AIFF 2014: Alaska Film Industry Discussion Focuses on Alaska Film Credit

Johnston, Worrell, Schildt, Green, Mazzei

Frank Hall Green, Director of WildLike
D.K. Johnston, Executive Producer/Director of Alaska Filmmakers
Deborah Schildt, President of the Alaska Film Group & Production Manager at Piksik
Dave Worrell, Development Specialist at the Alaska Film Production Promotion Program
Kelly Mazzei, Executive Director of the Alaska Film Office







This is pretty rough note taking, but it will give you an idea of what they talked about.

Johnston

DK Johnston is talking about the Alaska Filmmakers group and its growth since the tax incentive program went into place.  People  starting to come here to start their film careers now because there is now a huge supportive film network up here.

Deborah Schildt, the Alaska Film Group, moved here from LA.  What can Alaskans do with film?  A lot?  I got my degree in BC and then to LA.  Eight years and 20 features later, I came to Alaska for vacation and loved it.  I'm working in film here now.  We realized we needed an incentive program and we got together.  Industry is changing.  High end commercials coming here changing.  More independents, internet.  If you take your film passion and get on the job training - features, realities, docs, you move up the ladder.  $75,000 you can get the incentive - and benefit for being an Alaskan.  First you need the passion.  Then pursue it.  Join the Alaska Film Group, talk to me, Do it!

Dave Worrell - Our incentive program.  What's it all about.  Signed into law 2008 - also recreated the Alaska Film Office.  It had existed in 80s and 90s, but when film group started, it realized it needed an incentive program.  The industry has become incentive driven.

Provides a tax credit against productions in Alaska.  Makes it more affordable to do the work here in Alaska.  We have the program created by the Legislature.  About diversifying the economy.  I'm in the Division of Economic Development.

Online film.alaska.gov  - allows Alaskans to create a listing of the products or services etc.  So when producers are looking for Alaskans are looking for Alaskans to work on projects, we tell them to look.  Also, they mostly don't have a tax liability, so they can sell their credit to Alaska businesses.
Program divided ito two sections - Dept. of Commerce where I am and also Dept. of Revenue which runs the program.

1.  Website is for productions to learn about production here, find people, locations, and about the credit. Good site.
2.  We answer the phone and answer questions.  Important that we have a permanent personal contact is critical.
3.  Partner with the Alaska Film group and ??? to have a presence at Outside film conventions.  People ask all sorts of questions about Alaska.  Our job to make Alaska attractive to productions companies.


Kelly Mazzei, Exec. Director of the Alaska Film Office.  Since July 1, 2013 we had 63 applications

Mazzei, Alaska Film Office

for the film credit, of them, 13 features or short films, 37 unscripted ??, ?? documentaries, and commercials.  Films are utilizing our state resources - particularly the documentaries.  Commercials are keeping Alaskans working and showcase Alaska.

Some changes - Commission must approve all applications with majority vote.  Credits can now be used ???, changed to incentivize greater Alaska hire.  She's going through the steps for applying and getting tax credit for a film.

Frank Hall Green

Frank Hall Green - director and producer of the film WildLike. (Opening the festival tonight)  I'll talk about filming WildLike and what it's like to film in Alaska.  It's definitely not difficult - that's the question I get from others at film festivals.  It wasn't hard.  Working in the state with Alaskans.  I'd come again, I'm an avid backpacker and in 2003 we were in Denali.  On the train back I really saw the state differently.  Interesting place with diversity of culture and people - away from the US.  So much more than people realize.  So started writing the story and it made sense to take place in Alaska.

Alaska came first and tax credit came second.  My producer said we should do it in Oregon or Washington.  I said No.  Has to be in Alaska.  Traveled around the state to explore it for the film.  Back to talk with Film Office.  Two helpful things:

1.  The film community was strong, good film network
2.  Tax office and credit

Ultimately for the entire budget of the film - it saved us about 25% of the budget.  It has to be one of the strongest in the country.  The promotion of the tax credit program is really key.

You have pluses and minuses
Plusses:  Incredible landscape and scenery;  all the different ways you can shoot - Anchorage big city, Palmer a small side
Negative:  Short season, but I don't see that as problematic.

We tried to bring as few people as possible.  Thought we couldn't find too much here - others in crew really surprised at all the people working in the industry here in various capacities.

There are so many stories here to tell.  Someone here in Alaska can tell those stories much better than Outsiders.  Comments I get from people who see WildLike - wow, didn't realize it's so beautiful or that it has cities.

Q&A:

Q:  Tax Credits in other states become a political football.  What about here?
Worrell:  Passed on bi-partisan basis, we have firm support, but budgetary and leigslative landscape changing.  In effect to 2018.  But won't make any predictions.
Kelly:  Not a time to sit passively by, but need to be talking to your legislators and you need to tell them you support the incentive.

Q:  What's the timeline for approval?
Kelly:  Want to be fair to producers.  Once a month we get everything approved that we have ready.  The quorum is important.  We need 3 of 4 commissioners to approve.  We're getting applications through on consistent flow

Q:  (I think it was about starting out making a film)
Frank:  You've got to find the money yourself, you have to network for it, you have to make the movie fit the budget.  $75,000 is probably the lowest threshold in the country.  I would try to meet everyone I could in the film industry here.  And I'd meet everyone who could be interested in the story of the film.  Looking in the film network for money isn't helpful, but for people who can help out and share.  It's so easy to get the film bug.  That gives you a bigger community.  Getting people who are not involved i films who aren't normally involved, that will grow the community.
Worrell:  Network, network, network.  Get feedback.
DK:  Community here understands - give a little, get a little.

Q:  Frank, where did you get your story from?
Not from Alaska, more from me.  Wanted outdoors stuff, being on a journey and AK is a great place for that.

Q:  Is the new commissioner supportive?   B.  Made in Alaska stamp issue?
A.  Kelly - change of administration - you know what I know.  It's all just happening this week.  Dust isn't settled yet.  Statute pretty straightforward, not a lot of wiggle room.  Financial impacts will come out in legislative audit reports.  People are excited about the change.
B.  The Logo - we are tasked with administering the program according to the law, so the logo has to be in the end of any production using the tax credit.
Q:  Size requirement, where it has to be shown, etc.  And commercials don't want it shown.
A:  Inent to promote Alaska and film office . . .??

Q for Frank:  how many days and season did you shoot?
A:  Varies, but for us.  Came up at end of June, landed here.  Started shooting on Aug. 1 - 31 shooting days in the five weeks.  Down time spent traveling.
Worrell:  Filming in summer, will compete with 2 million visitors for hotel rooms and rental cars, so later in the season, you get end of season lows.  Still get the look but



Q:  How does subject matter affects credit for approval?
A:  Kelly:  yes, in statute - situations that would never be allowed  - political, sexual (porn), anything on , anything internal for institutional purposes, can't be contrary to natural resources in the state. Some content won't be allowable.  Best interests of the state also there - commission or office, must look at interest of - some employment of Alaska residents, film industry in Alaska, etc.  not contrary to natural resource policy in the state.
One of the first things we do in the review is look at the script and content - not out to not give a tax credit if it fits in the statues.  Give advice to film makers on how to adjust if necessary.

A:  Old program, we did turn down some features because of production company track record in sttate, had nothing to do with
A:  We have objected because determined to be political,  if bring all cast and crew from out of state and zero support of Alaska film industry, not in state's interest.  We're here to help, to help them find out what's available.  Can modify application to show they are hiring.
Worrell:  I'm a resource for productions, I don't issue permit, I know how to get to the agencies that do give permits - NPS etc.
Come to us early and let us help you meet the criteria  We're here to create an industry.  That doesn't happen if you don't approve projects.
Kelly:  left out something in content area, if shown on screen to be breaking laws or bad for promotion of Alaska.  Negative publicity, press, laws broken in the state - that can be a reason to not give credit.  That is not subjective.

AIFF 2014: Molly McGlynn - Given Your History - US Premiere in Anchorage

Every year I try to be organized in my preparation for the Anchorage International Film Festival, and it just doesn't happen.  There are too many films playing over the week.  And it turns out this isn't a bad thing.  Serendipity plays a big role.  I run into someone who strongly recommends I see something, or I talk to a film maker and I want to see their film after hearing them talk about it.

And here's a film maker I was able to contact and interview via Skype.  Her film was already on my list to see, but now I want to see it even more.

It's only showed publicly twice - both in Molly's native Canada.  Sunday afternoon will be the US premiere.  Actually, the outside of Canada, World Premiere.

"Given Your History" is about two sisters who get together some time after their mom has died of cancer and they are considering their own danger from cancer "given their history."  Molly points out that she didn't want to do another film about someone who is dying of cancer.  Rather, she says, this is a more hopeful look at the aftermath of the cancer on the daughters.

With the festival starting today, these posts are going to get quick and dirty, as I post on the fly, and minimally edit any video I get.  Note - this was a Skype video and I was in a coffee shop.  And I didn't mean to record the little window with me in it, but it's done and time's getting tight.  Also, the video is a little dodgy because the Skype connection wasn't terrific



Here's the schedule for this film from Festival Genius.  It plays in the Global Village narrative shorts program which has three other shorts that are 'in competition' for awards.  [I've done another post on all the short narrative films in competition.]

3:00 PM     Sun, Dec 07	screens with... Global Village Into The Silent Sea | Andrej Landin 2013 How Hipolito Vazquez Found Magic Where He Never Expected | Matias Rubio 2013 Intermission | Marielle Gautier 2014 Arena | Martin Rath 2013 Till Then | Benjamin Wolff 2014	Alaska Experience Theatre - Large Theatre	+ add to cal
7:30 PM     Thu, Dec 11  (AK Exp - Small)

AIFF 2014: Tony Sheppard Heading To Anchorage - Things Start Tomorrow With Free AM Discussion of Alaska Film Industry

I just ran into Anchorage International Film Festival Founder Tony Sheppard at SEATAC - headed to the festival to staff the hospitality suite.  He's moved to Bellingham, in part to be near is dad.


I've scheduled my return so I'll be back for the festival too.

Tomorrow (Friday) morning at the Bear Tooth  at 11:30am there is  free discussion  of the state of the Alaska Film Industry.  Here's the list of panelists:

Frank Hall Green, Director of WildLikeD.K. Johnston, Executive Producer/Director of Alaska FilmmakersDeborah Schildt, President of the Alaska Film Group & Production Manager at PiksikDave Worrell, Development Specialist at the Alaska Film Production Promotion ProgramKelly Mazzei, Executive Director of the Alaska Film Office
* Free Event *

 WildLike is the opening film Friday evening.

Like last year there will be some interesting off-the-radar events people should consider.  It's really hard with so many things happening at the same time.

Saturday at Loussac at 3:00 there will be a (FREE)  film called The Homestretch followed by a discussion with local folks who work with the homeless.

The Homestretch follows three homeless teens as they fight to stay in school, graduate, and build a future. Each of these smart, ambitious teenagers - Roque, Kasey and Anthony - will surprise, inspire, and challenge audiences to rethink stereotypes of homelessness as they work to complete their education while facing the trauma of being alone and abandoned at an early age. 

Stay after the free screening at the Loussac Library of "The Homestretch" for a panel discussion of the problem of Youth Homelessness in Anchorage . The panel will consist of Josh Louwerse, Outreach Case Manager at Covenant House Alaska; Benita Stepp, Charlie Elder House Program Director; Amanda Metivier, Facing Foster Care In Alaska

This may sound depressing (go see Rocks In My Pocket if you want to learn about depression) but I have to say the most exciting event I went to last year was an interactive film and discussion on the death penalty.


My advice now is to check the schedule at Festival Genius - click on the grid for each day.  There are some problems on my computer - some of the names of the films are obscured - but it gives you a good overview of what's playing and there are useful popups to see about each film/event.

Go to schedule, then click on grid.  Click here for Saturday's grid.

Climbing Prohibited or Aqua Pura MCMVI or Playing With Photoshop

How many buildings have climbing prohibited signs?


Here's the water tower in Seattle's Volunteer Park where climbing is verboten.

Actually, this appears to have been a favorite rock climbing site.    Mountain Project, a rock climbers website, has a "Rock Climbing Guide to 122,093 Routes", including a post dated in 2009 for the water tower.  They have pictures too.

"Description 
Three fun expanses of brick wall, separated by cement ledges. Brick is uneven with lots of little holds and pockets. Route will depend on which side of the tower you choose to climb. Watch out for the cement ledges, from underneath they look positive, but they are slopers!
You can also spend an enjoyable afternoon traversing around the base of the tower. 

Location 
The tower was built as a water reservoir in 1906, but is now empty. It is located in the middle of Volunteer Park in Seattle's Capitol Hill neighborhood. Address: 1247 15th Ave. E
From the inside of the tower, choose your window & anchor spot & that will decide which side of the tower you'll climb.
We climbed the east facing side, just to the right of a tall, very leafy tree. 

Protection 
Climb the inside of the tower and rig an anchor to one of the fixed metal banisters. Feed the rope through the window grating onto the ledge & then use a stick to drop the rope over the edge. Belay from the top, inside the tower. Once the climber reaches the top they will need to be lowered down, as all the windows have grating."

Here's a post card of the water tower from 1909 that was part of the displays once you 'climb' the stairs to the top inside.   

And here's a June 4, 2010 report of an encounter with the police from a Cascade Climber forum:

"Ah, so the sun came out finally in Seattle. No time to make it to the mountains to climb, so thought I would go for a quick session on the water tower at Volunteer park. The tried and true training ground for the broke Seattle climber.  
I get a few laps in, when I hear "Sir! sir! Get down off of there!". I hop down (from a whopping 2ft) and am approached by a Seattle police officer (along with a parks employee hiding in his truck). The cop tells me that the tower is "private" (!!) property and that it is only to be used for its intended purpose. I tell him that I'm pretty sure its public property and that people have been traversing it for DECADES without incident. At which point he says, "Are you arguing with me? I am a POLICE officer, do you want to go to jail?". I say, "No.. I'm just trying to understand this. Why not put a sign up then? To notify people of the rules, because this is the first I've heard of this" To which he replies, "it wouldn't do any good, people will climb on it anyways" (um, OK!?). I head back to my car, while he sticks around waiting for me to leave.
I considered being arrested, just to see if any of this would hold up. Anyone have insight in to this? Are they justified at all? At any given day there is someone traversing the tower, are they for real?!
Anyone want to plan a water tower climb-off-protest in the near future...?"

Well, now they have a sign.  (Was the cop celebrating the anniversary of Tiananmen Square by harassing the climber?)

Now, More Pictures Of The Tower With Some Photoshop Help

Of all the updated programs I'm dealing with now that I have a new computer, Photoshop (CS6) is the one that's giving me the fewest challenges.  I'm not sure what exciting new things I can do with it, but what I do like is that all the basic functions I use all the time, work they way they did in the CS3 version I was using before.  In all the others - from Safari, to iMovie, to, well everything - the basic moves are all frustratingly different.  Photoshop is, so to speak, still in English.  

So here are some experiments I did with my water tower photo.  First the original.  

This is the original.   It's pretty boring, especially since the sunny parts are overexposed and the parts in the shade are underexposed.


In the picture of the tower way up above, I just did simple adjustments so the parts in the sun got a lower exposure and the parts in the shade got a higher exposure.  Oh, yeah, I added the spider.  I took a photo of a  spider I had, but because it was so small a photo, I touched it up to make it bigger.


But then I started to have some fun.







I did this one using curves under image adjustments.

This one used the 'glowing edges' filter.

I got this one with the gradient map  (in Image Adjustment) - using Yellow, Violet, Orange, Blue.


















My favorite is this one using the water color filter

Click here for help with Roman Numerals.

Towels, Grate Art, Janet K. West, And Why I Haven't Posted About Ferguson - Choosing The Worlds We See

The Ferguson Grand Jury decision begs to be written about - and many, many people have given that beggar alms.  There's lots to write about Alaska's new governor and lieutenant governor.  The stock market is at record highs while so many people are barely scraping by.  What about the metamorphosis of our 'knowing' of Bill Cosby?

But my attention lately hasn't been controlled by cable news, newspapers, or even internet news.  No, it's been strongly influenced by two youngsters both under two years old.  That world looks very different.  I have posts bubbling up on "Why Do Toddlers Hate Naps?";  "Gaining Power By Learning To Put Words Together"; and  "How Babies Know Babies From Adults".

This post is going to focus on things we examined on a walk the other day.

Grate Art

This collage gets a little busy, but the busyness does suggest how much there is to observe in these generally unseen parts of our daily lives.  And it shows that even engineers consider aesthetics for their most mundane products.  And I couldn't help comparing the pattern on my little shark's hat, that her uncle knitted for her, to the grate art.

This puffball we encountered seemed to fit into this set of pictures well.  

But back to grates.  Here's a grate around a tree.  And in the next picture you can see what the arrow is pointing to, as people have taken this practical way to protect and water these trees stranded on sidewalk, to also honor someone they held in high esteem.

The grating does look a bit like an old zoo cage.  Does this tree feel imprisoned here?  Isolated from its tree friends?  The word we use for people, probably doesn't match what plants 'feel', but if you think this thought is totally ridiculous, read this at Scientific American.  There's so much we don't know.

I had a good feeling about Janet K. West after seeing this plaque.  However, the cynic in me also knows that anyone can buy an indulgence and replace one's past with a  rosier image.  The Catholics may have officially banned this practice, but Americans have embraced it.  Just look up the real stories of the many people whose money has put their names on public buildings and spaces.

So I did some searching about Janet K. West, and the little I found seemed to confirm that she deserved a plaque.

The first hit wasn't solid evidence, but a piece of data to be weighed along with whatever else I could find.  From the Housing Resources Board

Janet West 

This development was named after Janet West, a past mayor of Bainbridge Island and long time advocate of affordable housing. It is a nine-unit bungalow style complex consisting of one two-bedroom and eight one-bedroom apartments.

This sounds good.  There are lots of reasons they could have given, and being an long time advocate of affordable housing is a good one.  But alone, it's not convincing.  We can write anything about anyone.  But then I found a book chapter that Janet K. West wrote.  Here are just a couple of excerpts, but anyone who voluntarily gives up their power so that others can achieve more fully, especially teachers, is ok in my book.

"The biggest discovery I made when I started to have students evaluate their own work was that often they were the only ones who could do it. To put it another way, I realized I couldn't always teach them because only they could discover what they needed to learn. This revelation came when a writing class of college-bound students was working a painful route through Loren Eisley's Immense Journey. I wanted to see how much of the man and his attitudes they'd begun to discover. We had struggled with vocabulary, style, and ideas. I say "we," for I too was struggling to find means to help them cope. They took dialectic notes. We had had almost page-by-page oral analysis. They had written precis. Nothing broke through the wall of frustration, confusion, misconception, even hostility that grew higher daily. So along about Chapter Five, I turned to an exercise I'd learned to use in literature classes to help students understand the characters- the bio- poem. This time, though, they were to write one about the author."

A biopoem?  I didn't know what that was.  But  Read Write Think quickly remedied that.  Here are  the first of the 12 lines of a biopoem:

"How to Write a Biopoem 

(Line 1) First name 

(Line 2) Three or four adjectives that describe the person 

(Line 3) Important relationship (daughter of . . . , mother of . . . , etc)"

And the end of the Chapter:

"With so much going for it, I'm embarrassed to think how long it took me to discover peer evaluation. I knew, with a kind of desperation, that my students would be weaned (if only by graduation) and only by happy circumstance would have a college roommate, a secretary, or a spouse to do for them what I'd been doing-showing them the weak- nesses and errors in their writing. I also knew I hadn't provided them with enough tools or practice to do the job for themselves, to be their own evaluators. Now I feel more confident that these vital dimensions are being added to their education, largely through use of writing-to- learn exercises, which frequently require sharing and peer response. It has benefits for me, too. I can and do assign more work in smaller chunks, while actually decreasing my paper-grading load, because most of the small assignments lead to formative evaluation. Both my students and I know more clearly what I'm looking for when I grade the final product. I have a much clearer idea of the quality to expect when I read that product. Best of all, they've learned more: about the subject, about themselves, and about learning."

I can relate to this.  I used to harangue my grad students that they had to learn to think for themselves.  What were they going to do when they graduated and no longer had teachers to tell them what to read and then helped them figure out what it meant?  They were going to have to do it on their own.  So, yes, I think I'd like Janet K. West and I'm glad I got to meet her with my little shark as we walked down the street and paid attention to the little things around us, without any thought of Ferguson or Cosby.

Oh yes, the towel up on top.  It was hanging on the bench at the playground.  When we went back the next day, it was still there and I thought we could use it to dry the slide, which had some ice and snow on it.  But when I picked it up, it was frozen solid.

The shark decided to skip the slide, but had a great time on the swing after I used some leaves to dry the seat.  And she learned a little bit about the effects of cold.









I'm not saying we shouldn't pay attention to the Fergusons, Cosbys, and other national and international events.  But let's put them in perspective.  If we all could enjoy the little wonders around us, perhaps we'd have more joy and less hate altogether.

And as I write about Janet K. West, I realize I know nothing about her but these tidbits.  And possibly the people who admired her didn't know about or ignored some hidden trait she had that cast her in a less positive light.  We all have done or said things we wish we could take back.  We have to learn to understand the complexity of human beings who so often combine both great, admirable qualities  with darker ones.  And we have to figure out ways to minimize the darkness and find just ways to deal with the darkness when it casts shadows on the greatness.

Being with young, young children helps one concentrate on the possibility inherent in each person and reflect on what mysterious (and not so mysterious) forces stain, or even derail those possibilities in so many.  Reading great literature from many cultures, reminds us that the complexity of humans has been around since the beginning in every culture.  

AIFF 2014: Short Narratives In Competition: A Box of Chocolates

This category is like a box of chocolates - lots of little delicious bites of films.  So many choices, which should you pick?  Which will be best?  I haven't seen any of these films, but I've gathered crumbs from each, but not enough to spoil the surprise.

The Short Narratives in competition are spread over three different short narrative programs.  Plus there are several other Short Narrative programs.  I've color coded the programs - the reds are in Global Village, the greens are in Love and Pain, and the purple is in Mixed Bag.

OVERVIEW

1. THE LIST OF SHORT NARRATIVES IN COMPETITION
2. DESCRIPTIONS OF EACH GROUPED BY THE PROGRAMS THEY'RE IN
3. LISTS OF THE OTHER SHORT NARRATIVE PROGRAMS

1.  THE LIST OF SHORT NARRATIVES IN COMPETITION

Narrative Shorts In Competition √
Film	Director	Country	Length	Program
Arena	Martin Rath	Poland	23m	Global Village
Given Your History	Molly McGlynn	Canada	15m	Global Village
How Hipólito Vázquez Found Magic Where He Never Expected To Find It  [De cómo Hipólito Vázquez encontró magia donde no buscaba]	Matias Rubio	Argentina	15m	Global Village
Till Then [Bis Gleich]	BenjaminWolff	Germany	20m	Global Village
Tom in America	Flavio Alves	Brazil	17m	Mixed Bag
Universal Language	Kirsten Russell	USA	35m	Love & Pain
What Cheer?	Michael Slavens	USA	17m	Love & Pain

[UPDATE, Dec. 6, 2014:  It turns out I left out Full Windsor - a super short narrative in competition.  It plays in the Love and Pain program.]

2.  DESCRIPTIONS OF THEM GROUPED BY THE PROGRAMS THEY'RE IN

There are four films in competition in the Global Village program.

Global Village - Shorts Program

Sun, Dec 07 3:00 PM  AK Experience Large   Thu, Dec 11      7:30 PM  AK Experience Small

Into The Silent Sea | Andrej Landin 2013  **How Hipolito Vazquez Found Magic Where He Never Expected | Matias Rubio 2013    Intermission | Marielle Gautier 2014  **Arena | Martin Rath 2013   **Given Your History | Molly McGlynn 2014    **Till Then | Benjamin Wolff 2014    **= films in competition

Screenshot from trailer - "shot in a perpetual twilight"

Arena
Martin Rath   
Poland
23m √

Culture.Pl lists this Polish film, with a German director,  among The Most Interesting Debut Films of 2013

It won what appears to be the main international prize at the Cork Film Festival where they posted this brief assessment:

"Grand Prix International (€1,000)
Martin Rath, Poland
Jury Statement: From the first to the final frame, Arena maintains a threatening ambiguity. Shot in a perpetual twilight, things are always about to get dark, and Rath’s immense skill is to hold the tension as the film oscillates between machismo and sensitivity.
Cork Short Film Nominee for the European Film Awards 2014

ARENA"

From the Krakow Film Festival:

"A hitchhiker is taken in by an remote Polish mountain community. Absorbed by the charismatic locals and unforgiving harshness of his new environment he constitutes his presence in the mountains. But to whom do we have to prove of what we're made?"

Part of Global Village Program that plays:

Sun, Dec 07 3:00 PM  AK Experience Large  

Thu, Dec 11      7:30 PM  AK Experience Small

***********************************************************


Given Your History

Image from  National Screen Institute Canada:

Canada
15m √

This is the US premiere of this film.  It's only been publicly shown once so far - in Hamilton, Canada

From the National Screen Institute Canada:

NSI Drama Prize short Given Your History, from writer/director Molly McGlynn and producer Laura Perlmutter, is getting even more festival exposure.
Next month it screens at the Hamilton Film Festival on Saturday, November 8 at 9 p.m. as part of the drama shorts 2 programme at the Staircase Theatre.
The short also screens in Alaska in December at the Anchorage International Film Festival as part of their short film selections.
Given Your History is an honest look at two sisters trying to move on after their mother’s death from breast cancer.

This means, Anchorage audiences will be among the first to see this film, and it's possibly an US premiere.  There apparently has been a shorter (4 minutes) version that's played in fesitivals Seattle and elsewhere.

Part of Global Village Program that plays:

Sun, Dec 07 3:00 PM  AK Experience Large  

Thu, Dec 11      7:30 PM  AK Experience Small

***********************************************************

How Hipólito Vázquez Found Magic Where He Never Expected To Find It  [De cómo Hipólito Vázquez encontró magia donde no buscaba]
Matias Rubio
Argentina
15m √

From Two Short Nights Film Festival website:

"Hipólito Vázquez is a talent scout. With his loyal partner Cholo, he is looking for a little child whose supposed to “do magic with the football”. Therefore they go on a long journey to the distant Club “La Camelia” following the advices of a mystery man. But as the trip goes along, not everything goes as planned and maybe what he ends up discovering was not exactly what he expected to find."

Based on a map on the films Facebook page, this appears to be only the third US showing.  It got the Grand Jury Prize at the Indiana Short Film Festival in October this year.

Part of Global Village Program that plays:

Sun, Dec 07 3:00 PM  AK Experience Large  

Thu, Dec 11      7:30 PM  AK Experience Small

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Image from Spiffest

Till Then [Bis Gleich]
Benjamin Wolff
Germany
20m √

From a review by Beth Groundwater at the Breckenridge Film Festival:

"A man and a woman sit at their respective windows across from each other on a busy street in Berlin, Germany, and observe the interesting minor dramas unfolding on the street below them. They never speak, but they acknowledge each others presence. But then one day the man does not appear. What should the woman do?
Instead of relying on on a preponderance of dialogue to express emotion and move the story forward, the scriptwriter, Tara Lynn Orr, and director, Benjamin Wolff, expertly use the characters' actions to tenderly reveal the story to the viewer, the courage it takes for the woman to act, and the bittersweet result. This nineteen minute smile awaits you!"

Part of Global Village Program that plays:

Sun, Dec 07 3:00 PM  AK Experience Large  

Thu, Dec 11      7:30 PM  AK Experience Small

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Two films in competition in the Love & Pain program.

Love & Pain - Shorts Program

Sat, Dec 06  12:00 PM    Alaska Experience Large Thu, Dec 11  6:00 PM     Alaska Experience Large

Four Brothers. Or Three. Wait ... Three. | Philip Buiser 2013 The Mourning Hour | Susan Cohen 2013 **Universal Language | Kirsten Russell 2014 Beneath the Trees | Kitty Mahoney 2014 Reaching Home | Kenneth Murphy 2013 Full-Windsor | Faraday Okoro 2014 **What Cheer? | Michael Slavens 2014 **= films in competition

[UPDATED 12/6:}  Full Windsor

Image from Ari Fulton Design for Stage and Film

Faraday Okoror
USA
6m

A 10 year old boy battles his mother in order to wear his father's tie to school.

Part of Love & Pain Program that plays:
Sat, Dec 06  12:00 PM    Alaska Experience Large

Thu, Dec 11  6:00 PM     Alaska Experience Large

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Universal Language
Kirsten Russell
USA
35m √

Excerpt from Universal Language's Kickstarter page:  (It got more than its $3500 goal)

"In the spring of 2013 I had plans to be in Austria for two weeks.  I got a call from a long-time friend (and gifted actress), Frederique Nahmani who had moved back to France.  And she threw and idea at me.
"If you're going to be in the neighborhood, why not swing over to Paris...and shoot a little film."Now what normal person, let alone filmmaker, is gonna turn that down?
the scriptI just had to write a script. So I started with the most obvious thing…the language. Or for me the language barrier since I'd be shooting a film as a stranger in a strange land.  I knew who my lead actress would be (clearly Frederique) and since I like to write for specific actors, like dysfunctional muses, I approached Marcel Simoneau, another long-time friend and filmmaking buddy.  And with these two, I made up Dan and Sophie... "

The film she did for Kickstarter probably gives us a good introduction to the film:

There's a long interview at FilmCourage if you want to know more.

Part of Love & Pain Program that plays:
Sat, Dec 06  12:00 PM    Alaska Experience Large

Thu, Dec 11  6:00 PM     Alaska Experience Large

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What Cheer?

Michael Slavens

USA

17m √

It's hard to find something about a lot of these movies that isn't just a copy of the official description of the movie.  I want you to get a sense of the movie without giving anything away that might spoil it.  So, here's what a film maker Patrick Longstreth wrote on his blog 

"One of my favorites was “What Cheer?” starring Richard Kind. We shared a Q&A with director Michael Slavens, who is a thoughtful filmmaker and really nice guy. I was very happy to see his film win the “Filmmaker’s Favorite” award."

What Cheer?  won the The Black Bear Award for Best Use of Sound at the Athens (Ohio) International Film Festival.

Part of Love & Pain Program that plays:

Sat, Dec 06  12:00 PM    Alaska Experience Large

Thu, Dec 11  6:00 PM     Alaska Experience Large

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And one film in competition in the Mixed Bag Shorts Program:

Mixed Bag  - Shorts Program

Thu, Dec 11 8:00 PM    Alaska Experience Large

One Armed Man | Tim Guinee 2014 Samantha '66 | Dan Wainio 2014 **Tom in America | Flavio Alves 2014 The Ladder | Pete Fitz 2013 Zugwang | Yolanda Centeno 2014 **in competition

Tom in America

Flavio Alves

Brazil

17m √

This one only plays once as far as I can tell.  And although its director is a Brazilian and this is categorized as a Brazilian film, it takes place in New York, with a couple who celebrate their 50th anniversary, and then . . .  It stars two academy award nominees - Sally Kirkland who was nominated according to Wikipedia

"1987 for Anna, for which she won the Golden Globe Award for Best Actress in a Drama"

and Burt Young, who, again according to Wikipedia, was also nominated for his role

"as Sylvester Stallone's brother-in-law Paulie in Rocky (1976), for which he received an Oscar nomination for Best Supporting Actor."

He's also been in a lot of other well-known movies television shows from Chinatown to M*A*S*H and the Sopranos.

The clip below is NOT the official trailer, but the opening theme scored by Walter Schick.

Part of Mixed Bag that plays:

Thu, Dec 11 8:00 PM    Alaska Experience Large Unfortunately at the same time as Global Village Program with four other Short Narrative films in competition.   So see Global Village on Sunday Dec. 7 at 3pm

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3.  LISTS OF THE OTHER SHORT NARRATIVE PROGRAMS


Three More Narrative Shorts Programs:

• Alaska Grown (Thursday 8pm), 
• Mexican (Friday Dec 12)  and 
• Chinese Short Film Programs (Sun Dec. 14)

Plus fifteen, mostly 2 minute, shorts from kids in the Iditarod School District.

Alaska Grown

Sat, Dec 13  5:00 PM   Alaska Experience Large

Russian Jack | Jonathan Lang 2014 Speak No Evil | James Elden 2014 Wrong Side Up | Henry McComas 2014 STORYTELLING | the movie | Stefanie Black 2013 Six Dead Bodies Duct-Taped to a Merry-Go-Round | Kevin T. Bennett 2014 Look What You Did | Eirin Strickland 2014 Beneath the Trees | Kitty Mahoney 2014

Short Films From the Guanajuato International Film Festival

7:00 PM     Fri, Dec 12  Alaska Experience Theater - Large

Under The Sun [Bajo el sol] | Arcadi Palerm 2012  Fifteen Years [Quince Años] | Liliana Torres 2012  An Eye [Un ojo] | Lorenza Manrique 2012  No Brakes [Sin Frenos] | Pancho Ortega  Eskimo [Eskimal] | Homero Ramírez 2011

UAA Confucius Institute  Short Films from China

Sun, Dec 14  2:30 PM  Alaska Experience Large

Return to Prairie | Liqi Yi Can’t Piss | Xinqi Song Summer Secret | Zeng Zeng Grandfather’s Wishes | Yu We

There are also feature films as part of the Mexican films and the Chinese Films.