Quickie - Exit Music turned out to be a very real and intimate movie as we become part of the household where Ethan Rice is in his 20s, and his cystic fibrosis has reached the stage where he is on oxygen the whole time. We're there with Ethan, his parents, with the doctor, and others as they plan how to take the next steps if things get too painful to continue as they are. I know that sounds grim, and that's part of this film, but more important was seeing past the illness and the paraphernalia to get to know the human being inside the body.
After the film there was a discussion with the doctor who worked with the family - and has lived in Anchorage. There should be more films like this that get passed the facades and remind us that every human being basically is, well, another human being with dreams and fears and love.
Earthquake recovery is happening rapidly. Until today, the restroom near the theater wasn't working and you had to walk through the mall, down the stairs (the elevators weren't working either) to get there. Today, it's working.
And they announced that Martini Matinee at 2pm tomorrow will be Bear Tooth's grand reopening after the earthquake. Not even a week.
Wednesday, December 05, 2018
AIFF2018: Music, Dying, Gardens, Afghan Interpreters and Women Cyclists
Everything except Five Seasons is at the Alaska Experience Theater. Five Seasons is at the Museum.
From the website:
From Afghan Cycles website:
Wednesday, December 5
3:00pm
Exit Music
5:30 is a hard choice between two promising documentaries.
"Exit Music is a documentary film that travels the intimate and complex path of terminal illness. Ethan Rice was born with Cystic Fibrosis, an incurable genetic illness that eventually leads to respiratory failure. At their home in a small upstate New York community, Ethan and his family live in constant uncertainty as the disease takes more and more away from them. While medical interventions continue to keep him alive well beyond his prognosis, 28-year-old Ethan questions day-by-day how long he is willing to fight and what his absence will mean to those he leaves behind."
5:30 is a hard choice between two promising documentaries.
5:30pm
8:00pm
From the website:
"More than 50,000 local interpreters helped protect U.S. troops on the ground in Iraq and Afghanistan, enabling soldiers to communicate with the local population. But those who took the job were often considered traitors.
Phillip Morris, whose chain-smoking earned him the nickname, is a central character in the film. His warm, contagious laugh belies the dangerous work he undertook for four years. He served alongside Paul Braun, a lieutenant in the Minnesota National Guard who became his best friend. After coalition forces withdrew in 2011, Phillip and his family came under threat."
From Afghan Cycles website:
"Afghan Cycles is a feature documentary about a generation of Afghan women who are pedaling their own revolution, aggressively challenging gender and cultural barriers using the bicycle as a vehicle for freedom, empowerment and social change."
AIFF2018: Fishbowl, We Rise Now, and Bad, Bad Winter - Earthquake Damage Becoming Clearer
I liked Fishbowl. I wasn't sure I would. But others disagreed. One person who said he grew up in the South said it wasn't realistic at all. When I pressed him on that, he didn't want to talk about it. He did say it was very exaggerated. That it's much more subtle than that. What am I talking about? A Southern father of three teenage girls. Mom's died. Their house is owned by the bank, for sale. He's sent $1000 to a televangelist so he can be saved by the Rapture on September 29. The girls really are having a hard time. We never really did learn all that much about any of the characters.
There were two showings of And We Rise Now - a documentary about Sam Johns, an Athabaskan who had a rocky childhood, but at the urging of his daughter, got involved in helping the homeless in Anchorage. He set up a Facebook page Forget Me Not to help villagers find their homeless relatives in Anchorage and to get them back into their families.
The room was packed. And afterward Johns, director Mary Rosanne Katzke, and (I think) cinematographer Nara Garber, answered questions.
It was an inspirational story, and a great Alaskan story. And there was standing applause at the end
If the third person was Nara, she's the one on the left. Next Mary, and then Sam.
Finally, we saw Bad, Bad Winter. I was misled by the background information about this being a French film. I'm guessing it was a French production, but it was a dark Russian film, a parable almost of how desperate living conditions lead to desperate acts. It's a debate about the obligations of the rich and whether anyone really can get rich without cheating. There's ethical debate about right and wrong, and the ending . . . what can I say? It was not a Hollywood ending. I remember an Albanian responding when I invited her to seen an Albanian film once. "Why? We know in advance what will happen. The good guys will lose and the bad guys will win. And it was true of the Albanian film. In this film, I don't think there were any good guys. This was the kind of film that you go to film festivals for.
It would be great to have double feature of Bad, Bad Winter and Datsche. Winter is about a woman who goes to the house in a town she's left long ago, to take possession of the house she's inherited from her grandmother. In Datsche the lead character goes to Berlin to see the house he's inherited from his grandfather. In both films an unexpected group of people show up. Winter is dark, Datsche is bright.
I'd also note that on this 5th day since the earthquake, people are talking about their experiences when they meet. Everyone seems to have had stuff on the floor, some not much, others a lot. But there are also stories of structural damage. The Alaska Experience Theater was originally set up to give tourists a look at the 1964 earthquake, and the smaller of the two theaters is actually set up to shake.
Here's an empty storefront in the mall whether the theater is. Apparently many buildings with these movable acoustic tiles on the ceiling had tiles fall off.
Festival volunteers spent Saturday cleaning up the Alaska Experience Theater to get it ready as the fallback theater. It apparently had lots of ceiling tiles down and broken too.
And today's paper was headline after headline of earthquake related stories.
That's just through page 5.
While we clearly came through a very big, very close, and very strong earthquake reasonably unscathed, the stories are slowly coming out. And I suspect a lot of people had non-life threatening earthquake related injuries.
There were two showings of And We Rise Now - a documentary about Sam Johns, an Athabaskan who had a rocky childhood, but at the urging of his daughter, got involved in helping the homeless in Anchorage. He set up a Facebook page Forget Me Not to help villagers find their homeless relatives in Anchorage and to get them back into their families.
The room was packed. And afterward Johns, director Mary Rosanne Katzke, and (I think) cinematographer Nara Garber, answered questions.
It was an inspirational story, and a great Alaskan story. And there was standing applause at the end
If the third person was Nara, she's the one on the left. Next Mary, and then Sam.
Finally, we saw Bad, Bad Winter. I was misled by the background information about this being a French film. I'm guessing it was a French production, but it was a dark Russian film, a parable almost of how desperate living conditions lead to desperate acts. It's a debate about the obligations of the rich and whether anyone really can get rich without cheating. There's ethical debate about right and wrong, and the ending . . . what can I say? It was not a Hollywood ending. I remember an Albanian responding when I invited her to seen an Albanian film once. "Why? We know in advance what will happen. The good guys will lose and the bad guys will win. And it was true of the Albanian film. In this film, I don't think there were any good guys. This was the kind of film that you go to film festivals for.
It would be great to have double feature of Bad, Bad Winter and Datsche. Winter is about a woman who goes to the house in a town she's left long ago, to take possession of the house she's inherited from her grandmother. In Datsche the lead character goes to Berlin to see the house he's inherited from his grandfather. In both films an unexpected group of people show up. Winter is dark, Datsche is bright.
I'd also note that on this 5th day since the earthquake, people are talking about their experiences when they meet. Everyone seems to have had stuff on the floor, some not much, others a lot. But there are also stories of structural damage. The Alaska Experience Theater was originally set up to give tourists a look at the 1964 earthquake, and the smaller of the two theaters is actually set up to shake.
Here's an empty storefront in the mall whether the theater is. Apparently many buildings with these movable acoustic tiles on the ceiling had tiles fall off.
Festival volunteers spent Saturday cleaning up the Alaska Experience Theater to get it ready as the fallback theater. It apparently had lots of ceiling tiles down and broken too.
And today's paper was headline after headline of earthquake related stories.
"Mat-Su area heavily damaged: Houston Middle School won't open before May, leaving 400 students in limbo"
"Army of engineers and contractors is working to check Anchorage homes, fix damage."
"Recovery progress in Southcentral"
"How to Apply For A disaster Recovery Grant for Earthquake Damage"
"DOT Warns against traveling, Stopping Along Stretch of Seward Highway"
"As cleanup continues in Anchorage schools, only one - in Eagle River - deemed unsafe."
"Alaska Railroad should be getting back on track"
That's just through page 5.
While we clearly came through a very big, very close, and very strong earthquake reasonably unscathed, the stories are slowly coming out. And I suspect a lot of people had non-life threatening earthquake related injuries.
Tuesday, December 04, 2018
AIFF2018: TUESDAY OFFERINGS - Southern Christian Girls Rebel, Alaska Native Rebels, And After Grandma Dies
Here's what's showing today. All at the Alaska Experience Theater.
NOTE: Post Earthquake Free Parking in Easy Park garages and lots downtown through Friday. From their FaceBook Page:
Sorry for the interruption, here's today's list.
EXTRAIT - BAD BAD WINTER de Olga Korotko (ACID Cannes 2018) from Torry Talgat on Vimeo.
I suspect this film won't be quite as uplifting as Datsche was, but it may well be as good.
NOTE: Post Earthquake Free Parking in Easy Park garages and lots downtown through Friday. From their FaceBook Page:
"EasyParkWould have been nice to know before we put $3.50 in the meter yesterday.
Yesterday [Monday Dec 3] at 10:09 AM ·
FYI: All EasyPark facilities have been deemed safe according to our initial inspection.Further inspections will continue throughout the week to double check everything. Lot and garage parking will be free until Friday, December 7, at 6pm.
On street meter parking will be free today with enforcement resuming tomorrow morning (12/4)."
Sorry for the interruption, here's today's list.
Tuesday, December 4
3:00pm
From Constellation Magazine:
"Fishbowl is my filmmaker brother (Stephen Kinigopoulos) and my debut feature. It started as one of my photoshoots…. It’s about a widowed man, Rick Simon, taking care of his three teenage daughters, Belle, Rachel, and Jessa, in a judgmental small town full of secrets. Down on his luck, he becomes obsessed with a televangelist on television preaching that the rapture is coming. Rick Simon (the father) struggles to convince the town and his daughters that the end is upon them, unless they save themselves and act purely. We shot in our hometown of Howard County, Maryland: in one of our high schools, neighbors’ homes, private schools, and many churches in towns nearby."
5:30pm
7:15pm
8:00pm
This film is being shown twice today because the festival folks expect a lot of people to want to see this Alaska made and focused film. More about the film from the Rasmuson Foundation.
Bad Bad Winter is a French film with a premise vaguely similar to Datsche which I liked last night. In Datsche, Valentine goes to his grandfather's summer garden house after the grandfather's death. From the description of Bad Bad Winter:
"After the passing of her grandmother, a businessman's daughter goes back to her birthplace. After a little while, she receives the visit of her former classmates but their reunion take an unexpected turn."
EXTRAIT - BAD BAD WINTER de Olga Korotko (ACID Cannes 2018) from Torry Talgat on Vimeo.
I suspect this film won't be quite as uplifting as Datsche was, but it may well be as good.
AIFF2018: Enjoyed Datsche And Some Of The Shorts
First shows began at 3. We were still finishing up other things so we got there late. Walking into short animated film program or a movie about Russian labor camps that was half over was an easy choice. The animation was fine, but nothing really got me too excited.
5:30 we saw Datsche. The description and trailer didn't raise my hopes too high, but it really was a good film. All the basics - photography, acting, etc - were fine. And the story was one I could get into. A young man goes from New York to Berlin for the summer to check out a summer garden home he inherited from his grandfather. He spends the summer there with the mostly older German neighbors and an eclectic group of others he picks up. Just well done, interesting characters, and a genuine, not Hollywood, positive movie.
8pm was supposed to be Thunder Road. By 8:30 the Festival one of the board members announced that it was the one film that wasn't available without downloading it and that would take awhile. An audience member suggested they play the opening night shorts program - which was cancelled because of the earthquake. So we saw shorts.
A few that I particularly enjoyed:
The first two are Alaskan films.
Blue - If I understood this right, it was a young girl daydreaming about biking on the ice. But the photography of a group of cyclist riding across a glacier are spellbinding. I'm guessing this was the world premiere - since it's listed as such in the program and this was supposed to be Friday night. Here's the website, unfortunately no pictures or videos from the film. It was pretty short.
Wild Woman - Great, original animation with strong feminist theme by Vanessa Sweet who lives in Shishmaref.
ENOUGH | The Empowered Women of Korogocho - A short doc about a 75 year old woman who lives in the slums of Nairobi, where it's dangerous for older women. She sets up women self-defense classes. You can see the whole movie below.
ENOUGH | The Empowered Women of Korogocho from Brent Foster on Vimeo.
The Field Guide To Being A12-Year-Old Girl - Twelve Australian 12 year old girls put on play of sorts, on stage at their school, explaining to the world being a 12 year old girl. Original and well done, but not too deep.
JUCK - A provocative documentary about a group of Swedish school girls who practice a rather violent pelvis thrusting dance as a way of taking back their freedom to be themselves in public spaces. I'm still thinking about what this tells me about personal freedom.
Under Mom's Skirt - A French woman with her mom for a gynecological appointment in Miami. The daughter is there to translate. She learns a lot more about her mom than she ever wanted to know. In the middle of this is the attractive gynecologist who's a strong Trump supporter.
[UPDATE Dec 4 11:30am: There was another film - Inga -about an 88 year old Norwegian woman that lovingly looked at her aging feet and hands and face, as she told us about living and we watch her strip down at the lake and go in for a swim. It made me think of my mom's gnarled toes at the end, and my own sore feet right now.]
5:30 we saw Datsche. The description and trailer didn't raise my hopes too high, but it really was a good film. All the basics - photography, acting, etc - were fine. And the story was one I could get into. A young man goes from New York to Berlin for the summer to check out a summer garden home he inherited from his grandfather. He spends the summer there with the mostly older German neighbors and an eclectic group of others he picks up. Just well done, interesting characters, and a genuine, not Hollywood, positive movie.
8pm was supposed to be Thunder Road. By 8:30 the Festival one of the board members announced that it was the one film that wasn't available without downloading it and that would take awhile. An audience member suggested they play the opening night shorts program - which was cancelled because of the earthquake. So we saw shorts.
A few that I particularly enjoyed:
The first two are Alaskan films.
Blue - If I understood this right, it was a young girl daydreaming about biking on the ice. But the photography of a group of cyclist riding across a glacier are spellbinding. I'm guessing this was the world premiere - since it's listed as such in the program and this was supposed to be Friday night. Here's the website, unfortunately no pictures or videos from the film. It was pretty short.
Wild Woman - Great, original animation with strong feminist theme by Vanessa Sweet who lives in Shishmaref.
ENOUGH | The Empowered Women of Korogocho - A short doc about a 75 year old woman who lives in the slums of Nairobi, where it's dangerous for older women. She sets up women self-defense classes. You can see the whole movie below.
ENOUGH | The Empowered Women of Korogocho from Brent Foster on Vimeo.
The Field Guide To Being A12-Year-Old Girl - Twelve Australian 12 year old girls put on play of sorts, on stage at their school, explaining to the world being a 12 year old girl. Original and well done, but not too deep.
JUCK - A provocative documentary about a group of Swedish school girls who practice a rather violent pelvis thrusting dance as a way of taking back their freedom to be themselves in public spaces. I'm still thinking about what this tells me about personal freedom.
Under Mom's Skirt - A French woman with her mom for a gynecological appointment in Miami. The daughter is there to translate. She learns a lot more about her mom than she ever wanted to know. In the middle of this is the attractive gynecologist who's a strong Trump supporter.
[UPDATE Dec 4 11:30am: There was another film - Inga -about an 88 year old Norwegian woman that lovingly looked at her aging feet and hands and face, as she told us about living and we watch her strip down at the lake and go in for a swim. It made me think of my mom's gnarled toes at the end, and my own sore feet right now.]
Monday, December 03, 2018
AIFF 2018: Today's Earthquake Modified Program
The festival is getting back up on its feet after having the opening day interrupted by a 7.0 earthquake. We're still waiting for the Bear Tooth to reopen, but in the meantime a few films are being shown at the Alaska Experience Theater. Here's the Monday schedule. You can see the whole revised schedule here.
Eternal Winter is a Hungarian film about ethnic German women in the Soviet Union who were forced to work in coal mines. MovieBabble says it's brutal but did give it an A.
Datsche is about an American who goes to Berlin to check out the summer cottage his grandfather left him. A similar plot as an outstanding film, "My Old Lady" which had an American going to Paris to sell the house he'd just inherited from his father.
Datsche Trailer from Jules Gladys on Vimeo.
Thunder Road - A scene from this movie won the best short a couple of years ago. Now it's back as a feature film.
Monday, December 3
3:00pm
5:30pm
8:00pm
Eternal Winter is a Hungarian film about ethnic German women in the Soviet Union who were forced to work in coal mines. MovieBabble says it's brutal but did give it an A.
Datsche is about an American who goes to Berlin to check out the summer cottage his grandfather left him. A similar plot as an outstanding film, "My Old Lady" which had an American going to Paris to sell the house he'd just inherited from his father.
Datsche Trailer from Jules Gladys on Vimeo.
Thunder Road - A scene from this movie won the best short a couple of years ago. Now it's back as a feature film.
AIFF 2018: Rising From The Earthquake - Salmon, Rising Ocean's, and A Funny Story
We got to the Alaska Experience Theater late and watched the end of Anote’s Ark, a film about the island nation Kirimati that is predicted to be underwater by 2040. Perhaps the first nation to disappear because of climate change. Anote is the name of the island's president and he's followed on film fighting to save his culture.
I didn't realize that it was preceded by Kings of the Yukon, so it took a while to figure out why the filmmaker was talking about salmon and the town of Emonak. I'm guessing from the Kings impressive website that this was Matt Fox. Here he is answering questions.
Citizens Climate Lobby (a group I'm involved with) had a presentation as a follow up to the climate change issues raised by Anote’s Ark,
The final movie of the evening (there had also been something at 3pm) was Funny Story. The director Michael Gallagher was there with two of the main actors - Jana Winternitz and Matt Glave. (They're in that order left to right in the picture.)
There was a good crowd for all the films as the Festival volunteers have worked really hard to recover from the 7.0 earthquake that temporarily shut down Anchorage on what was supposed to be the opening day of the festival. The Funny Story crew were on the tarmac in Seattle ready to take off when word came in of the earthquake. They had to wait 5 hours before the flight was cleared to go to Anchorage.
It was great to hear from the crew of the film after the movie. The film's website says this is a film about good people doing bad things. I'd say, maybe, 'normal people doing bad things.' I'd even allow that no one was malicious, but I have a higher bar for 'good people.' And I'd say what they did was dumb more than bad, leading to very awkward relationships.
So, the festival is on, and actually was yesterday. I couldn't tell yesterday and my right leg wasn't going to allow me to yesterday anyway. But by standing through the films tonight I was ok.
The Bear Tooth might get inspected tomorrow by the city to see if they are safe, but from what I heard, the projector was damaged too. So it's not clear when we'll see films there. For now they are showing films at the Alaska Experience large theater.
It looks like the schedule pages are now accurate. You can get to it here. Three films are set at the Alaska Experience Theater starting at 3pm, 5:30pm, and 8pm. I'll post more about what's scheduled tomorrow morning. But if you can't wait, click on the ink. [I'd note there are two events planned for 3pm at the AK Experience Theater, but today they told me that only the large theater is being used. But maybe that was for today and not tomorrow.
OK, if you have kids who are off of school tomorrow, one of the 3pm showings is called FAMILY ANIMATION. Sounds like a great activity for kids.
I didn't realize that it was preceded by Kings of the Yukon, so it took a while to figure out why the filmmaker was talking about salmon and the town of Emonak. I'm guessing from the Kings impressive website that this was Matt Fox. Here he is answering questions. Citizens Climate Lobby (a group I'm involved with) had a presentation as a follow up to the climate change issues raised by Anote’s Ark,
The final movie of the evening (there had also been something at 3pm) was Funny Story. The director Michael Gallagher was there with two of the main actors - Jana Winternitz and Matt Glave. (They're in that order left to right in the picture.)
There was a good crowd for all the films as the Festival volunteers have worked really hard to recover from the 7.0 earthquake that temporarily shut down Anchorage on what was supposed to be the opening day of the festival. The Funny Story crew were on the tarmac in Seattle ready to take off when word came in of the earthquake. They had to wait 5 hours before the flight was cleared to go to Anchorage.
It was great to hear from the crew of the film after the movie. The film's website says this is a film about good people doing bad things. I'd say, maybe, 'normal people doing bad things.' I'd even allow that no one was malicious, but I have a higher bar for 'good people.' And I'd say what they did was dumb more than bad, leading to very awkward relationships.
So, the festival is on, and actually was yesterday. I couldn't tell yesterday and my right leg wasn't going to allow me to yesterday anyway. But by standing through the films tonight I was ok.
The Bear Tooth might get inspected tomorrow by the city to see if they are safe, but from what I heard, the projector was damaged too. So it's not clear when we'll see films there. For now they are showing films at the Alaska Experience large theater.
It looks like the schedule pages are now accurate. You can get to it here. Three films are set at the Alaska Experience Theater starting at 3pm, 5:30pm, and 8pm. I'll post more about what's scheduled tomorrow morning. But if you can't wait, click on the ink. [I'd note there are two events planned for 3pm at the AK Experience Theater, but today they told me that only the large theater is being used. But maybe that was for today and not tomorrow.
OK, if you have kids who are off of school tomorrow, one of the 3pm showings is called FAMILY ANIMATION. Sounds like a great activity for kids.
Sunday, December 02, 2018
Earthquake Pain in the Butt
After the main shaking ended, we got out of our 'safe' position in the bedroom doorway. I mentioned to J that I had a slight pain in my lower back - really upper buttocks. But I didn't think much of it and figured it would go away quickly.
In the afternoon I even went out to see what things were like. I wanted to drop off some papers to our insurance agent (the rental car stuff from Maui), but they were closed, like most places. Home Depot and Lowe's were open. The streets were empty, parking lots were empty. There was no visible damage anywhere. Shops had their outdoor signs lit, but inside most places looked dark. All the traffic lights were working except at Northern Lights and C St.
But later that day, my butt started hurting more. And by evening I was in quite a bit of pain. I used ice, naproxen, a muscle relaxant, and went to bed. I wasn't a happy camper. It was pretty sharp pain.
Saturday I stayed in bed with some couch pillows to rest my leg on. When I did get up, I had pain in my buttocks, and right leg calf, and my toes were tingling.
This was something I'd never experienced before and had to be earthquake related. But how? I figure it had to do with how I was braced in the doorway. I've just taken a picture to recreate that. Sort of like this, except J was holding on to me tightly.
So, I was pushing against the door frame with my butt - right where it hurt later - on one side and my hands on the other. Figure we were there for about 30-40 seconds like that. I was pushing hard. And probably the frame was pushing back. Presto. Earthquake Pain In The Butt. A new diagnosis.
I literally couldn't sit in a chair for more than a few minutes yesterday without getting severe pain in my butt and leg. Today I'm feeling like life is worth living again. I did find a knot on my calf muscle and kneaded it until it was mostly gone. That seemed to help. I walked around more and that seems to have helped.
I suspect there are lots of little injuries like this that never get reported. (This wasn't so little if you consider the pain level. Sort of like a Charlie horse. And the pains were like aftershocks, coming and then going. Like the blood in my veins was heating to burning hot and then cooling.)
I finally found my little camera today. Right where it should have been. Sort of. The shelf in my desk slipped off the hooks that hold it up - certainly during the quake - but I hadn't noticed. I reached down and felt the front of the shelf, but didn't realize the back had slipped down. That was an easy fix, and my camera is back. So we have a Chanukah party to go to this afternoon and maybe we can catch a film festival movie at the AK Experience theater tonight. (I just called to check and got a recording and left a message.)
I have to say, it's really exciting to be standing here writing with almost no pain at all.
In the afternoon I even went out to see what things were like. I wanted to drop off some papers to our insurance agent (the rental car stuff from Maui), but they were closed, like most places. Home Depot and Lowe's were open. The streets were empty, parking lots were empty. There was no visible damage anywhere. Shops had their outdoor signs lit, but inside most places looked dark. All the traffic lights were working except at Northern Lights and C St.
But later that day, my butt started hurting more. And by evening I was in quite a bit of pain. I used ice, naproxen, a muscle relaxant, and went to bed. I wasn't a happy camper. It was pretty sharp pain.
Saturday I stayed in bed with some couch pillows to rest my leg on. When I did get up, I had pain in my buttocks, and right leg calf, and my toes were tingling.
This was something I'd never experienced before and had to be earthquake related. But how? I figure it had to do with how I was braced in the doorway. I've just taken a picture to recreate that. Sort of like this, except J was holding on to me tightly.
So, I was pushing against the door frame with my butt - right where it hurt later - on one side and my hands on the other. Figure we were there for about 30-40 seconds like that. I was pushing hard. And probably the frame was pushing back. Presto. Earthquake Pain In The Butt. A new diagnosis.
I literally couldn't sit in a chair for more than a few minutes yesterday without getting severe pain in my butt and leg. Today I'm feeling like life is worth living again. I did find a knot on my calf muscle and kneaded it until it was mostly gone. That seemed to help. I walked around more and that seems to have helped.
I suspect there are lots of little injuries like this that never get reported. (This wasn't so little if you consider the pain level. Sort of like a Charlie horse. And the pains were like aftershocks, coming and then going. Like the blood in my veins was heating to burning hot and then cooling.)
I finally found my little camera today. Right where it should have been. Sort of. The shelf in my desk slipped off the hooks that hold it up - certainly during the quake - but I hadn't noticed. I reached down and felt the front of the shelf, but didn't realize the back had slipped down. That was an easy fix, and my camera is back. So we have a Chanukah party to go to this afternoon and maybe we can catch a film festival movie at the AK Experience theater tonight. (I just called to check and got a recording and left a message.)
I have to say, it's really exciting to be standing here writing with almost no pain at all.
AIFF 2018: Some Movies Today - I Think
Here's a list of films the AIFF Facebook page says are playing today. Click the link for several days more.
[UPDATE 10:44AM: BEAR TOOTH (I called) said no movies there today.]
AIFF website blog from Dec. 1
[UPDATE 10:44AM: BEAR TOOTH (I called) said no movies there today.]
I also got an email yesterday with this message about another film:
"We just learned that Anote's Ark is showing at the Alaska Experience Theater (because the Beartooth is picking up their mess) at 5:30 tomorrow as part of the Anchorage Int'l Film Festival. One of the documentary programmers told me that "you really want to see this film -- it is gorgeous". It's about Kiribati and climate change. I hope you can make it to the movie. It's an excellent flick and let's pack the house. Tim is giving a short talk to go with it."
AIFF website blog from Dec. 1
"2018 Update! We hope everyone is safe after yesterday’s adventure! Sadly Bear Tooth has experienced some set backs, but lucky for us Alaska Experience Theater has jumped in! We are busy getting things set up for today and will be ready to screen our first showing at 6pm today of We Up! Our schedule will change a little tonight. We will do 2 screenings of We Up to accommodate the huge interest. The first screening will be at 6pm and the second screening will be at 8pm. 5 Day Film Royal will announce its new screening date on Monday! This Mountain Life will be scheduled later this week. Bare with us as we work through these hurdles! Thanks for the support! The community has been fantastic. See you tonight at AIFF 2018!!
After Party with Ukulele Russ at The Carousel Lounge! Come celebrate the festival with good music, good people and a cocktail!"
Saturday, December 01, 2018
The Aftershock Jitters
It starts with a rumble. And it may end there. But then there might also be a few jolts, or just general low level shaking. Nothing like this morning. At first I didn't pay much attention, knowing in my head that they were just aftershocks. But my body isn't always attached to my head, and it's starting to perk up with each initial rumble. It seems to be viscerally asking, "Is this a nothing, or is this going to be more serious?"
I looked at the earthquake label on this blog. I found eight posts with a magnitude level listed in the title - from 4.1 to 6.2 - since 2012. (There were other earthquake posts as well.) My point is that they were significant enough to get me to blog about them. We've already had more than eight aftershocks in that range already.
Notice, the listing below was 7 hours after the big quake, or at about 3:30 pm. It's 1 am as i write this.
(Anchorage is that pig snout just below the lowest red dot.)Here's a map showing the magnitude 7.0 along with all of the aftershocks we reviewed in the 7 hours after the quake. Most aftershocks have not yet been reviewed and are not on this map, but these precise locations give a good overview of the sequence so far. pic.twitter.com/FM7oZL7t4n— AK Earthquake Center (@AKearthquake) December 1, 2018
A follow up Tweet says:
"The little black dots on the map are just a way of showing what the background seismicity looks like. It's all of the historic earthquakes larger than magnitude 2, not scaled for magnitude."
And then t0here's this, which is base, I guess, on the premise that knowledge is a good thing, that we'll be comforted knowing what's ahead. Part of me agrees. Another part says a 4% chance of another 7,0 sway too high.
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