Jute And Tute

Been working outside today in the backyard.  So here's a short one.  A couple of items you might have missed.


Is jute coming back?  An LA Times article says India hopes to make it the ancient textile of the future.

"Now India is betting that jute — an ancient textile whose harvesting and production have scarcely been touched by modern technology — could be a fabric of the future.
Amid a global push to reduce the use of plastic for environmental reasons, India is promoting jute — better known in the United States as the fiber used in burlap — as a material for reusable shopping bags, home furnishings, clothing, even diapers and women’s sanitary pads.
Indian officials tout the humble fiber’s eco-friendly qualities. Extracted from the bark of a tall, reedy plant, jute requires less water than cotton and almost no pesticides, absorbs more carbon dioxide for its size than most trees, and is totally biodegradable."

Modern World:  Galveston Man Booked A Prostitute – And She Turned Out To Be His Wife

 "She was furious to learn her husband had been hiring sex workers, although he was equally angry to learn his wife had been freelancing as a prostitute."

Unfortunately, the article didn't answer all my questions.  Did they have sex in the motel?   Did she get paid?  Sounds like they didn't since other guests at the motel complained about "the disturbance."  But the that's not clear.  The last line of the article says:

"The husband may now face charges under tough Texas prostitution laws, which make it illegal to engage in any type of sexual activity in exchange for money or some other form of compensation – even if it is with one’s own spouse. "

I'm not sure why I think this is worth mentioning.  I can't quite articulate it yet, but this seems to be a story that tells a lot about modern United States life and culture.  Or maybe it's a broader theme - about humanity in general.  I'm sure someone could create a profound movie around this headline.

Recycling Plastic Flower Pots At Alaska Botanical Garden

I gather a bunch of old pots from the ancient greenhouse in the yard and washed them as best as I could in the wheel barrow for the Botanical Garden's recycle your pots day.





Then today we took them to the Garden and added them to their collection.

And then we did a quick walk through the garden to see what was still blooming.

There's a tall fence to keep the moose out, but bears can squeeze under the gate.




Here's a globe thistle not quite open.





And here's one open.

And a Masterwort.

There aren't too many peonies left, but here's one.
























Here's a bed of geraniums.

Most of the garden is full of perrenials, but there are a few beds with annuals, like this snapdragon.

Catchup: RBG At Bear Tooth, May Day Tree Invasion In Back Yard,

The much abbreviated (from last year) bike rack at Bear Tooth Cinema was packed when I rode over Sunday to see RBG, the movie about Ruth Bader Ginsburg.  What I didn't know about her (well there was a lot of personal stuff too) was the key role she played in winning cases at the Supreme Court that broke barriers for women before she got on the court.

I did think about how conservatives might view this movie.  But then we would probably need a couple of hours to define conservative.  After all, Orin Hatch (certainly we'd classify him as a conservative) seemed convinced (in the movie)  that she was well qualified to be on the bench, even though he didn't agree with her on many issues.  I also wondered how I'd react to a similar film on Antonin Scalia, who also had some screen time in RBG.  I was also encouraged by the scenes of her working in the gym with her personal trainer.

I've written in the past about the May Day Tree (also known as choke cherry) invasion in Anchorage.  They've snuck into our backyard.  Last summer I clipped off the branches of one I discovered blooming profusely on the other side of the fence way in the back.  I had to get all the flowers and put them in the garbage.  I didn't want any stray seeds growing in the yard.  The I let the leaves die and fall off and cut up the branches.  Some I've shown out in the garbage, most I've been able to scatter in pieces around the yard.

I was planning on cutting down the tree, but someone - I'm guessing the utility folks since it was growing into the power line - did that for me.  But what they left has green shoots growing out of it this year.

Blooming May Day tree well hidden on left

There is another one near our deck. Last summer I clipped all the flowers off it as well, but decided to leave it for the rest of last summer because the leaves were green and partially blocked the neighbor's yard.  My plan was to get rid of it this summer.  It's green now - and lovely - with only one bunch of flowers. It's going soon.

 But to my dismay, I found another tree, about 14 feet high - full of flowers.  It's well hidden by the other trees - it's on the left in the picture.  But I can't see it, which is why I didn't spot it last summer I guess.  Our yard is just a normal 1/4 acre city lot, but it has a hill and lots of trees.  But I was checking on what's growing and found it.  So yesterday I clipped all the flowers, put a few in vases in the house and bagged the rest.  Cut off all the branches and I'll cut that one down too.

Cut branches of Choke Cherry (May Day)  flowers

The problem is that these trees, which are not native to Alaska,  thrive in Anchorage.  They grow fast and spread seeds all over choking out native plants.  And they make moose sick.  The older post explains the details and how it kills moose.


There are other invasive species as well.  The one I've come to terms with is the dandelion.  Especially now as the new ones start growing; soft and tender leaves make a nutritious mea.  So I go out and pick very fresh greens for omelets and salads.  Here's some nutritional information from an earlier post.

cooking dandelion greens

I also used dandelions as part of blog contest much earlier in this blog's history.

Getting A Handle on Denali National Park's Vast Expanses

We're back as of Sunday afternoon.  Our upstairs ceiling popcorn is gone and a new ceiling in place.  Everything is still shoved into spaces to allow for painting the ceiling and walls.

Saturday at Denali was Denaliesque.  I recently saw a Mongolian movie and thought, wow, those huge vistas remind me of Denali National Park.  The sun was out most of the time, the clouds here and there not threatening rain or snow.  The (still) white vistas - humans generally just don't experience stuff like this.  You see for miles and miles unpopulated land surrounded by mountains.  With the late snow everywhere it was almost too much.  After you enter the park, about four miles in, you're past all the park buildings - visitor center, camping and touring building, education center, housing for workers, sled dog kennels, and then there's just one road that goes for 90 miles.

Only 30 miles are open now (until buses start May 20), so what we saw is that part of the land you can see from the road in the first 30 miles.  There are a few structures inside the park - at campgrounds basically and lots of restrooms at the bus stops.  After May 20, you get past the first 3 miles or so only on the buses.  Or if you have a camping spot at Teklanika.  All the other camping spots are tent only and you get there by bus.  And there's a big visitor center at about mile 60.

The picture above is the road into the park (though we were driving back to the campgrounds at the entrance when I took this.)  You can tell we're still within the first 15 miles of the road because it's paved.  We're looking east.

And here's a panorama view - I've photoshopped three pictures together.  You see about 20-30 miles into the distance and probably 30 or so miles across from left to right.  If you click on the picture you can see it bigger. (Large vertical images work great here, but horizontal ones don't.)

Just think about what a 25 by 30 mile area in your city would encompass.   In LA that would be approximately from Santa Monica to East LA and from Beverly Hills to Palos Verdes.   It's most of the LA basin with one road and for 85 miles of that road just a few structures and outhouses.   Get a map online of your location.  Seeing such vast distances with nothing but one road and just a few structures stretched out of 90 miles on the road is always mind-boggling, even after 40 years.

And here's a map of Denali National Park and Preserve to get all this into even more perspective.

Original map from National Parks Maps  - This map is fairly large, but at the link it's much bigger

The entrance to the park is to the east where the little black rectangle is to the right of the red line. The first part of the road - brown on the original map here - is the 12 paved miles.  It ends at the red #1 on the map.  (I added the red because the yellow line is harder to see and to show you how far the road was open.)  #1 is where Savage River is, where we snowshoed on Thursday.  I didn't mention it in that post, but it was two years ago when we were there at the same time a young summer Park employee, Michael Purdy, had fallen and died and had not yet been found.  I wrote about that here.  A Park employee told me that his sister was in the park a week or two ago for the anniversary.  You can also see how different the trail looked in late April 2016 compared to early May 2018.
#2 is about where I took the panorama above from.
The Black Bear Paw is Teklanika Campground - the road is closed about a mile past there for now, though beyond it you can walk or bike.
#3 is Eilson Visitor Center (above the 3) - about 60 miles into the park with good views of Denali on clear days.
#4 is Wonder Lake campground, the end of the 90 mile road into the park.
#5 is the North Peak of Denali - the tallest mountain in North America at 20,310 feet (6,140m)

So what we saw last week is only 1/3 of the road in the park.  The panorama is of just one tiny part of the park.  The vast majority of the park has no structures at all.  And the views further in are even more expansive.  Even if you don't see any animals (not likely) or the mountain itself (much more likely), the landscape itself is worth the trip.

Looking through the trees across to a small mountain off in the distance.

Here you can see the slope of the land.  I took this from the road.  J is walking up the road in her red coat.  Since walking on the snow, even with snowshoes, is a challenge, we took turns walking along the road with the other waiting up ahead in the car.  You see much more on foot than in the car.

Here's an area where the snow had an icy glaze.  But if you tried to walk on it, you break right through the ice.

This is just past the gate that closes off the road at the Teklanika rest area.  I'm looking down at the Teklanika River, which at this point is mostly covered with snow still, just those few squiggly pieces of open water.  If you look closely you can see the bridge in the lower right corner.

And below you can see some of those squiggly spans of water from the bridge.

It was a beautiful day - I know that's relative.  The sun was out and the sky was mostly blue.  The temperature was in the 40's but there was a brisk wind in most places and especially on this bridge.    It was also a Saturday so there were a fair number of people who driven to the Park for the weekend from Anchorage and Fairbanks.

This post has taken a direction of its own - the vastness of the park - so I'll save some of the people   and critters we encountered for another post.

A Little Rain Makes Me Think About Life After Humans

It rained overnight in LA.

Looking at the drops left on the leaf reminds me that nature follows set patterns.  We talk about human caused global warming harming the earth.  But 'harm' is in the eye of the beholder.

The earth will change, but it will survive.  How humans and other living things will survive is another story.  Some argue that without humans,  the non-human living things will thrive.  The Voluntary Human Extinction Movement calls for people to stop procreating.  There's even two seasons of Life After People on History.com.  (A quick look suggests that all the pollutants we've already created and have sitting around will cause massive harm.)


UPDATE 8:45pm:  The rain got more serious later in the day:

Animals In Kid Land Versus In The Real World

Jon Mooallem's introduction to "Wild Ones" caught me off guard:

"My daughter's world, like the world of most American four-year-olds, has overflowed with wild animals since it first came into focus:  lionesses puffins, hippos, bison,

sparrows, rabbits, narwhals, and wolves.  They are plush and whittled.  Knitted, batik, and bean-stuffed.  Appliquéd on onesies and embroidered into the ankles of her socks.
I don't remember buying most of them.  It feels as if they just appeared - like some Carnival Cruise Lines-esque Ark had docked outside our apartment and this wave of gaudy, grinning tourists came ashore.  Before long, they were foraging on the page of every bedtime story, and my daughter was sleeping in polar bear pajamas under a butterfly mobile with a downy snow owl clutched to her chin.  Her comb handle was a fish.  Her too brush handle was a whale.  She cut her first tooth on a rubber giraffe.
Our world is different, zoologically speaking - less straightforward and more grisly.  We are living in the eye of a great storm of extinction, on a planet hemorrhaging living things so fast that half of its nine million species could be gone by the end of the century.  At my place, the teddy bears and giggling penguins kept coming.  But I didn't realize the lengths to which humankind now has to go to keep some semblance of actual wildlife in the world."

He then goes on to discuss how far people have gone to help salmon swim up their blocked rivers, and how volunteers help seat turtle hatchlings safely into the sea, and giving plague vaccine to ferrets.

I've watched the menagerie that surrounds my granddaughter's every move, but I really hadn't come to the realization that it may be blinding us to the disappearance of real animals.  Food for thought.

AIFF 2017: Caught By Surprise By Wonderful Film - Arctic Daughter

Jean Aspen after the showing

I didn't know anything about Arctic Daughter except that it was about a woman who had lived in log cabins above the Arctic Circle inAlaska.  And it was the only thing showing today at noon, and I'd seen the shorts being shown at 12:30pm.

Tom Irons, Aspen's husband, post showing

I was caught up in a film that was beautiful in so many ways.  The visuals were beautiful -  I wasn't conscious of the music but for a few times when the original piano score was perfect for the shot.  Then it faded back into the background of my consciousness.  I'm starting to have some trouble with hearing all the dialogue at this festival, but not in this film.  And the story is the great Alaska story of going out into the wilderness, building a cabin by hand, and surviving well through the winter.  But it's not a macho conquering nature movie, but a thoughtful reflection on the place of humans in nature.

Composer Lindianne Sarno

though a lot of it was made up of old photographs, it didn't feel like it was.  And they didn't use the Ken Burns effect. (And I when I said that to Jean, she said, "Who's Ken Burns?")


It's a beautiful and inspiring film that I hope is seen by all Alaskans, and by all citizens of the U.S. and the world.  It's about the meaning of life, our relationship to nature, about change and human strength and fragility.  It's narrated by a beautiful woman who shares the wisdom she's gained from her experiences of life pared down to just the essentials.  But she's also lived in Arizona.  I've focused on one woman Jean Aspen, but it also involves some men - her first and second husbands and her son.

I'm not easily carried away like this by a film, but I was today.  The only quibble I might have is that toward the end it seemed to be getting a little too long, but there were two important things the film makers needed to say at the end.

This is as eloquent a statement as I've seen about our human place in the natural world.

And it turned out that this was the world premiere showing.  Even the film makers had never seen it on a large screen!  I learned that at the short Q&A right after the film was shown and then more time to talk to the film makers in the Port Room.  I was supposed to take J home and then come back and see the Best of the Shorts, but I in the end I went home and took a break to work on this post and now I'm at the Panel "From Short to Feature."

This reminds me of being surprised by another Alaska film that I saw under similar circumstances - Greg Chaney's The Empty Chair.  A really good and important film about Alaska that was getting its world premiere here at AIFF.

From the Festival description:

"D.K. Johnson, moderator, will be joined by Writer/Director Levi A. Taylor (Conspiracy P.I.E., Way Up North), Cinematographer/Gaffer April Frame (Frame by Frame Productions), Director/Editor Quinton Oliver Smith (Ruthless Rhymer, Find Me) and Director Logan Dellinger (Moose the Movie, Sudsy Slim Rides Again). Each filmmaker has taken part in both large and small-scale productions including feature films, music videos, commercials and reality television."

AIFF 2017: My Guide To Tuesday Dec. 5, 2017

Tuesday Dec 5, 2017 -

More choices makes this another difficult day.  

Short Docs 3 has three film in competition - Ghost of the Arctic, Ten Meter Tower, and The Collection.   But that's just the programmers' choices and there were films not 'in competition' that I liked better than some 'in competition.' 

I've got more on these (and the other short docs in competition here.  Including my personal problem with Ghosts of the Arctic.   

Ten Meter Tower is wonderful.  Despite people's diverse tastes,  I would guess that 90% of viewers will like it.

Click on the purple/pink  Life Hack link below and you'll know as much as I know about it.

The Last Animals is doc in competition.  From what I can tell is a very well funded and marketed film that strongly advocates for saving endangered species.  You can see more about it and the trailer at this post on the docs in competition.

But it's playing at the same time as a workshop by Dan Mirvish.  I've never met him face to face, but I did a Skype interview with him in 2012 when his film Between Us played at AIFF.  It's a loooong video (for me) but if you watch some of it you can get a sense of whether you want to go to the workshop.  I'd recommend the workshop simply because you get to see an accomplished film maker live talking about what he does.  

For me, there's no hard decision at 8pm - AlphaGo, another documentary in competition.
But others might not agree.  

The colored bars are linked so you can see the details - location and short descriptions.  Or go directly to the AIFF Sched for Tuesday,

Tuesday, December 5

3:00pm

Short Docs 3: Compelling Characters LIMITEDLife Hack LIMITED

5:30pm

The Last Animals "The Cheerful Subversive's Guide to Independent Filmmaking" - A Workshop with Dan Mirvish 

8:00pm

AlphaGo Guilty Pleasures: Beastmaster LIMITED

    

AIFF 2017: Docs In Competition - Saving Brinton, Over The River, The Last Animals, The Cage Fighter, Among Wolves, Alphago

Here are the Anchorage International Film Festival in Competition.

Documentaries are non-fiction feature length films.  "In Competition" means, at AIFF,  these films have been selected by the programmers to be eligible for awards at the festival.  Another way of saying that is these are the films that the programmers collectively liked the best.   There are usually other films that appealed more to individual programmers, this list is there collective choices.

 I haven't seen any of these.  My goal here is simply to make it easy for people to know what's coming at the festival beginning December 1.

My experiences is that the documentary category tends to be very strong at the Anchorage International Film Festival.  They're in alphabetical order.

Docs in Competition	Director	Country	Length
AlphaGo	Greg Kohs	USA	1:30:28
Among Wolves	Shawn Convey	USA	1:27:00
The Last Animals	Kate Brooks	USA	1:31:50
Over the River	Vanina Lappa	Italy	1:14:00
Saving Brinton	Morgan White	USA	1:27:30

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AlphaGo
Greg Kohs
USA
1:30:28 
Showing:  Tuesday, Dec 5, Bear Tooth, 8pm
Sat. Dec 9, Alaska Exp Small 7pm


This appears to be a man against machine movie - can a computer beat the best human go players?


Here's the Director's Statement:  (Watch for the Alaska connection)

"Early in my career I worked at NFL Films. That experience, of being able to see the drama on the field while having access to the people and stories unfolding off the field, has always been a fascinating intersection for me. In my recent film, The Great Alone, I was able to explore the epic scale of the Iditarod through the comeback story of a single competitor. In AlphaGo, the competition between man and machine provided a similar backdrop, albeit with far larger consequences. 

The complexity of the game of Go, combined with the technical depth of an emerging technology like artificial intelligence seemed like it might create an insurmountable barrier for a film like this. The fact that I was so innocently unaware of Go and AlphaGo actually proved to be beneficial. It allowed me to approach the action and interviews with pure curiosity, the kind that helps make any subject matter emotionally accessible. 

Unlike the film’s human characters – who turn their curious quest for knowledge into an epic spectacle with great existential implications, who dare to risk their reputation and pride to contest that curiosity – AI might not yet possess the ability to empathize. ​But it can teach us profound things about our humanness – the way we play board games, the way we think and feel and grow.​ It’s a deep, vast premise, but my hope is, by sharing it, we can discover something within ourselves we never saw before."

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Image from Among Wolves Kickstarter page

Among Wolves
Shawn Convey
USA
1:27:00
Showing:  Monday, Dec 4, Bear Tooth 8:15pm 

From the beginning of the trailer, my thought was:  This is not the movie the title suggests to most Alaskans. 

This is a movie about veterans of the wars in the former Yugoslavia, specifically in Bosnia.  Here's elaboration on that from the Among Wolves  website:

"A paramilitary leader at the young age of 20, Lija helped defend the town while neighbors fell to the invading forces. Now he heads the Wolves, a motorcycle club that resembles the stereotype in rough image only. Under his leadership, this wild crew has become a positive force for good with a self-defined humanitarian focus. As their numbers grow, so do their successes, like holding charity events for the neediest in their community and securing badly needed supplies for hospitals in Livno an Srebrenica. 

One mission, though, rich in symbolism, captures their spirit more than any other. On what was once the front line, they now tend to and defend a herd of wild horses that society has similarly deemed expendable. A harsh environment, poachers, and urbanization continually threaten the herd. Stirred by their strength, the Wolves are determined to control their own fate and finally emerge from the shadow of war."

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From The Last Animals website

The Last Animals
Kate Brooks
USA
1:31:50
Showing:  Tuesday, Dec 5  Bear Tooth  5:30 pm

This is a movie about how rhinos and elephants are being slaughtered for their horns and tusks.  Hard to watch stuff.  As I wander the internet reading about this film, it's clear it's doing a good job of marketing itself.  The website is slick and full of gorgeous photos. There's even a piece about it in Glamor, not where you normally see stories about film festival documentaries.

"Kate Brooks may be missing the fear gene: At age 20 she was infiltrating state orphanages in Russia to document child abuse, work she published in The Boston Globe and *Newsweek*. By 25 she was capturing the American invasion of Iraq for Time. Ever since, she’s lived in war zones, sending back images of bombings in Pakistan, conflict in Syria, and amputees in Afghanistan.
In 2010 she finally took a much-needed vacation and headed to a national wildlife reserve in Kenya. “I was lounging by an infinity pool,” remembers Brooks, now 39, “and out on the horizon this herd of elephants walked by. It realigned everything inside of me. I left knowing I wanted to give the animals back some of the peace they gave me.” She returned to work, but the memory of those roaming giants stayed with her, and in 2012 she began looking into why such a staggering number—30,000—are killed every year for their tusks. When she learned the reason was related to terrorism, she set out to tell the world. The result is her eye-opening documentary, The Last Animals, which takes viewers on a journey into the violent epicenter of the ivory trade."

I doubt though that it will be screening at the White House any time soon, given that the Trump administration has reversed the ban on importing elephant ivory from Africa trophy hunts.

Here's a bit from Screen Daily:

"What distinguishes The Last Animals from other films on the subject (in particular last year’s Netflix doc The Ivory Game) is the raw urgency of Brooks’ direct conflict reportage: she is a war correspondent who lets us understand that what is happening here is nothing short of an all-out battle. This investigative mission, coupled with her painterly eye, elevates this doc – for the most part – into something filmic, often elegiac, and hopefully galvanising. After all, who are we, she asks, as guardians of this planet, if we allow the slaughter of these mystical, beautiful beasts to continue."

I couldn't find a trailer, but maybe this interview at the 2016 Women in the World Summit in New York City with the director Kate Brooks about the film is a better introduction.







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[UPDATE Nov 29, 2017:  I have a new post on this film with a video of my Skype conversation with film maker Vanina Lappa.]

Over the River 
Vanina Lappa
Italy
1:14:00
Showing: Sunday, Dec 3, Alaska Exp Small, 4pm
Sunday, Dec. 9 Alaska Exp Small 5pm

I've learned from the director via FB, that this film has been seen in Europe and Kathmandu, the showing in Anchorage will be its North American premiere.

As I looked this film up, I forgot we are in the documentary category.  It has the look of a feature.  But it's not.  Which will make it interesting.

From Film Italy:

"'We are too old, that's the problem. We look at the moon, look at too many things ...'. So it's been said to Angelo, a young waiter who lives in Caselle in Pittari, a small town that lies on a river basin Bussento in southern Cilento, at the foot of a sacred mountain, where there is the St. Michael's cave, inside which , the legend says, there's an ancient guarded secret."

Here's from an Italian review of the movie, you can get the whole review here:

"Angelo, giovane cameriere di Caselle in Pittari, nel Cilento meridionale, vive nel tempo sospeso e fuori dalla storia che sembra caratterizzare l’intero paese. La comunità, ancorata a rituali più o meno antichi, è insieme nutrice e gabbia per il giovane; e tale è anche per il suo omonimo Angelo, barista più anziano di lui, con uno sguardo sulla vita più radicale e disilluso. I due dovranno decidere tra la permanenza e la fuga: ovvero tra due, contrastanti, idee di esistenza. [sinossi]
C’è costantemente una doppia dimensione, la percorrenza di un doppio binario, a guidare lo svolgimento di un lavoro come Sopra il fiume. Il documentario di Vanina Lappa, regista e montatrice italo-francese, è infatti saldamente ancorato alla terra che racconta, ai suoi rituali, al carattere misterico e al potere aggregante delle sue simbologie, ma contemporaneamente punta a mettere in scena la tensione con l’esterno, la pressione della modernità, la voglia di fuggire di alcuni abitanti del paesino che è teatro del film (quello di Caselle in Pittari, nel Cilento meridionale). La regista approccia qui il genere del documentario etnografico mettendo sempre in primo piano questa dialettica: lo fa fin dalla sequenza iniziale, che racconta il territorio attraverso un’antica leggenda che viene narrata al protagonista quand’era bambino, a illustrare lo sguardo sul fiume e sugli incontaminati territori che sovrastano e cingono il paese; poi, l’obiettivo si sposta sulla vita quotidiana della cittadina, sulla concretezza delle sue i(n)terazioni, sempre uguali a se stesse, su un tessuto sociale che sembra demograficamente condannato, incapace di favorire il ricambio tra generazioni, e quindi la sua stessa sopravvivenza."

Here's how Bing.com/translator renders this in English:

"Angelo, a young waiter of boxes in Pitters, in southern Cilento, lives in the suspended time and out of history that seems to characterize the whole country. The community, anchored to more or less ancient rituals, is together nourishment and cage for the young; And such is also for his namesake angel, bartender older than him, with a look on the most radical and disillusioned life. The two will have to decide between permanence and escape: that is between two, contrasting, ideas of existence. Synopsis]
There is constantly a double size, the journey of a double track, to guide the conduct of a job as above the river. The documentary of Vania Lappa, Italian-French director and upright, is firmly anchored to the earth that tells, its rituals, the mystery character and the aggregating power of its symbology, but at the same time aims to stage the tension With the exterior, the pressure of modernity, the desire to flee some inhabitants of the village that is the theatre of the film (that of Caselle in Pitti, in southern Cilento). The director approaches here the genre of the ethnographic documentary always putting in the foreground this dialectic: it does so from the initial sequence, which tells the territory through an ancient legend that is narrated to the protagonist when he was a child, to To illustrate the gaze on the river and the uncontaminated territories that dominate and surround the country; Then, the goal moves on the everyday life of the town, on the concreteness of its I (n) teras, always equal to themselves, on a social fabric that seems demographically condemned, unable to favor the replacement between generations, and therefore its Same survival."

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From Box Office Mojo

Saving Brinton
Tommy Haines & Andrew Sherburne
USA
1:27:30
Showing:  Sunday, Dec 3  Bear Tooth, 7:30pm


This feels like a film makers' film - it's about the finding and restoring of turn of the (20th) century films in Iowa.  Last year we had an Indian film, The Cinema Travelers, about a business that traveled the festival circuit in India showing large reel-to-reel films as DVD's and online downloading were starting to challenge this old film showing tradition.  It won best documentary.

We can get a sense of things by looking at where the film comes from: Northland Films:

"Northland Films are non-fiction storytellers in the Upper Midwest devoted to producing challenging and engaging films on timely social issues. Working throughout North America, the filmmakers work boldly to uncover themes of nature, history & community and in unexpected places."

From an interview with the filmmakers at the American Film Institute (AFI) where the film premiered June 17, this year:

"AFI: What inspired you to tell the story of SAVING BRINTON?
TH & AS: The common threads through all of our feature documentaries are notions of community and place and the interplay of tradition and modernity. This story had all of those elements.
TH, JR & AS: On top of all that, we’re film nerds. So here are 130 films, many of them unseen for a century, and we get to be a part of bringing these back into the public consciousness. Of course, we were in from day one.
AFI: How did you find Michael Zahs?
TH & AS: Our last film, GOLD FEVER, was about gold mining in Guatemala, and we were looking for something closer to home. Our eyes lit up when we got a call about a man, in a small town just south of us, who had discovered a basement full of nitrate films from Thomas Edison and Georges Méliès. Our first reaction was the same as most everyone: “In Iowa? Really?” That was the beginning. But in that first visit to Mike’s house, we sensed that the man who had saved these things was the real story — you can see it in the opening scene of the film. I think we left that day and told Mike 'you’ll be seeing a lot more of us.'”

[TH is Tommy Haines, AS is Andrew Sherburne, and JR is John Richards - Director of Photography]









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UPDATE Nov. 18, 2017:  A film that was in this list before dropped out because of 'distribution.'

Today Was International Mud Day

Z and I went to the Alaska Botanical Garden today to buy some shade loving perennials and had some extra adventures besides.

It turned out to be Mud Day, but they were just setting up and we couldn't stay that long.

From Days of the Year:

"The creators of International Mud Day wanted to find a way to help all of the children of the Earth feel closer to each other…and what a better way to do it than through the Earth itself? International Mud Day began in 2009 at a World Forum event, when Gillian McAuliffe from Australia and Bishnu Bhatta from Nepal got together to talk about ways to encourage feelings of community and appreciation for the world around us. The collaboration that followed has inspired educators, children,and families across the globe, from Holland to Nepal to the United States, to celebrate International Mud Day together each year on June 29. Regardless of age, race and religion, covered in mud, we all look the same!"

We also got to sit in on a worm workshop for kids that was about the role of worms in composting.  There was even a scavenger hunt things to look for in the worm bin compost.

The botanical gardens are really growing up and are looking more and more like a serious botanical garden and not just some plots dug out in the woods like it did in the beginning.  The irises were blooming in Lile's Garden, one of the nicest spots in the garden.

If you have any young kids who need entertaining, one easy option - if they can play outside - is a spray bottle.  We've found these great when we've had people over with kids, and here's the one that my grand daughter loves this one (with some help from photoshop.)














Z went swimming with her grandmother after helping start a loaf of bread.  Lots of fun today.

The Pope's Gift To Trump

Pope Francis gave President Trump a gift - his encyclical on the climate, which was released in June 2015. The Washington Post highlighted what they identified as "ten key excerpts."  The whole encyclical is 165 pages, so this is obviously a very abbreviated version.  I suspect it would be more likely that Trump would have just read these ten points, than the whole encyclical the Pope gave him.

Most of these are sorely lacking from the public policy debates in the United States, and those that get into our discussions need a lot more thoughtfulness.

Enjoy and think about how we can get this issues considered more there.

1) Climate change has grave implications. “Each year sees the disappearance of thousands of plant and animal species which we will never know, which our children will never see, because they have been lost forever,” he writes.
2) Rich countries are destroying poor ones, and the earth is getting warmer. “The warming caused by huge consumption on the part of some rich countries has repercussions on the poorest areas of the world, especially Africa, where a rise in temperature, together with drought, has proved devastating for farming.”
3) Christians have misinterpreted Scripture and “must forcefully reject the notion that our being created in God’s image and given dominion over the earth justifies absolute domination over other creatures.”
4) The importance of access to safe drinkable water is “a basic and universal human right.”
5) Technocratic domination leads to the destruction of nature and the exploitation of people, and “by itself the market cannot guarantee integral human development and social inclusion.”
6) Population control does not address the problems of the poor. “In the face of the so-called culture of death, the family is the heart of the culture of life.” And, “Since everything is interrelated, concern for the protection of nature is also incompatible with the justification of abortion.”
7) Gender differences matter, and “valuing one’s own body in its femininity or masculinity is necessary if I am going to be able to recognize myself in an encounter with someone who is different.”
8) The international community has not acted enough: “recent World Summits on the environment have not lived up to expectations because, due to lack of political will, they were unable to reach truly meaningful and effective global agreements on the environment.” He writes, “the Church does not presume to settle scientific questions or to replace politics. But I am concerned to encourage an honest and open debate so that particular interests or ideologies will not prejudice the common good.”
9) Individuals must act. “An integral ecology is also made up of simple daily gestures which break with the logic of violence, exploitation and selfishness,” he writes. We should also consider taking public transit, car-pooling, planting trees, turning off the lights and recycling.
10) By the way, why are we here on Earth in the first place? “What kind of world do we want to leave to those who come after us, to children who are now growing up?” he writes.