AIFF 2012: Meet the Festival Director and Alaska's SAG Rep

I got more video taken than I was able to put up during the festival.   First is a short video with Festival Director Teresa Scott in the back of the Bear Tooth theater.  I caught here after the film El Estudiante, eating a taco as part of the Mexican Consul's Reception.  Then on Saturday night, just before the film Alaskaland, I talked to Ron Holmstrom. He is the Screen Actors Guild representative in Alaska and was scheduled to give a workshop on acting in the movies and also to talk about using SAG actors and the fact that for short films and low budget films normal SAG salary rates are waivable. His workshop wasn't in the Festival program and I didn't hear about it until after it was over. But I got to hear a little bit before the film began.

Caller ID Quits - Simple Solution

It took a day or two for me to realize the caller id stopped working on our phones at home.  We've gotten used to this handy way of weeding out solicitations and other unwanted calls. 

It took another couple of days before I called ACS.  They'd get someone on it.  That's all they said.  This morning - several days later - the doorbell rings.  It's ACS. 

"What's the easiest way to get around the back to check your connection to the house?"  (We got a foot of snow in the last two days and I don't clear a pathway to the back.)  He comes back to the front a little later saying it was working there.  Sometimes the filters for internet block the caller id, but that wasn't the case.  And since we got caller id when we got the internet package years ago, it didn't seem a likely solution.

He came inside to check the phones.  Neither got a caller id when he called.  He pulled the moden line out of the other phone jack.  It didn't change things.  He pulled off the inside filters.  No id on our phone. 

"Why not test your phone like you did outside?" 
"Hmm, I don't have the right jack for that.  Be right back."

When he gets back in and checks it, he gets caller id on his phone. 

"So," I ask, "You're saying its our phone?"

"I'm not saying anything.  Never had something quite like this before.  It's always been the filters."

Finally he suggests rebooting the phone.  Just unplug it, wait 20 seconds, and then plug it in again.

It works. 

He seems pleased.  (I like technicians who like to solve problems.)  I suggest he tell the folks who take calls like mine to suggest this to people before they send out a technician.

One more little maintenance battle won.  For the moment.  Still working on the furnace problem, but that's another post. 

Ten Inches And Other Ramblings

We got some real snow overnight. 

Last year it was snowing every few days and I got regular exercise just clearing the driveway.  It was a great training program as the pile of snow I had to throw the snow on got higher and higher.

This year we've only had a few snowfalls that barely covered the ground.  I was getting worried when the temperatures got down to zero and we had almost no snow cover to protect the plants underground.

In fact we had about three weeks of nothing but sunny days.

But that's ended for now.

Here's the tape measure in the middle of the driveway.


Shoveling snow is one of those times during the winter that you get to see your neighbors outside and chat about things.  We noted how the snow plow folks last year were moving the snow onto the sidewalks and into piles that blocked parking spaces.  And how we have replacement mail carrier who is regularly not delivering mail, writing messages on envelopes that the mailbox was blocked.  I've already called the post office about this.  We haven't changed anything in 35 years.  There was one brief period when they told us to move cars.  But we found out they were not allowed to drive over the sidewalks to deliver mail (which they do if there is space) and they stopped complaining.  In the neighborhoods nearby, people have mailboxes on their doorsteps.  And it's not like we don't want to cooperate, but there really isn't any place to park.  We have some duplexes on the street with driveway leaving almost no parking spaces - and they have lots and lots of cars and trucks they park on the street.  Even if I were to put my car in the driveway (blocking my wife's way in and out of the garage) someone else would park in my space anyway. 

So the snow is good.  It gives us time to compare notes on what's happening. 


This cleared space is the width of the shovel.  I tried saying 'hi' to you all in the snow, but it didn't quite work out.

And here's our Mt. Ash tree that tends not to drop its leaves until spring even some years.  The Bohemian wax wings have already been by once. 

Magnetic Finger and Flexible Magnetic Flashlight

Shortly after I dropped my wife off at the airport ten days ago, when I next had to unlock the door to her car, the key pushed the lock into the door.  Luckily there's a passenger side door with another keyhole.








When I got home I first tried my buddy google to see how hard it would be for me to fix it.  Step one is remove the inside panel of the door.  The instructions to do that were formidable.  Don't break the plastic clips.  Disconnect the plug for the power windows.  I called the mechanic my wife uses and took it in the next day.  But after reading about taking off the door panel, I really wanted to watch how he did it and they let me.

I'm glad he did it and not me.  He's got lots of specialized tools and even he had to figure out what exactly to do on that model.  There's a lot of stuff behind the door panel.

He did find the screw that holds the lock in place down inside the door panel, but putting it back in was hard.  I suggested he needed a magnetic finger.  He looked at me and said, "I have one." Off he went and shortly came back with the finger glove with a little magnet on the tip.  It was still to hard to maneuver, and then he realized there was a little hole right where the screw belonged but he couldn't get to it because the window was down.  Once it was up it was easy.  

He also had this very cool flashlight that magnetically attached to the car and could be twisted and turned in all directions.

$100 later, the lock was firmly where it belonged. 


I love it when I discover specialized tools likes these.  Somebody came up with an idea for a way to solve a problem - like the magnetic finger - and then went ahead and made one.  And a magnetic flashlight you just put on any metal that bends to shine the light where you need it. 

AIFF 2012: What Makes A Good Documentary? Cutting Loose and Ping Pong

Jim Parker - AIFF Docs

[This is a followup of the post on my choices for best films.]

Documentaries were the strongest program in the festival this year and as I mentioned in one post,  Saturday they were scheduled so that one could actually see six of the seven in competition.    That shows someone paying attention to details.  That someone most certainly is Documentary Programmer Jim Parker and his programming partner Cindy Franklin. 




I've been thinking a lot about what makes a good documentary this week.  A lot of this was spurred by watching Roadmap to Apartheid. I thought it did a lot of things extremely well, but it also seemed overly one-sided - unnecessarily so.  I'll explain my reactions in detail in a later post.  But it raised for me the question of how fair does a documentary have to be?  After all, shouldn't documentaries 'document'?

So, before explaining my choices for best documentary, I'd like to come up with some criteria.

1. Documentation
   This includes getting all the most pertinent information - both factual and emotional data - that helps the viewer understand the situation covered by the film.  This is probably hardest for reviewers to assess when they aren't knowledgeable about the subject of the film.
2. Truth
   In feature movies the film maker can create her own world.  In documentaries one is expected to present one's representation of the truth as accurately as possible.  This includes the viewpoints of the various sides in any situation.  And if one chooses to present just one perspective of the situation, then this should be stated clearly. 
3. Story Telling
   This is about how good the movie itself is, including such factors as:
1. Story is told as efficiently and interestingly as possible - which means the film moves along without scenes that, interesting or beautiful as they might be, aren't necessary to telling the story.
2. Pace, audio, visual quality are all as good as they can be to keep the viewer engaged.
4. Significance How important is the topic in the greater scheme of things?  While this shouldn't detract a film maker from engaging in something that interests him, if two films are otherwise equal, I would pick the one with greater significance. 
5. The Whole Package
   How it all works together.

Because there were so many good documentaries, I'm going to do several posts on them.  This one focuses on Cutting Loose and  Ping Pong.

Using these criteria, I rated Cutting Loose the best documentary.  Actually, that's not true at all.  My gut reaction was that Cutting Loose was the best and then I started thinking about why.  So this film and Roadmap to Apartheid spurred me to write up my criteria.  My choice is not one I'd fight to defend.  There were a lot of good films and I could argue persuasively for all of them, including Roadmap.   So why Cutting Loose?

Cutting Loose worked because it was the best Whole Package.  Everything worked.  The dilemma for any documentary maker is the conflict between documenting - archiving all the important details for history - and making a good movie.  It's a dilemma I know well as a blogger and my readers would probably agree that I err on the side of documentation, especially when I'm dealing with important public policy issues.

Cutting Loose is about a contest for convicts who work as prison barbers and hairdressers in Scotland.  In another nice touch by the documentary programmers, it was paired with Ping Pong, a film about a very different contest  - the world championships for ping pong players over 80 years old.  There was a similar structure in both films - focus on a few of the  individual competitors before the event, and then showcase the event. 

Ping Pong did more documentation.  We know much more about each contestant.  Its subject matter was both light and important.  While ping pong might not be that important among the world's issues (though it played a big role in relations between China and the U.S.)  the topic of aging is.  We saw people between 81 and 100, who, despite their age and its accompanying physical ailments, were able to perform highly skilled physical tasks.  I would say it was a reminder of the importance of having a goal and hope to make life worth living.

That same message comes through in Cutting Loose, which found the golden mean between documentation and story telling.  The critical message I got from the film was how respecting and trusting prisoners - getting to use the scissors in prison -  gave them a sense of both respect, responsibility, and pride, which was important if they weren't going to return to prison after their release.  My daughter has taught me the importance of hair to one's self image and the movie echoes this with the challenge to the barbers to not mess up the hair of inmates they live with.

This film used just enough documentation to give us an awareness of a world most of us don't know.   And since crime is a major issue in the world and since prisoners seem among the least deserving of sympathy, it's good to be able to see them as human beings who can overcome past mistakes.  And as with the octogenarians in Ping Pong the barbers and hairdressers in Cutting Loose gained a reason to live through what they did.

So, for the sake of getting the message across, we got enough documentation.  Then the film makers took what they had and made a well paced movie with good visuals and music that told the story in 29 minutes.  AND, they probably had the best title in the festival with two words that captured the idea of barbering and getting out of prison.

I'd add that as Francis Duffy walks along the shoreline in his blue and white striped shirt reflecting, I was puzzled by what language he was speaking.  But as he went on, I began to hear some of the words as the ones in the subtitles.  You can get a sense of this and of the whole film in SXSW YouTube trailer below.





My hat's off to the film makers Adrian McDowall and Finlay Pretsell.  I want to let you know that though the festival didn't see fit to award your film, I did.


Sorry that this came out much more academic than I intended.  As I said, I tend to err on the side of documentation over entertainment.

AIFF 2012: My Choices For Awards

 
Let me list my choices first here with little comment and then I'll want to talk separately about some of the categories and why I differ, when I do, with the Festival's awards.

Table Cell	Official Festival Awards	My Choices
Features	Winner: Lad: A Yorkshire Story Runner Up: Things I Don't Understand Hon. Men:  Shouting Secrets	Winner: Between Us  and  Passionflower Runner Up: Shouting Secrets
Documentaries	Winner:  Roadmap to Apartheid Runner Up: The World Before Her Hon Men: Ping Pong	Winner:  Cutting Loose Run. Up: Unfinished Spaces and Reportero*
Shorts	Winner: Lapse Runner Up:  Calcutta Taxi Hon. Men:  Cockatoo	Winner:  Calcutta Taxi and Lapse Runner Up:  Mossadegh and Suddenly Zinat
Animation	Winner:  Paths of Hate Runner Up: Lemons Hon. Men:	Winner:  Much Better Now Runner Up: Lemons Hon Men:  Paths of Hate
Supershorts	Winner:  Her Next Door Runner Up: Matriarche Hon. Men:  Polarized	I'm ok with the first two, but the third did nothing for me.
Sundance	Winner:  Rousseau's Children Runner Up: No Horizon Anymore	Didn't see enough to form an opinion.

HTML Tables

In most cases trying to separate levels is questionable - though I feel strongly about Cutting Loose. I'll give some reasons for my choices in some separate posts.

[See What Makes A Good Documentary?  Cutting Loose and Ping Pong   I'll add a one or two more here as I get them up.]

One of the issues is comparing films with very different budgets and produced under different circumstances.   

 There were some 'in competition' films I missed - Grassroots in the feature category, The Trial of Ben Barry and Hunt in the shorts category, and Y.E.R.T.  in the documentaries.  And as Passionflower demonstrates, some very good films didn't make it into competition.

I'd note that Passionflower got audience choice in the feature category with Shouting Secrets getting second. As I write, the audience awards for documentaries aren't up yet. 

*I was told Reportero, for technical reasons, was not eligible to be in competition.  But I don't have those restrictions.  

AIFF 2012: Features Awards

Features In Competition:

Shouting Secrets

Lad:  A Yorkshire Story

Between Us

Confine

Aquí y Allí

Grassroots

Things I Don't Understand


Honorable Mention:

Shouting Secrets

Runner Up:

Things I Don't Understand

Winner:

Lad:  A Yorkshire Story


[UPDATE Dec. 10, 5:45pm: AUDIENCE AWARDS:  Passionflower won the Audience Award and Shouting Secrets was the runner up.  I've got video of Passionflower director Shelagh Carter here and I'm hoping to write more about the film.]

AIFF 2012: Documentary Awards

Documentary Films in Competition:

Go Ganges

Roadmap to Apartheid

People Of A Feather

Ping Pong

Cutting Loose

World Before Her

Y.E.R.T.


HONORABLE MENTION:

Ping Pong

RUNNER UP:

World Before Her

WINNER:

Roadmap to Apartheid

AIFF 2012: Animation Awards

In Competition:

The Backwater Gospel

Frankie Rulez!!

The Game

Lemons

Much Better Now

Paths of Hate

Survival of the Fetish


HONORABLE MENTION:
 
Lemons


RUNNER UP:

Light Me Up

WINNER:

Paths of Hate

AIFF 2012: Shorts Awards

In Competition:

Calcutta Taxi

Mossadegh

Cockatoo

Hunt

Lapse

Trial of Ben Barry


HONORABLE MENTION:

Cockatoo

RUNNER UP:

Calcutta Taxi

WINNER:

Lapse