Thursday, December 01, 2011

AIFF 2011: UFAQs - Unasked Frequently Asked Questions about the Festival

[This is an updated version of similar posts from previous years.  If you only read one of my posts on the festival, this is the one to read.]

I'm not sure its cricket to have FAQs if no one has asked any questions so these are UFAQs - Unasked Frequently Asked Questions. This is information people might be or should be asking for. Below are links to posts with general information about the Anchorage International Film Festival.

Where's the official AIFF site?

Who won in each category?
2010 Winners -   No page of my picks last year  Official AIFF 2010 Winners Page 
2009 Winners -  My 2009 winners post -  Official AIFF 2009 Winners Page
2008 Winners - My 2008 winners post  -  Official AIFF 2008 Winners Page



What do all the categories mean? ("official selection;" "films in competition," etc. ) This is an updated post from 2008, but still gets the basic information across.  It also covers the process for how films get selected for the Festival and how the winners get chosen. 


What  films are the best films this year (2011)?
Films in Competition are the ones chosen  to compete for the Golden Oosiker awards.  Here are guides to each category - something about each film and when and where they will play. 

Films in Competition  - Features and Documentaries 2011 (My post)
      Link to Festival Genius Features Schedule
      Link to Festival Genius Documentaries Schedule

Films in Competition -  Animation 2011  (My post)
      Link to Festival Genius Animation Schedule
Films in Competition - Shorts  (coming soon I hope)
      Link to Festival Genius all Shorts Schedule
Films in Competition - Super Shorts   (coming soon I hope)
     Link to Festival Genius all Super Shorts Schedule
The films in competition for Snow Dance (Alaskan films) have not been announced yet as I post.  Short documentaries are included in documentaries, but none were picked to be in competition.  

What is Festival Genius?  
Festival Genius  is a national software program that AIFF began using last year.  It lets you sort films in many ways.  You can sort just to see all the films (each film is listed with a picture) in a category, for instance, or see the schedule for the films in a category.    My links sometimes do one, sometimes the other.  Also, the links only go to page 1, be sure to check for any additional pages linked at the bottom of the pages.
If you register on Festival Genius, you can use it to make your own schedule of films you want to see.  You can also make comments and reviews.
NOTE:  Once you're in Festival Genius, there doesn't seem to be a link back to the local AIFF website.  



Short films are grouped together into 'programs.'  How do I find which short films are playing together and the same of program?
Easiest place is the printed program. As of last year (2011) when they added Festival Genius software, things are easier to find.
Animation Programs - The link goes to all programs that have animation.  Some are programs that might have one animation in it.  Animation-Wrld Wide is the program with all the animated shorts. (There weren't that many this year, but the ones in competition appear to be pretty strong.)  There are also two feature animations - George the Hedgehog and Lady of Names.  George, I'm told, is definitely adults only, but Lady will be shown at the kids free showing at Loussac on Saturday, Dec. 10.

Snowdance Programs (films made in Alaska or by Alaskans)
Short Films - There's also a short documentary category.
Super Shorts
(The links only go to page one.  Check at the bottom for more pages.)

I'm not interested in the festival, but if there are any films on my favorite place, food, sport, etc.,  I'd go.  Are there any?

The Festival Genius software  allows you to look at a list of countries and then see what films are being shown from that country.  Click on the blue (where the red arrow points below) and it will open a list of countries.  Then pick a country, and wait until it loads the films from that country. (This screen shot is from 2010)

I counted 26 countries this year.
The film festival spans two calendar weeks and so you have to check for each week.  Just click on the week and it changes.  The Screenshot above is from last year, but here's a link to the same page this year:


http://anchorage.festivalgenius.com/2011/films

 Then click on the countries window to see the list of countries.  Choose the one you want and they will give you all the films from that country in the festival.

To find out about films of special topics, you need to look through the films themselves. 

How do I find your blog posts on specific films or film makers?  There's a tab below the page heading for Anchorage International Film Festival 2011.  I'll put links for specific films here as I post them  (check for the video posts there too)

Do you have videos of the Festival? - I'll add the video posts as they happen on my web with links at the Anchorage International Film Festival 2011 tab on the top of the page.



Where will the films be shown?
Locations:   Bear Tooth, was the main venue last year.  This year there are only eight showings there - all features, all at 8 pm. 

1230 West 27th Avenue (West of Spenard Road) - 907.276.4200

Out North has two rooms for screening. 
3800 DeBarr Road, (two blocks SW of Debarr and Bragraw)  907.279.8099



The Alaska Experience Theater has a large and small theater.
333 West 4th Avenue # 207  (4th and C St)  (907) 272-9076

Marston Theater (Loussac Library) will have the Family Programming on Saturday Dec. 10.

The Alaska Wild Berry Theater has one event - a ski movie - Saturday Dec. 10 at 2pm
5225 Juneau Street (Off Old Seward and International Airport Road) 907) 562-8858

413 D Street (Downtown) (907) 274 2599
My understanding is the director pulled his film out of the festival last year because it wouldn't be shown in HD.  This is a special showing in HD.  
Two shows, Tuesday Dec. 6, 7pm and 9pm

There are special events at other venues.  You can check all the venues next to the window where you check the countries on Festival Genius (see screenshot above). 

What workshops are there?
There are  five workshops with film makers.  These are listed on the local site, but NOT on Festival Genius.  There's an $8 fee for most of the workshops, but they are free with Festival Passes.

What are your criteria for a good movie? When I made my picks for the 2008 best films, at the end of the post I outlined my criteria. The link takes you to that post, scroll down to second part.


Should I buy a pass or just buy tickets as I go?  

Tickets are $8 per film ($5 for kids, except at the Bear Tooth). All films passes are $100. (There's only one type of pass this year.) So, if you go to thirteen films, the pass is cheaper. But there are other benefits to the pass. You do have to get a ticket (free) for each film and only a certain number of seats are held for passholders, but you do get priority seating with your pass.
And if you have a pass, you'll go see more films because you'll think "I've paid for them. I should go and get my money's worth."
The pass gets you into Workshops free and a few extra events, though this year they give you a discount, and half price to the opening night film and the awards (which are $20 each, $10 less than last year.)

Another option is to volunteer and get a pass to a movie.

You can buy tickets at the venues.  You can also get advanced tickets at the venues.
You cannot buy tickets online this year.


What about family films? 
Saturday, December 10, 11:30am to 5pm  at Loussac Library - in the Marston Auditorium.  FREE
Here are the AIFF links for family events.
NOTE:  The link goes to page 2 of the schedule because it includes the all the movies in this category at the Loussac Library.  This event is free.  Check page 1 for week one showings of Lady of Names.

Who Are You Anyways? - who's paying you to do this? does your brother have a film in competition? What is your connection to the festival? From an earlier post here's my  
Disclosure:

Well I blogged the  2007 festival  and the AIFF people liked what I did and asked if I would be the official blogger in 2008. They promised me I could say what I wanted, but I decided it was better to blog on my own and then if I write something that upsets one of the film makers, the Festival isn't responsible.  They had a link to the blog last year.  They also thrown in a free pass for me since 2008.

I probably won't say anything terrible about a film, but I did rant about one film two years that I thought was exploiting its subject as well as boorishly demeaning a whole country. I mentioned in an earlier post that if I sound a little promotional at times, it's only because I like films and I like the kinds of quirky films that show up at festivals, so I want as many people to know about the festival as possible so the festival will continue. Will I fudge on what I write to get people out? No way. There are plenty of people in Anchorage who like films. They're my main target - to get them out of the house in the dark December chill when inertia tugs heavily if they even think about leaving the house. But if others who normally don't go out to films hear about a movie on a topic they're into, that's good too.

I did a post last year for Film Festival Skeptics who might be sitting on the fence and need to be given reasons to go and strategies to make it work.  

How do I Keep Track of What's Happening at the Festival?
  I'll be blogging the film festival every day.  The link below will be my festival posts only, starting with the most recent.

Anchorage International Film Festival (AIFF 2011)


Are there other Alaskan Film Festivals? 
There are some events called 'festival' that I know of in Anchorage, but they aren't major film events like this one.  There is another organization,  that puts Alaska in it's name and rents a postal box in Alaska, but has no other connection that we can find to Alaska.  You can read about that at  Comparing the ANCHORAGE and ALASKA International Film Festivals - Real Festival? Scam?

Anyone who knows of other legitimate film festivals in Alaska, let me know.  I've heard stuff about Sitka in 2008.  And there's also an Indigenous Film Festival Feb. 2011. [Not updated since 2010]

Wednesday, November 30, 2011

Meanwhile, in Pakistan . . .

If you listened to the foreign policy debate of the Republican candidates, you might want to read something with real meat.  The source article is by, according to the blurb in the Asian Times, Indian career diplomat Ambassador M K Bhadrakumar whose assignments included the Soviet Union, South Korea, Sri Lanka, Germany, Afghanistan, Pakistan, Uzbekistan, Kuwait and Turkey.
The heart of the matter is that the Pakistani citadel has pulled back the bridges leading to it from across the surrounding crocodile-infested moat. This hunkering down is going to be Obama's key problem. Pakistan is boycotting the Bonn Conference II on December 2. This hunkering down should worry the US more than any Pakistani military response to the NATO strike.

The US would know from the Iranian experience that it has no answer for the sort of strategic defiance that an unfriendly nation resolute in its will to resist can put up against an 'enemy' it genuinely considers 'satanic'.

The Pakistani military leadership is traditionally cautious and it is not going to give a military response to the US's provocation. (Indeed, the Taliban are always there to keep bleeding the US and NATO troops.)

This is an Indian talking about US-Pakistani relations. Someone in a position to know a lot more about this sort of thing than most Americans, including most members of Congress and presidential candidates. He's also someone with skin in the game.  It does provide a lot of information to use to help assess other information (or lack of information) you read on this topic.  In discussing the Pakistani response to the NATO air raid which killed 28 Pakistani forces, Bhadrakumar writes:

Exactly what happened in the fateful night of Friday - whether the NATO blundered into a mindless retaliatory (or pre-emptive) act or ventured into a calculated act of high provocation - will remain a mystery. Maybe it is no more important to know, since blood has been drawn and innocence lost, which now becomes the central point.

At any rate, the DDC [Pakistan's Defence Committee of the Cabinet] simply proceeded on the basis that this was a calculated air strike - and by no means an accidental occurrence. Again, the DDC statement implies that in the Pakistan military's estimation, the NATO attack emanated from a US decision. Pakistan lodged a strong protest at the NATO Headquarters in Brussels but that was more for purpose of 'record', while the "operative" part is directed at Washington.

The GHQ in Rawalpindi would have made the assessment within hours of the Salala incident that the US is directly culpable. The GHQ obviously advised the DDC accordingly and recommended the range of measures Pakistan should take by way of what Chief of Army Staff General Ashfaq Parvez Kiani publicly called an "effective response."

The DDC took the following decisions: a) to close NATO's transit routes through Pakistani territory with immediate effect; b) to ask the US to vacate Shamsi airbase within 15 days; c) to "revisit and undertake a complete review" of all "programs, activities and cooperative arrangements" with US, NATO and the International Security Assistance Force (ISAF), including in "diplomatic, political and intelligence" areas; d) to announce shortly a whole range of further measures apropos Pakistan's future cooperation with US, NATO and ISAF.  [Read it all in the Asian Times.]

It makes me think of the advice Vaclav Havel gives in Power of the Powerless. I wrote about it earlier in the context of TSA.  Here it fits in the relation of one nation to another.  Of course, it's a form of civil disobedience as well.  Just say no.   Those who have power say everyone should fight like they do.  That's because they have all the weapons in that sort of battle.  But disobedience is the main  tool of those without power.  There is immense power in simply refusing to cooperate.  Ask the Occupiers.  Ask the Republicans in Congress. 

Thanks to my friend who alerted me to this article.

Tuesday, November 29, 2011

Arts and Crafts at the Museum Sunday

 We went to the museum arts and crafts fair on Sunday.  Here are a few examples of the art and the people who made it. 


KC Lowe was a neighbor when we first moved to Alaska.  She had these bars of soap dressed in wool felt. The lanolin in the wool is supposed to do good things for you and the cover makes the soap last much longer.  Is this art?  I don't recall ever seeing soap wrapped up in felt before.  And look at those colors.  And the fact that it's something you actually use,  doesn't exclude it from being art.  What she is holding is the left over felt cover after months and months of use.  I've been thinking about soap for a while now and I've been planning to do a blog post.  It's coming, think of this as a preview.





I knew Larry Kingry back when he was an administrator at ACC and then UAA.  Now he's turning wood into interesting and unique bowls.  His card says you can email him here if you're interested in a bowl. 





Another old friend, in that we've had one of his water colors up on our wall for 30 years or so, is Ken Lisbourne.  He's originally from Point Hope, but now lives in Tok. 

We had a long talk and it was interesting to hear the stories behind his paintings.  It really is a collection of Inupiaq culture and legends.  Matt Shields did a long post on Ken a few years back that gives a lot of information.



Guitta Corey's work is amazing.  I only took one photo which does a poor job of portraying the artist and her work.  But it's all I've got.  But you can see more at Alaska Home.  The work she had for sale Sunday was various sized and shaped glass trays that were 'painted' with exquisite papers.  I can't explain.  Just check the link. 







As Jacob suggested in a recent comment, if you don't keep using photoshop, you forget it.  So you'll have to bear with my experimenting.  Someday it will work more consistently for me.  There are parts of this I like and parts that I just couldn't make do what I wanted.  And parts I didn't know what I wanted. 

But Wendy Gingell's ceramics aren't ordinary.  They're strong and opinionated.  I love the shapes and designs and colors.  Her inspiration for the large plate in the background was a cyst she had in her abdomen.  The two little ones on the lower right, I was told, were a parent's eye view of kids.  And can you tell she likes yellow and black? 
 

Monday, November 28, 2011

Tacky Spam Comment with Dentist Ad Suggests Businesses Be Careful of SEO Firms

[UPDATE:  I've had a legal threat which I responded to and then a much more rational email concerning this post.  I'll post them soon. [Part 1]  I've decided that the dentist in question had some legitimate points on my stereotypes about large dental practices.  He has said that he was unaware of the SEO firm doing this sort of commenting promotion and that they have contacted the SEO firm to end such practices.  I have decided to take his word on this.  The intent of the post is to alert people to sleazy SEO companies and the specific dentist is irrelevant.  Thus I’ve removed the name of the dental group involved.   So I've removed the name of the dental practice.]


[PART 1:]  Sometimes, posts force their own way onto this blog.  It's Monday Nov. 28 and I have better things to do than this, but I can't help it.

[Note to readers: This is a blogging-behind-the-scenes post.  The stuff in brackets I added after I finished this 'investigation.' This post wrote itself as I got more information.  It started out as a snarky post about a tacky dentist.  Now I'm not sure how tacky the dentist is  or if he just got a sleazy SEO firm to jack up his google position.  Have I lost you yet?  I'll explain SEO down below.  But let's begin at the beginning now.  The parts without brackets, I wrote as it was unfolding.]

Occasionally I get comments on a post that have nothing to do with the post. I've written about 'Kevin' who posted Chinese spam from Taiwan in the comment section for a while. These are spam ads that require a bit of work because someone has to get to my blog, then write something in the comment area, and then get past the Captcha code.  So it generally takes a human being to do this.

Most such comment/ads I get are for companies in China or India, and generally for electronic or industrial products.  Today on a post about planned obsolescence and the Anchorage building code, I got this comment:
[This is a screen shot image, not text, so the links don't work.  Also, I've deleted this comment on the original post.  See Update at top of this post on not identifying the dentist.]

To me, this is pretty bizarre.  And extremely tacky.  Enough so that I called the XXXXXXX Intelligencer which the internet told me was a newspaper that covered Lititz (emphasis, I learned, was on the first syllable, not on the body parts) and talked to a reporter who agreed it was strange, but didn't know anything about the business.  He said he'd check with some dentists he knows nearby.

I also called the XXXXXXXXX Dental Arts office and left a message on their voice mail.  You have to admit it takes a little thought to explain what I wanted for a voice mail.

I did learn while I was listening to their answer recording that they are open from 8:00am to 8:00pm two days a week and shorter hours the other days.  I also learned that they have done some serious internet work - they dominate  the first five pages when you google them.

So, for now here are a couple of tentative explanations:
  • They are a tacky, factory dental clinic that will do whatever it takes to get customers.
  • They are a dental group that has hired an SEO company to pump up their web presence and they don't know they bought spam comment/ads. 



PART 2:  Beware of sleazy SEO companies.

So, what is SEO?  SEO stands for Search Enhancement [Engine] Optimization.  That's geek speak for doing things to get a higher google rating so that your website shows up in the first two or three pages when people search terms related to your site.

Here's what Ethical SEO says (in part)

Promote your website, getting as many quality backlinks as possible; a backlink is a link posted on somebody else’s website which leads to your website. The backlink should ideally have a good “anchor text”, a text that describes what your website is about. As an example, instead of having a link to my website that says “click here”, I would rather have a link that says ethical seo company [they had this linked in the original, but I've already given them a link above, so I took it out] if I plan to get a good rank for the “ethical seo company” search phrase.
This is called off-page SEO and is by far the most important (and time-consuming) part of the SEO process, being responsible for about 90% of its success. While finding the proper keywords to target and optimizing the web pages is a one-time operation, building backlinks to your website must be an ongoing process, especially if the industry you’re in is profitable. Most (or all) of the companies on the 1st Google page invest in SEO on a monthly basis; othewise, they wouldn’t get these good ranks and sales. [emphasis added]

So, the point is to get backlinks; ideally, links with the name of your website on other websites.  It doesn't even matter if no one uses the link, because the point is to have Google count all these back links - and they are worth more if the site they're on is rated well - so that when people google 'your name'  your site will come up on page one of google.

[I'd also note that I don't invest in SEO, but I still get on page 1 on Google.  My guess is that my frequency of posting and some backlinks have helped.] 

SEO Primer Backlinking Tips

. . . Getting inbound links (backlinks that point to our website) which contain proper anchor text (the keywords we’re interested in) is an art in itself; fortunately, there are several 100% ethical (also called white hat)  methods that allow us to get them. If you have written a good piece of content, for example an interesting article, you can submit it to thousands of article directories and format it in such a way that you will get the desired backlink with proper anchor text. Sure, many article directories will reject your submission, but if your article is really good and you are submitting it to thousands of directories, you will definitely get not only a few hundreds of backlinks to your website, but also traffic (website visitors) from the tens of millions of people that are visiting the article directories each and every day. [So that explains the people who have asked to post guest posts here.]
So I left a message at the Dental Center, but wasn't expecting much.  However, it wasn't long before I got a call back from XXXXXXX [I'm guessing at the spelling].  She said this was the second call about this in one week.  She said she needed to call the SEO person and let him know.  She even found the blog without my telling her the name.  I did leave my name, but not too many people can spell my last name just hearing it on a voice message.

OK, so giving her the benefit of the doubt, she wasn't planning to have spam comments on blogs.  And she was going to change it.

But then I got to thinking, "Not only does she know what SEO is, but that was the first thing she mentioned."  These people are serious about their marketing.  I doubt that my dentist's office manager has heard of SEO.  I wasn't sure if my dentist even had a website.  [I checked and he does, but it's pretty generic. Mine has four dentists just like the one in Pennsylvania.  But the XXXXXXXX one just gives the names and photos of the dentists.  Mine doesn't have photos, but has a lengthy background on each dentist.  And my dentist doesn't have such long hours.  But he probably charges more.  After all, this is Alaska.]

Anyway, I guess there are several lessons to be learned here.

For me:
  1. Now I better understand why people are putting  links in spam comments.  It's less about getting people to link to their sites.  It's more about getting lots of links out there to goose their google search ratings.  So, if a blogger left the links because she didn't pay attention or didn't think anyone would use them, the source is still getting a benefit through bogus comments.
  2. Don't jump to conclusions.  I still think there are signs of tackiness here on the dentist's part - the long hours, the heavy push on SEO, including a staff member who knows the term, and the multiple offices in the area.  But it could just be a younger dentist with more internet savvy whose SEO specialist used unethical ways to boost the google ratings.  
For businesses with websites:
  1. There are lots of SEO companies out there trying to get your business.  I get regular solicitations here myself.   It's probably a good idea to ask them what their ethical standards are and what practices they use and don't use. 
  2. Not being careful means, like with this Dental Center, that you can end up with ads that make you look really tacky.  But then maybe that's why the ads were put on an Alaska blog, where XXXXXXXX area patients aren't likely to see them. But the internet is beyond borders, so that doesn't matter. 
If you search "SEO Ethics" and "Finding an Ethical SEO" you can find tips on ways to identify more ethical SEO firms.  I didn't find any specifically good ones so I'm not going to link.  And one of my readers might add some additional comments.

And if you get spam comments on your website, or see such tacky ads, call up the company and let them know what you think. If it's on your website, delete it right away.

[Just in case someone is asking, "What's wrong with the ad?"
  1. It's fake.  It was put on the blog, not as a legitimate part of the discussion of the post, but simply to drop a flyer for this company.  
  2. It's spam.  It's like internet litter.  Like putting your ad on someone's fence.
  3. It tries to game the system.  It distorts the ratings that Google (and others) use to determine who gets on page one of searches.  I'm not saying Google's system doesn't have flaws, but it's like cutting in line, or cheating on a test, in my book. There's a better way to say this.  It's like learning all the tricks of looking good without actually being good.  But when people see through it, it looks tacky, like a bald man wearing a toupee. 

Occupy Your Brain

Everyone is telling us what and how to think.
There are so many claims made every day that some will slip past your crap detectors and make their way into your brain.



The occupiers - whatever their message - have tapped into a general distaste for all the bullshit we live with everyday.  There is no one message.   Those who say the occupiers need to brand themselves, don't get that this is an anti-branding movement. The critics so take for granted their own brainwashing that they don't realize this is about paradigm shifting.  Each person feels the anomalies, feels that something is fundamentally wrong with how our economic system is conceived.  As we watch the hope of Obama ground up by Washington's establishment power brokers, each of us can join the Occupiers for our own reasons.

But underlying it all, it seems to me, is the need to occupy one's own brain.  To be alert to the ways our brains are manipulated - by the media, by advertising, by churches, by schools, by music, by everyone.  We need the ability to filter the bull shit out of the constant bombardment of invading messages.

We need times of peace and quiet, with no external brain assaults other than the warmth of the sun, the smell of fresh flowers and grasses and trees, the sound of running water and rustling leaves.  No words.  Time to sort through all the crap we've accumulated, to consider where it came from, to reassess its validity, and to toss out the garbage.  Then we can see the ideas that matter, that are grounded in reason and feeling and some sort of rational correspondence to the world outside our heads. 

So Occupy Your Brains.  Once others have control over your brain, they have complete power over you.  It took years for them to infiltrate.  Cleaning them out won't happen overnight.  But begin now and do a little bit each day.

And as I offer this video - which I saw at Immoral Minority - I remind you to question the video as well.  Don't simply accept it (or reject it) because it fits what you (don't) want to believe.  Or because you like the music.  Look it over, test it, put it in the quarantine section of your brain to make sure there isn't some hidden infection.  And remember to beware of those who would hijack this and other good ideas and pervert them for their own benefit.

Sunday, November 27, 2011

Spanish Unemployment Brought Home - The Wicked Power of Great Animation

Fellow blogger and friend, Spanish architect and wicked* artist, Tomás Serrano, just posted a short animated film he made that is NOT in the Anchorage International Film Festival this year (maybe next year?)  But it shows the power of animation to convey the emotional impact of Europe's economic hard times. Even though this short cartoon is in Spanish - spoken so fast only a supersonic speed reader could keep up with subtitles if there were any  - it's completely comprehensible to anyone whether they understand Spanish or not. 



MR. ARCHITECT EN CRISIS from TOMAS SERRANO on Vimeo.

*Since English is not Tomás' first language and I've used a slang version of the word 'wicked,' I guess I should explain.  The Urban Dictionary doesn't quite cover the meaning I intend.  "Wicked" here, means "something so honest about an unfortunate truth that it is both painful and delicious." 

AIFF 2011: Animated Films in Competition - Ducks, Nuts, Mutant Chickens, Zombies, and More

The 2011Anchorage International Film Festival starts in less than a week - Friday, Dec. 2.

These are the animated films that have been chosen by the screening committees as the best and they are in competition for the festival prizes.

All the Animated Films in Competition will be in the same program this year, so seeing them all will be much easier.  See the schedule at the bottom. 


8 Second Dance  Trey Moya  USA  8 minutes


8 Second Dance was created by 12 students at the University of Colorado Denver's Digital Animation Center.


8 Second Dance from Bart Tyler on Vimeo.


Attack of the Killer Mutant Chickens [Murgi Keno Mutant] Nayeem MahbubBangladesh 15 minutes

Nayeem Mahbub
Mutant Chickens just started on the film festival circuit in September. It's already won Best Animated Film at the Rockport Film Festival and the Offshoot Film Festival. Nayeem Mahbub seems to have many overlapping roles - columnist for the Independent (Bangladesh), BBC producer/director, and graduate of Oberlin in cinema studies.



Probably, when most Americans hear the word Bangladesh, if they have any image of the country at all, think about poverty and flooding.  They probably don't think about
Bangla poet and philosopher Rabindrananth Tagore (1861 - 1941) was the first Asian novelist to receive the Nobel Prize for Literature. The award was for an English translation of his mystical poem "Gitanjali" (Song offerings).[From Betelco.com]
Or that's it's the 9th most populous country in the world with over 142 million inhabitants.  So it's good that we have a film from Bangladesh.

Not quite Tagore, in this film killer mutant chickens terrorize Bangladesh, but it's much better than that description sounds.

Landscape With Duck Patrick Neary  USA 4 minutes

This is a hand drawn animation about a duck who's late for migration and has to find his own way south.  Kinografx's facebook page says Duck's flying north to Anchorage for the festival. Does that mean Patrick Neary is coming along? [UPDATE 11/27/11 - 1:13pm: Comment below says 'yes.'  Also, I see I missed that Northwest Animation Festival selected  "Landscape with Duck" for their Best of the Fest.]





Nuts For Pizza  David Andrade  USA  2 minutes


This 2:21minute animation has 32 people listed in the credits.  Back in July last year, the Director posted a request on CGSociety requesting internet collaboration on this film.   The n4p.theoryanimation.com sums up what happened next:
Nuts for Pizza represents a new wave of film-making techniques and is the first truly online collaborative animated short film. Simply by logging into a website, artists from the United States and Canada were given the means to produce Nuts for Pizza without ever meeting in person. In total, 32 skilled artisans worked together to produce the short, which was inspired by actual events.
Theory Animation began in early 2008, born from the desire to allow artists hundreds of miles apart to collaborate in a studio-like setting over the Internet. Because nothing like this had existed before, the goal was to create an easily-accessible portal that would allow anyone to use their skills to contribute to creative projects in production. With talented artists scattered throughout the globe, Theory Animation crosses borders and marries technology with art.
It's been at a few festivals so far won a Grand Festival Award at the Berkeley Video and Film Festival November, 2011.   Here's a medley of three different animations by director David Andrade.  The Nuts for Pizza clip begins at 45 seconds.


2011 Reel from David Andrade on Vimeo.




Something Left, Something Taken Ru Kuwahata Max Porter  USA 10 minutes

Their vimeo site has a picture of Max and Ru which I've paired up with a screen shot of the main characters from Something Left, Something Taken.

This one fits neatly in a theme I've mentioned on this blog at various times:  We see what we're conditioned to see.  This video below is the whole movie.  You can see it with French or Japanese subtitles at their Vimeo page.


Something Left, Something Taken- Full Version from Tiny Inventions on Vimeo.

Check their bi-lingual blog (Japanese and English) and this interview at Wacky Shorts Creations where they each answer the question: 

HW: What does being able to draw mean to you?
RK: Being able to create a world from nothing.

MP: Drawing can mean a lot of different things A drawing can be pure communication or a plan for something else. Sometimes the drawing is a finished product and sometimes it a way to study the world around us. I guess it’s all about the context.




This Is Not Real  Gergely Wootsch  UK 7 minutes

Gergely, according to his website, is a Hungarian who's living in London recently got his MA at the Royal College of Art in Animation.  By the way, he's planning to be in Anchorage for the festival. 


This is Not Real - Trailer from Gergely Wootsch on Vimeo.



Year Zero Richard Cunningham  USA  24 minutes
Richard Cunningham
HTML Tables


This is an animated zombie movie. Last year Elias Matar explained that Ashes was an "infected" movie rather than a zombie movie and this too seems to fit in the infected category, but I'm not an expert on these things.

The photo is a screen shot from Zombies 

"He spent 14 to 16 hour days at work in his Astoria basement apartment while "slowly draining away my savings." Without training as an illustrator or animator, the one-time Bard College student depended on online tutorials and forums and, for much of the process, a 10-year-old computer.
"I learned so much from 15-year-olds, just how to solve problems in Final Cut [video editing software]," Cunningham said. "It's kind of embarrassing listening to this pubescent kid tell you what to do, and yet they're totally right.'"Read more: http://www.dnainfo.com/20110422/downtown/zombies-take-manhattan-tribeca-film-festival-short#ixzz1etrtr3Uq




Video from DNAInfo


WHEN AND WHERE TO SEE THESE FILMS?
 .
They will all be part of the porgram called "Animation World-Wide"  which will show twice at the Alaska Experience Theater and twice at Out North.

Day Time Venue
Sunday Dec 4 12 pm Alaska Experience

Tuesday Dec. 6
7pm Out North
Friday Dec. 9 7:20 pm Alaska Experience
Saturday Dec 10 6pm Out North


Seven addition animated films will be part of the Animation World-Wide package.

One thing to pay attention to when you watch these films is the difference between hand drawn and computer drawn animation.  I'm not taking sides, but viewers should pay attention and learn to distinguish between the two.  Here's part of a blog post in which Tom Benthin addresses this:
I’ll start by saying that I believe that drawings that are hand-made and loosely or roughly drawn engage us more, drawing us into the process of animating what we’re viewing. By “animating” I mean the way we bring a drawing to life in our mind. Here’s a cartoon from the New Yorker that I’ve shown to graphic facilitation classes I’ve taught over the years:
You can read the whole post and see his illustrations here. 

If you want even more, in 2002, David Mitchell wrote a Masters Report on The Future of the Cartoon Feature Film.  But that's like a historical document given how fast technology is changing.

Saturday, November 26, 2011

Two Links - French Blog Post on Planned Obsolesence and Anchorage Post with Title 21 Housing Design Horrors

I ran across the French blog  OWNI.eu with a good post on Planned Obselecence  because it has a link to my post on Victor's Lebow's quote in the Story of Stuff.  It documents more on how corporations design products to encourage hyperconsumption. 

Planned Obsolescence: How Companies Encourage Hyperconsumption

Like many of their professors, students at the Sorbonne had become used to going to buy their ink cartridges from a small shop on a nearby street. With no manufacturer affiliations, it carried shelves full of ‘generic’ cartridges that worked with printers from big name brands like Epson, Canon, HP and Brother. But that small shop soon faced a very big problem: some new printers only recognise ‘proprietary’ consumables that they can detect by matching their hardware signature against a signature in a chip on the cartridge. Anybody hoping to get round that by using a syringe to top up their existing cartridge with new ink was soon caught out because the chips can also track ink levels. But try seeing things from the manufacturers’ point of view: print cartridge sales can represent up to 90% of their turnover, so it’s not hard to see why they want to prevent consumers from going elsewhere. This process of trapping consumers in an endless cycle of buying more by supplying products that soon become unusable or beyond repair has taken on the almost cult name of ‘planned obsolescence.

This is just the beginning.  It also talks about light bulbs, iPads, and the 'lift cartel' (elevators in American). This is part of the underlying problem that Occupy is about - the way large corporations gain control over our lives and income. 

During the depression people's consumption dropped and corporations had the problem of how to sell more to people who already had enough. The OWNI post says there were three lines of solutions:  Technical, Design, and Legal. 

The Technical line:
"technical: built weaker, less durable products that are impossible to repair;"
brings to mind our recently worn out bread machine.  The motor still worked, but stopped turning the dough after the first rotation.  The repair shop owner apologized when he told us he can't get the part we need any more. All that metal, the motor, the power cord, everything, has to be tossed because one small part isn't working.  (We left it with the repair man, hoping he might find ways to use some of it, but at least that he knew a way to recycle it if he couldn't. 


Large Scale Designed Mess

In Anchorage, the Assembly passed a revision of Title 21 last year that changes all sorts of standards for design and construction of housing which would address a similar problem - builders who cut corners to build ugly, treeless projects with erosion problems, minimal and unusable outdoor space.

But the mayor hired a former Assembly member at $60,000 to come up with changes that would make the development community happier.  The mayor has dropped most of the consultant's recommendation, but still  has offered a series of about 38 amendments to implement the development industry's wish list which would overturn many of the most critical improvements already approved.

Photo from Mt. View Forum used with permission (link to see more)
These amendments go to the Planning and Zoning Commission in December and then to the Assembly.  Mt. View Forum posted about Title 21 back in 2009 with a series of photos that show what shoddy Anchorage construction looks like.

The photo caption at Mt. View Forum read:
"Does it get any worse? Yes! Four-plex apartments, street sides windowless, entire area between buildings and street 100% paved, no landscaping."
Do you really think it's too hard for apartments and office to hide their dumpsters from street traffic?  How about 25 foot setbacks for buildings from creeks and only 10 feet for other parts of the property?  I'm hoping to write more on this soon, but let me jump the gun a bit to get Anchorage folks not only aware of this, but alarmed enough to start calling their assembly members.  Here's what the Planning staff at the Muni wrote about the 25 foot setback:

After considerable research, discussion, review and compromise with the T21 subcommittee, the provisionally adopted 50-foot setback is much lower than what is recommended in scientific literature and used in other cities. For comparison, based on scientific data the standard recommendation is 300-feet3. In most communities, stream setbacks average 100-feet nationwide. In Alaska: Soldotna has a 100-foot setback, the Mat-Su Borough has a 75- foot setback, and both Juneau and Homer have 50-foot setbacks. Stream setbacks are necessary to control floodwaters, provide water quality treatment by capturing and filtering pollutants, protect base stream flows to reduce threats of flash floods, maintain stream stability preventing channel migration and maintain stream health for fish and wildlife habitat. Anchorage’s existing 25’ setback came about because of politics, compromise and what was acceptable in the mid 1980’s—it was not based on scientific or practical findings. The consultant’s amendments reduce the role of setbacks from even current code, as illustrated following page 56 below. As proposed, allowing additional uses within 10-ft of streams threatens the very effective vegetative buffer for water quality and flood control. Vegetation along stream banks serves many purposes. Trees slow water velocity and hold the soil in place with their root system stabilizing stream banks. Overhanging vegetation regulates water temperature, provides shading for salmon, and contributes insects and other nutrients in the stream. Ground-cover vegetation filters stormwater runoff removing sediments and pollutants before entering streams.
This is from a list of the changes with staff comments put together by former Planning and Zoning Commissioner John Weddleton.  I've posted the whole document (21 pages) at Scribd., but they group opposing the changes, FreeTitle21, passed out a more concise version (4 pages) Tuesday night at the Assembly meeting.  Free Title 21's concise version, more a list of recommendations and reasons to reject most of the amendments,  is also at Scribd.

Friday, November 25, 2011

Mrs. Nash Gets a Baby In Seattle Because Folks In Anchorage Wouldn't Give Her a White Baby

The title summarizes one of the stories Mrs. Nash tells on a tape my daughter made before Mrs. Nash died. There are a number of interesting bits of Anchorage history on the short audio tape below.

Mrs. Mildred Nash was our neighbor for over 25 years. It would be more accurate to say that we were her neighbor, since she'd lived in this neighborhood 20 years before we moved in. When our house, our side of the street, was still woods. I don't even know if our street was even here. I wrote about Mrs. Nash recently because the ally across the street was made into a street and called Mildred Place.

Today, November 25, is her birthday.  This seems like a good time to post the audio my daughter made with Mrs. Nash.

[Note, it might take a while - it took me a few minutes - for this to upload, but read something else and come back to it.]

If I close my eyes and listen to the tape, it's like Mrs. Nash is here in the room with me. And you can catch the infectious love of life in her voice. She was about 86 and dying with cancer when this recorded. But you wouldn't know it.   If you want to get a little boost today, listen to a truly at-peace woman thinking back on her life.  And hear the story about how she had to go to Seattle to adopt her son, because they didn't have black babies and they weren't going to give her a white one.



I should note it would also be my mother-in-law's birthday today. In one of those strange coincidences in life, her name was also Mildred.  Happy Birthday to both my Mildreds.

Thursday, November 24, 2011

Should You Wash The Turkey? How Long To Cook It? And Mary's Little Lamb

Happy Thanksgiving to you all.  Is there anyone in your life who made a difference when you needed it?  This is a good day to call her up and say thank you.  Go ahead.  Even if you have people coming over in two hours.  Just say, Hi, I wanted to say thank you.  I don't have a lot of time now, but I'll call you back.  But I didn't want to wait any longer.  Thanks!


Meanwhile, if you're trying to figure out how to prepare that turkey, you'll find a bit of variation in the  advice online.

Wash the turkey or not?  I get contradictory advice:



Better Homes and Gardens:
Don't wash the bird. Washing raw poultry is not necessary, and the splashing water may contaminate surrounding objects. In general, the less you handle poultry, the safer it remains.
 Epicurious:

Washing

Finally, rinse the outside of the turkey and inside the cavity with cool water and pat dry. As a precaution against the spread of harmful bacteria, be sure to wash the sink, countertop, and any utensils that have come in contact with the uncooked meat, as well as your own hands, with soap and water.

 Cooking times are closer but still vary greatly


Here are three recommendations.  We have a 21 pound turkey the advice from these three different sites are, for cooking at 325˚F: 4.5-5 hours,  5.5 - 6 hours, and 3.5-4.5.  What seems to be common among them all is that it's done when the inside temperature should be 165˚F.

From the United States Department of Agriculture  Food Safety Inspection Service :

Timetables for Turkey Roasting
(325 °F oven temperature)

Use the timetables below to determine how long to cook your turkey. These times are approximate. Always use a food thermometer to check the internal temperature of your turkey and stuffing.


Unstuffed
4 to 8 pounds (breast) 1½ to 3¼ hours
8 to 12 pounds 2¾ to 3 hours
12 to 14 pounds 3 to 3¾ hours
14 to 18 pounds 3¾ to 4¼ hours
18 to 20 pounds 4¼ to 4½ hours
20 to 24 pounds 4½ to 5 hours

 From Homecooking at aboutdotcom:
Approximate Roasting Times for Unstuffed Turkey


Turkey Weight


Hours
6 to 8 pounds2-1/2 to 3 hours
8 to 12 pounds3 to 4 hours
12 to 16 pounds4 to 5 hours
16 to 20 pounds5 to 5-1/2 hours
20 to 24 pounds5-1/2 to 6 hours


 This one, I just realized, is from AskAndyAbout Clothes.
Do I want to take turkey cooking advice from a clothes blog?  And he doesn't say where his information comes from.  But I like his times.




Turkey weight with giblets Oven temp Internal temp when done
Cooking time
 
10-13 lb. 350° F 165° 1 ½ to 2 ¼ hr.
14-23 lb. 325° 165° 2 to 3 hr.
24-27 lb. 325° 165° 3 to 3 ¾ hr.
28-30 lb. 325° 165° 3 ½ to 4 ½ hr.

Last year we took advice to cook the turkey faster and it was great. 

And what does Mary's Little Lamb have to do with Thanksgiving?  Find out below.

From History.com:
In 1817, New York became the first of several states to officially adopt an annual Thanksgiving holiday; each celebrated it on a different day, however, and the American South remained largely unfamiliar with the tradition.

In 1827, the noted magazine editor and prolific writer Sarah Josepha Hale—author, among countless other things, of the nursery rhyme “Mary Had a Little Lamb”—launched a campaign to establish Thanksgiving as a national holiday. For 36 years, she published numerous editorials and sent scores of letters to governors, senators, presidents and other politicians.
Abraham Lincoln finally heeded her request in 1863, at the height of the Civil War, in a proclamation entreating all Americans to ask God to “commend to his tender care all those who have become widows, orphans, mourners or sufferers in the lamentable civil strife” and to “heal the wounds of the nation.” He scheduled Thanksgiving for the final Thursday in November, and it was celebrated on that day every year until 1939, when
Franklin D. Roosevelt moved the holiday up a week in an attempt to spur retail sales during the Great Depression. Roosevelt’s plan, known derisively as Franksgiving, was met with passionate opposition, and in 1941 the president reluctantly signed a bill making Thanksgiving the fourth Thursday in November.