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Thursday, January 08, 2015

"Two things I’d never written: a love story and a science play. So I wrote THE ICE-BREAKER."

So writes playwright David Rambo on his website.  Two things I've blogged about are plays and climate change, but I've never written about them in the same post.  Rambo's notes go on:
"Following the success of Randall Arney’s production of GOD’S MAN IN TEXAS at the Geffen Playhouse, I was offered a commission from the Geffen and A.S.K. Theatre Projects. We kicked some ideas around, but nothing stuck – until I read a New Yorker article by the marvelous writer Elizabeth Kolbert about discovering the history of climate over millennia through drilling into the Greenland ice cap. I gave Randall the article with a note, “I think there’s a metaphor here I can’t resist.”
Thus began a year of research about climate science. I sought out geologists and climate specialists, read everything I could find on the Arctic and the logistics of ice core drilling. My initial sense was that the play should be intimate, about people more than science.
To let all the research settle in my mind, I gave myself a retreat: a drive through the southwest in the summer. My route was chased by wildfires, the desert sky turned purple and threatening with hailstorms, I went for days without having to speak to another human – it was an extraordinary couple of weeks.
The play took shape. I loved it, but the Geffen didn’t. Happily, The Magic Theatre in San Francisco did. Director Art Manke introduced it to them and we got a Sloan Foundation grant to help mount a premiere, along with the National New Plays Network. Art later staged it at The Laguna Playhouse, which was about as perfect a realization of the play as I could have hoped for.
THE ICE-BREAKER isn’t produced as much as it should be; maybe some theatres feel climate science is too controversial. That’s a shame; it’s a lovely, heartbreaking, thought-provoking visit with to people as strong and as vulnerable as the planet."
 He ends with this note:
THE ICE-BREAKER isn’t produced as much as it should be; maybe some theatres feel climate science is too controversial. That’s a shame; it’s a lovely, heartbreaking, thought-provoking visit with to people as strong and as vulnerable as the planet.

Well, it's not too controversial for Cyrano's and opening night is tomorrow  Friday at 7pm.
And the opening night proceeds go to Citizens Climate Lobby Anchorage chapter which I've written about now and then.  CCL is the most efficient and organized and no-nonsense group I've ever seen close up.

They will have their international call in meeting Saturday morning after the play at 8:30am at UAA Rasmusson Hall 220.

2 comments:

  1. http://www.amazon.com/Conversion-Ultraviolet-Protection-MagicFiber-Microfiber/dp/B00C699L30

    ReplyDelete
  2. Joe, I think your comment was meant for the Dangerous Machine post. Thanks. I didn't realize that Powershots came with 50m lenses too. Mine is the little pocket kind. http://www.amazon.com/Canon-PowerShot-SD790IS-Digital-Stabilized/dp/B0011ZK6OS
    My newer, bigger Canon could definitely use a polarizing filter and an ultraviolet filter. The filters I have for my old Pentax don't fit. Slightly different sized lens.

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