Thursday, December 11, 2025

AIFF2025: Morning Venue Changes And Plunderer

 At Alaska Experience Theater shows Wednesday, they announced that the morning showings (10:30am and 12:30pm) at the Museum for Thursday and Friday were being moved to the E Street Theater.  And looking at the online program, the change is there as well.  

These changes are reflected online, but Plunderer: The Life and Times of a Nazi Art Thief, is not listed by name online, but as Jewish Museum Feature.  I've copied the online schedule below and fixed Plunderer. 


Venue:

UPDATE: E Street Theater

315 E Street, Anchorage, Alaska 99501

10:30 AMFeature

  • K’etniyi: The Land Is Speaking — Rory Banyard – Event Tickets

12:30 PMFeature

Venue:

Anchorage Museum

625 C Street, Anchorage, Alaska 99501

2:30 PMShorts Block: Comedy – Event Tickets

  • May I Put You On Hold? — Ash Blodgett
  • Performance Review — Lain Ewing
  • Margaret the Brave — Danny Chandia
  • Forever After in Love — Boris Schaarschmidt
  • Bad Survivor — Alex Dvorak, Katie North
  • Ts and Ps — Liam Fineout
  •  

5:00 PM

  • Alaska Teen Media Institute Afterschool Special – Event Tickets

7:30 PMFeature

  • Plunderer: The Life and Times of a Nazi Art Thief  (This film was submitted by the Anchorage Jewish Museum, and their picks have all been excellent in the past.)

Venue:

Bear Tooth Theatrepub

1230 W.  27th Avenue, Anchorage, Alaska 99503

5:30 PMFeature

8:30 PMFeature

Venue:

Alaska Experience Theater

333 W. 4th Avenue (NW corner of 4th & C St. – enter on C), Anchorage, Alaska 9950

10:30 AMShorts Block: Music Videos – Event Tickets

  • Begin Again — Ava Acres
  • She’s Seen the Sun — Mykele Hill
  • Ideal Distance — Danny Chandia
  • Sky-Sky — Ilya Noyabrev
  • Valerie June – “Joy, Joy!” — Taylor Washington
  • Husse & Sugar Water “Sam” — HyunSoo Lim, Finn Benischek, Heung Joo Hunziker
  • LOSER — Andie Arbo
  • Thera – Stargazer — Steven Cornfield
  • Salmon of Positive Energy — Ben Gordon
  • THE DEEP ROLLING: MAGMA — Robin Scovill
  • Soiree Music Video — Hannah Claire McDaniel, Degosh Reed
  • Money — Tiumaluali’i Jody Hassel
  • She’s So Heroine — Kelly Moneymaker
  • Won’t Be Around — Terry Blade

12:30 PMFeature

2:30 PMFeature



Sorry, but that's about all I can handle today.  I would note that Friday at 8:30pm The World Outside is playing at the Alaska Experience Theater.  That's the film our house guests, Nikolas and Katrine made and you'll be able to ask them questions and share feedback Friday night.  

Wednesday, December 10, 2025

Thank You Frank Gehry For Making The World More Amazing

 Here's an old post about the Disney Concert Hall in Los Angeles:

Tuesday, June 16, 2009

Disney Concert Hall

I drove J1 to the LA Superior Court this morning and I got a chance to wonder around downtown LA. I'm one of those who thinks the Frank Gehry designed Disney Concert Hall is a great building. Well, I haven't been inside - well only in one lobby once - so I can't judge how well it works as a building, but visually it's enchanting.



Here are some notes from the tourist kiosk across the street about opera in LA and the concert hall.


This shot was from the 9th floor of the court building.



I took a couple of night shots in February 2007.


\




We went to a concert that we weren't particularly keen on, just to hear the acoustics.  




He also did a quirky house on Venice Beach




And in Paris we visited the Luis Voutton Museum just because Gehry designed it.  This one was harder to capture on camera.  









I never made it to Bilbao.  


"Swooping, swirling, gleaming, sculpted — Frank Gehry made buildings we'd never seen before. The architect behind the Guggenheim Museum in Spain and the Walt Disney Concert Hall in Los Angeles transformed contemporary architecture. He died Friday at his home in Santa Monica, Calif., after a brief respiratory illness, according to his chief of staff. He was 96.

Gehry won all the top awards — including the Pritzker Prize and the Presidential Medal of Freedom. In 1999, when the American Institute of Architects gave him their Gold Medal, Gehry looked out at an audience that included contemporary gods of building — Philip Johnson, Robert Venturi, Michael Graves — and said, 'it's like finding out my big brothers love me after all.'"





Tuesday, December 09, 2025

AIFF2025: Wednesday Starts At Noon Again

 And all at E Street again

12 Noon - five Narrative Shorts

2pm - six more Narrative Shorts

4pm - The Fabulous Gold Harvesting Machine - Alfredo Pourailly De La Plaza

This is a documentary feature from Chile.  It's my understanding that the filmmaker couldn't make it to Anchorage, so here's an interview with him about the making of the movie. 

From POV:

"Mining gold is hard work, but when you’re 60-years-old with a failing body and your method for harvesting the treasure is artisanal, the labour is brutal. So it goes for Toto, who, operating out of a small shack near the mine, extracts gold in Tierra del Fuego by hand–and it’s killing him. We can see why, as director Alfredo Pourailly de la Plaza’s camera follows Toto through his process, sometimes wading through ice-cold water to pan for gold, sometimes hacking through the land or snow to create paths so he can get better purchase to bang away at the dirt at the side of the pathways to get to the precious metal. At one point, a pile of dirt falls and almost buries him. The result of all this work is enough nuggets of gold to sustain Toto, but only barely.

Toto’s son Jorge can’t bear it. We meet him off the top of The Fabulous Gold Harvesting Machine as he’s trying to get his father’s ancient heap of a truck started, itself emblematic of the extent to which Toto can barely eke out an existence. Father and son bicker over Toro’s failing health, a constant source of conflict, though lovingly expressed, between them. Toto is recovering from a bad cold, which sends Jorge on an extended speech about how important it is to take care yourself, to dress warmly, take your medicine. Toto just waves him away, saying that medicine is useless, and colds have to just bloom and then fade away. It’s a conversation typifying their intergenerational differences.

When it becomes obvious that Toto will not stop working, Jorge devises a plan to build a modern trommel, a machine that can separate gold from the earth, in the hopes that it will at least ease Toto’s load. He says he can finish the project within the year, but the seasons pass, one year, then two, and as Toto continues toiling away, the film begins to gain a sense of real urgency. That suspense intensifies during a spectacular sequence in which Toto is hacking at the earth and gets felled by a stroke. Fortunately, Jorge is working with him and gets him to the hospital. But Toto goes back to work, insisting that “Just because you’re sick doesn’t mean you can’t work.” And the seasons go by, and the trommel is not yet finished."

[Everything is at E Street Theater today]

6pm - Sweet Störy — Sarah Justine Kerruish, Matt Maude 

From the Sweet Störy website trailer


From the film's website (which also has a trailer)::

"Sweet Störy - winner of Best Picture and Best Documentary at the LA Film Awards 2025 - was the Opening Night Film at the Sonoma International Film Festival.

The feature follows Miette Patisserie owner Meg Ray as she leaves behind her successful business in California to manage a cafe on a remote Swedish island in the Baltic Sea for the summer. Four hours from civilisation and operating without running water or electricity, Meg only has one week to get the cafe open in time for Midsommar.

With everything breaking and numerous challenges to overcome, will Meg have enough time to open? And what will she learn about herself along the way?

Filming in the Archipelago has been the dream of a lifetime for me and I've been lucky enough to direct, produce and shoot this feature documentary alongside the Peabody award winning filmmaker, Sarah Kerruish."


 

AIFF2025: Tuesday Doesn't Start Until Noon

 Everything today is happening at the E Street Theater.  

12 Noon:  International Shorts

2pm:   Respecting the Earth Short Docs

4pm:   Among Thieves — Trevor J. Wallace, Gino R. Caspari 

From the film's website:

"DESTRUCTION OF HERITAGE

THE ISSUE

The looting and destruction of archaeological sites is a global issue that destroys our shared heritage. Cultures known from only a limited number of sites are especially vulnerable, as each loss significantly impacts our understanding. In recent years, the problem has intensified due to growing demand and a corresponding surge in market prices. Yet despite this escalation, little is known about the illegal trade in antiquities or the underlying structures and dynamics of the black market. A broad public with a strong interest in archaeology often remains unaware of the critical differences between grave robbing and legitimate archaeological research - an issue compounded by popular portrayals that lack nuance."

Anchorage will be one of the first places this film is shown.   


6pm:  Honeyjoon  Lilian T. Mehrel

Image from Cineuropa

From Hammertonail:

"In Honeyjoon, find ourselves in the paradise that is San Miguel island, the Azores, Portugal. Stark blue waters mirror the cloudless sky above as honeymooners bask in the sun, hand in hand, enveloped by the romantic allure of the island. It’s a scene taken from a Renoir painting. For Honeyjoon’s main characters, though, it’s more like Dante’s Inferno.

In her debut feature film, director Lilian T. Mehrel paints a landscape that traverses the human experiences of tragedy, comedy, and joy. Mother and daughter, Lela (Amira Casar) and June (Ayden Mayeri) embark on a trip to San Miguel on the one year anniversary of their husband/father’s death. Although a veil of grief is cast upon their trip, they find themselves surrounded by happy couples, trapped in saccharine claustrophobia. Mehrel captures the waves of loss, joy, and relief June and Lela feel by having them, and the viewer, bend to the will of San Miguel’s mercurial nature. . ."


There were good films yesterday and I'll try to catch up - but I really liked The Collaborator and Rosemead, two excellent, but very different narrative features.

The film makers are off on an excursion today - to walk on a glacier I think.  

Monday, December 08, 2025

AIFF2025: Sunday Highlights And Monday Schedule

 The calendar has caught up with me.  I was ready for you all up through Sunday and would love to highlight today's offerings, but I also want to say something about two good films I saw yesterday. 


You're No Indian

I'd seen In the Wake of Justice Delayed and Remaining Native on Saturday.  Both are good films which tell important stories about being Native in the United States. They do an excellent job of conveying the emotional impacts of the abuses Native peoples have suffered and the lasting impacts. Their films mention court cases (in Justice)  and historic abuses of boarding schools  (in Remaining.)   Their both solid, important films.

I was wary about You're No Indian because it was about disenrollment.  I co-authored an academic article on Native American Law and I know that topic gets complicated quickly and that there is so

Ryan Flynn and Santana Rabang left

much that most people have no idea about.  How can someone make that into an interesting movie?

They managed to do it.  You're No Indian  powerfully highlights both the emotional and cultural impact of disenrollment and also collects a pile of evidence to show that the disenrollment process in many tribes - particularly those with lots of casino money - is aimed at reducing the number of people with whom they have to divide casino profits and at getting rid of opponents to their power in the tribes.  [Blogger doesn't recognize the term disenrollment and underlines it in red each time I type it.]

They offer shocking evidence of tribal leaders denying the validity of members' documented birth records, and in one case, where the tribal leader's ancestry includes the same ancestors as the people he disenrolled.  

They include those records. They include a historian of Indian records hired by the tribe to do research.  When the expert they hired gives them conclusions they don't want to hear, they reject it.  There's also a Native attorney who is banned from coming into the hearing to represent his client. 

The part that will leave most viewers who are not well-versed on Native American law still scratching their heads, is the lack of a way to appeal the disenrollment decisions.  Essentially, Native Americans have fought over the years to have sovereignty over their own affairs on Indian country.  There are rules about who has jurisdiction over different kinds of cases based on where the infraction occurred (Native land or not), who was involved (Native or non-Native), and the type of crime.  Natives have accomplished a certain amount of autonomy on Native land, which prevents the state from meddling in Native affairs, but this documentary shows how that victory has left holes that allow  tribes to commit serious offenses against fellow tribal members.  

The film and the discussion afterward mentioned that the film makers have received cease and desist orders to stop them from showing the film.  Film festivals have also received such threats (including the Anchorage International Film Festival).  Some festivals are wary of being sued and have not shown the film.  Fortunately AIFF showed the film.  My thought is that when you get such threats, it means you're hitting a nerve.  If they had legitimate legal claims, the opponents of the film would file those claims in court.  

This was the movie I said, yesterday morning, that I hadn't seen yet - the movie that works for me on all levels.  And as I say this, I also acknowledge my own bias for a strong rational argument, which this film presents.  They've simply made a very strong documentary on an important topic.  While some might say this is a pretty esoteric and small group, the film does a good job of pointing out the significance.  

They say 11,000 people have been disenrolled in tribes around the country.  They further point out that the living and future offspring of those 11,000 people have also been effectively disenrolled.  

Compounding this is the destruction of Native culture in the affected tribes.  Money, not cultural traditions, win out.  And the number of Native Americans dwindles.  They also point out that disenrollment was used by the US government to eliminate Native Americans as part of their campaign to assimilate (as in the Boarding schools), remove (from their land to reservations), or eliminate (kill) Native Americans.  In this case, it's Natives doing this work.

A powerful and well documented movie that keeps the audience's attention throughout.  The museum was packed and there were lots of questions and comments at the end.  


A Little Fellow:  The Legacy of A.P. Giannini.

The other movie I want to point out is A Little Fellow:  The Legacy of A.P. Giannini.  I don't have time now, but I will get back to this film which tells the story of the founder of the Bank of Italy in San Francisco, a bank focused on the small businesses and everyday people, who were excluded by most other banks.  There are many amazing stories about Giannini in this film, and about the bank that eventually became, under Giannini's leadership, The Bank of America.  (Though, since 1998, when Bank of America was bought out, no longer practices those principles Giannini set up for his bank.)

It's a generally unknown story, told well in this film.  More later I hope.  


I'm headed out to the Alaska Experience Theater for Uncensored Shorts at 10:30, then The Collaborator at 1pm and then for Female Filmmaker Showcase at 5:30 at the Bear Tooth and then Rosemead at 8:30.  

J took our guests to the 9am meetup and pitch session.  There's also a film maker pizza party later and their meeting the Austrian Honorary Consul General - Katrine is Austrian - and the Consul has been supportive of the film.  

Sunday, December 07, 2025

AiFF2025: Witty Youngman, Saturday Thoughts, It's Cold!

 Friday night (really went into Saturday morning) I was too tired to upload my video of Witty Youngman, especially knowing I was getting up early Saturday.  


Witty played after the movie Burt.  She'd been asked to play an original song from the movie Burt but said she got it fairly late and what she got wasn't too easy to listen to, so she made her own adaptation.  

But then she went on to play for another 40 minutes or more.  The combo of her exquisite voice and guitar work was enchanting.  I couldn't help but capturing some of it for you.  (And for me.)  So far, she has been the highlight of the festival for me.  



It's Sunday morning and I dropped our film maker houseguests off at the Alaska Experience Theater for bagels, networking, and the morning filmmaker panel (anyone can go to these.)  Yesterday I stayed because the panel was for first time feature makers and Nikolas and Katrine were on the panel for their
Katrine, Nikolas, Richie, Emelio

film The World Outside (Draußen die Welt) (the ß is a German letter for double ss).  The other two panelists were Richie James Rollin, whose film Crystal Cross plays tonight (Sunday) at 8:30pm at the Museum, and Emilio Miguel Torres, whose film The Ladder plays at the Museum at 6pm.  I think the moderator, on the left, was Joe Burke, who made Burt. 



I have a bit of time to reflect on the Festival so far before I head back downtown.  

1.  This is the coldest festival I remember.  While the temperature yesterday wasn't terribly low - around 14˚F (-9˚C), the strong and constant wind made it feel (according to my weather app) like -6˚F  (-21ºC).  But at one point we took a bus home and waiting in the wind was brutal.  Fortunately Katrine and Nikolas are much younger and enjoyed the adventure of being in Alaska cold.  But I have to say that -6˚F without a wind is not as cold for me as it was yesterday.

2.  So far I haven't seen a movie that blew me away.  I enjoyed  Brut  on opening night very much.  It's quirky, the characters are great. I liked a lot of the images.  Even though views of cars driving along highways are pretty common in movies, there was one shot of the car going along a winding road that was just exactly right.  

 SPOILER ALERT:  The story is one that happens to a lot of people, particularailly older people (not the specific details, but the idea of a scam).  A plot flaw, in my mind, was Sammy's car.  He was supposed to have come to LA for a few days from New York.  It's unlikely he would drive his own car to LA for a few days.  But if he did, he would have had a New York license plate.  And even Burt would have noticed that he had California plates.  

2.  In The Wake of Justice Delayed was a well-made and effective film focused on the impacts of violence against Native women in Alaska.  Survivors  talked about the impact on them  of losing someone this way.  We joined them in their own space to share that impact.  

Remaining Native was another important film that followed the great grandson of a survivor of Indian Boarding schools.  There were two related stories.  The first was about the boarding schools ("No school should have a cemetery.") and how his great grandfather had run away three times.  The third time he ran 50 miles home.  So Ku Stevens decides to set up a 50 mile run for people to remember their ancestors who had been in boarding schools.  The second story was Ku's own life as a long distance runner on his rural tribal land high school, and trying to get the attention of college recruiters.  While the two stories are clearly related, I would have liked to see them better integrated in the movie.  That said, I don't have suggestions so I don't know how to do it better.  

Both these are important movies.  But I'm waiting for the films about what motivated the school teachers and administrators to treat the Native American kids so badly.  And what causes the men to commit terrible violence on Native women?  Because I think those stories would help us understand what motivates people to join ICE, and a lot of the people who support Trump.  What happened at the boarding schools is happening today to immigrants, transgender folk, women,  and everyone else who doesn't support those in power.  And what kinds of childhoods did the men who torture women have that led them to their evil deeds?  

That isn't the responsibility of the filmmakers of In the Wake of Justice Delayed and Remaining Indian, but I'm hoping someone steps up to address those questions.  (Yeah, I know, I should do it.  I'll put it on my todo list.)

3. Drink And Be Merry:  I'm not a fan of movies that feature alcoholics and bars.  I don't drink more than a glass or two of wine and that not very often.  Watching alcoholics drinking and doing stupid things is like watching a kid playing much too close to a cliff or someone driving a car way too fast.  I'm uncomfortable the whole time.  But Nikolas and Katrine thought it would be better than most such films and so we went.  I could have skipped it. But if that topic is your thing, then you might well have enjoyed it.  My cynical self thought, "The Bear Tooth is playing it because people watching others drink will sell more wine and beer in the theater."

4.  Nikolas and I went to the Alaska Experience Theater to watch Fucktoys.  I'd looked it up and thought it might offer us some insights into people's sexual hangups, but I didn't catch any insights.  We didn't learn anything about the motivation of the men who were paying to be sexually hurt and humiliated, for example. And it seems the curse was never lifted.  But then she substituted a goat for a lamb and I'm not sure it was ever sacrificed.  

5.  Finally, the Thriller shorts.  Again, this is not my genre at all and I should have stayed home.  Most, if not all, appeared to be scenes of a future feature film.  None told a whole story.  The acting in Confidential Informant was strong, but I wasn't thrilled watching a female cop coercing a reluctant informant by threatening to place her child into foster care.  It seemed abusive and while that technique may yield some names (it didn't get that far in the short film), it causes a crisis for the child.  Do cops have the moral right to do that to mothers and their children?  Maybe getting people to ask that question will be the point of the feature film if it gets made.  I like Charon because as I was watching I remembered that Charon
 "is the boatman who ferries the souls of the dead across the waters of Hades to the judgement which will determine their final resting place." (From World History Encyclopedia)

6.  I got to talk to Tony Sheppard- the man who started the Anchorage International Film Festival 25 years ago.  He's here until Monday.  I should have taken a picture and if I see him again, I will.  

At film festivals you see so many movies and meet so many new people from all over that time warps.  Already yesterday (Saturday) the opening night movie seemed to have happened a week ago.  And so not having seen my favorite dilm yet isn't a big deal.  It's only been one day plus an evening show.  

But Witty Youngman's guitar and voice stand out as my highlight so far.