At this point there isn’t much more to go on
The AIFF website has shifted from the one that was just sitting there with old news about the long past deadline for submitting a film, to a new shiny one with a screenshot for every film, a schedule of when they’ll be shown, and a link to getting festival passes that takes you back to the top of the page.
At this point as a blogger, I’ve got little to help me to decide which films to find out more about, other than the film screenshots, the titles, and the categories, My favorite screenshot? This was the first one that really grabbed me.
I think it was the lighting at first, but also the setting and the posture of the characters, If I had to pick one shot to represent my film, I’d pick the one that was most compelling, whether that is just the visual quality of the picture or how the scene draws the viewer to imagine a story to explain what they see. Preferably both. The Ladder screenshot does that:
Wow. I just looked it up and it turns out to be an Alaskan film. From KRBD:
“Torres is an NYU film school graduate who grew up in Ketchikan. For him, it was a no-brainer to shoot his first film here.
“One of the reasons I made this film is I think Ketchikan is one of the most beautiful places on Earth, and I think the film is a testament to the artistic community in Ketchikan,” Torres said over the phone, from his home in Arizona.
In many ways, “The Ladder” is a film about aging. It centers on Arthur, a commercial fisherman who’s getting too old to fish. Early in the film, audiences learn that Arthur’s wife died and his son lives in New York City. The aging protagonist wants his son to move back to Alaska, but they have a somewhat strained relationship.”
It plays at 6pm on Sunday December 7 at the Museum.
The next one was Dark Matter:
The first short I found online called Dark Matter was a film about snow boarding down almost vertical slopes. Perfect for an Alaskan film festival, but the sound was badly edited. A second one, in the right time period was a Malayalam film about paranormal disappearances in Kerala. Neither had this image. In the schedule (it plays Sunday at the Alaska Experience Theater at 3:30 pm in the International Gems program) I found the director (also writer and star) was Leo Berkeley. From Leo Berkeley Films:
“Dark Matter
Dark Matter is a short diary film which explores the experience of living full-time in a wheelchair. Suffering from Multiple Sclerosis, I spend my days staring out the window of my apartment, my mind turning to topics from cigarette butts to quantum particles.”
This appears to be an Australian film.
The Mariana Trench
This picture is just so lush. And who are these people? A man and his daughter? Grand daughter? What are they toasting? From Cineuropa:
“A debut feature film by director Eileen Byrne, The Mariana Trench [+] is a road movie exploring profound themes such as suffering, loss and feelings of guilt. Originally from Luxembourg, Byrne graduated from Monaco’s HFF with a short film entitled Touch Me, about how being diagnosed with a breast tumour impacts the relationship between a woman and her partner which had previously been known for its intensity. Based on Jasmin Schreiber’s bestselling novel of the same name, The Mariana Trench follows the journey embarked upon by a pair of seemingly incompatible characters: Paula, played by young Swiss actress Luna Wedler (a Shooting Star of 2018) and Helmut, embodied by one of the most famous German character actors, Edgar Selge (who’s 76 years old and mostly known in Germany as Commissioner Tauber from the TV series Polizeiruf 110).”
Next was Death In the Desert.
From the Tucson Film Festival:
“Death comes across a wayward soul hiking in the desert, who resists moving on to the afterlife. This encounter sparks an unexpected bargain that fosters an unlikely friendship between them.”
This comment is long compared to the others I saw. The link also has a bit of video from this short film. It plays in the “Now for Something Different” shorts category on Monday Dec. 8, at the E Street Theater starting at 1pm.
And the fifth screen shot that made me pause was Hearts of Stone,
Before I even saw the title, I wondered if she was a statue. And then I realized he wasn’t quite normal either.
“In a sculpture park in the heart of a bustling metropolis, Paula (Noomi Rapace), a lonely street artist, entertains people as a living statue. She longs with an impossible love for Agatha (Jessica Baren), a stone sculpture next to her regular spot. When a festival for living statues arrives in the park, Paula is dismayed to find that Agatha has been replaced by a new, modern sculpture. After a frantic search, she finds Agatha in a group of discarded statues, ready to be taken away. Almost as a farewell, she kisses the object of her affection. Later, at the festival’s closing party, Paula meets Agatha in the flesh.”
Hearts of Stone is also in the “Now for Something Different” shorts category on Monday Dec. 8, at the E Street Theater starting at 1pm
So this is my intro to the Anchorage International Film Festival 2025. Somewhat random, but not really. Based on screenshots that caught my eye. These were only the first five. There are a lot more than these. Go look at the site yourself.
Often the Festival website is a work in progress. It always tends to start a bit late because the webmaster has to wait until the films are chosen and then assigned a time and location. So the webmaster has to sit around and wait and then suddenly there’s a ton to do.
















