Life moves along and things I've blogged about evolve.
An LA Times story the other day says a settlement looks close in the lawsuit against an LA vote to require porn actors to wear condoms. The original post was in 2012 when voters approved the measure, and there was a follow up in 2013 when the first court decision came out. Apparently the condoms will stay, but the enforcement will be weaker.
And this year's Anchorage Folk Festival poster was done by Paxson Woelber, who I interviewed in 2009 when two of his short animations were in the Anchorage International Film Festival.
And don't miss the last night of the festival - Sunday, starting at 7pm at Wendy Williamson auditorium at UAA. Jeffrey Broussard & the Creole Cowboys will play again. The festival is free and it's one of the events that makes Anchorage a great place to live.
Is this part an update? Well, the poster leads to the festival and I've got posts from previous folk festivals.
2015.
2014.
2011.
2011. This one has Kabala Shish Kebab.
2008. Cajun and Creole is pretty popular up here.
There's a bit of video from Friday night to give you a sense of what they're like. And only a sense, since I recorded this with my tiny Canon Powershot. If you go to the festival, you'll get to hear their sound for real. They'll be a number of other acts before them, you can come when you want. Friday the auditorium was packed.
Pages
- About this Blog
- AIFF 2024
- AK Redistricting 2020-2023
- Respiratory Virus Cases October 2023 - ?
- Why Making Sense Of Israel-Gaza Is So Hard
- Alaska Daily COVID-19 Count 3 - May 2021 - October 2023
- Alaska Daily COVID-19 Count - 2 (Oct. 2020-April 2021)
- Alaska Daily COVID-19 Count 1 (6/1-9/20)
- AIFF 2020
- AIFF 2019
- Graham v Municipality of Anchorage
- Favorite Posts
- Henry v MOA
- Anchorage Assembly Election April 2017
- Alaska Redistricting Board 2010-2013
- UA President Bonus Posts
- University of Alaska President Search 2015
Showing posts with label Anchorage International Film Festival (AIFF 2009). Show all posts
Showing posts with label Anchorage International Film Festival (AIFF 2009). Show all posts
Sunday, January 31, 2016
Wednesday, January 23, 2013
"Hipsters" (Stilyagi) DVD Coming Out With English Subtitles
The 2009 Anchorage International Film Festival winning feature - Hipsters - is coming out in DVD with English subtitles! This was a wonderful giant Russian musical a about hipsters in Moscow in the 1950's. In the drab Soviet Union, these kids with their wild suits and big hair and rock and roll music really stand out. This is a fun and lively musical with big sweeping musical scenes and great music.
Chris left me a comment on one of the older posts about the movie when it was at the festival.
Hipsters is finally being released on DVD with english subs! Hipsters DVD release with english subtitles from amazon[UPDATE November 16, 2014: Unfortunately the link goes to a Go Daddy ad for the url. Not sure where this movie is available with English subtitles today. Anyone know? Leave a comment and link.]
Do share as I know alot of people have been waiting for this one!
It appears that Chris works for the company that did the subtitles - Subtitlemeplease - where the link takes you.
This is a feel good movie and the music will grow on you. (I got to see it three times at the festival.) It beat out some really strong competition that year. Here's the subtitled preview:
Wednesday, February 16, 2011
Alaska Native Actor Savanah Wiltfong's Name Missing in Movie Publicity
Dear Lemon Lima (Lima like the bean, not the capital of Peru) first came to the Anchorage International Film Festival in 2007 as a lushly beautiful short film focused on teenagers who were real and interesting. The color was vivid. The exchanges between the kids was often the way kids talk to each other when they have serious things to say and there are no adults listening. And mostly the movie was anti-slick. Hercules' parents seemed a bit arch, but I took it that we were seeing the world through the kids' eyes, so maybe that's how they looked to him. It was maybe ten minutes and I guessed it was the first glimpse at what promised to be an interesting feature.
[I've found - at video.nymag.com - what appears to be the short we saw in 2007 and some of the main characters, including Vanessa, are played by different actors. I was close, it's 11 minutes. The color on here isn't as rich]
And it came back to the Festival in 2009 as a feature length film. And it got an audience award in the feature class that year.
Suzi Yoonessi, the director, emailed me the other day to say the movie would be released VOD (she thought I was hipper than I am and it took me a while to figure out that means video on demand) on Comcast, Time Warner, Cablevision, and Verizon Fios in Alaska on March 4th. It will be released in LA that date too in theaters. Then March 11 in New York. If it does ok in those places, the rest of the world might be able to see it in theaters too.
But as I went to look for more information I found info on the movie, but the Alaska star's name wasn't included. Savanah Wiltforng - an Alaska Native teen - plays the lead role of and assimilated Yup'ik who gets the Native scholarship to a boarding school in Fairbanks and because she has the scholarship people expect her to be expert in all things Native which she then has to become.
Here's an example from IMDB - where's Savanah's name? It's not there.
Here's the official poster:
Can you find Savanah Wiltfong's name on the poster? Even though she's the star, you can't find her name among the four names on top. It is on the poster. It even says "Starring Savanah Wiltfong." But you'll have to double click it to be able to read the purple on black small print. (hint, right side)
When I asked by email what happened to the star in the publicity, Suzi Yoonessi, the writer and director (can you find her on the poster?) wrote back, in part:
The director spoke after the short version in 2007 and surprised me by saying the story takes place at a boarding school in Fairbanks, but because it was so expensive to do it in Fairbanks, she was doing most of it in Washington State. I posted about that and asked Fairbanks folks to contact her if they could help with housing and other services, but it didn't happen.
It came back to the Anchorage International Film Festival in 2009 as a feature length film. I liked everything about it, EXCEPT that it purported to be in Fairbanks. If Fairbanks residents want to see what there town will look like after 50 more years of global climate change, then check out the movie. You'll be hanging around in your shorts and t-shirts on the grass mid-winter. But Anchorage audiences voted it, as I said, an Audience Choice Award for what that's worth.
Suzi made this film as an independent. That means she made every penny stretch as far as it could go - which didn't reach all the way to Fairbanks except for a few location shots as I understand it. The State Film Board hadn't reopened yet. Now that there are tax advantages for film makers on location in Alaska, let's hope this is the last 'green December in Fairbanks' movie until the weather has really changed that much.
On the good side were great acting, interesting characters, and a good story about an assimilated Alaska Native girl discovering her Native roots. It does use the underdogs in competition theme, but has a sweet - I'm tempted to say quirkiness, but it's only quirky for a movie. These are real kids who just aren't the cheerleader types that most common in Hollywood type movies.
And it starred a young woman from Eagle River - Savannah Wiltfong.
So, Alaskans, check it out. My first reaction to the Dear Lemon Lima website was it was waay to girlie for me, but it is original and it captures an aspect of the film.
Here's the trailer.
(Think this is too promotional? Trust me. Like always, no one has paid me to write this. I just think pushing a film by an indendent director - and Indian-American woman if I'm correct - dealing with Alaska Native assimilation and then discovery of her Native culture, starring an Alaskan, with a (unfortunately fake) Fairbanks setting is the right thing to do. I'm just letting people know it's there.)
[I've found - at video.nymag.com - what appears to be the short we saw in 2007 and some of the main characters, including Vanessa, are played by different actors. I was close, it's 11 minutes. The color on here isn't as rich]
And it came back to the Festival in 2009 as a feature length film. And it got an audience award in the feature class that year.
Suzi Yoonessi, the director, emailed me the other day to say the movie would be released VOD (she thought I was hipper than I am and it took me a while to figure out that means video on demand) on Comcast, Time Warner, Cablevision, and Verizon Fios in Alaska on March 4th. It will be released in LA that date too in theaters. Then March 11 in New York. If it does ok in those places, the rest of the world might be able to see it in theaters too.
But as I went to look for more information I found info on the movie, but the Alaska star's name wasn't included. Savanah Wiltforng - an Alaska Native teen - plays the lead role of and assimilated Yup'ik who gets the Native scholarship to a boarding school in Fairbanks and because she has the scholarship people expect her to be expert in all things Native which she then has to become.
Here's an example from IMDB - where's Savanah's name? It's not there.
Screen Capture from IMDB - so this is an image, the links won't work except IMDB |
Here's the official poster:
Can you find Savanah Wiltfong's name on the poster? Even though she's the star, you can't find her name among the four names on top. It is on the poster. It even says "Starring Savanah Wiltfong." But you'll have to double click it to be able to read the purple on black small print. (hint, right side)
When I asked by email what happened to the star in the publicity, Suzi Yoonessi, the writer and director (can you find her on the poster?) wrote back, in part:
Savanah is included in the materials that our PR people send out, but it seems the popular teen sites are really focused on Meaghan Jette Martin or Vanessa Marano, since they have larger fan bases. This isn't a bad thing, since kids will make it out to see an indie film because of Meaghan's popularity in more mainstream material.Maybe my readers are cooler than I am (or teenier) and recognize those other two names. I get it though. The point is to hook people to what they know. I get it. Let's see if it works.
The director spoke after the short version in 2007 and surprised me by saying the story takes place at a boarding school in Fairbanks, but because it was so expensive to do it in Fairbanks, she was doing most of it in Washington State. I posted about that and asked Fairbanks folks to contact her if they could help with housing and other services, but it didn't happen.
It came back to the Anchorage International Film Festival in 2009 as a feature length film. I liked everything about it, EXCEPT that it purported to be in Fairbanks. If Fairbanks residents want to see what there town will look like after 50 more years of global climate change, then check out the movie. You'll be hanging around in your shorts and t-shirts on the grass mid-winter. But Anchorage audiences voted it, as I said, an Audience Choice Award for what that's worth.
Suzi made this film as an independent. That means she made every penny stretch as far as it could go - which didn't reach all the way to Fairbanks except for a few location shots as I understand it. The State Film Board hadn't reopened yet. Now that there are tax advantages for film makers on location in Alaska, let's hope this is the last 'green December in Fairbanks' movie until the weather has really changed that much.
On the good side were great acting, interesting characters, and a good story about an assimilated Alaska Native girl discovering her Native roots. It does use the underdogs in competition theme, but has a sweet - I'm tempted to say quirkiness, but it's only quirky for a movie. These are real kids who just aren't the cheerleader types that most common in Hollywood type movies.
And it starred a young woman from Eagle River - Savannah Wiltfong.
So, Alaskans, check it out. My first reaction to the Dear Lemon Lima website was it was waay to girlie for me, but it is original and it captures an aspect of the film.
Here's the trailer.
(Think this is too promotional? Trust me. Like always, no one has paid me to write this. I just think pushing a film by an indendent director - and Indian-American woman if I'm correct - dealing with Alaska Native assimilation and then discovery of her Native culture, starring an Alaskan, with a (unfortunately fake) Fairbanks setting is the right thing to do. I'm just letting people know it's there.)
Friday, September 10, 2010
Birthday's Eleftheriades Got Best Actor at Cannes Independent Film Festival
I just learned that Natalie Eleftheriades, the star of Birthday, shown at the Anchorage International Film Festival last December, won the Best Actor Award in May at the Cannes Independent Film Festival (CIFF), which runs alongside the more famous Cannes Festival and is for low budget films.
From the CIFF website:
In a post last December, I let the Anchorage Film Festival judges know I thought they blew it by not awarding Birthday a prize and I'm pleased to see the film and the star recognized in France.
And here's the trailer.
The official Birthday website is here.
The Anchorage International Film Festival has had some excellent films and recognized them as such. The other films in 2009 were good - particularly Hipsters. But Birthday should have been in amongst the winners.
From the CIFF website:
Best actor: Natalie Eleftheriadis for BIRTHDAY (Australia)The site also mentions her experiences at Cannes.
With the mission of integrating low-budget indie films into the lifeblood of the Cannes experience, the Cannes Independent Film Festival works to level the playing field for new filmmakers to get their works shown, and sold, in Cannes.
Actress Natalie Eleftheriadis, who also produced BIRTHDAY, used the screening at CIFF as a jumping off point for selling her film to buyers gathered for the March du Film. She, and the film's director James Harkness, spent their days working the Croisette, enticing sales agents and buyers to attend BIRTHDAY's screening at the CIFF Villa. Eleftheriadis said "Being a part of CIFF has provided a unique 'entree' into the market with its boutique, intimate screening facility and wonderfully supportive indie filmmaker vibe. Participating in the festival has generated considerable buzz for our film, and we have planted the seeds for many future international collaborations. The Cannes Independent is a gem in the festival circuit."
In a post last December, I let the Anchorage Film Festival judges know I thought they blew it by not awarding Birthday a prize and I'm pleased to see the film and the star recognized in France.
And here's the trailer.
The official Birthday website is here.
The Anchorage International Film Festival has had some excellent films and recognized them as such. The other films in 2009 were good - particularly Hipsters. But Birthday should have been in amongst the winners.
Wednesday, April 07, 2010
Anchorage Press Has a Slow Week
Obviously, the Anchorage Press is getting desperate* for stories based on this one in this week's edition.
The original post.
Their attorney's letter.
My attorney's letter.
I have to say that Scott Christianson - someone I don't recall ever having talked to until he called earlier this week - treated me decently in the story. I think it's probably good for people who write about other people to be subjects themselves now and then. It reminds us how it feels and maybe makes most of us a little more careful when we write about others.
*And all joking aside, I think this is a story that deserves more attention - the film festival with the exact same ACRONYM as the Anchorage International Film Festival that is, not me.
I'm sure that a lot of people have sent them films thinking they were sending it to a festival that actually shows movies. Their site does say that it doesn't show movies. Film makers do need to read the whole website of festivals they send money to. But there doesn't seem to be any sort of accountability for film festivals other than word of mouth. It's very easy for someone who's never been to Alaska to confuse the Alaska and the Anchorage International Film Festivals. I mistyped it myself and was confused for a while, and I'd been blogging the Anchorage International Film Festival. Think what a film maker in New Jersey knows about Alaska, let alone one in Holland or Japan. How many people send films and money to the Alaska festival thinking the films will be shown to audiences like the Anchorage festival has? I'm guessing quite a few.
There comes a time in every reporter’s career when some jackass threatens to sue. For Steven Aufrecht, a retired university of Alaska professor who blogs about “this and that, as things come up” under the banner What do I know?, the threatening letter arrived in the mail in March. It’s from an attorney and threatens to pursue “all available legal and equitable remedies” on behalf of a client the letter identifies as the proprietor of something called the Alaska International Film Festival.Here's a link to the rest of the story, though regular readers have seen most of it here already.
The original post.
Their attorney's letter.
My attorney's letter.
I have to say that Scott Christianson - someone I don't recall ever having talked to until he called earlier this week - treated me decently in the story. I think it's probably good for people who write about other people to be subjects themselves now and then. It reminds us how it feels and maybe makes most of us a little more careful when we write about others.
*And all joking aside, I think this is a story that deserves more attention - the film festival with the exact same ACRONYM as the Anchorage International Film Festival that is, not me.
I'm sure that a lot of people have sent them films thinking they were sending it to a festival that actually shows movies. Their site does say that it doesn't show movies. Film makers do need to read the whole website of festivals they send money to. But there doesn't seem to be any sort of accountability for film festivals other than word of mouth. It's very easy for someone who's never been to Alaska to confuse the Alaska and the Anchorage International Film Festivals. I mistyped it myself and was confused for a while, and I'd been blogging the Anchorage International Film Festival. Think what a film maker in New Jersey knows about Alaska, let alone one in Holland or Japan. How many people send films and money to the Alaska festival thinking the films will be shown to audiences like the Anchorage festival has? I'm guessing quite a few.
Sunday, March 21, 2010
My Attorney's Response Letter
Last November I wrote a post about the Alaska International Film Festival. Last week I received a letter from their attorney saying I had libeled them. This is my attorney's letter in response.
March 19, 2010
Mr. Robert Jassoy
Law Offices of Robert K. Jassoy
110 W. “A” Street, Suite 950
San Diego, CA 92101
Re: Your Client: Alaska International Film Festival
My Client: whatdoino-steve.blogspot.com
Dear Mr. Jassoy,
Your March 10, 2010, letter to “Mr. John Doe aka Steve, whatdoino@alaska.net” threatening a suit for libel and other tort claims has been forwarded to me for a response. Because your demands are without legal or factual basis, my client does not intend to remove his blog post as you have demanded. Whether or not the activities of your client are of more than passing interest to him, my client does have strong feelings about folks who try to use bullying or intimidation to interfere with the free flow of ideas and information concerning matters of public interest or concern. And that would be the effect, as well as the apparent purpose, of your letter.
My client chooses, as do many bloggers, to conduct his on-line activities at this site using the anonymity of the name he has chosen. However, he has nothing to hide. His name is Steven Aufrecht. He is Professor Emeritus of Public Administration at University of Alaska Anchorage, respected both in his previous academic career and his current avocation as a blogger and commentator. His identity is widely known, and in any event, he provides ready access for those who wish to contact him.
If your client has nothing to hide, we would ask that you disclose the name and contact information of the owner of the Alaska International Film Festival, whose legal interests you represent. My client does not know whether, as you assert in your letter, “awards-based film and screenplay competitions” and “virtual film festivals” are “viable and important avenues for independent filmmakers seeking recognition for their works.” However, he doesn’t feel the need to question your opinion about this matter, or your right to express that opinion. We don’t doubt that
[Robert K. Jassoy, Esq. March 19, 2010 Page 2 of 3]
there are legitimate contrasting points of view concerning your client’s activities, and my client would be happy to continue an open, direct and civilized conversation about some of these issues.
You do not explain in your letter what, if any, specific facts in my client’s blogpost you consider false and defamatory. You don’t seem to dispute that the “film festival” is not a “festival” in any traditional or commonly-accepted sense of that term, which would usually connote some on- site event at an announced time and place, and would usually involve the screening of films submitted. (Perhaps it is your position that what is or is not a “festival” is a matter of opinion.) Nor do you dispute that your client has chosen to appropriate a name for itself that is as close as one might get to the name of the actual established and prestigious Alaska film festival, the Anchorage International Film Festival. Nor do you dispute that your client attempted to make the public think that it has a place of business in, or other substantial contact with, Alaska, e.g., by advertising that it has a suite of offices at a “place” in Anchorage that turns out to be only a small mailbox. Nor do you dispute that other commentators have questioned whether factors such as these should raise flags of caution among members of the public interested in events calling themselves film festivals, and have questioned whether under these circumstances the label “scam” might be appropriate to use in expressing their opinion about your client’s “festival” – or that my client fairly quoted the source of such earlier opinion, and attributed it so that readers could go to that source for more information and judge it for themselves. Nor do you dispute that your client falsely represented to the public that its Alaska “film festival” is more established than it is, and has traded off the existing AIFF, by talking about the awards that it gives out “each year” when in fact it has apparently never given out awards before at all, and, indeed, apparently has not even existed before this year.
The only thing you specifically identify in your letter as being objectionable is that my client raised a question about whether your client’s “film festival” might be characterized as a “scam.” I’m sure you understand that the law allows great latitude in how one chooses to characterize, or express an opinion about anything at all, including a commercial enterprise soliciting money from filmmakers around the world under circumstances such as this. For the sake of argument, I will grant you that reasonable people could differ in their opinions about whether to characterize your client’s activities as a scam — but that’s the nature of opinions, isn’t it?
If my client had called your client’s activities a scam, it would be fully protected by the First Amendment and common law. A fortiori, his raising the question about how your client’s activities are appropriately characterized under these circumstances, or noting that such questions have been raised by others, is also fully protected. The fact that, as you recognize, film festivals and competitions are important to independent filmmakers (and to the larger public, we believe) makes it all the more important that discussion and debate on the nature and quality of such events be uninhibited, wide-open and robust.
I was pleased to see in your firm’s on-line advertising that one of your specialties is “anti- SLAPP” litigation. This means that I don’t need to explain to you about laws like the one your state found necessary to enact specifically to counter what it found to be the “disturbing” use of litigation to chill the valid exercise of free speech and other First Amendment rights. It also means that you
[Robert K. Jassoy, Esq. March 19, 2010 Page 3 of 3]
should easily grasp why any suit like the one you have threatened in your letter to Dr. Aufrecht would be thrown out, and fees assessed against your client, if a motion were filed pursuant to an applicable SLAPP statute.
I can appreciate that you would consider the matter “resolved” if you could succeed in getting those who raise questions about your client’s business, or who might portray its activities in less than flattering terms, to submit to the censorship of your threats and remove these discussions from the public arena. Fortunately, the law does not give you a right to require this.
I have represented news media and others engaged in exercising their First Amendment rights for over three decades, and have taught a university course dealing with these subjects for almost as long. I am fairly confident in the advice I am giving my client. If you wish to point out legal authorities and facts indicating I am wrong, however, I would be happy to consider them and discuss this further with Dr. Aufrecht. And, as noted above, if your client is willing to identify himself or herself, and t openly exchange information and views about the nature and activities of this business the public at large, and independent filmmakers in particular, are being asked to support, my client looks forward to continuing that conversation.
Sincerely,
D. John McKay
cc: Dr. Steven Aufrecht (via e-mail)
March 19, 2010
Mr. Robert Jassoy
Law Offices of Robert K. Jassoy
110 W. “A” Street, Suite 950
San Diego, CA 92101
Re: Your Client: Alaska International Film Festival
My Client: whatdoino-steve.blogspot.com
Dear Mr. Jassoy,
Your March 10, 2010, letter to “Mr. John Doe aka Steve, whatdoino@alaska.net” threatening a suit for libel and other tort claims has been forwarded to me for a response. Because your demands are without legal or factual basis, my client does not intend to remove his blog post as you have demanded. Whether or not the activities of your client are of more than passing interest to him, my client does have strong feelings about folks who try to use bullying or intimidation to interfere with the free flow of ideas and information concerning matters of public interest or concern. And that would be the effect, as well as the apparent purpose, of your letter.
My client chooses, as do many bloggers, to conduct his on-line activities at this site using the anonymity of the name he has chosen. However, he has nothing to hide. His name is Steven Aufrecht. He is Professor Emeritus of Public Administration at University of Alaska Anchorage, respected both in his previous academic career and his current avocation as a blogger and commentator. His identity is widely known, and in any event, he provides ready access for those who wish to contact him.
If your client has nothing to hide, we would ask that you disclose the name and contact information of the owner of the Alaska International Film Festival, whose legal interests you represent. My client does not know whether, as you assert in your letter, “awards-based film and screenplay competitions” and “virtual film festivals” are “viable and important avenues for independent filmmakers seeking recognition for their works.” However, he doesn’t feel the need to question your opinion about this matter, or your right to express that opinion. We don’t doubt that
[Robert K. Jassoy, Esq. March 19, 2010 Page 2 of 3]
there are legitimate contrasting points of view concerning your client’s activities, and my client would be happy to continue an open, direct and civilized conversation about some of these issues.
You do not explain in your letter what, if any, specific facts in my client’s blogpost you consider false and defamatory. You don’t seem to dispute that the “film festival” is not a “festival” in any traditional or commonly-accepted sense of that term, which would usually connote some on- site event at an announced time and place, and would usually involve the screening of films submitted. (Perhaps it is your position that what is or is not a “festival” is a matter of opinion.) Nor do you dispute that your client has chosen to appropriate a name for itself that is as close as one might get to the name of the actual established and prestigious Alaska film festival, the Anchorage International Film Festival. Nor do you dispute that your client attempted to make the public think that it has a place of business in, or other substantial contact with, Alaska, e.g., by advertising that it has a suite of offices at a “place” in Anchorage that turns out to be only a small mailbox. Nor do you dispute that other commentators have questioned whether factors such as these should raise flags of caution among members of the public interested in events calling themselves film festivals, and have questioned whether under these circumstances the label “scam” might be appropriate to use in expressing their opinion about your client’s “festival” – or that my client fairly quoted the source of such earlier opinion, and attributed it so that readers could go to that source for more information and judge it for themselves. Nor do you dispute that your client falsely represented to the public that its Alaska “film festival” is more established than it is, and has traded off the existing AIFF, by talking about the awards that it gives out “each year” when in fact it has apparently never given out awards before at all, and, indeed, apparently has not even existed before this year.
The only thing you specifically identify in your letter as being objectionable is that my client raised a question about whether your client’s “film festival” might be characterized as a “scam.” I’m sure you understand that the law allows great latitude in how one chooses to characterize, or express an opinion about anything at all, including a commercial enterprise soliciting money from filmmakers around the world under circumstances such as this. For the sake of argument, I will grant you that reasonable people could differ in their opinions about whether to characterize your client’s activities as a scam — but that’s the nature of opinions, isn’t it?
If my client had called your client’s activities a scam, it would be fully protected by the First Amendment and common law. A fortiori, his raising the question about how your client’s activities are appropriately characterized under these circumstances, or noting that such questions have been raised by others, is also fully protected. The fact that, as you recognize, film festivals and competitions are important to independent filmmakers (and to the larger public, we believe) makes it all the more important that discussion and debate on the nature and quality of such events be uninhibited, wide-open and robust.
I was pleased to see in your firm’s on-line advertising that one of your specialties is “anti- SLAPP” litigation. This means that I don’t need to explain to you about laws like the one your state found necessary to enact specifically to counter what it found to be the “disturbing” use of litigation to chill the valid exercise of free speech and other First Amendment rights. It also means that you
[Robert K. Jassoy, Esq. March 19, 2010 Page 3 of 3]
should easily grasp why any suit like the one you have threatened in your letter to Dr. Aufrecht would be thrown out, and fees assessed against your client, if a motion were filed pursuant to an applicable SLAPP statute.
I can appreciate that you would consider the matter “resolved” if you could succeed in getting those who raise questions about your client’s business, or who might portray its activities in less than flattering terms, to submit to the censorship of your threats and remove these discussions from the public arena. Fortunately, the law does not give you a right to require this.
I have represented news media and others engaged in exercising their First Amendment rights for over three decades, and have taught a university course dealing with these subjects for almost as long. I am fairly confident in the advice I am giving my client. If you wish to point out legal authorities and facts indicating I am wrong, however, I would be happy to consider them and discuss this further with Dr. Aufrecht. And, as noted above, if your client is willing to identify himself or herself, and t openly exchange information and views about the nature and activities of this business the public at large, and independent filmmakers in particular, are being asked to support, my client looks forward to continuing that conversation.
Sincerely,
D. John McKay
cc: Dr. Steven Aufrecht (via e-mail)
The A(Alaska)IFF Lawyer's Letter
I mentioned last week I got a letter from an attorney saying my post on the Alaska International Film Festival was libelous. Here's the letter. I'll post my attorney's response letter later today.
http://whatdoino-steve.blogspot.com/2009/11/while-working-on-anchorage.html
Tuesday, January 05, 2010
Tea Beats Swords - Red Cliff and The Tea Master
J wanted to see Red Cliff because she studies tai chi and there was supposed to be some good sword moves. I was more skeptical. I'd seen the previews and it looked like an artsy war flick that would require a trip to the blood bank afterward. I was right. A friend afterward said, "but it had an anti war message." I'm not sure saying "Today there are no victors" after almost two and a half hours (total 147 min) of blood, via arrows, lances, and a whole array of pointy weapons I couldn't name, plus lots of fire, typhoid victims floated into the enemy camp as a weapon, to name a few, qualifies it as an anti-war movie. The desensitization to all those severed and burning body parts, the normalization of human destruction is a visual message far more powerful that those few words. And the Red Cliff website touts this dubious reviewer comment:
"The spectacular battle scenes are the engorged heart of the delirious adventure..."
This sort of Chinese historical epic plays on several channels every night on Beijing television, so it's not particularly new for me, though the story is good and the film is well made. I just don't need to spend what time I have left in this world watching people killing each other. And I just don't think this is an effective way to end warfare.
But there was one scene that reminded me of one of the films at the Anchorage International Film Festival that I particularly liked, but in the rush of movies, never got to mention - The Tea Master. It was one of my favorites. A short, well-made film with a great story. It turns out the filmmakers were able to concentrate on other aspects of the production because they already had a good story:
The Tea Master is Aaron Au’s rendition of a Japanese fable titled “The Samurai and the Tea Master”. The story has been told for hundreds of years and there are numerous versions.The Tea Master's story is told at hubpages:
A humble chado, or tea ceremony master was challenged to a duel by an unscrupulous ronin who was confident of winning with ease. The chado knew he was no match for the master-less samurai but could not refuse without losing honour, so he prepared to die.The tea ceremony is an important part of Japanese and Chinese culture and has a powerful effect on people who can appreciate its art.
He therefore went to see his neighbour a Kenjutsu (sword) master, to ask how he should best prepare to die with honour. “ How honourable your intent neighbour” he says. “but before we talk of such things we must drink some tea together”
The chado set about the task of preparing the tea in his usual manner. He was clearly relishing this, probably the last, time he would be able to perform his life long art. As he became absorbed in the ceremony the sword master was greatly impressed by the serenity that this supposedly doomed man was demonstrating. (You can read the rest of the story at hubpages. Picture from The Tea Master web page.)
In Red Cliff, a tea ceremony also plays an important role in distracting the power hungry prime minister/general Cao Cao just long enough for the wind and the war to change direction.
Perhaps in the next fifty or 100 years, enough research will be completed that we will better understand why some people have such a strong need to control others and to destroy those who get in their way. My suspicions are that the secret lies partly in genetics but that genetic disposition doesn't need to show itself if children get the love and support they all need to become whole people. I'm guessing that when the Rush Limbaugh story comes out on film, we will learn about an abused fat kid who spent his formative years fantasizing his revenge on all the hip people of the world who ridiculed him as a kid. Too bad he didn't learn the tea ceremony.
Wednesday, December 23, 2009
Finally Out to Cross Country Ski
Don Chan came up to Anchorage to work as hospitality coordinator for the Anchorage International Film Festival. All the film makers I know were more than pleased with how well he looked after them.
He worked so hard he never really got a chance to see much of Anchorage except the routes between the venues and places where people were staying.
I'd invited him to go cross country skiing earlier this week when everything was so covered in ice and snow, but the temperature was near 0˚F (-17˚C). But it's warmed up (about 30˚F/-1˚C) and I offered to take him out this morning. I decided to not even look at my computer this morning before I left. I got to the B&B he's staying at and rang the bell. No one around. I walked to the back, but everything was locked and dark inside.
This government vehicle was parked at the trailhead with its motor on when we arrived. An hour or so later, the motor was still running. We didn't see anyone around. There may have been some logical explanation. It was plugged into the solar panel on the pole, so given the distinct lack of sun, perhaps it was charging something up. What do I know?
(Learning to turn around.)
I'd invited him to go cross country skiing earlier this week when everything was so covered in ice and snow, but the temperature was near 0˚F (-17˚C). But it's warmed up (about 30˚F/-1˚C) and I offered to take him out this morning. I decided to not even look at my computer this morning before I left. I got to the B&B he's staying at and rang the bell. No one around. I walked to the back, but everything was locked and dark inside.
Just before deciding to leave (he wasn't answering his cell either) I heard someone say she'd be down. She let me in and I ended up waking him up. Turns out he'd sent me an email this morning canceling because he'd been up all night working on the Palm Springs Film Festival. But he said, "Well I'm up now so let's go."
It was his first time on cross country skis and he did fine. We did about two miles on the beautiful - and mostly flat - Campbell Airstrip trails. Then I dropped him off downtown on the way to a lunch meeting.
This government vehicle was parked at the trailhead with its motor on when we arrived. An hour or so later, the motor was still running. We didn't see anyone around. There may have been some logical explanation. It was plugged into the solar panel on the pole, so given the distinct lack of sun, perhaps it was charging something up. What do I know?
Saturday, December 19, 2009
AIFF 2009 - Vincent Part 2
I'll try to get some of the leftover videos, photos, and thoughts about the film festival up as I can. I talked to Vincent: A Life In Color director Jennifer Burns (and to Vincent) before their film was shown. Here's a bit of the Q&A after the Sunday showing of the film.
This was a quirky film - about a quirky person, Vincent, who stands on a downtown Chicago bridge wearing brightly colored suits waving at the tour boats on the Chicago River.
Burns took a local character whom many people knew about - he's also a regular on some Chicago radio and one of the tv shows - and then reveals, layer by layer, a life most of us would otherwise never have a chance to know. It's a stereotype breaker as I saw my initial hypotheses about Vincent shattered and a completely different story unfold. Having Vincent come along to Anchorage, wearing his amazing suits (I think he said he brought five or six suits along), was an extra bonus.
This film is a definite demonstration that different from the norm is NOT less than the norm. This was Jennifer's first film and I think it would be a better film by cutting about 20 minutes. The people discussing Vincent's past should pretty much stay, but some of the people speculating about Vincent's present life got a bit repetitive. But overall, it was an interesting view of humanity, not someone you meet every day.
This was a quirky film - about a quirky person, Vincent, who stands on a downtown Chicago bridge wearing brightly colored suits waving at the tour boats on the Chicago River.
Burns took a local character whom many people knew about - he's also a regular on some Chicago radio and one of the tv shows - and then reveals, layer by layer, a life most of us would otherwise never have a chance to know. It's a stereotype breaker as I saw my initial hypotheses about Vincent shattered and a completely different story unfold. Having Vincent come along to Anchorage, wearing his amazing suits (I think he said he brought five or six suits along), was an extra bonus.
This film is a definite demonstration that different from the norm is NOT less than the norm. This was Jennifer's first film and I think it would be a better film by cutting about 20 minutes. The people discussing Vincent's past should pretty much stay, but some of the people speculating about Vincent's present life got a bit repetitive. But overall, it was an interesting view of humanity, not someone you meet every day.
Friday, December 18, 2009
AIFF 2009 - Filmmakers Maddux, Bliley, and Burns Talk About Festival
After the awards ceremony Sunday night, I caught Stu Maddux, director of Trip to Hell and Back, Robyn Bliley, director of Circus Rosaire, and Jennifer Burns, director of Vincent: A Life of Color in the Bear Tooth. Given that they'd each been to a number of other film festivals, I asked them how the Anchorage International Film Festival could be improved. They told me what they liked, but I got the sense they didn't want to direct any criticism toward the festival.
They all were very pleased with how well they were treated by the festival. You can hear what they said:
They all were very pleased with how well they were treated by the festival. You can hear what they said:
Thursday, December 17, 2009
AIFF 2009 - Last Show - Paddle to Seattle 5:30 Hipsters 8pm
The winners of the best Documentary and best Feature get shown today, then the festival closes up til next year. But I do suspect it will be hard to get in, so go early. I haven't seen Paddle to Seattle yet - a long kayak trip that people really enjoyed. And Hipsters is a fun musical that will change your mind about Russian cinema and keep your feet tapping. BEAR TOOTH.
Wednesday, December 16, 2009
AIFF 2009 - Comments on Point Traverse and Birthday
We're sitting out tonight. It's all stuff we've seen and we need a break. But here's a comment from a festival passholder on Point Traverse, a film I missed. It actually had its world premiere here Saturday night and I got to talk to the film maker, Albert Shin, Monday night as he was getting ready to fly back to Toronto. You can see my short video of Albert here. Lewis said he liked the film, so I asked him to tell me why.
I also found this comment on the ADN website that echoed my thoughts about the best feature.
I don't know that they 'snubbed' Birthday as much as chose other films. Hipsters, Bomber, and Son of the Sunshine, were all good films. Different people will differ on which was best. But I think Willie's comments about Birthday being special and being a perfect festival film are right on the mark. It was my pick too for best film.
I also found this comment on the ADN website that echoed my thoughts about the best feature.
Alaska_Willie wrote on 12/14/2009 11:35:18 AM:
While admittedly, Hipsters was great, I thought the best film of the AIFF was Birthday. Birthday was completely robbed! Hipsters seemed like a big Hollywood-Moscowood- Bollywood blockbuster complete with a reported $22 million budget!
Birthday, on the other hand, was shockingly raw and intimate; the kind of film that film festivals exist for. Birthday pulled off what makes movies truly "worth freezing for". The suspension of reality and boundaries and masks for 104 minutes.
It's a shame Birthday didn't even get 2nd place or at least an honorable mention. Hopefully, the film will receive the recognition it deserves at another festival somewhere. Unfortunately, AIFF snubbed it and in so doing...snubbed Anchorage.
I don't know that they 'snubbed' Birthday as much as chose other films. Hipsters, Bomber, and Son of the Sunshine, were all good films. Different people will differ on which was best. But I think Willie's comments about Birthday being special and being a perfect festival film are right on the mark. It was my pick too for best film.
AIFF 2009 - Security Guard's View of the Festival
Here's the Bear Tooth's lead security guard, JP, who had a unique view of the festival.
Tuesday, December 15, 2009
AIFF 2009 - Logo Artist Lance Lekander
Here's Lance Lekander, the artist who created the Raven logo for this year's festival. This was at an Animation program where his Snakes on the Brain, the shortest film in the festival (35 seconds), was shown.
AIFF 2009 - Tapped, A Time Comes, Dear Lemon Lima Tonight
At the Bear Tooth tonight at 5:30 there's a documentary on bottled war, Tapped. Sounds dull, but it isn't and you'll never look at a bottle of water the same. That was the director's goal. It was the Documentary runner up. A Time Comes won the best documentary award and tells the story of a group of global warming activists who stop a new British coal plant from opening.
The 8pm slot has Audience Choice runner up Dear Lemon Lima, a feature about an
Alaska Native student in a Fairbanks private high school who learns about her Yu'pik heritage. Savanah Wiltfong of Eagle River plays the leading role. The scenery is a little strange for fall in Fairbanks (this was a low budget film shot in Seattle), but the story is a good one and the film has a lot of charm.
Picture: Savanah Wiltfong (left), her mom Wendy, and Circus Rosaire director Robyn Bliley on Awards Night.
The 8pm slot has Audience Choice runner up Dear Lemon Lima, a feature about an
Alaska Native student in a Fairbanks private high school who learns about her Yu'pik heritage. Savanah Wiltfong of Eagle River plays the leading role. The scenery is a little strange for fall in Fairbanks (this was a low budget film shot in Seattle), but the story is a good one and the film has a lot of charm.
Picture: Savanah Wiltfong (left), her mom Wendy, and Circus Rosaire director Robyn Bliley on Awards Night.
AIFF 2009 - Loose Ends and Albert Shin on Point Traverse
The Anchorage International Film Festival 2009 went well. A real step up from last year. There were very good films in all categories and I don't think there were any complete dogs. But I still haven't figured what percent of all the films I saw. Probably a reasonably high percent, but only because I saw so many of the shorts and animated programs. There are lots of films I totally missed. While I think that Birthday should have been among the feature winners and Prodigal Sons among the documentary winners, that's all a matter of taste. The films that did win were good solid films.
But once the gala was over Sunday night, some loose ends started showing. The website had problems - Rand mentioned at the Gala that they were having trouble posting the best of the fest schedule. But when I looked Monday night, I could find only a few of the winners categories posted. My list was much more complete, but I was trying to blog and video simultaneously and so I had a few gaps and one clear mistake. I'm still trying to square the AIFF's website list of Snowdance winners with what I thought I heard in a couple of cases.
Also, Monday night's showing of People of the Seal AND Best Snowdance Shorts at 5:30 was replaced by Mount St. Elias. Something was wrong with the compilation disk apparently. There were a few unhappy film goers. I found out after ordering some food to eat in the theater, but I really didn't want to see Mount St. Elias again, so I got some quiet time over dinner with my wife in the restaurant, took care of an errand, and checked out some books at Title Wave until the 8 pm showing.
All the film makers I've talked, said they really have enjoyed the friendly nature of the festival and the enthusiasm and helpfulness of the volunteers. (I'll put up some video comments by three film makers later.) This is not a fussy or pretentious festival. It runs on the volunteer power and a few main folks who work non-stop for ten days plus prep. So, a few kinks are probably the cost of having a low key, but high quality festival.
And as we left Monday night, I got to talk to Don Chan who's been coordinating film makers' visits and Albert Shin, whose film Point Traverse had its world premiere Saturday night in Anchorage. Had I known it was a premiere and that Albert was there, I would have stayed in the museum Saturday night instead going to see From Somewhere to Nowhere. But that too was a good film that intimately took us into the lives of migrant workers in China. All this is preface to the short video below where Albert briefly talks about his film. As I write this at 2:15 am, his plane should have just taken off as he journeys back to Toronto.
But once the gala was over Sunday night, some loose ends started showing. The website had problems - Rand mentioned at the Gala that they were having trouble posting the best of the fest schedule. But when I looked Monday night, I could find only a few of the winners categories posted. My list was much more complete, but I was trying to blog and video simultaneously and so I had a few gaps and one clear mistake. I'm still trying to square the AIFF's website list of Snowdance winners with what I thought I heard in a couple of cases.
Also, Monday night's showing of People of the Seal AND Best Snowdance Shorts at 5:30 was replaced by Mount St. Elias. Something was wrong with the compilation disk apparently. There were a few unhappy film goers. I found out after ordering some food to eat in the theater, but I really didn't want to see Mount St. Elias again, so I got some quiet time over dinner with my wife in the restaurant, took care of an errand, and checked out some books at Title Wave until the 8 pm showing.
All the film makers I've talked, said they really have enjoyed the friendly nature of the festival and the enthusiasm and helpfulness of the volunteers. (I'll put up some video comments by three film makers later.) This is not a fussy or pretentious festival. It runs on the volunteer power and a few main folks who work non-stop for ten days plus prep. So, a few kinks are probably the cost of having a low key, but high quality festival.
And as we left Monday night, I got to talk to Don Chan who's been coordinating film makers' visits and Albert Shin, whose film Point Traverse had its world premiere Saturday night in Anchorage. Had I known it was a premiere and that Albert was there, I would have stayed in the museum Saturday night instead going to see From Somewhere to Nowhere. But that too was a good film that intimately took us into the lives of migrant workers in China. All this is preface to the short video below where Albert briefly talks about his film. As I write this at 2:15 am, his plane should have just taken off as he journeys back to Toronto.
Monday, December 14, 2009
AIFF 2009 - Best in Fest Schedule Dec. 14-17
Here's the schedule for best in fest - the award winning films to be played again this week at the Bear Tooth, two programs per night.
MONDAY, DEC. 14:
5:30 - People of the Seal AND Best Snowdance Shorts
8:00 - Award Winning Short Films and Mixed Live Action and Animation
TUESDAY, DEC. 15:
5:30 - Best Documentary Tapped and Best Short Documentary A Time Comes
8:00 - Runner Up Audience Choice Best Feature - Dear Lemon Lima
WEDNESDAY, DEC. 16:
5:30 - Runner Up Best Feature - Bomber
8:00 - Runner Up Best Documentary - Mount St. Elias
THURSDAY, DEC. 17:
5:30 - Best Documentary - Paddle to Seattle
8:00 - Best Feature - Hipsters
Here's the video of the end of the Awards Gala announcing the schedule:
MONDAY, DEC. 14:
5:30 - People of the Seal AND Best Snowdance Shorts
8:00 - Award Winning Short Films and Mixed Live Action and Animation
TUESDAY, DEC. 15:
5:30 - Best Documentary Tapped and Best Short Documentary A Time Comes
8:00 - Runner Up Audience Choice Best Feature - Dear Lemon Lima
WEDNESDAY, DEC. 16:
5:30 - Runner Up Best Feature - Bomber
8:00 - Runner Up Best Documentary - Mount St. Elias
THURSDAY, DEC. 17:
5:30 - Best Documentary - Paddle to Seattle
8:00 - Best Feature - Hipsters
Here's the video of the end of the Awards Gala announcing the schedule:
AIFF 2009 - All the Winners In The Last Post
I hope people weren't waiting for the next post.
What I ended up doing was updating the last post over and over - so there were no new posts, just continual updates in the last post. All the winners are now listed in the previous post.
I'm going to try to get the film schedule for this coming week up soon.
Then I'll catch up on the backlog of video and thoughts that I have about all the films as I can in the next couple of weeks.
What I ended up doing was updating the last post over and over - so there were no new posts, just continual updates in the last post. All the winners are now listed in the previous post.
I'm going to try to get the film schedule for this coming week up soon.
Then I'll catch up on the backlog of video and thoughts that I have about all the films as I can in the next couple of weeks.
Sunday, December 13, 2009
AIFF 2009 - Awards Gala Live - The Winners Are...
[UPDATE Monday Dec. 14 late: Trying to blog live and video at the same time meant I didn't quite get everything perfect. So I finally got around just now to checking the AIFF see who the winners were. They don't have all of them up though and I have the Snowdance winners different. I have video of the announcements of the winners, but haven't had a chance to check it yet. I'm going to correct the ones I know are wrong (Das Pocket - there was a film with Pocket - should be Das Paket. And I didn't catch the name Deadspiel.) Then I'm going to check the video to see what they said. I think almost everything I have up is correct, but some of the names of the Snowdance categories are not quite right. Also I didn't get up the Quick Freeze Winners. I'll fix what I can now and get the rest later. Sorry to Deadspiel and Das Paket particularly.]
8:23pm The gala's opened with dancers. I'm sitting too close to the front to get them in my camera.
8:27pm The dancers and music are really quite interesting.
8:29 The name of the local dance group was announced, but I wouldn't even try to spell it.
Starting with the Super Shorts Category (all the films in competition except in this category
are listed in the post before the last one). Over 90 films
Runner up: Countdown
2nd Place:Not sure what she said Deadspiel
Winner: DasPocketPaket
Short Films:
Runner Up: Luksus
2nd Place: Miracle Fish
Winner: Next Floor
8:53pm
Animation
Runner Up: Calypso
2nd Place: The Mouse that Soared
Winner: Topi
9:06pm
Rand Thornsley, the President of the Film Festival Board is now thanking everyone, with Tony and Dawnell at his side. He mentioned this is the lowest price festival in the US - and the $7 admission price will go up next year. (Boos in the audience)
Now he's going to recognize some volunteers. Volunteer from San Francisco, DonChin [Chan,] coming up to the stage.
Beth Varner, Volunteer Coordinator, from Seattle Film Festival.
There's going to be a break now, then the rest of the awards soon. Coming up:
9:50pm
Snowdance [UPDATE Monday Dec. 14 late - checking on the categories and places - I've put below my original list in this category, what the AIFF website says, but it's at odds with what I remember from last night. Will check the video.]
Can't Wait to See More Category: Paxson Woelber,
Captures the Alaskan Experience: Fat Bike, Maria Williams, Beautiful Journey
Best that shows the beauty of Alaska: Josh Thomas and JJ Kelly for Paddle to Seattle
Best Outdoor Adventure: Mount St. Elias
Honorable Mention [Short Film]: Michael Conti Play Balls of Ice
2nd Place: Peter Dunlap-Shohl Frozen Shorts
Winner: Mary Katzke - About Face
[UPDATE Dec. 14 late: here's from the AIFF website - About Face is missing
10:30 This is really embarrassing. My battery died as we went into the documentary winners and I couldn't find an outlet where I could also see what was going on. Here's the list and I'll clean this up later.
Short Documentary
Runner Up: Trip to Hell and Back
2nd Place: Frequent Flier
Winner: A Time Comes
Documentary
Runner Up: A Sea Change
2nd Place: Playground
Winner: Tapped
Feature
Runner Up: Son of the Sunshine
2nd Place: Bomber
Winner: Hipsters
10:40pm
Audience Choice Awards
Documentary
Runner Up: Mount St. Elias
Winner: Paddle to Seattle
Feature:
Runner Up: Dear Lemon Lima
Winner: Hipsters
8:23pm The gala's opened with dancers. I'm sitting too close to the front to get them in my camera.
8:27pm The dancers and music are really quite interesting.
8:29 The name of the local dance group was announced, but I wouldn't even try to spell it.
Starting with the Super Shorts Category (all the films in competition except in this category
are listed in the post before the last one). Over 90 films
Runner up: Countdown
2nd Place:
Winner: Das
Short Films:
Runner Up: Luksus
2nd Place: Miracle Fish
Winner: Next Floor
8:53pm
Animation
Runner Up: Calypso
2nd Place: The Mouse that Soared
Winner: Topi
9:06pm
Rand Thornsley, the President of the Film Festival Board is now thanking everyone, with Tony and Dawnell at his side. He mentioned this is the lowest price festival in the US - and the $7 admission price will go up next year. (Boos in the audience)
Now he's going to recognize some volunteers. Volunteer from San Francisco, Don
Beth Varner, Volunteer Coordinator, from Seattle Film Festival.
There's going to be a break now, then the rest of the awards soon. Coming up:
9:50pm
Snowdance [UPDATE Monday Dec. 14 late - checking on the categories and places - I've put below my original list in this category, what the AIFF website says, but it's at odds with what I remember from last night. Will check the video.]
Can't Wait to See More Category: Paxson Woelber,
Captures the Alaskan Experience: Fat Bike, Maria Williams, Beautiful Journey
Best that shows the beauty of Alaska: Josh Thomas and JJ Kelly for Paddle to Seattle
Best Outdoor Adventure: Mount St. Elias
Honorable Mention [Short Film]: Michael Conti Play Balls of Ice
2nd Place: Peter Dunlap-Shohl Frozen Shorts
Winner: Mary Katzke - About Face
[UPDATE Dec. 14 late: here's from the AIFF website - About Face is missing
Frozen Shorts (Snowdance best short film)
Hugo in the Land of Lemmonsharks (Snowdance ‘can’t wait to see more’)
The Prospector (Snowdance ‘can’t wait to see more’)
Balls of Ice (Snowdance Honorable Mention Short Film)
The Perils of Technology (QuickFreeze 2nd place)
Smoke and Shadows (QuickFreeze winner)]
Short Documentary
Runner Up: Trip to Hell and Back
2nd Place: Frequent Flier
Winner: A Time Comes
Documentary
Runner Up: A Sea Change
2nd Place: Playground
Winner: Tapped
Feature
Runner Up: Son of the Sunshine
2nd Place: Bomber
Winner: Hipsters
10:40pm
Audience Choice Awards
Documentary
Runner Up: Mount St. Elias
Winner: Paddle to Seattle
Feature:
Runner Up: Dear Lemon Lima
Winner: Hipsters
Subscribe to:
Posts (Atom)