Sunday, November 22, 2009

Carl Nesjar's Anchorage Ice Fountain



I loved the concept of the ice fountain at Loussac Library when it was first proposed.  It's a fountain designed to work all year - in the winter creating interesting ice formations depending on the water flow and weather.  But for various reasons, it never quite worked out that way.  ArtSceneAK wrote in 2002


FROZEN ASSET ICE-NOTCarl Nesjar's Ice Fountain has been neither fountain nor ice since shortly after its  installation at the Anchorage Loussac Library in mid-town.   The stainless steel tubing is intended to drip water during the winter to build sheets of ice in a spectacular way.   Problems with plumbing and process in the underground connection between fountain and library have kept this world class sculpture from reaching its intended potential.   A joint project of MOA % for Art and the Silver Anniverary Commission, this piece has a forlorn look about it. In other parts of the country, folks run hoses up a tall pole in their front yard and leave it on into winter, then shine yard lights at the result.   Seems simple enough, and certainly Nesjar's international reputation is not dependent on the use Anchorage makes of his interesting creation. During the summer, flowers are planted. During the winter, shouldn't the sidewalk be shoveled? Nesjar collaborated with Picasso, can't our civic and public entities combine to make Ice Fountain the defiant salute to winter it is meant to be?
A private group, as I recall (google's not being its reliable retriever self on this one) raised about $50,000 and in the last couple of years sometime had the fountain renovated.  Finally, it's doing what it should have been doing all these years.  These are pictures from tonight when we dropped some books off.

Most people have no idea who the creator of the fountain was.  His name is Carl Nesjar.

From Värmland:
Carl Nesjar, who is one of Norway’s most famous artists, was commissioned by Pablo Picasso to build his monumental concrete sculpture in Kristinehamn’s archipelago in 1965. Nesjar is a versatile artist and is perhaps most famous internationally for the 15 year period in which he was responsible for erecting a number of Picasso’s works of art throughout the world, and for his own all-year round fountains made of steel and aluminium. 
Here's a list of the fountains by Carl Nesjar (from Galleridobag)
Helårsfontene:
·         Landbrukshøgskolen på Ås, 1971
·         Lysaker,  Oslo 1971
·         Larvik 1972
·         Flaine, Haute-Savoie, Frankrike 1975
·         Prismefontene, Moss Rådhus 1980
·         Vinter Olympiske Leker, Lake Placid, USA 1980
·         Kragerø 1983
·         State University College, Buffalo, USA 1984
·         Loussac Library, Anchorage, Alaska 1988
·         Sommer Olympiske Leker, Seoul, Korea 1988
·         Braathens Safe, Fornebu 1989
·         Investa, Fyllingsdalen, Bergen 1990
·         Isbjørn, Vinter Olympiske Leker, Albertville, Frankrike 1990
·         Nicollet Mall, Minneapolis, U.S.A. 1991
·         Bodø Kommune, 1994
·         Lillehammer Vinter Olympiske Leker, Vikingskipet, Hamar 1994

·         Radiumhospitalets svømmebasseng, Oslo 1994
·         Statoil Forskningssenter, Rotvoll, Trondheim 1997
·         Bjørn Braathens privat hus, Mols, Danmark 1999
·         Radiumhospitalets inngang, Oslo 2001
·         Kristinehamn, Sverige 2006
·         Drammen 2007














The building in the background on the left with the penthouse lights is the JL Tower.  There's a closer picture below.






You can get more information on JL Towers from Anchoragejoop.   Chugach Electric  [whoops, Anon pointed out it was Chugach Alaska, not Electric] Alaska is one of the tenants of that building.  Maybe someone can explain to me the energy message involved with all the lights. [The energy questions are still relevant, but not as directly.]

Saturday, November 21, 2009

Film Festival Scam? AIFF is NOT AIFF

[UPDATE March 21, 2010:  Last week I received a letter from the Alaska International Film Festival's attorney saying I had libeled them in this post.  This is my attorney's letter in response.]

[UPDATE August 19, 2010:  I've added a three post series Part 1:  What is a Scam?  Part 2:  What is a Film Festival?
Part 3:  Comparing the Anchorage and Alaska IFFs.]

[UPDATE July 20, 2011: I've added this post documenting that the Alaska International Film Awards was two days past its award announcement date.  It's five days late now.

While working on the ANCHORAGE International Film Festival blog posts I came across another website that had me totally baffled for a bit.  (I added the black circle) The picture was great, but just totally different in style and content from the Anchorage International Film Festival.  Did they add some new graphics? I clicked around and  I couldn't find any of the content that was on the AIFF website.

The awards page had great verbiage like,

"highlight Alaska's important role in the international film community."
What important role do we have in the film world?  Most films about Alaska are done somewhere warmer and cheaper.  And  
"In addition, Best of Category awards will be presented in each main competitive category and Special Jury Awards are presented to filmmakers who make significant contributions to social change, environmental awareness, and humanitarian causes."
but then I got to this:
The Alaska International Film Festival is an awards-based film and screenplay competition.  Films will not be screened for the public.  Awards will be announced publicly by Internet and international press release.
 "Will not be screened for the public." ?!!  I thought a key part about entering a festival was to get an audience for your film.  Winners announced by internet?  Who is on the jury?  And how come I couldn't find anybody's name on the website?  Is the whole festival computer generated?   And then I saw.  It wasn't the ANCHORAGE International Film Festival.    It was the ALASKA film festival. (No, I'm not offering a link to the site.)

Here's the website for the festival I've been blogging about.

But on the OTHER AIFF site,
the submission page lists the different categories and it costs $25 or  $40 to submit a film depending on length and how early you submit your film.

And there's a contact address where you can also submit your films: 

For general questions or filmmaker inquiries please contact us at:
Alaska International Film Festival
3705 Arctic Blvd, Suite 2329
Anchorage, AK 99503
So I checked out the address today when I was doing other errands.

Above is 3705 Arctic in Anchorage.  The address is in white letters above the door under the red Mail Cache letters.  If you double click the picture you can enlarge it to see.





If you wander  past lots of mailboxes you get to this alcove (left) and  "Suite 2329" is down on the end wall, lower right.  It's a very small suite.

Right here in the picture on the right to be precise.


A whosis search of the url for this website got me to Godaddy and yielded a phone number with a 270 area code.  That's in Kentucky.  A long ways away from Alaska.

This is pretty suspicious.  So when I finished all of the above, I googled "film festival scams" and on the third site I checked I found this article on film festival scams that identifies the Alaska International Film Festival as a likely scam:


Sunday, 4 October 2009

Beware of scam 'film festivals'

By

It seems that every man and his dog wants to run a film festival these days, which is fantastic in many ways, not least because it provides an even greater number of outlets for filmmakers to get their work in front of an audience. Sadly the multitude of scammers who prowl the Internet also seem to have their dirty fingers in the film festival scene as well.
A timely reminder came this week when the "Alaska International Film Festival" was brought to our attention. Visit the site - www.alaskafilmfestival.com (not hyperlinked so as not to give undue Google link mojo to this site) - and on the surface you see a clean, professional looking site for what sounds like a prestigious event and is fact described as such by the site content. But before you dive into the submissions area, it's worth noting a few red flags...

Firstly, the site content reads like this event has been around for years, and indeed, the About Us page says as much. But on closer examination, there is nothing to indicate any previous years' activities, nor can you find any mention of it in Google. Indeed, when we contacted the 'festival' to ask for a list of last year's winners, the respondent told us that this was in fact their inaugural year, despite the About Us page saying, "Each year, awards are presented to independent filmmakers from around the globe..." Update 10-Oct-2009 - surprise surprise, the copy on the About Us page has been changed slightly after this article was published. . .  [Emphasis added]
 You can read the rest of this post and learn about more red flags at filmmaking.com. 

[UPDATE August 9, 2012:  Le site d'Irna, in a post called Pseudo Festivals, Pseudo Awards   writes, in part:  [There's also a French version]
"Let’s start by taking a look at some of these sites: 
California Film Awards 
Alaska International Film Awards 
Oregon Film Awards 
Colorado Film Festival 
Mountain Film Awards 
Honolulu Film Awards 
Yosemite Film Festival ... [I've removed the links]
Doesn’t it strike you that there is more than a little family resemblance between the sites of these different ‘festivals’?  And you wouldn’t be wrong: all these festivals and their ‘prestigious awards’ have more in common than a mere similarity of template design.
-  the jury that awards the ‘rewards’ is never identified, making it impossible to find out who its members are; 
-  none of these ‘festivals’ ever organizes any public screenings; 
-  while posing as established festivals (“Each year, the Yosemite Film Festival recognizes excellence in filmmaking”“The Oregon Film Awards® are presented each year in several categories” ...), none of them has been running for longer than a year or two; 
-  all of them hand out a very large number of awards with grandiloquent names: ‘Grand Jury Award’, ‘Northern Lights Emerging Talent Award’, ‘Sierra Nevada Awards’, ‘Silver Sierra Awards’, ‘Gold Kahuna Awards’, ‘Diamond’, ‘Platinum’, ‘Gold’, ‘Silver’ ... Awards; 
-  the addresses associated with the domain names all seem to consist solely of Post Office boxes; 
-  all these sites are hosted by Rackspace Hosting, either in San Antonio or Chicago ..."]

If you want to submit a film to a festival in Alaska, I recommend the Anchorage International Film Festival.  I know it's real because I've been to a number of them and I blogged the last two.Stumble Upon Toolbar

AIFF 2009 - How to Find the Shorts - Dunlap Shohl's Frozen Shorts







I picked up a hard copy of the Festival Schedule today.

Later I noticed that Anchorage cartoonist and film maker, Peter Dunlap-Shohl, put up a new short animation on his blog Frozen Grin.  I thought I'd put it up here because I liked it and because it can serve as an appetizer for his animated short in the Festival - Frozen Shorts.

But I also realized this would be a good opportunity to alert you to the difficulty of finding specific shorts in the printed schedule.  Shorts (including short animations) are grouped together into programs.  Frozen Shorts is actually in two programs - becaue it's in two different film categories:  Snowdance ("films about Alaska and by Alaskans") and Animation. 

So, in the Schedule on page 14 you can see the Snowdance listings, and Frozen Shorts is in Snowdance 2 which will show on

Tuesday, Dec. 8 at 5:45pm at the Alaska Experience Theater (in the Ship Creek Mall downtown) AND
Saturday, Dec. 12  at 5:30pm at Out North

But Frozen Shorts is also part of the collection of 18 animated shorts that are grouped into the program Animation 2, also known as "Should I Stay or Should I Go?  And Other Confusing Questions. 

That program is also playing twice

Sat. Dec 5 at 5:45 at Out North
Tues. Dec 8 at 7:45pm at Out North



Now, there may be an easier way to find out exactly when a particular short film is playing.  The online program lets you click and see what's there.  But at the moment, at least for Snowdance 2 there there's an extra showing on Sunday Dec. 6 at 3pm at the Bear Tooth.



So maybe there's one more screening that wasn't listed in the Snowdance 2 listing on page-14.                                                                                                But when you click on

Snowdance 2 you get another page that doesn't have this Sunday showing listed.  My guess is that the website will be the most reliable because they can still make changes there that they can't make on the printed programs. 

It seems to me that last year I had a lot more trouble finding times on the website.  I think this year's website will make it much easier to find exactly where and when each film is, even the shorts.

Meanwhile I'm checking if the Sunday showing is correct and I'll update this when I find out. 


Here's Peter's new short animation, "Anchorage, First Snow":



One other things about the shorts.  If last year's festival is any indication, some of the better shorts will show up before some of the features, like they used to do with cartoons in the old days.

[UPDATE Nov. 21 Noon:  The Festival has confirmed Snowdance 1 is at the Bear Tooth at 3pm on Sunday Dec. 6, NOT Snowdance 2.  But you still have four chances to see Peter's Frozen Shorts.  Now I haven't seen it myself, but if you liked the First Snow, you probably will like his festival entry.  And a lot of the other films in Snowdance 2 and Animation 1 should be worth it.  Some of the most creative stuff shows up in the animation.  And if you don't like a film, it'll be over in a few minutes anyway and you get to see the next one. ]

Friday, November 20, 2009

Surfer Privacy or The World Bank Finally Articulates its Mission

Should bloggers disclose the people coming to their sites?  I've gotten used to all the information Sitemeter gives me for each person visiting the site.  I've posted about it and on occasion posted a copy of an individual page.  No, it doesn't tell your name or your email address, but it does tell your ISP address, your location, type of computer, browser, how you got to the page (if you linked from somewhere else) and what search terms you used on Google.  It doesn't tell me all this for everyone.  Some people have found ways to block a lot of the information.  Proxy browsers do that for you and probably there are other ways to sanitize your tracks.  But I know that when I show people all this information I get, they are surprised.

So, should a blogger share that information with the world?

  • I think it's important to remind readers of this once in a while so that they realize the tracks they are leaving at websites they visit.

  • I left my Sitemeter data available to all visitors on the grounds that transparency was a good thing, people should poke around and see how many (few) hits I get and where they come from.  When I did that, I didn't think about people trying to track others down, and I think it would be a pretty tedious job.  Plus coming to this blog - given the variety of topics covered - probably doesn't reveal much.

So, it's all there.  But should I put individual pages up for people to see?  I think I've done that a couple of times.  If I recall, I did that with the 123,456th visitor to the blog post, just to show that he was really the winner of the 123,456th person to the blog contest.  And I did it more recently when I discovered that someone from a State computer had spent a couple of hours on the site one day.  But I smudged out the name of the agency and the ISP number.

So, what's all this a prologue to?  Well, I do think it is good to remind you that you are leaving tracks.  Here's a link to a Google search for "Surfing Privacy".  You can get some ideas on how to leave less of you littered around the internet.  Of course, telling people about this means that they might try scrubbing some of the data off their tracks which means I can't tell when agencies and companies visit when I post something about them, or when they are searching for something.

Which leads to why I got started on this post.  I got a hit from someone using a World Bank internet connection.  I had to smile when I saw the term they were searching.  It really is what their mission is, even if it isn't how they state it in their annual reports.  This person searched for "unfuck the world, the song."  Maybe now the World Bank has a clearer focus.  Ideally, they'll put it up as background music on their website.

Koun Franz on Compassion at Loussac

Last night we went to a nearly full Marston Theater to hear Anchorage's Zen Buddhist Priest talk about compassion.  The only other time I'd heard Koun Franz talk was at Cyrano's two years ago where he was on a panel of clergy from different denominations discussing Mark Twain's The War Prayer.  He made quite an impression on me then both by how he handled himself and what he said.  Last night he had the stage to himself - well, and a vase with two yellow flowers. 


He was wise, funny, compassionate, human, and having a good time.  My sense was that the audience too enjoyed the evening and went home with lots to think about.

On compassion, well, he said it is always there.  It isn't something we give, one way, to another.  But rather it is there, for us to be come aware of, to see the people around us a human beings who, like us, are trying to be happy.  In some cases, the way that they go about it may be unsuccessful (alcohol, drugs, etc.) in the long run.  When we have run-ins with others - he used the example of a tailgater - we should understand that they are human beings trying to be happy, and somehow, they see us as preventing their happiness by being in their way.  That doesn't mean we condone what they are doing, but we understand it at least.

He had us imagine that we had a bubble around us where we were safe and comfortable.  Then asked us to extend that bubble to include the person next to us.  Including someone in your bubble - accepting their humanity as I understood it - was another way he described compassion.

Ethics in Buddhism, he said, wasn't so much about right and wrong, but rather about skillfulness - developing skills for living right.

He said that in the monastery in Japan he learned to cherish every moment, including the 'down' time between what we normally consider the events.  An example was a note on the mirror where the monks brushed their teeth that conveyed the message

Whatever I'm doing right now
I'm not doing just for me
But for everyone

I only took a bit of video, and the best clip turned out to have a buzz all the way through, so here's just a snippet to give you a sense of the serenity of the talk. 



It's not easy to convey what someone else has said, so assume what I've said is a very rough sketch.  You can hear Koun Franz directly through podcasts on the Anchorage Zen Community website.  You can find information about their other activities available there too.

UC Tuition Hikes - Some Perspective

From the Daily Nexus, UC Santa Barbara's student newspaper today:

Council Adopts Tuition Increase

Published Thursday, November 19, 2009

The UC Board of Regents finance committee approved a proposal that will push student fees to over $10,000 next year.

The committee voted almost unanimously to recommend the 32 percent student fee increase to the full board at its meeting yesterday. If passed by the Regents today, California residents’ education and registration fees will be raised in two stages — from $7,788 to $8,373 by Winter Quarter and to $10,302 from summer 2010 through the following academic year. This fee hike will mark the ninth time in seven years that the UC Regents would have approved an increase in undergraduate tuition fees.



I entered UCLA as a freshman in the spring semester of 1963.  As I recall, my tuition and fees that semester came to about $68 and change.  Yes, I was a full time student.  By being in the top 12% of California high school students based on test scores, I got automatic entry to a  first class faculty and very good fellow students on a beautiful campus.  As an extra bonus, we were going to have the national basketball dynasty starting the next year and we even had a Rose Bowl trip. 


I was lucky.  My parents were immigrants.  They really had no idea how the US college system worked, and even if they had, the tuition at private universities was out of the question.  But my local state university happened to be a half hour bike ride from our house and also a first rate school at a very affordable price.

The first year and a half I lived at home.  Then I studied the next year in Germany as part of the UC education abroad program.  The last year and a half I lived on campus.  I was able to pay for my tuition, books, and room and board by working fifteen hours a week as an elementary school playground director.

It wasn't until later when Reagan started cutting the university budget that I began to realize what luxury California had afforded to its top students.  One example was gym.  All gym clothes - shorts, t-shirts, socks and jocks - along with towels were provided.  After each class, you just tossed your dirties into the laundry bag and got a set of cleans.  It was like a country club.  I suspect this was so because originally the wealthy - at least the upper middle class and up - were the people mostly served by this public university.  They expected the best for their children  But once more and more students from other backgrounds became a larger proportion of the student body, and the more privileged began moving to the elite private universities, these  perks began to fall by the wayside and the cost started going up faster and faster. Proposition 13 in 1978 made that decline even faster.

 As I said, when I was getting into UCLA, all I needed to do was be in the top 12% of high school seniors.  Today's admissions are much more complicated.  I went through the online calculator and put in 4.00 GPA and 700's on all the SAT test scores.  That made me eligible in general, but not for any specific campus.  Here's what it said:
Keep in mind that meeting these minimum requirements is not the only way to become eligible for UC (students also may be designated eligible by being in the top 4 percent of their high school's graduating class or by achieving certain exam scores alone). Becoming eligible, however, does not guarantee admission to a particular campus. In selecting students, each UC campus considers a range of factors in a comprehensive review of applicant information. For an explanation of the admissions process, read ... [emphasis added]


From Mixx.com we see UCLA students' reaction to the tuition hike:



A little more perspective.  My 1963 tuition was $68.  The newly set 2010 tuition will hit $10,300. There were semesters when I went to UCLA (quarters started my last year) and quarters now.  I think the $10,304 figure counts fees for the whole year.  If that's correct then  the 2010 tuition will be 75 times higher than the 1963 price. 

My parents bought their house in 1957 for $17,000.  Let's assume it went up to $25,000 by 1963.  Its current price has fluctuated with the housing market, but a similar house up the street with a second floor added on was on the market for $850,000.  That means the my mom's house, which hadn't begun to take off when I started college, went up about 32 times  in the same time period. 


I understand that the President of the University has to make his budget work.  And I'm sure he feels he is being responsible by making this decision.  But  I suspect there are some people who, in that position, would  resign and refuse to be part of this.  Given California's budget woes, the President, would say, he has no choice.  And if he doesn't make the cuts, he would be replaced by someone who would.  But let's step back a bit and put this in context. 



From what I can tell, the University of California received about $3 billion from the State of California in 2008.  I take this from a statement by the UC President Mark G Yudoff:
"That budget proposal, which Regents approved on Nov. 20, asks the state to provide $694 million more than the roughly $3 billion in funding we received this year."
 That's a half billion dollars more than what Californians spend a year on ice cream.*
 And less than a fourth of what they spend on alcohol a year.*

I'm not saying Californians should stop eating ice cream or drinking margaritas, but if they look at all the other discretionary expenses they have, they might find ways to pay for their kids' education without really sacrificing too terribly much. 

I graduated UCLA owing nothing.  I didn't need student loans.  And I could afford to pay my bills working 15 hours a week.  (My mother reads my blog so I better acknowledge that my parents paid the tuition for the first 2 1/2 years, because it was very affordable and they believed strongly in my education.)  It was not only possible for a good student from family without a lot of spare cash to afford UCLA, it was easy. 

How many hours a week do you have to work to pay off $10,000?  The California minimum wage appears to be $8/hour.  Rounding it off to $10/hour to make it easy to figure, that comes to about 19 hours a week for 52 weeks.  And that doesn't count any deductions.  That is if you can find a job in California. 

It seems to me Californians need to rethink their whole way of life.  [Remember, it's 0˚F outside in Anchorage as I write; moving to Alaska is not an option, trust me.  It's cold and miserable and dark and you'll spend all your tuition money on alcohol.]

The New York Times gives another perspective on the decline of the University of California. 

*California has about 36 million people which is about 12% of the total US population of 304 million.  (2008 Census estimate).  Americans spend about $21 billion ice cream a year, so California's share of that would be about $2.5 billion. 
Americans spend about $115.9 billion on alcohol, so California's share would be about $13.8 billion.  That's probably a low estimate because these were 2003 statistics.

Thursday, November 19, 2009

Mischievous Technology Tricks

Last night at a talk, I took three video clips. The first one was fine (well, fine for a small digital camera in a room with a thin sound system.) The second clip had a strong buzz, like the camera had a motor, which blocked what I was trying to record. And the third clip was fine again. This has never happened before on this camera and I have no idea why this happened. I certainly didn't hear any difference in the room and I don't think I did anything different.

Then this morning I turned on the AM/FM receiver (yes I know I'm still in the dark ages) and got this:




I'm sure you're saying, "yeah, so what?" Well, the light in there has been off for at least six months or more. We've learned to find channels without seeing any sort of information. We were resigned to the slow deterioration of our sound source. We didn't know it was just on vacation. Again, we didn't move anything, didn't try anything new or different. It just turned on today after months of black.

Should Lincoln Have Let the South Go?

Four score and seven years ago our fathers brought forth on this continent, a new nation, conceived in Liberty, and dedicated to the proposition that all men are created equal. 

Now we are engaged in a great civil war, testing whether that nation, or any nation so conceived and so dedicated, can long endure. We are met on a great battle-field of that war. We have come to dedicate a portion of that field, as a final resting place for those who here gave their lives that that nation might live. It is altogether fitting and proper that we should do this. 

But, in a larger sense, we can not dedicate -- we can not consecrate -- we can not hallow -- this ground. The brave men, living and dead, who struggled here, have consecrated it, far above our poor power to add or detract. The world will little note, nor long remember what we say here, but it can never forget what they did here. It is for us the living, rather, to be dedicated here to the unfinished work which they who fought here have thus far so nobly advanced. It is rather for us to be here dedicated to the great task remaining before us -- that from these honored dead we take increased devotion to that cause for which they gave the last full measure of devotion -- that we here highly resolve that these dead shall not have died in vain -- that this nation, under God, shall have a new birth of freedom -- and that government of the people, by the people, for the people, shall not perish from the earth.  [From showcase.netins.net]

Abraham Lincoln, Gettysburg, Pennsylvania, November 19, 1863


I had to memorize this when I was a kid in school.  I do think that memorization is a discipline we ought to practice more often.  Not for many things, but for enough so that we remember that we are capable of such feats.  It was not quite the 100th anniversary of the Address when I had to memorize it.  I tried today, the 146th anniversary of the Gettysburg Address, to see what I could remember before looking it up.

"Four score and seven years ago, our fathers, dedicated to the proposition that all men are created equal established this great nation.  We are now engaged in a great battle to determine whether that proposition shall stand.  Few will remember what we say here, but what they did here will long be remembered.  Those who fought here have consecrated this ground with their blood so that this nation of the people, by the people, and for the people, shall not perish from this earth."

I've condensed Lincoln's already minimalist speech, but remembered key passages and the basic idea.

But I'm also wondering whether sanctifying this speech isn't just part of the United States' general sanctification of war.  Was the Civil War justified?  What if Lincoln had allowed the South to secede? 


After the 2000 US Presidential election ended in such a split nation, I mused about the possibilities of the internet. Why not let both win and let the right wing media and blogs follow the world of the Bush presidency and let the left wing media and blogs follow the world of the Gore presidency? We could have two virtual realities. Each side could live its fantasy.

Well, I didn't realize how much that would actually happen. Right wing media covered one world and left wing media outlets covered a totally different world.  Some people seem to be living in totally different worlds.

Well recent events, culminating in right wing commentators saying the President of the United States shouldn't be allowed to address school children have pushed me to the limit. I mumbled to a friend that the civil war was a great mistake. The North should have counted its blessings when the South departed. Is it too late now? She sent me a link to a site that stated these ideas much more forcefully in 2004. It begins - well I cut out a couple of expletives - like this:
We should have let them go when they wanted to leave. But no, we had to kill half a million people so they'd stay part of our special Union. Fighting for the right to keep slaves - yeah, those are states we want to keep.
And then it goes on to give lots of reasons why we'd be better off without them. Back in the 1860's certainly one key reason not to just let them go involved the 3.9 million slaves they would have kept in slavery. While that was about 11% of the whole US population of 27 million then, the percentages in the Lower South were much greater. Civilwarhome.com offers a series of tables. Here's the one for the Lower South.




While others suggest that slavery would have petered out due to a natural cycle that made it economically unsustainable, it would have taken a while.

Some white supremacist groups already expect a new bloody civil war to lead to a split in the US. At this point I'm wondering whether we might want to spare the bloodshed this time and just do it. I already posted this example from a white supremacist group on a post in early August on how to gauge legitimate protest:
Within our lifetimes, the United States of America as we know it will cease to exist as one united country. Rather, it will Balkanize into several racially-based smaller states after an awkward period of racial civil war. It will be unpleasant. It will be bloody. It will be messy. Millions of people, both innocent and guilty, White and nonWhite, will die. But, it is inevitable. Multiracial democracy founded on the myth of racial equality cannot succeed. What cannot fly, should fall, and what is falling, we should still push, and say, fall faster!
Watching the meanness, the blatant distortions, and other tactics being used to incite people's worst fears into hate and license to do violence, I'm beginning to think these guys might be right. Let them have their own country. Let them take their creationism, their guns, their religion, their ignorance, and show us how they could run their own country. And let us have ours back. (Hmmm, that sounds strangely like their plea.)

OK, this is the 'easy', quick fix way out. I'm not sure I'd like a country like that on our borders. (But it could be better than having those people in our country and voting.) There'd be a giant fight over what states they could have. The original confederacy would be a lot of states, and Virginia is just across the river from Washington, DC.

Map from wtv-zone.com

What about Idaho?   Oh sorry, I forgot, Idaho doesn't exist. How would we decide? Would each state get to vote? What if they weren't contiguous? Would we have a Gaza - West Bank situation or a Lower 48 - Alaska situation? What would happen to people who weren't happy with their state's decision? Would the move be like the Muslims and Hindus moving to Pakistan and to India at partition?

Would there be preconditions such as "people who want to emigrate can get into the US and vice versa?"  Would minorities and gays be allowed to get out if they found themselves stuck there? Could they be allowed to have a white only country? How would they define and test for whiteness?

But there are other options. As I've said before, people's willingness to believe demagogues relates to their fears, their insecurities, their never having actually grown up. We could address those issues - both forcefully with those who refuse to allow rational debate and the others by treating the underlying problems.

So, who do I think these people are who want to oppose Obama at any cost? People who fight with out-and-out-lies;  and a Congresswoman, with barely concealed racism calling for the Great White Hope!  I'm guessing there are a variety of people in the Beck/Palin/Limbaugh fan club:
  • The scared and insecure
    - those who have lost their jobs and homes and see no future
    - those who see a black president as the symbol of the non-white takeover of the USA
    - those who generally see their privileged positions slipping away as women gain
  • those who are biologically unable to grasp reality
  • those who learned at home that violence and aggression were the only ways to deal with conflict
  • those under the sway of religious institutions, some mainstream and some clearly renegade groups led by self-proclaimed interpreters of God's word
  • those who simply have been around right wing fanatics all their lives and haven't been exposed to other views
  • those who will do anything to hurt the President in hopes of a Republican victory in future elections
  • Sociopaths
  • Capitalists who simply want to make money and prevent government regulation of how they do it
  • Capitalists who don't care about politics, but make money from conflict
  • Criminals who benefit from weak government
This is just a starter list. I suspect a number of people who called their school superintendents to protest the president's speech in the schools could check off three or four or more of these characteristics.

Can you imagine what would have happened if people protesting George W had brought semiautomatic assault weapons with them? People opposed to Bush were harassed for carrying signs. If someone had flashed a gun at a Bush rally, the Secret Service would have been on top of them in an instant. These are people who would cheer if someone shot Obama. They have to be taken very seriously.

So are there paths toward reconciliation short of splitting the union? Is this merely a demographic waiting game? The teabaggers and the rest are a small minority, but they seem to be seriously inflamed. And a small minority can do a lot of damage. Do we want a fanatic minority that really feels oppressed and is willing to fight within our borders, constantly preventing progress? This is like having severely disturbed kids mainstreamed into regular school classes. The teacher can't do any real teaching because she's always dealing with the kids who can do nothing but disrupt. [There are many situations where mainstreaming is both the morally and practically right way to go.  But there are situations where the mainstreamed kid hinders everyone, including itself.]

It seems to me that if we separate out those who are not terminally anti-social, the problems and needs of the others could be resolved. That still seems like the best option. Better than two separate nations. But I think that option needs to be on the table too.



While letting this piece sit a while, I did consider that there must have been people who were opposed to the civil war before it began. I did find one article on that. It would be instructive to know more about their arguments and why they lost. Here's the beginning of an article by Sheldon Richman that was published in the Journal of Libertarian Studies in 1981 that looks at abolitionists who were opposed to the Civil War:
Since the victors of warfare write the histories, one must look long and hard to find recognition of the radical critics of any given war. No matter howsubstantial or respectable anti-war sentiment may be as a conflict approaches, once the pro-war spirit gets rolling, like a snowball down a mountain, it sweeps aside everything in its path. The War between the States is no exception. In most accounts, the necessity of the War, as in most other wars, is taken for granted. Those who argued against it in advance are ignored (or forgotten) on the grounds that, since the war occurred, they must have been mistaken.1 This is not to say that all the critics are dispensed with. Some serve useful purposes. The Copperheads, with their softness on the slavery issue and conservative longing for the status quo, cast a flattering light on the pro-war Radical Republicans in
some observers' judgment.
It's time to all start studying non-violent conflict resolution, as well as studying the split of Czechoslovakia, the split of Yugoslavia, the creation and splitting of Pakistan, the split of Korea and Germany and the Soviet Union. We also need to learn a lot more about mental health, about how people learn conflict resolution, about debate. My sense is that a little more tolerance on everyone's part, a little more respect to others, a little less greed and self-centeredness would take care of a lot of the problems. But I also recognize that you have to take action against those who refuse to let others live in peace.

I wonder what Lincoln would counsel us today.

Wednesday, November 18, 2009

Midtown Fire This Afternoon

[Tea, skip this one.]

I'd considered biking, but it was cold, sort of far to go, and I needed to pick up a shoe at the shoe repair afterward.



So I was driving down 36th around 3:20 when I saw smoke ahead.




 
As I got closer, it seemed to move further away.



I'm finally pretty close - at Arctic.  Fortunately the traffic
was slow and I could blindly shoot pictures. 



The smoke was really thick.



Police were there, but no fire trucks.





Here's that same picture enlarged.


By Spenard, this was the second fire truck that passed.


I don't want to give any false alarms.  I know I passed Arctic and I checked the next street which was North Star, so I'm pretty sure this was on Indiana, but I didn't actually see a street name when I was passing the fire (I was on 36th). 


I got where I was going a little late.  And when that was over, picked up my repaired shoe. 

AIFF 2009 - Features in Competition


[Updated December 8, 2009 - BIRTHDAY is also a feature in competition.  The Festival materials identify the the films in competition quietly with an * online and from what I can tell, not at all in the printed program.  Birthday doesn't have an * online or in the list I got so I didn't cover it in this original post.  So after watching it last night I emailed Tony Sheppard to find out why it wasn't in competition.  He emailed back that it is.  Good.  Go here for my review of Birthday.]
There's a second showing Saturday night at 10:15pm at the Bear Tooth.  The director and co-producer/lead actor are also here.  Monday night's showing was a World Premiere (I think that means outside of Australia, I need to check) and I'd recommend doing whatever you can to see it.

[Updated November 24]
The Festival awards will go to those that have been selected to be 'in competition.' (For clarification of the Festival terminology go to this post from last year.)   There are five features in competition - a total of 7 hours and 53 minutes.  They are listed below.  Times and locations (all these are at the Bear Tooth) are now up.

Features are the movie equivalent to fiction.  Over 55 minutes is a 'feature.'  Under 55 minutes compete in a different category - Shorts.  Click the link to see a similar post on   shorts in competition.  Documentaries in competition will be up soon. 
 
ALERTS:
1.   Hipster, first showing is part of the opening night Gala - $25 ticket includes movie and  party afterwards.  All Films AND All Events Passes include both movie and party free.  "All Films Passes" DO NOT get you in.
2.   Bomber is only scheduled once - at the beginning!  Sat. Dec. 5 at 7:45pm at the Bear Tooth.  
3.  There will be additional showings of the winning movies Dec. 14 - 17.  Check AIFF Website and this blog. 

Against The Current  US, 84 minutes
 • Directed by Peter Callahan
Wed.  12/9 5:30 Bear Tooth
Sun    12/13 3:15 Bear Tooth  (right before Dear Lemon Lima)


With the five-year anniversary of his wife and child’s death rapidly approaching, Paul (Joseph Fiennes) recruits his friends Jeff and Liz to help him realize his all-consuming goal of swimming the length of the Hudson River. Sensing that Paul is hiding something, Jeff discovers that the trip is Paul’s way of saying goodbye to a life that has dealt him too much tragedy. Despite his friends’ efforts to convince him otherwise, Paul is firm in his belief that there is nothing left for him now that his wife and child are gone. Justin Kirk turns in a particularly strong performance as Paul’s sarcastic, unsentimental best friend. Appearances from Michelle Trachtenberg and Mary Tyler Moore round out an excellent ensemble cast. Set against the backdrop of the Hudson River Valley in summertime, the film explores the dark landscape of life after loss and delivers a strong finale sure to stay with you long after the film’s conclusion.
This is clearly a film with established actors.   Here's the trailer from the Against the Current's website:



 You can also hear a radio interview with the director from Woodstock, NY on  WAMC.

Bomber  UK  85 minutes
• Directed by Paul Cotter 
Sat.   12/5 7:45   Bear Tooth (right after Dear Lemon Lima) 
(There's only ONE SHOWING)
 In this bittersweet comedy about love, family and dropping bombs, an 83-year-old man returns to Germany for a long planned journey of atonement. When his useless son Ross agrees to drive him there, a nightmare family road trip ensues.

Bomber Trailer

Bomber, The Movie | MySpace Video



Here's a glimpse into Paul Cotter from an interview on Spout:
Let’s get hypothetical: You’re on death row. The night of your execution, you’re allowed to watch any two films of your choice. What would you pick for your last-night-on-Earth double feature?

Ikiru (aka “Living”) by Akira Kurosawa.  This is the greatest film I’ve ever watched, and I never tire of seeing it.  It’s so small, yet so big.  A tiny film about a clerk in a city municipal office who is dying of cancer.  It is small in where the plot goes, but massive in where it takes you as a human being.  If I could ever get close to what Kurosawa did in that film, I would die a happy man.

The second film would be harder to say.  Kieslowski’s Dekalog maybe, because there’s a lot in there, but that’s kind of a depressing collection isn’t it.  So maybe “Zulu” because it’s a mindless war film with lots of bright colours and that might cheer me up - especially if I’m about to get executed.

Have you noticed a pattern here?  Road trips with friends/relatives where people explore who they are and their relationships?

But the next one should be quite different.  It sounds like the misfits kids show the world type movie. 



Dear Lemon Lima  US  87 minutes
• Directed by Suzi Yoonessi  [Lima is pronounced like the bean, not the city in Peru]
Sun    12/13 5:30  Bear Tooth  (right after Against the Current)
Sat.     12/5  5:30  Bear Tooth  (right before Bomber)
In this charming coming of age comedy, a 13-year-old half Yup’ik girl in Alaska navigates her way through heartbreak and prep school by rediscovering the spirit of the World Eskimo Indian Olympics.

A couple scenes of this film were entered as a short in the 2007 Anchorage International Film Festival.  The colors were brilliant and children were real, developed characters, just in the ten minutes maybe the short lasted.  That's a pretty remarkable accomplishment.  I can still see the scenes vividly.   So I was surprised to learn that the film is set in Fairbanks, Alaska.  The light and structures and scenes were distinctly not Alaskan in my memory.  I chided the filmmaker in the blog for planning to make the rest of the movie in Washington State, and not doing it in Fairbanks.  Amazingly, she responded asking if I had suggestions for overcoming the costs of doing it in Alaska.  [The new law that supports filming in Alaska wasn't yet in effect.]  I blogged about her needs and also contacted Fairbanks bloggers.  I don't know what happened, but based on what I saw on the Dear Lemon Lima website - there's a trailer there I couldn't embed - I suspect that I may like the film as film, but be disturbed by what I'm afraid will be its pseudo Alaska-ness.  And regular readers know I have concerns how Outsiders portray Alaska Native culture.  We'll see.    I'll check and update.  [Update Nov. 18:  I've got an email from Suzi and I'll post it when she says that's ok.  She does sound like she made great efforts to make this as genuine as possible within her budget.] But do go look at the website.  It's not your run-of-the-mill website.
 

The next movie will be shown as part of the Opening Night Gala.* 


Hipsters (Stilyagi)  RUSSIA, 125 minutes
• Directed by Valery Todorovsky
Fri. 12/4   7:00pm  Bear Tooth  * $25 or free entry with ALL FILMS & EVENTS PASS. (All Films pass is not good for this)
Sat. 12/12 7:30pm Bear Tooth
An energetic, impressive production already garlanded with four Nikas (the  Russian Oscar) for best film, production design, costumes and sound, Valery Todorovsky’s attempt to revive the immediate post-Stalinist era may appeal initially to Russian audiences, but should easily navigate international markets after an enthusiastic reception at Karlovy Vary.

A portrait of a grim period, Hipsters is almost a Russian version of Grease – as fanciful and unrealistic as its American counterpart, but with more of a political subtext to sustain it. It’s set way back in 1955, when, in an attempt to establish their independence against the backdrop of grey uniformity surrounding them, young Russian rebels (“hipsters”) copied American fashions, hairdos and slang.  Featuring a cast of young energetic hopefuls and several seasoned veterans in cameo roles (Sergey Garmash, Oleg Yankovsky), critics might carp that Hipsters offers perhaps an overly gentle and forgiving image of that time, hiding behind colorful sets and costumes which border on caricature. But general audiences are likely to be much more forgiving.

Hipsters centres around a shy, nerdy Communist youth (komsomolchik) called Mels, played by Anton Shagin, who falls for luscious blonde hipster Polya (Akinshina) and turns his back on his pretty but strict brigade commander girlfriend (Brik). He takes up the tenor saxophone instead, raises some hell of his own and ends up marrying his blonde bombshell and even having an unlikely child with her before Todorovsky wraps it all up in a rousing finale.

Hipsters’ score, a lively mélange of updated Soviet hits and fresh numbers written specially for the film, pumps away energetically, while clever art direction blends real-life locations with studio sets to create a world apart. Throughout it all, the cast seems to be having the time of its life.




Son of the Sunshine  CANADA  92 minutes
• Directed by Ryan Ward 
Tues.   12/8    8:00 Bear Tooth
Fri.     12/11   5:30 Bear Tooth


From the dirty streets and cool fields of low-income Ontario, Canada, comes the story of Sonny Johnns, a young man with Tourettes Syndrome.
Fed up with his existence in an angry, co-dependent relationship with his maudlin mother and his tough as nails sister, Sonny spends his savings from years of disability payments to undergo an experimental procedure that promises to eradicate his symptoms.
Upon his recovery, Sonny, entirely cured of spontaneous outbursts, garners the courage to live a normal life - but not without a price. Sonny discovers that the surgery has somehow smothered an amazing supernatural gift he has had all his life: the uncanny ability to heal the sick and the dying.
A story of the truly extra-ordinary, littered with the fiery angst of a young man and his quest for the all-healing power of love.  [This synopsis and the photo come from the Son of Sunshine website. ]
  This was a Sundance Selection and has won prizes at a number of festivals.  The summary raises an interesting paradox I've come to notice, but I don't think is commonly understood by people who are not close to someone with different brain activity.  While they have some issue that makes them seem, to most people, "less" than normal or 'disabled', they also have some abilities - usually invisible to most - that also make them 'more' than normal folks.  Should be an interesting movie.



Go to the AIFF website for more festival information.