that has produced tens of millions of voters who would choose a candidate with hundreds of flaws and misbehaviors any one of which would have destroyed any other presidential candidate.  

Failures in our system that have allowed foreign propaganda to be broadcast through outlets like Fox News and all sorts of internet sites to sow seeds of distrust in our system and in the idea of Truth itself.

Failures in our justice system that allow a convicted felon, who is ineligible to vote in most states, to be a candidate for the presidency.  Who would be ineligible to join our military to be its Commander in Chief.  

Fairlure in our electoral system that disregards the popular vote for an arcane system that focuses all the attention on seven purple states.  

A Harris administration will face many serious problems (including the disgruntled cult members), but it would work on them rationally and in good faith.   And that a Trump administration would exacerbate.  

Often such turning points aren't realized until after they happen - Pearl Harbor, 9/11, the election of FDR, for example.  

But we know today.  We've known a long time that this election is a choice between two very different futures.  One continues to move us toward greater equality, and one hopes, more equal economic prosperity, and continued fights to minimize CO2 emissions and the worst ravages of climate change.  

The other unleashes nasty brutish anger and hate on our country and the world.  

And even if Harris wins the election decisively, we know the depraved one will fight to overturn the election.  

Fortunately, this time round we know his past behaviors and are better prepared.  The public is more aware because, except for his cult members, we've seen how he operated after the last election.  Our government is better prepared for the same reason.  And more importantly, Joe Biden is still president and in control of the military and the national guard and other resources that might be needed.  

My logical brain tells me that it will be a Harris victory.  Reason says that the world has changed in ways that disfavor Trump.

Clinton beat Trump by nearly 3 million votes.   

Biden beat Trump by over 7 million votes.  

Since the 2020 election, we've learned so much more about Trump's evil ways.

He was impeached for the second time.

He created a plot to challenge Biden's victory

He instigated the January 6 insurrection of the Capitol

He stole boxes and boxes full of classified documents and stored some of them in a bathroom in Mar-A-Lago. And shared them, well, we don't know for sure with whom.

He's become a convicted felon and rapist.

He has several serious indictments and trials still waiting for him

The Supreme Court overturned Roe v Wade

His public appearances have shown him to be more and more deranged

He's presided over a Nazi rally in New York City

Many of the 'very fine people' he selected to serve in his administration have publicly warned us what a disastrous president he was.  

I can go on and on, but the point is that we know so many more terrible things about him.  Even if his cult stays loyal, there have to be other Republicans and Independents who voted for him last time who either won't vote for Trump, and many who will vote for Harris.  And young people who now are eligible to vote, but weren't four years ago.

We know that the Dobbs decision has galvanized women, especially in light of the Republican states who have passed draconian anti-abortion laws that are killing women who have had miscarriages and other problems with pregnancy.  And we're hearing about many women forced to give birth to their rapists' children.  

Conservative states like Kansas and Ohio have put the right to abortions in their constitutions through ballot measures, by-passing their legislatures.  

The numbers of early voters shows Democrats returning their ballots more than Republicans, shows women outvoting men, shows young voters voting at higher than past levels.  So everything points to a Harris victory.  

But nothing is certain until the votes are counted and whatever gimmicks Trump pulls if he loses are blocked.  

This is one of those huge moments in history where human destiny hangs in the balance.  

[Soon after I arrived in Thailand in 1967 as Peace Corps teacher in rural Thailand, I was taken out one night to a village by an AID employee.  A village not unlike the one on the right of the poster.  He hung a sheet up across the road and showed movies about the danger of communism.  I suspect, in hindsight, I was being tested and I failed dismally - to my credit, I'd like to think.  AID (CIA?) never approached me again, to my knowledge.  But I did end up with this poster.]

Why LATimes and Washington Post Presidential Non-Endorsements Are So Problematic

The previous post concerned how the billionaire owners of the LA Times and Washington Post blocked their editorial boards from endorsing Kamala Harris for president and why I cancelled my subscription to the LA Times. [I don't have a subscription to the Washington Post.] 

We know that Jeff Bezos has other business deals with the US government [sorry, there's a paywall] - with Amazon and with other ventures - that a Trump presidency would, in Bezos' mind - be quashed.  And he may be right.  Patrick Soon-Shiong also has other businesses that possibly could be jeopardized by a Trump presidency.  Plus Trump has said that he would punish media and others who oppose him.  

I focused on what appears to be their fear that if Trump were elected, they would be punished for such an endorsement.  I compared that behavior to the behavior of the Washington Post and NYTimes when they published the Pentagon Papers in 1971 - a daring display of courage and the power of press.  

I spent more time on the Pentagon Papers than I intended to, because I realized that while I was a young adult at the time, anyone under 53 today, hadn't even been born yet.  If 'Pentagon Papers' means anything to most of them, it probably is pretty superficial.  

Think what people born after next year will know and understand about the 2024 election in 2077!  The historic lessons get lost if we don't keep them alive.  

So I decided to postpone the second part of that post to another post.  

Here's the part I left for a future post - putting their actions into context using Vaclav Havel's "The Power of the Powerless."  You can see the whole essay at the link.  Or a much briefer overview at Wikipedia.

It's a long essay, written by then Czech playwright, and later, president, about how people in an authoritarian regime could still maintain their freedom.  He's specifically talking about the Soviet form of dictatorship that ruled Czechoslovakia at that time.  There are many people with greater expertise on Havel's work than I.  But this is my limited take on this situation.  

When I heard about the two billionaire owners of two major newspapers killing editorials that would have endorsed Kamala Harris for president, the part I thought of was the story of the greengrocer putting up signs in his shop window.   You can read it below.  I've highlighted some of it in red.  

"III 

"The manager of a fruit-and-vegetable shop places in his window, among the onions and carrots, the slogan: "Workers of the world, unite!" Why does he do it? What is he trying to communicate to the world? Is he genuinely enthusiastic about the idea of unity among the workers of the world? Is his enthusiasm so great that he feels an irrepressible impulse to acquaint the public with his ideals? Has he really given more than a moment's thought to how such a unification might occur and what it would mean?

"I think it can safely be assumed that the overwhelming majority of shopkeepers never think about the slogans they put in their windows, nor do they use them to express their real opinions. That poster was delivered to our greengrocer from the enterprise headquarters along with the onions and carrots. He put them all into the window simply because it has been done that way for years, because everyone does it, and because that is the way it has to be. If he were to refuse, there could be trouble. He could be reproached for not having the proper decoration in his window; someone might even accuse him of disloyalty. He does it because these things must be done if one is to get along in life. It is one of the thousands of details that guarantee him a relatively tranquil life "in harmony with society," as they say.

"Obviously the greengrocer is indifferent to the semantic content of the slogan on exhibit; he does not put the slogan in his window from any personal desire to acquaint the public with the ideal it expresses. This, of course, does not mean that his action has no motive or significance at all, or that the slogan communicates nothing to anyone. The slogan is really a sign, and as such it contains a subliminal but very definite message. Verbally, it might be expressed this way: "I, the greengrocer XY, live here and I know what I must do. I behave in the manner expected of me. I can be depended upon and am beyond reproach. I am obedient and therefore I have the right to be left in peace." This message, of course, has an addressee: it is directed above, to the greengrocer's superior, and at the same time it is a shield that protects the greengrocer from potential informers. The slogan's real meaning, therefore, is rooted firmly in the greengrocer's existence. It reflects his vital interests. But what are those vital interests?

"Let us take note: if the greengrocer had been instructed to display the slogan "I am afraid and therefore unquestioningly obedient;' he would not be nearly as indifferent to its semantics, even though the statement would reflect the truth. The greengrocer would be embarrassed and ashamed to put such an unequivocal statement of his own degradation in the shop window, and quite naturally so, for he is a human being and thus has a sense of his own dignity. To overcome this complication, his expression of loyalty must take the form of a sign which, at least on its textual surface, indicates a level of disinterested conviction. It must allow the greengrocer to say, "What's wrong with the workers of the world uniting?" Thus the sign helps the greengrocer to conceal from himself the low foundations of his obedience, at the same time concealing the low foundations of power. It hides them behind the facade of something high. And that something is ideology.

"Ideology is a specious way of relating to the world. It offers human beings the illusion of an identity, of dignity, and of morality while making it easier for them to part with them. As the repository of something suprapersonal and objective, it enables people to deceive their conscience and conceal their true position and their inglorious modus vivendi, both from the world and from themselves. It is a very pragmatic but, at the same time, an apparently dignified way of legitimizing what is above, below, and on either side. It is directed toward people and toward God. It is a veil behind which human beings can hide their own fallen existence, their trivialization, and their adaptation to the status quo. It is an excuse that everyone can use, from the greengrocer, who conceals his fear of losing his job behind an alleged interest in the unification of the workers of the world, to the highest functionary, whose interest in staying in power can be cloaked in phrases about service to the working class. The primary excusatory function of ideology, therefore, is to provide people, both as victims and pillars of the post-totalitarian system, with the illusion that the system is in harmony with the human order and the order of the universe."

The situation of the greengrocer under Soviet authoritarianism and the Bezos and Soon-Shiong is not a perfect analogy, but it shows how the no-holds-barred style of Trump causes even billionaires to modify their behavior rather than draw unwanted attention to themselves.

The slogan is really a sign, and as such it contains a subliminal but very definite message

In the case of both newspaper owners, not publishing an endorsement of Harris was a sign to Trump with a clear message that they didn't want him upset at them if he were elected.  They didn't want their companies punished for supporting Harris.

the sign helps the greengrocer to conceal from himself the low foundations of his obedience, at the same time concealing the low foundations of power. It hides them behind the facade of something high. 

Not endorsing Harris was the equivalent of putting the a sign in the window that says, 'we will not oppose you' to Trump.  The low foundation of their obedience. We do not want you to punish us in some way.  And the low foundation of Trump's power is that the endorsements were perfectly legal and normal, yet they were afraid to publish the endorsements.  

The 'ideology' they were hiding behind was the idea that newspapers should  maintain "political neutrality," should be objective observers that don't take sides, but impartially report the news.  Of course, impartiality is not possible.  A news outlet can try to report objective facts, but the employees and owners all have values that color what events are reported and how they are reported.  Or, in this case, not reported.  

And the idea that newspapers must be objective observers and non-partisan is one that many hold, but it is not historically the only norm.  

Early Colonial newspapers were often "a sideline for printers."  Benjamin Franklin was such a printer with a newspaper on the side.  And they were quite partisan.  During that era John Peter Zenger was found innocent when a governor tried to shut down his partisan attacks.  Do kids still learn about Zenger in school these days?

The fact that Trump has threatened to attack the media as president and more recently to talk about his political enemies being executed - as he let the January 6 mob erect a gallows for his then Vice President - is all the more reason that they should have endorsed his opponent.  

Another issue this raises is the phenomenon of billionaires buying existing newspapers.  On the one hand, this is a way for some newspapers to survive.  And it's probably better than newspapers being owned by corporations that own many newspapers and thus limit the number of different voices available to the public.  I say newspapers here, but this also applies to radio and television.  

And yet, at the same time, the internet has provided access to way more voices than ever.  Perhaps we're just waiting for the dust to settle.  Or the Musks of the world are going to buy up those voices.  It's a time of change and we have to just hold on until it becomes more settled.  

But the problem of billionaires owning papers is that they have large financial interests that can easily come into conflict with the objectivity of the paper they own.  In Bezos' case, Amazon has interest in large government contracts which some have suggested as a reason he vetoed the endorsement.  

The key point in all this for me, the reason I thought it important enough to cancel my LA Times subscription, is the issue Havel raises about having personal freedom, no matter how small, and to use it.  

Authoritarians have control because people voluntarily obey them.  Even when there is no law and no order, people anticipate what the regime wants them to do, and do it.  People cede their autonomy voluntarily.  As did the two owners of the newspapers.  And as the many Republican politicians who trashed Trump during the 2016 primaries - Cruz, Graham, Rubio, etc. - but then fell in line to support him.  Trump is ruthless, but Stormy Daniels and E. Jean Carroll stood up to him and won.  

If Trump wins Tuesday, and we get conflicting reports on how close it is, we will all be facing life in an authoritarian state.  Understanding Havel will be important.