Thursday, December 25, 2025

Yes, Frank, I'm Still Here - Cold and Personal Hotspots

 Frank commented on the previous post that it's been ten days since my last post.  I hadn't realized it was so long.  

It's been cold, generally between +5˚F and -7˚F (-15˚C and -21˚C) and so it takes a little more energy and mental fortitude to go outside.  But I walked over to the University library (about a mile each way) to drop off some books that were due.  I was able to do some of that inside buildings.  About half outside.  I did enjoy seeing this book displayed in the new books section:   





I was clearly enjoying my 'right to be cold.'




Then there were other details to catch up on.  Paying bills and making year end contributions to organizations that are fighting to save our democracy, feed the hungry, etc.  


Our trip to Turkey got me into the world of eSims.  These are electronic Sim cards so you are getting data service in the country you are in, not using up expensive roaming from your home phone provider - in our case ATT.  Instead of physically replacing the sim card in your phone, you canto do it electronically via the internet and it automatically turns on when you land in the host country.  In learning about eSims I realized that there are eSims for the US, and in many cases they were significantly cheaper than local internet access and even phone service.  We settled on a company called Saily which worked fine. 

I have been doing battle with Alaska Communication Service (ACS), formerly Anchorage Telephone Utility (ATU) for a while.  Our internet speed is miserable (1 MBPS) and despite three years of promises of fiber, nothing has changed.  So, before our trip, I cut off our granherdfathered in landline/internet package and vowed to use eSim or find something better when we got back.  

It turned out I could use our ATT unlimited data and a personal hotspot with my laptop.  Bingo.

Well, not quite so fast.  I got a text from ATT that my 10GB per month limit for personal hotspot was


75% used up by the tenth day of our billing cycle.  I checked our bill - J does that bill - and it says unlimited data.  There's nothing on there about personal hotspots.  I went to ATT and talked to the guy I'd talked to before our trip to Turkey.  I liked him then and I still do.  He said that yes there was a 10GB limit to personal hotspot.  It wasn't on the bill, but it was in the contract which he brought up on his tablet.  We have an over 55 package, which he told me was only available for three months and adding 20GB (for a total of 30GB per month of hotspot) would be an extra $34 and I'd have to buy a different plan, though my wife could stay in the old plan.  No, I couldn't simply buy 20GB and patch it on the the plan, you have to buy a whole plan that has more GB of personal hotspot use. And because the over 55 plan was no longer available, I couldn't go back to it if I didn't like the new one.  

We discussed the eSim options. He told me he uses personal hotspot for his internet, and I left saying I'd check what was available before committing to the new plan.

Turns out ATT's $34 for 20GB is not a bad price.  But I was able to get 20GB through Saily for $23 for a month.  But that was a special, normally it's $30, which is not much less that ATT's $34.  But when I was looking for eSims for our trip, I saw that prices change rapidly and constantly.

You do have to go into settings and then the cellular section of your phone and add the eSim which I did.  It's not without obstacles, but it's not that hard.  And Saily has a good chat option that worked well when I needed it.  

After a day and a half I was down to 18.2 GB.  What was happening?  Turns out I was using the Saily instead of my ATT for my data on my phone.  So I've remedied that (back to the cellular section of settings and shutting off Saily when I didn't need it) and we'll see how long the original 20GB last.  I can still use the ATT for personal hotspot, but at a drastically slower speed - worse even than our ACS internet speed.  But knowing that I can plan.  For instance, opening this blogger page and writing here was reasonable.  But uploading pictures wasn't working, so I turned on Saily to do that, then turned it off.  (I know some of you are rolling your eyes and saying it's not worth all that trouble.  But I have a 1997 car with a tape deck, no heated seats, and no video for backing up and no hookup to charge my phone.  People are addicted to luxuries that didn't even exist 30 years ago and they are paying for them as well.)

It would be easier to just go with the old ACS, but even though we were grandfathered in to the landline/internet package, they kept raising the price.  The email addresses that had been free were now $5 a piece.  The free 100 minutes of interstate calls now was $5 a month too.  We never used that but they said it was part of the package and couldn't be waived.  Then there's the $25 late fee if you don't pay the bill by the exact due date.  No grace period any more.  While I was traveling I couldn't pay the bill, because when I went on line to pay, instead of their website, I got a page saying the country I was in (Tükiye) was blocked.  

And instead of sending me an email saying my bill is due in a few days, like VISA does and Chugach Electric does, they send that email the day after it was due.  The other utilities have grace periods and their late fees are either a percentage of the bill or much less than ACS's $25.  This is clearly deliberate.  If a thousand customers pay a $25 late fee, that's $25,000 a month, $300,000 a year.  I've asked to get the name of the CEO so I could write a letter.  None of their officers are on their website.   Wikipedia lists Matthew McConnell as the president and CEO and the parent company as ATN International. [They list the officers now, and the CEO is not Matthew McConnell]  They are owned by a Massachusetts  company - ATN International -  and the most I could get out them was that some of the officers live in Anchorage.  

So now I'm down to two emails with ACS.  I've set up substitute emails.  One is for this website.  The new one is listed in the right hand column.  And I got a $25 late fee charge for a $10 bill for the two emails!  It's called predatory and this sort of ruthless business is supported by the Trump administration which has taken off the limits to these kinds of charges that were introduced by Biden administration.  

I just have to go through the other alaska.net email so I can be sure I replace that address with the new one for organizations that need to contact me.  And I need to hear from.

And so, even if the personal hotspot adds an extra step or two to get my laptop connected to the internet, I think it's worth it (certainly it's much cheaper).  But also because the tech world is constantly changing our options and researching eSims before our trip enlightened me to this new option.  I feel like I'm only 10 or 20 years behind the times.

OK.  I guess I'll stop here.  I was going to skim over a number of other things I've been doing, but clearly I'm not good at skimming.  Often my titles get written after the post because I'm not sure what the post is going to cover.  The combination of cold and personal hotspots is a very accidental title, but I love it.  

So Frank, thanks for reminding me I needed to get back on here.  

Topics that got left out:

  • Hitler's Art Thief
  • Sunday solidarity meeting
  • Chanukah party
  • David Brown, author
  • Gaining daylight after the solstice
  • Flowers blooming inside 
  • Replacing my lost VISA card
  • AIFF2025 left over posts to write

Monday, December 15, 2025

AIFF2025: The Awards

 Notice that I didn't say, "The Winners."  Awards is a little better.  There are objective criteria, but if the technical quality is more or less equal, and the content is good, and the story - whether a narrative or a documentary is compelling and well told, then picking who gets an award and who doesn't gets subjective.  The topic is one you are interested in.  You 'like' the actors.  The story touches close to home.  

But awards play an important role for the film makers.  They can use them as evidence that people liked their film.  It gets the attention of other festivals and distributors.  

As  I went through the list, I've added a √ to the movies I thought were really good and I agree it was deserving.  But I didn't see all of the films, so no √ doesn't mean I didn't like them.  In fact, I think all the film makers - particularly those who completed features - have accomplished something noteworthy.  They've managed to pull together a story, a cast, a crew, funding, and pulled off, despite the odds, a full length movie.  That's like running a dozen marathons.  Even if there are flaws, it's still a huge achievement and my respect and gratitude goes out to all the filmmakers whose films we saw this last week.  

So with that preface, here's the email filmmakers got this morning from the directors of AIFF2025.

25th - ANCHORAGE INTERNATIONAL FILM FESTIVAL WINNERS 
 
JURY AWARDS
 
Burt at guitar
Narrative Feature - Burt - Joe Burke    
 
Documentary Feature - Remaining Native - Paige Bethmann √
 
Made In Alaska [Narrartive] Feature - The Ladder - Emilio Torres  
 
Made In Alaska Doc Feature - K'etniyi: The Land Is Speaking to Us - Rory Banyard
 
Wáats'asdíyei Joe 
and Nayak'aq Yaahl
Yates
Made in Alaska Narrative Short - My Message To You -  'Wáats'asdiyei Joe Yates √
 
Made In Alaska Doc Short - Carving Lines - Dimitri Surnim
 
International Feature - The World Outside - Katrine Eichberger, Nikolas Mühe √
 
Humanitarian Award - Hidden Roots - Brad Hilwig √
 
Narrative Short - The Singers - Sam Davis 

Josefin Kuschela
 
Documentary Short - Greenland: Living with the Inuit - Josefin Kuschela 
 





International Short - Pierre West - Henrik Larson, Jakob Arevarn 
 
Anchorage Wolverines Sports Documentary Award - Bonnie Thunders: That Beautiful Moment - Corey Bayes 
 
Anchorage Wolverines Sports Short Documentary Award: Shaped By Land - Emily Sullivan 
 
Music Documentary: Goddess Of Slide - Alfonoso Maiorana
 
Music Video: Begin Again - Ava Acres and Matt Farren  tied with Ideal Distance - Danny Chandia 
 
Pilot: Bad Survivor - Alex Dvorak , Katie North 
 
iPhone Super Short  -  Mom And Max - Jade Song 
 
Animation Short: A Little Story About Forever - Max Romey  √
 
Katrine Eichberger and
Nikolas Mühe
Director of Narrative Feature: Katrine Eichberger, Nikolas Mühe - The World
Outside √
 
Director of Documentary Feature: Ryan Flynn - You're No Indian √
 
Director of a Narrative Short:  Chelsea Christer -  Out For Delivery
 


Carrie Lederer
Director of Documentary Short: Carrie Lederer - Wild Horses at the Door √
 
Actor in a Feature film - Laurence Shou for Rosemead √ and Burt Berger for Burt
 
Actress in a Feature film - Katrine Eichberger for The World Outside  √  and Renne Gagner for  I've Seen All I Need To See 
 
I've Seen All I Need To See
Team

Independent Voice Narrative - I've Seen All I Need to See, Zeshaan Younus, tied with Lockjaw - Sabrina Greco 
 
Independent Voice Documentary - Blood and Guts, Katie Green and Caryle Rubin
 
Reel World Impact Award: Comparsa, Vickie Curtis, Doug Anderson, Lesli Pérez and Lupe Pérez  √
Greg Rubner
 
Comedy Short:  What The Heck is Going On. - Greg Rubner 
 
Thriller Short: Hide - Brenden Hubbard

Explorer's Club Alaska Chapter Recognition Awards 
 
Exploration Documentary - The Bride of Mont Blanc - Grace T.S.P. 
 
Exploration Documentary -  In Search of the Arctic Fox - Zach Hellmuth
 
Exploration Documentary - Ashes of the Mountain - Joseph Lindley
 
Exploration Ethics Documentary - Special Recognition Award - Among Thieves -  Dr. Gino Caspari and Trevor Wallace √

Explorer's Achievement Award: The Last Dive, Cody Sheehy and Terry Kennedy 
 
 
Native Voices Legends Awards:
 
Jerry Laktonen - Culture Bearer (For reviving Alutiiq Mask-making)
 
Velma Wallis: Storyteller (Author of Two Old Women)



AUDIENCE AWARDS
 
Ryan Flynn
Narrative Feature - Rosemead - Eric Lin √
 

Documentary Feature - You're No Indian - Ryan Flynn √  
 
International Feature - The Mariana Trench -  Elieen Byrne 
 

Emilio Torres


Made In Alaska Feature Narrative - The Ladder - Emilio Torres √
 
Made In Alaska Documentary Feature -  K'etniyi: The Land Is Speaking to Us - Rory Banyard 
 
Made in Alaska Narrative Short - Matt Megan and Mike dont give an F about Codependency - Justin Lawrence Hoyt, Matt Jardin
 
Made In Alaska Documentary Short - Sunrise Summer -  Ian Mayer, Erin K Stein
 
Narrative Short - The Singers - Sam Davis 
 
Documentary Short - Greenland: Living with the Inuit -  Josefin Kuschela 
 
International Narrative Short - Hearts of Stone - Tom Van Avermaet
 
Music Video - Soiree -  Hannah Claire McDaniel  
 
Animation - A Little Story About Forever -  Max Romey √


SCREENPLAYS 
 
Feature  Screenplay:
Pangea Ultima - by Estevan Padilla -TIED with Mythomania by Nick Jones 
 
Short Screenplay
Parking by  Andrew Klaus-Vineyard
 
Pilot  Script 
Betty Lee Is Missing by Alysson Morgan 


In the past, I've sometimes blogged the awards as they were announced.  But in the past there were much fewer awards.  There was:
Winner, Runner Up, and Honorable Mention

in four or five categories - Narrative and Documentary Features, Narrative and Documentary Shorts, Made in Alaska.  These categories held for Jury Awards (from the judges within the Festival organizers, or film makers they reached out to), and Audience Awards - based on the ballots the audience marked after each showing.  

Sometimes the jurors came up with a special award to recognize an outstanding film that had some unique qualities and/or that didn't quite fit into the festival's categories.  

As I said above, awards play an important role in the post production struggle to get your film seen by audiences and even make some money.  So I think having more awards is good, but there are limits.  A festival doesn't want to be known as giving awards to everyone, because then the awards mean nothing.  Just getting accepted into a festival is a major achievement.  

I hope to follow up with my thoughts on some of my favorite films of the festival.  

Sunday, December 14, 2025

AIFF 2025: Winning Films Shown Today From AIFF Instagram Post

"1pm Best of Shorts, a special collection celebrating some of our standout short films, including audience favorites, Best Director, the Humanitarian Award, Audience Favorite Music Video, and our iPhone Super Short Award winner. This block also includes a second screening of Two Old Women, which played out of competition and absolutely delighted us all.

3pm Documentary Feature, Comparsa, the recipient of AIFF's Real World Impact Award. A powerful and moving film that embodies why documentaries matter and how stories can create change beyond the screen.

5pm Narrative Feature, Burt, our Outstanding Jury Award winner. A true celebration of the independent spirit, heartfelt, hilarious, and wonderfully oddball in all the right ways. The kind of film that reminds us why indie cinema exists in the first place."


There are a lot of other winners from last night but the list I wrote down is sketchy.  There are lots of awards.  I'll get back to you later.  Our house guests won Best Actress and Best Directors of a Narrative Feature for The World Outside.  

More later, headed to the museum to see the shorts and documentary programs.  We've seen Burt.  


 

Friday, December 12, 2025

AIFF2025: Saturday: Don't Miss Two Old Women And The Award Ceremony. Sunday: Best of the Fest [UPDATED]

[UPDATED:  Saturday morning December 13, 2025:  The Native Shorts program Saturday afternoon at the Bear Tooth is sold out.]


 Saturday is a reduced schedule. I've got Sunday here too.  We've got Gwich'en and Glitched.

Anchorage Museum morning feature, then a move to the Bear Tooth.

10:30 am  Bonnie Thunders:  That Beautiful Moment

Here's information on Bonnie Thunders (the person, not the movie) from DNN (Derby News Network)

Bonnie Thunders, whose real name is Nicole Williams, grew up far from fame. She started out in synchronized skating, not the kind of place where people shout your name from the stands. But in 2006, she joined the Gotham Girls Roller Derby league in New York City. From that point, everything changed.

Her teammates still say she brought a calm focus that felt rare. She wasn’t loud; she just worked harder, trained longer, and thought deeper about the game. Wikipedia notes that she moved from a local skater to captain of the Gotham All-Stars in only a few years.

Bonnie Thunders and That Beautiful Moment

People often talk about Bonnie Thunder’s beautiful moment — not a single jam, but a kind of electricity that ran through her skating. She had a way of waiting, almost still, then bursting through a gap no one else saw. One stride later, the blockers were behind her, and the scoreboard was moving again.  [emphasis added]

That’s what made her famous beyond the sport itself. ESPN once called her the LeBron James of roller derby. It wasn’t just speed. It was how she turned reading a pack of moving bodies into art.

The Story of Bonnie Thunders Roller Derby

When fans say Bonnie Thunders’ roller derby, they mean the era when Gotham Girls couldn’t be stopped. Her leadership brought the team five world titles under the Women’s Flat Track Derby Association between 2008 and 2016.

Every season looked the same from the outside: Bonnie skating and Gotham winning this was always on the minds of the spectators. Inside the team, it was endless planning, tape study, and drills that left everyone breathless.

In 2017, she surprised the derby world by moving to Portland to join the Rose City Rollers, another powerhouse. ESPNW called it the biggest transfer in the sport. Yet, in true Bonnie fashion, she said little and let her skates do the talking.

If you're like me, you don't follow roller derby closely, or at all.  This seems like a great way to get an insider view of the sport and one of its greatest stars.  But appears this is a 2020 movie which is much older than festival guidelines allow.  This is the second film like that.  Haven't gotten an answer to my questions on why.  


BEAR TOOTH

12:30pm  Spotlight Selection Shorts

  • Stronghold
  • Christmas IRL
  • The Singers
  • Flavor of the Month
  • Forged
  • MascLooking
  • Saverio
3pm  Native Voices
  • My Message to You
  • Alutiiq Superhero
  • Shaped by Land
  • Braids
  • Witness:  Indigenous Arctic Voices
  • The Woman Who Married A Bear
  • Two Old Women
The Woman Who Married a Bear is a well known native story. 

Two Old Women is a well known and loved book.  When I taught a class that had a lot of women guest speakers, I gave out copies of the book as thank yous

Director on set with Two Old Women actors,
from email from the film making team





"Two elderly Gwich’in women —Ch’idzigyaak and Sa’—find themselves abandoned by their tribe during a brutally harsh famine. 

Devastated and scared of what the future holds, Sa' must convince Ch'idzigyaak that their survival is worth a fight and 'if we are going to die,then we should die trying to live'. 

Based on the novel by Velma Wallis 'Two Old Women: An Alaskan Legend of Betrayal, Courage, and Survival'"


"Shaaghan Neekwaii: Two Old Women is the first screen adaptation of Velma Wallis’s 1993 novel, filmed in Fairbanks, Alaska, and told entirely in the Gwich’in language. Directed by Gwich’in filmmaker Princess Daazhraii Johnson and starring Margaret Henry John and Brenda Kay Newman, the film explores themes of survival and resilience. Wallis has supported Johnson since she was first inspired by the book in her youth. “We know this story from our bones,” Wallis says. The film was produced by Deenaadai Productions, in partnership with Girinkhii - a Gwich'in language revitalization and cultural preservation organization." 

I'm guessing very few people in the world have ever seen a Gwich'in language movie.  


Williwaw Social
609 F Street, Anchorage, Alaska 99501

6:00pm  [Or maybe 8pm] AWARDS CEREMONY 
The printed program says 6pm.  The online schedule says 8pm.  (I'm guessing it's 8pm, but I'm checking and will confirm here when I learn more.)  [Got a text back from the head of the AIFF Board saying 6-9pm for the Awards Ceremony.]  


Looking Ahead to Sunday, while I have a bit of time, there's one more film and the Best of the Fest - showings of the award winning films at the Museum.  

10:30 am  Glitched  - Zoe Quist  Feature Narrative




Alaskan filmmaker Zoe Quist’s sci-fi comedy Glitched will close the 25th Silver Anniversary edition of the Anchorage International Film Festival on Sunday, December 14, 2025.
Raised in the frozen wilds outside Fairbanks and still calling Alaska home, filmmaker Zoe Quist (Raw Cut, Mining for Ruby) brings her latest feature back to the state for its Alaska premiere following its U.S. Premiere at the La Femme International Film Festival, where Quist won Best Feature Director.

Starring Mischa Barton (The O.C.), Abigail O’Regan (Spellbound), Donal Brophy (Sleep No More), Jack McEvoy (Vikings), Elijah Rowen (Vikings), and John Connors (Crazy Love, Re-Creation by Jim Sheridan), Glitched follows a pair of ambitious twins who turn their grandmother’s crumbling castle into a virtual-reality playground, only to accidentally open a supernatural portal. Cue one debonair 18th-century ghost, a race against time, and a castle full of unlikely heroes trying not to get stuck in the afterlife. What happens when a VR game unleashes a real ghost?

Glitched is written by Steve Grabowsky (Los Angeles) and produced by Maria O’Neill, p.g.a. (The Black Guelph), Susan Wright, p.g.a., and Zoe Quist. 

"the frozen wilds" is a favorite cliche for Outsiders talking about Alaska.  


Museum - Best of The Fest

1pm - Best Short Films

3pm - Best Documentary Feature

4pm -  Best Narrative Feature


Best, of course, is in the eye of the beholder.  But there are a number of films in each category that I would be comfortable with.  Documentary features may be the hardest category to choose a best from.  But there were also several excellent features.  And there were sooooo many shorts to choose from.  

 

AIFF 2025: Wild Horses and The World Outside And Much More Friday

 In addition to spending much of the day watching movies, we also have two film makers staying with us and so we talk when we get home at night.  Blogging suffers.  

Below is the Friday schedule from the AIFF website. (The link only takes you to the main schedule page and you have to click on Friday to get the details.)

Yesterday (really it feels like it was only this morning) I put up a video of our house guests talking about their feature narrative The World Outside.  This is a World Premier  The first public screening of this film.  Right here in Anchorage.  I haven't seen the film, but I've heard a lot about it from our houseguests, so go to the link above and watch the video of them. 

Waiting in the food line this afternoon at the Bear Tooth, before the documentary The Last Dive (which was worth seeing just for the wonder of watching huge oceanic manta rays) I met Carrie Lederer whose film Wild Horses At The Door plays in the Doc Shorts 2 program at 10:30 am at the E Street Theater. 



 [NOTE:  This has been moved from the museum as has the 1pm screening at the museum.  So this is different from the written program, but it was updated on the online program.]

Also, note that the online schedule is by venue first, then by time.  So there is a 10:30 film down at the bottom at the Alaska Experience Theater.  

The schedule formatting seems to have done weird stuff when I copied it from the website.  It's going on 1:30am now, so I'm going to leave it.  If it's too hard to read go to the AIFF website and pick Friday from the bar on the top of the schedule. 

Venue:

UPDATE: E Street Theater

315 E Street, Anchorage, Alaska 99501

10:30 AMShorts Block: Doc Shorts 2 – Event Tickets

  • Follow the Flower — Destyn Patera
  • Brewer — Erika Valenciana
  • Corteza — Simon Acosta
  • Liam & Friends — Chad
  • Loki Pete — BJ Bullert
  • Wild Horses at the Door — Carrie Lederer

1:00 PMShorts Block: Is It Love? – Event Tickets

  • The Wedding — Matt Latham
  • Te Seguiré a la Oscuridad — Nicholas Luciano 
  • Empano Gleasium — Joe Bowden
  • I’m Not Sure — Mylissa Fitzsimmons
  • Reminisce — Leslie Morris 
  • Tango in Room 1310 — Colin Alistair Campbell
  • Double Date — Hannah Wolf
  • A King’s Curtain — Grant M. Johnson

Venue:

Anchorage Museum

625 C Street, Anchorage, Alaska 99501

3:30 PMFeature

  • I’ve Seen All I Need To See — Zeshaan Younus – Event Tickets

6:00 PMFeature

8:30 PMFeature

Venue:

Alaskan Experience

333 W. 4th Avenue (NW corner of 4th & C St. – enter on C), Anchorage, Alaska 99501

10:30 AMFeature

1:00 PMShorts Block: Arctic Shorts – Event Tickets

  • Greenland – Living with the Inuit — Josefin Kuschela
  • In Search of the Arctic Fox — Zach Hellmuth
  • Let My People Go Skiing — Ellen Bradley

3:30 PMShorts Block: Alaska Doc Shorts – Event Tickets

  • Iditarod: The Loneliest Road — Mason Quinn Schwarz
  • The Story of a Slough — Dawson Brannan 
  • Silver Rush — Kelsey Kroon 
  • Hidden Roots — Brad Hillwig 
  • Swift Current Swimmer — John W. Bushell

6:00 PMFeature

8:30 PMFeature

  • The World Outside — Katrine Eichberger, Nikolas Mühe – Event Tickets