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Sunday, October 12, 2008

As You Like It Sheds Light on Sarah Palin



We went to see As You Like It this afternoon. Basically, I wanted to hear Philip Munger's songs. You can listen here. And you really should have this playing while you read the rest of this.

Sitting through a Shakespeare play, even a relatively light one like this, I was reminded of why we still put on his plays 400 years after he wrote them. If only more Americans would know the characters of Shakespeare the way they know the Desperate Housewives, perhaps this election season would be less contentious. While I would particularly like the people flocking to cheer our governor to have been schooled in Shakespeare, it would also be good for those who are Obama supporters, so that their expectations for his possible Presidency will be realistic.

In any case, I was struck by this early conversation between Oliver - hero Orlando's older brother who has kept Orlando from gaining his inheritance - and a wrestler Orlando has challenged.

As You Like it By William Shakespeare, George Lyman Kittredge:

Oliver: "... I tell thee, Charles, it is the stubbornest young fellow of France; full of ambition, an envious emulator of every man's good parts, a secret and villainous contriver against me his natural brother: therefore use thy discretion; I had as lief thou didst break his neck as his finger. And thou wert best look to't; for if thou dost him any slight disgrace, or if he do not mightily grace himself on thee, he will practise against thee by poison, entrap thee by some treacherous device, and never leave thee till he hath ta 'en thy life by some indirect means or other; for, I assure thee, and almost with tears I speak it, there is not one so young and so villainous this day living."

The wrestler Charles agrees to take care of Orlando should he show up for the match.
Oliver: Farewell good Charles. [Exit CHARLES] Now will I stir this gamester: I hope I shall see an end of him; for my soul, yet I know not why, hates nothing more than he. Yet he's gentle; never school'd, and yet learned; full of noble device of all sorts; enchantingly beloved; and indeed so much in the heart of the world, and especially of my own people, who best know him, that I am altogether misprised. But it shall not be so long; this wrestler shall clear all; nothing remains but that I kindle the boy thither; which now I'll go about. [Exit]"



I dare say we know of those who knowingly lie about their rivals in hopes that their 'wrestler' friends will dispatch them. And, sad to say, were the wrestler to know the truth, I suspect he'd dispatch him anyway.

Oliver lies to Charles, totally misrepresents Orlando's character, knowingly. Why? Because Orlando's goodness blocks Oliver's ambitions. Of course, we know no one like this. No one who speaks untruths about rivals who block their path to power.

But in As You Like It, this sort of jealousy of another who makes oneself look bad in comparison comes up again. Soon after the scene above, Duke Frederick, who, has housed Rosalind after he expelled her father years ago, has decided Rosalind too must go.

[Enter Duke FREDERICK with Lords]
Duke F: Mistress, dispatch you with your safest haste, And get you from our Court.
Ros: Me? uncle?
Duke F: You, cousin:
Within these ten days if that thou be'st found
So near our public Court as twenty miles,
Thou diest for it.


Rosalind, appealing to logic and reason, asks what she has done to cause this.

Ros: I do beseech your Grace,
Let me the knowledge of my fault bear with me;
If with myself I hold intelligence,
Or have acquaintance with mine own desires;
If that I do not dream, or be not frantic, --
As I do trust I am not, -- then, dear uncle,
Never so much as in a thought unborn,
Did I offend your Highness.


The Duke then basically says, I don't have to answer your questions, I'll just start another line of attack. Oh, my, this starts sounding so familiar. You are a traitor he tells her. Your words are pretty, but no one can trust your words.

Duke F: Thus do all traitors:
If their purgation did consist in words,
They are as innocent as grace itself;
Let it suffice thee, that I trust thee not.


Rosalind, still using reason, responds:

Ros: Yet your mistrust cannot make me a traitor
Tell me whereon the likelihood depends.

Duke F: Thou art thy father's daughter there's enough.


Does this not sound terribly familiar? How is it that Obama is a Muslim if not because "he art his father's son"? How do Reverend Wright's words make Obama a traitor?



Ros: So was I when your Highness took his dukedom:
So was I when your Highness banish d him:
Treason is not inherited my lord;
Or if we did derive it from our friends,
What's that to me? my father was no traitor.
Then, good my liege, mistake me not so much
To think my poverty is treacherous.

Oh dear, poverty is very near community organizing. Now Duke Frederick's daughter, Celia, pleads on behalf of her dearest friend.

Cel: Dear sovereign hear me speak.

Duke F: Ay Celia; we stay'd her for your sake,
Else had she with her father ranged along.


Basically, we kept this traitor because of you, her father tells her. But she disputes this lie.

Cel: I did not then entreat to have her stay;
It was your pleasure and your own remorse;
I was too young that time to value her;
But now I know her: if she be a traitor,
Why, so am I; we still have slept together;
Rose at an instant, learn'd, play'd, eat together;
And, wheresoe'er we went like Juno's swans,
Still we went coupled and inseparable.


Every lie the Duke constructs is torn down, and finally, he tells her the truth. It is similar to Oliver's truth about Orlando: Stupid Celia, Rosalind is so good, she makes you look terrible in comparison. That's why she must go.

Duke F: She is too subtle for thee; and her smoothness,
Her very silence, and her patience,
Speak to the people, and they pity her.
Thou art a fool: she robs thee of thy name;
And thou wilt show more bright and seem more virtuous
When she is gone. Then open not thy lips:
Firm and irrevocable is my doom
Which I have pass'd upon her: she is banish'd.


Fortunately, Palin and her right wing spewers of hate (I got another email pointing me to another racist anti-Obama YouTube video today) cannot decree McCain's election as easily as the Duke can banish Rosalind. They can only hope that they can con enough Americans to feel the same fears about Obama, that they willingly buy into their lies and vote for McCain.

A lot of Kings, Dukes, Emperors, etc. (no Presidents in those days) are murdered in Shakespeare's plays and Sarah Palin's speeches have been getting people to say those sorts of things out loud. If Obama were harmed by anyone, this country's future would be grimmer than grim. The only people who would 'win' are those who would rather be dead than see a Black man President.

So, go see or read Shakespeare. Yes, it takes a bit to get used to the old words. If you don't read an annotated version, you won't recognize all the references that Shakespeare's contemporary audience would have understood. But he is much more understandable than Jon Stewart will be in 400 years, and has lots to teach us about human beings.

Well, maybe someone more familiar than I with the characters in Desperate Housewives or some other relevant TV show can figure out which characters would help get the undecideds to understand what is going on.



The pictures:
The poster. (You can buy tickets before the performance in the Theater and Arts Building at UAA. Free parking on Fridays nights and weekends. There's a discount for 15 or more people. How about a bloggers' night at the theater to hear Phil's music?)

Some of the cast after the performance.

Walking home.

5 comments:

  1. Even after spending dozens of hours with the cast, scores of hours on the music and getting familiar with the play, your take on this taught me so much. That's how deep Shakespeare's thought is.

    One of the cast told me that she learns something new about her lines every time she recites them.

    Glad you liked it...

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  2. Well for me Jon Steward is barely understandable in the present. He has dumb accent in my opinion so I have to concentrate hard to understand him and around midnight it may not be the easiest. If it makes you happier I know nor Shakespeare's characters (well I know some but not much) neighter Desperate Housewives characters (not at all). It is not rare that old dramas and stories have meaning in the present.

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  3. I enjoyed Phil's music-- that made me smile. The kids like it, too.

    Your comparison of the play to what is going on now reminds me of how current Shakespeare is and why his work is still being shown. Do you think that while he was working on it that he was thinking that in 400 years college students would still be studying his work and that play houses would sell out?

    If the actors are into their characters, after 100minutes I forget that I am listening to an older dialect of the language.

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  4. post rocks - more people should read this blog.

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  5. tnc - that's one of the strongest things about this production - that you fall into the cast's ability to ease your understanding of the lines so quickly. Even in rehearsal, I had little problem understanding their lines.

    And Rosiland, who I suspect will get even better every performance - especially in her dialogues with Orlando or Celia - is totally contemporary. You don't have to "mind the gap...."

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