Why Many Of My Videos Won't Work For A While

Viddler, a site similar to Youtube in that you can put videos there and then embed them into your blog post, recently notified me they were shutting down the free accounts.   I posted about this once March 2, 2013.

I used YouTube in the beginning, but uploading was very slow and videos had to be very short.  So one day I discovered Viddler and found they uploaded faster, they had sharper images, and you could upload longer videos.  So I switched over.  That was back in August 2007. 

In 2010 Viddler sent out emails to members saying they were going to convert to paid accounts only.  I told them about my blog, that I was an early adopter, and all the trouble it would cause me to replace all the video on my blog. I suggested they let me continue free as an early adopter.  I'd even put up my only ad for them as a sponsor of my blog.  They agreed in concept, but it turned out they just backed down on closing down the free accounts.  But I got the message.  Meanwhile, Google had bought YouTube, and the quality there was much improved.  So I started using YouTube as my main server for video on the blog.  Once the video is on the server, you can get the embed code and put that in your blog (or on your website) and the video appears.

So about a month ago, I got the new email that they were now closing down the free part of their website.  I had 478 videos on Viddler.    So I've been busily downloading.  I had some problems and the staff were very prompt and helpful.  They even offered me a way to batch download the videos, but I couldn't make it work.

In any case, with the exception of about a dozen videos in December 2008 which had some sort of problem they've said they'd try to fix, I think I have everything downloaded.  Today was the deadline, but they assured me that they wouldn't shut down my page until I had it all done.

So now I'm uploading videos to YouTube so I can swap out the Viddler hosted videos for Youtube hosted videos.  In the near future, the ones that were Viddler will probably stop working.  I'm starting to replace the most recent ones - and I really haven't used Viddler that much recently.  So I think I might get 2014 and 2013 taken care of before the account closes.  Most of those I saved originally to YouTube.  It's the older ones that will take a while and may be unviewable until I get them swapped out.  If I can do ten a day, I could get them done in a couple of months.  

MENO, ewok, Bisco, and Will - Graffiti Artists At Innovation Lab

I've been posting now and then about graffiti and graffiti artists.  The film Exit Through The Gift Shop gave me some sense of graffiti artists and I've paid more attention to what I see on the streets.  I get curious about who the people are, why they are using public

spaces to put up their messages. 

When I went to the Innovation Lab to meet its director Darla Hane, she told me that graffiti artists were coming.  While I was there they began showing up carrying work.


Arielo Taylor (Bisco)  and ewok were the first two to bring stuff in - their own and others.

Arielo (Bisco) Taylor's spider and wolf

ewok's work

There was some talk about what graffiti actually is.  Is it still graffiti if it's done on wood or canvas and hung on a wall  instead of spray painted on?  What about stencils?  Stickers?  Tags? 


This isn't the first time these artists have had their work displayed indoors like this, but they thought this was probably the biggest collection of graffiti art in Anchorage.

MENO's work

I recognized the name MENO immediately.  I'd seen it around town.  And there was a MENO piece at an Out North event, and I asked if he were around.  But he wasn't.

MENO showed up later at the Innovation Lab. 

And he was ok with me taking a picture.  He doesn't work on public walls since he was arrested and paid a fine of over five thousand dollars.  His signature is very distinct and easy to read.












One of the other artists there was Will.  The eye was inked on paper and then Will cut out all the white areas.  I've seen very good Chinese paper cut art, but this was something else altogether. [Note, font for "Will's Eyes" from fontmeme.]

Here are some of his works there (in addition to the eye).  I immediately assumed the picture in the lower left was a self-portrait and Will confirmed that.


It's clear to me that these guys aren't just guys with spray cans.  They have a real sense of art.  I'd encourage Anchorage folks to drop by the innovation lab at Loussac - 4th floor where audio/visual used to be - while this stuff is up.  And it's for sale.

And try to find Darla and see how you can use or be of use to the lab. 

Don't Forget To Turn Your Clock Ahead

Timeanddate writes:

The idea of daylight saving time was first conceived by Benjamin Franklin in 1784 during his stay in Paris. He published an essay titled “An Economical Project for Diminishing the Cost of Light” that proposed to economize the use of candles by rising earlier to make use of the morning sunlight.

National Geographic adds:

While serving as U.S. ambassador to France in Paris, Franklin wrote of being awakened at 6 a.m. and realizing, to his surprise, that the sun rose far earlier than he usually did. Imagine the resources that might be saved if he and others rose before noon and burned less midnight oil, Franklin, tongue half in cheek, wrote to a newspaper.

"Franklin seriously realized it would be beneficial to make better use of daylight, but he didn't really know how to implement it," Prerau said. . .

It wasn't until World War I that daylight savings were realized on a grand scale. Germany was the first state to adopt the time changes, to reduce artificial lighting and thereby save coal for the war effort. Friends and foes soon followed suit. In the U.S. a federal law standardized the yearly start and end of daylight saving time in 1918—for the states that chose to observe it.

Both pieces have lots of information including pros and cons and research links that say DST is beneficial and harmful to energy use and to health.

As long as we have it (doesn't make too much sense in Alaska), I still propose that in the spring, we jump ahead at 4pm on Friday afternoon instead of on the weekend. 

Maker Space - Fab Labs - Darla Introduces The Innovation Lab At Loussac

I'd heard of Maker Space, but hadn't been to one.  The closest, conceptually, I think, was at Off The Chain and Bikerowave, do it yourself bike repair shops with all the tools you need, most of the parts, and someone telling you how to use them.  But those are aimed pretty much making an existing technology work.

Maker Space, as I understand it, aims at creating things that don't exist yet.  It brings together creative people in a lab space with tools and equipment to make what you can imagine with folks willing to help.  Fab labs I'd never heard of, but Darla, on the video, explains they are MIT related.

Darla's an Americorps volunteer in Anchorage for three months so far, whose job it is to create a maker-like-space at Loussac's old audio/visual room on the fourth floor.








Is this a Maker Space?  Not exactly.  It can't handle some of the tools you'd find in other maker spaces - like blow torches.  And it's not a fab lab.   So what is the Innovation Lab then?

After talking to Darla, I'd say it's an idea that is evolving and that she wants as many folks as possible to help make this a space that will help connect people and ideas that go beyond the mundane.  Given all one can find online, I'd say this space has to take advantage of what you can't do online - have people getting together in person.  It's a great space - the old audio visual room of the library.  And Darla's got a 3-D printer on order.

In the back, there are different projects like this TEDx sign for the Anchorage TEDx day in the Marston Theater at Loussac on March 30.  [29 - noon to 7pm]  [I didn't notice that the Anchorage TEDx page is for 2013.]









When I was there, some local graffiti artists were bringing in work that will be on display in the lab for the next month or two.  I'll do another post on that. 

If you have ideas on how to use the lab, give Darla a call.  The basic requirement is that what you do is open to the public.  And, I assume, priority goes to people promoting the exchange of innovative ideas.

When you're at Loussac, go up to the fourth floor and check out the space.  And say hi to whoever is there and talk to them about how they use the space and what they would like it to be.

Think of this as a piece of social community art that we are all going to create. 

Exxon-Valdez Almost 25 Years Ago - Plus Some South African Courage

In anticipation of the 25th anniversary (March 24) of the Exxon-Valdez oil spill, retired UAF professor Richard Steiner has a Huffington Post reflection piece Exxon Valdez 25th Anniversary: Lessons Learned, Lessons Lost.

Here are the titles and you can go to the piece to get the details.

1. Oil spill "cleanup" is a myth:
2. Oil spills can cause long-term environmental damage:
3. Oil spill restoration is impossible:
4. Officials habitually understate spill risk, size, and impact:
5. Prevention is key:
6. Citizens' oversight is critical:
7. Liability motivates safety:
8. Oil money corrupts democracy:
9. It's time to end our oil addiction:
10. Need for a sustainable society:

Steiner essentially lost his job for standing up against the oil companies.



Another man who stood up at great personal risk is Horst Gerhard Hermann Kleinschmidt.  From South African History Online, here are some excerpts of a life of a man who stood up to unjust power.

Kleinschmidt comes from a family of missionaries, the earliest of whom arrived at the Cape in 1811. In 1814, Missionary Hinrich Schmelen married one of his catechists, a woman of Khoi-khoi origin he met in Pella on the Gariep, later the Orange River. They lived in Komaggas, Northern Cape where one of their three daughters married Missionary Heinrich Kleinschmidt in 1842.

n particular, three events clouded his career prospects: he had organised for a black speaker to address the students on campus – something the authorities disallowed; he wrote articles about black education, had these published in the local student magazine and provided hundreds of extra copies for students at black campuses where publications containing dissent were not allowed. In 1969 he and other leaders led a student march to the infamous John Vorster Square police station where Winnie Mandela and 20 other people were being held without charge or trial. The protest was against detention without charge or trial. For leading the march he and others were arrested, charged and found guilty under the Riotous Assemblies Act (General Laws Amendment Act). The Rector of the Education College warned Kleinschmidt that he had placed his education career in jeopardy.

In 1971, Kleinschmidt was charged under the Suppression of Communism Act for possession of banned (forbidden) literature after a raid on his flat in Cape Town. The raid resulted from the arrest and murder by the police of Ahmed Timol. Timol appeared to have an address list on which Kleinschmidt’s name appeared. Kleinschmidt was acquitted in court with a warning. . .
In 1972, he started work for the South African Christian Institute led by Dominee Beyers Naude, the dissident White Afrikaner leader. Appointed at the same time was Steve Biko, founder of the Black Consciousness movement in South Africa. The two had collaborated since student days. In that year, the authorities permanently withdrew Kleinschmidt’s passport, preventing him from traveling abroad. When Winnie Mandela was imprisoned for six months in 1974, for breaking her banning order, Nelson Mandela (from prison on Robben Island and through his attorney) and Winnie Mandela, appointed Kleinschmidt as the legal guardian of the two Mandela daughters, Zindzi and Zenani. 1974, the all-white Parliament of South Africa appointed a Commission to secretly probe the activities of the Christian Institute and other organisations. Together with the other leadership of the Christian Institute, Kleinschmidt refused to testify unless the proceedings were held in the open. For this they were charged under the Commissions Act. In Kleinschmidt’s case a ‘mistrial’ was recorded due to technical errors committed by the prosecution. His wife at the time, Ilona Aronson was sentenced to six months imprisonment. But when she presented herself at the prison, she found that an anonymous person had paid her fine. It later transpired that a white politician had arranged payment to prevent her from becoming a martyr to the anti-apartheid cause. In 1975, Kleinschmidt was detained under Section 6 of the Terrorism Act that gave the police powers to detain and interrogate persons without charge or a court hearing. He spent 73 days in solitary confinement. The police suspected him of having been recruited by an underground organisation led by the Afrikaans poet, Breyten Breytenbach who was arrested on the grounds of forming an illegal organisation. When no links between the two could be established, Kleinschmidt was released.

Read the whole bio here.


Makes me feel like I should get to work. 

Taking a Break on a Snowy Day

Wet snow.  Fog.

Ravens gather in cottonwood.

Short break.  Change of scenery.

Russian Jack greenhouse.

Add a little color to gray white day. 

AIFF 2013: Iranian Film Makers Talk about Their Future

Plot 1
She's won a fellowship to leave Iran to study in Berlin.  Her fiance is happy for her.  She's planning her trip when she's raped.  And nothing is the same.

 Plot 2

Film makers' movie gets accepted in film festival in Anchorage, Alaska.  They travel to the festival and meet a lot of people including a blogger who covers the festival.  "Everything is Fine Here" wins honorable mention in the feature category.  They meet with blogger after the festival to talk about their film and their future plans.  

How often do you get to talk with Iranians?  I wanted to know more.  I talked with Pourya Azarbayjani and Mona Sartoveh for about 90 minutes partly in English, but also with the help of a local Farsi speaker. 

Finally I asked them to just talk on camera, without being interrupted with interpretation.  We'd get the interpretation later.

A couple of weeks or so ago, I met with the interpreter and we discussed her interpretation and played around with different words to express what they had said.  And we decided not to try to add subtitles to the video, but rather put the English translation below the video in the post.

So, watch the short video and see how much you can pick up from the body language and tone of voice.  Then read the translation below.





The translation:

Steve:  Ok, you have come to the US and you plan to stay for the moment, you have a sister in Boston, So what do you expect to do for the next three years?

Pourya:  We have decided for now to stay here for a couple of reasons.  The first is to learn how to speak English well, because we can reach more people if we can tell our stories in English than we could in Farsi.  And it is easier to tell these stories in English because there are so many people here who have come from all around the world. We believe we have come to the right place, because of all the people who have come here with the American dream to build their lives and because they have so many different backgrounds and cultures, there are so many different stories to tell.  And I believe that here it’s possible to tell these stories. 

We decided in the next three years to make a film, a very good film, Mona and I together. And we’re hoping that first we can raise the money, and second, we can learn how to reach the American audience, and then the rest of the world. 
Mona, do you agree?

Mona:  I agree with you completely.  I hope we’ll succeed.  I’m sure we will. 

Pourya:  The most important thing is this.  As two Iranians, we love all the people from around the world from any nation, religion, and race.  We believe it’s time that borders and religions should not separate human beings.  We, before anything else, are human.

Exxon Valdez Case Study on Environmental Accounting

There are a couple of opportunities at UAA this week to hear Dr. Mark Brown from the University of Florida.

 TUESDAY, MARCH 4
7 p.m. Rasmuson Hall, Room 101

 

Energy & the Economy: Reflections on Sustainability
Using systems principles, the economy from a biophysical perspective is a hierarchical interconnected system of resource and monetary flows, driven by available energy and resources. The ability of the environment to support human society is limited, and we need to reconsider the ways we use, measure, and economically value the material resources we consume. We must understand the limits of sustainability as a solution to our energy needs, and develop guidelines for a “prosperous way down”.

WEDNESDAY, MARCH 5

Noon,
Eugene Short Hall 214

“Emergy” Values of the Marine Ecosystem:
Environmental Accounting for Recovery of Ecosystem Values after Disasters, Using the Exxon Valdez as a Case Study

“Emergy” is an environmental accounting methodology that evaluates goods and services based on the environmental and economic work needed to make them, not human preferences or utility. The Exxon Valdez oil spill will be used to demonstrate this methodology, and assess and discuss the costs of several mitigation strategies to avoid spills in the future.

DR. MARK BROWN is a professor of Environmental Engineering Sciences and director of the Center for Environmental Policy at the University of Florida. His research is focused on the interface of humanity and the environment including systems ecology, ecological engineering, ecological economics, and environmental policy. For six years Dr. Brown was a consulting ecologist to The Cousteau Society, working with research teams to develop solutions to a wide array of resource management problems that affect marine resources throughout the world.

From Kiev to Crimea is about the same as from New York to ?

The Russians have moved into the Crimean Peninsula, but I'm guessing only about two or three Americans out of a thousand could point to Crimea on a map.  So here's a post to raise those numbers.

First, here's a map of Europe with Ukraine in the black box.

Basic map from Infoplease

The black square is enlarged below, with the Crimean Peninsula highlighted in the black box. 

Just to get a sense of things, Kiev is about 430* air miles from Sevastapol.  Here are some other cities that are about the same distance apart.

Paris to Munich New York to Detroit Mumbai to Bhopal St. Louis to Ann Arbor Hanoi to Chiengmai Seattle to Calgary*

I understand that Russia's action is a big deal.  But it's also, apparently, a common event in this region.  From Wikipedia:

Crimea, or the Crimean Peninsula, located on the northern coast of the Black Sea, currently under the jurisdiction of Ukraine, has a history of over 2000 years. The territory has been conquered and controlled many times throughout this history. The Cimmerians, Greeks, Scythians, Goths, Huns, Bulgars, Khazars, the state of Kievan Rus', Byzantine Greeks, Kipchaks, Ottoman Turks, Golden Horde Tatars and the Mongols all controlled Crimea in its early history. In the 13th century, it was partly controlled by the Venetians and by the Genovese; they were followed by the Crimean Khanate and the Ottoman Empire in the 15th to 18th centuries, the Russian Empire in the 18th to 20th centuries, the Russian Soviet Federative Socialist Republic and later the Ukrainian Soviet Socialist Republic within the Soviet Union. In 1991 it became part of independent Ukraine, as the Autonomous Republic Crimea.

And while there will be calls for the US President to take decisive action, it makes sense to look at the geography of the Crimean Peninsula first.  It's almost inside Russia. It's as close as Mexico to the US.  You know how the US would respond to a military incursion by Russia or China in Mexico.  Russians will respond the same way.  Realistically, there's not a lot we can do militarily that wouldn't cause far more harm than doing nothing.  (But then Iraq and Afghanistan are distant memories for many.)  Our response will have to be patient and more nuanced than missiles and bombs.  First we should look at maps and maybe read some history.  Diplomacy and economics will be far more effective weapons in the long term. 

We tend to remember a place first by our own involvement in it.  If Americans know anything about the region, it's from Yalta and from the Crimean War, whose lasting legacies through the English to the US, include  Florence Nightingale,  and the Charge of the Light Brigade, a terrible debacle for the British.

The Charge Of The Light Brigade
by Alfred, Lord Tennyson Memorializing Events in the Battle of Balaclava, October 25, 1854
Written 1854


Half a league half a league,
Half a league onward,
All in the valley of Death
Rode the six hundred:
'Forward, the Light Brigade!
Charge for the guns' he said:
Into the valley of Death
Rode the six hundred.

'Forward, the Light Brigade!'
Was there a man dismay'd ?
Not tho' the soldier knew
Some one had blunder'd:
Theirs not to make reply,
Theirs not to reason why,
Theirs but to do & die,
Into the valley of Death
Rode the six hundred.

Cannon to right of them,
Cannon to left of them,
Cannon in front of them
Volley'd & thunder'd;
Storm'd at with shot and shell,
Boldly they rode and well,
Into the jaws of Death,
Into the mouth of Hell
Rode the six hundred.

Flash'd all their sabres bare,
Flash'd as they turn'd in air
Sabring the gunners there,
Charging an army while
All the world wonder'd:
Plunged in the battery-smoke
Right thro' the line they broke;
Cossack & Russian
Reel'd from the sabre-stroke,
Shatter'd & sunder'd.
Then they rode back, but not
Not the six hundred.

Cannon to right of them,
Cannon to left of them,
Cannon behind them
Volley'd and thunder'd;
Storm'd at with shot and shell,
While horse & hero fell,
They that had fought so well
Came thro' the jaws of Death,
Back from the mouth of Hell,
All that was left of them,
Left of six hundred.

When can their glory fade?
O the wild charge they made!
All the world wonder'd.
Honour the charge they made!
Honour the Light Brigade,
Noble six hundred! - See more at: http://www.nationalcenter.org/ChargeoftheLightBrigade.html#sthash.cuFNI4jM.dpuf

The Charge Of The Light Brigade

by Alfred, Lord Tennyson

Memorializing Events in the Battle of Balaclava, October 25, 1854
Written 1854

Half a league half a league,
Half a league onward,
All in the valley of Death
Rode the six hundred:
'Forward, the Light Brigade!
Charge for the guns' he said:
Into the valley of Death
Rode the six hundred.

'Forward, the Light Brigade!'
Was there a man dismay'd ?
Not tho' the soldier knew
Some one had blunder'd:
Theirs not to make reply,
Theirs not to reason why,
Theirs but to do & die,
Into the valley of Death
Rode the six hundred.

Cannon to right of them,
Cannon to left of them,
Cannon in front of them
Volley'd & thunder'd;
Storm'd at with shot and shell,
Boldly they rode and well,
Into the jaws of Death,
Into the mouth of Hell
Rode the six hundred.

Flash'd all their sabres bare,
Flash'd as they turn'd in air
Sabring the gunners there,
Charging an army while
All the world wonder'd:
Plunged in the battery-smoke
Right thro' the line they broke;
Cossack & Russian
Reel'd from the sabre-stroke,
Shatter'd & sunder'd.
Then they rode back, but not
Not the six hundred.

Cannon to right of them,
Cannon to left of them,
Cannon behind them
Volley'd and thunder'd;
Storm'd at with shot and shell,
While horse & hero fell,
They that had fought so well
Came thro' the jaws of Death,
Back from the mouth of Hell,
All that was left of them,
Left of six hundred.

When can their glory fade?
O the wild charge they made!
All the world wonder'd.
Honour the charge they made!
Honour the Light Brigade,
Noble six hundred!

From the National Center.

*I got most of these from Time and Date's distance tables which are air miles.

Working Hard To Get Back To Normal - Viddler Shuts Down Free Accounts

Blog videos need to be hosted somewhere on a server. (So do photos - but Blogspot automatically puts them on Picassa.)  When I put up my first video - about ten seconds of a street scene in Amritsar, India - I put it on YouTube.  But YouTube was the big player and I as I looked around for other video server platforms, I found Viddler.  It let me put up bigger files, they looked better, I could insert comments.  There were lots of advantages.

So I opened an account and began loading up my video on Viddler.  Over time, YouTube got bought by Google (who also owns Blogspot), but I stayed loyal to Viddler.  A while ago - maybe a year, maybe a little longer - someone at Viddler sent me an email saying they were shutting down their free video hosting service and I could by a professional membership.  I wrote back I'd been an early supporter and that I have a lot of hits on my blog and people get to see Viddler's name on my videos.  I also talked about how hard it would be to download all the videos, upload them onto YouTube, and then re-embed them into my posts.  I suggested grandfathering in people like me.  They said fine and dropped their plan.

But I got nervous and began uploading most of my video onto you YouTube.  And a couple of weeks ago I got the email I assumed would eventually come:  They're dropping the free video hosting and I have until March 11 to download my videos before they close the account.  Or I can pay $300 a year to keep being hosted by them.  Is that a lot for the video hosting?  I don't know.  I tend to be an anti-consumer.  I think too many people are willing to shell out whatever their cable or phone company tells them.  They just have to have the latest goodies.  Even when the company is making huge profits.  Even when it means the consumer goes further into debt each year.  And that $300 a year is forever if I want to keep the videos showing up on my blog.

So I'm spending a lot of time now downloading my videos from Viddler.  (I do have them on external hard drives, but this way I'm getting them in chronological order with dates that will make it easier to figure out which posts they are in.  And then I'll have to upload them to YouTube.  And then I'll have to re-embed them into the posts they're in.

So, I get to do all this work - there are 535 videos on Viddler - and it will take from blogging time, and I'm sure it will take me longer than the deadline to get them all back into the posts they are in.


Here's a screenshot of my Viddler account.  This is eight of the 535 videos.  I have to hit edit, then manage, the click on the file.  In some cases there's a different file format and I have to play with that and change the name from Viddler's identification (numerical) to what I named the video. 


I figure about 8-10 hours to download, then the time to get them up on YouTube and embedded back here.   If it were just a one time $300 charge, it would be worth it.  But a continuing charge forever?  No.

Working hard just to stay where I am.

And I suspect a lot of stuff people are storing free on 'the cloud' somewhere, is going to get a fee one day.  And you're going to have to make a similar decision about whether to pay or find another way.  And there's no guarantee that YouTube won't do the same thing one day.  And slowly, but surely, the easy access we've had to be our own publishers, is going to disappear.  

[UPDATE March 11, 2014.  It was more than 10 hours, but it's mostly done.  Here's a new post on what I've done and replacing the old Viddler videos with YouTube videos.]